The Handmaid's Tale (26 page)

The problem wasn't only with the women, he says. The main problem was with the men. There was nothing for them any more.

Nothing? I say. But they had …

There was nothing for them to do, he says.

They could make money, I say, a little nastily. Right now I'm not afraid of him. It's hard to be afraid of a man who is sitting watching you put on hand lotion. This lack of fear is dangerous.

It's not enough, he says. It's too abstract. I mean there was nothing for them to do with women.

What do you mean? I say. What about all the Pornycorners, it was all over the place, they even had it motorized.

I'm not talking about sex, he says. That was part of it, the sex was too easy. Anyone could just buy it. There was nothing to work for, nothing to fight for. We have the stats from that time. You know what they were complaining about the most? Inability to feel. Men were turning off on sex, even. They were turning off on marriage.

Do they feel now? I say,

Yes, he says, looking at me. They do. He stands up, comes around the desk to the chair where I'm sitting. He puts his hands on my shoulders, from behind. I can't see him.

I like to know what you think, his voice says, from behind me.

I don't think a lot, I say lightly. What he wants is intimacy, but I can't give him that.

There's hardly any point in my thinking, is there? I say. What I think doesn't matter.

Which is the only reason he can tell me things.

Come now, he says, pressing a little with his hands. I'm interested in your opinion. You're intelligent enough, you must have an opinion.

About what? I say.

What we've done, he says. How things have worked out.

I hold myself very still. I try to empty my mind. I think about the sky, at night, when there's no moon. I have no opinion, I say.

He sighs, relaxes his hands, but leaves them on my shoulders. He knows what I think, all right.

You can't make an omelette without breaking eggs, is what he says. We thought we could do better.

Better? I say, in a small voice. How can he think this is better?

Better never means better for everyone, he says. It always means worse, for some.

I lie flat, the damp air above me like a lid. Like earth. I wish it would rain. Better still, a thunderstorm, black clouds, lightning, ear-splitting sound. The electricity might go off. I could go down to the kitchen then, say I'm afraid, sit with Rita and Cora around the kitchen table, they would permit my fear because it's one they share, they'd let me in. There would be candles burning, we would watch each other's faces come and go in the flickering, in the white flashes of jagged light from outside the windows. Oh Lord, Cora would say. Oh Lord save us.

The air would be clear after that, and lighter.

I look up at the ceiling, the round circle of plaster flowers. Draw a circle, step into it, it will protect you. From the centre was the chandelier, and from the chandelier a twisted strip of sheet was hanging down. That's where she was swinging, just lightly, like a pendulum; the way you could swing as a child, hanging by your hands from a tree branch. She was safe then, protected altogether, by the time Cora opened the door. Sometimes I think she's still in here, with me.

I feel buried.

L
ate afternoon, the sky hazy, the sunlight diffuse but heavy and everywhere, like bronze dust. I glide with Ofglen along the sidewalk; the pair of us, and in front of us another pair, and across the street another. We must look good from a distance: picturesque, like Dutch milkmaids on a wallpaper frieze, like a shelf full of period-costume ceramic salt and pepper shakers, like a flotilla of swans or anything that repeats itself with at least minimum grace and without variation. Soothing to the eye, the eyes, the Eyes, for that's who this show is for. We're off to the Prayvaganza, to demonstrate how obedient and pious we are.

Not a dandelion in sight here, the lawns are picked clean. I long for one, just one, rubbishy and insolently random and hard to get rid of and perennially yellow as the sun. Cheerful and plebian, shining for all alike. Rings, we would make from them, and crowns and necklaces, stains from the bitter milk on our fingers. Or I'd hold one under her chin:
Do you like butter?
Smelling them, she'd get pollen on her nose. (Or was that buttercups?) Or gone to seed: I can see
her, running across the lawn, that lawn there just in front of me, at two, three years old, waving one like a sparkler, a small wand of white fire, the air filling with tiny parachutes.
Blow, and you tell the time
. All that time, blowing away in the summer breeze. It was daisies for love though, and we did that too.

We line up to get processed through the checkpoint, standing in our twos and twos and twos, like a private girls' school that went for a walk and stayed out too long. Years and years too long, so that everything has become overgrown, legs, bodies, dresses all together. As if enchanted. A fairy tale, I'd like to believe. Instead we are checked through, in our twos, and continue walking.

After a while we turn right, heading past Lilies and down towards the river. I wish I could go that far, to where the wide banks are, where we used to lie in the sun, where the bridges arch over. If you went down the river long enough, along its sinewy windings, you'd reach the sea; but what could you do there? Gather shells, loll on the oily stones.

We aren't going to the river though, we won't see the little cupolas on the buildings down that way, white with blue and gold trim, such chaste gaiety. We turn in at a more modern building, a huge banner draped above its door –
WOMEN'S PRAYVAGANZA TODAY
. The banner covers the building's former name, some dead President they shot. Below the red writing there's a line of smaller print, in black, with the outline of a winged eye on either side of it:
GOD IS A
NATIONAL RESOURCE
. On either side of the doorway stand the inevitable Guardians, two pairs, four in all, arms at their sides, eyes front. They're like store mannequins almost, with their neat hair and pressed uniforms and plaster-hard young faces. No pimply ones today. Each has a submachine gun slung ready, for whatever dangerous or subversive acts they think we might commit inside.

The Prayvaganza is to be held in the covered courtyard, where there's an oblong space, a skylight roof. It isn't a citywide Prayvaganza, that would be on the football field; it's only for this district. Ranks of folding wooden chairs have been placed along the right side, for the Wives and daughters of high-ranking officials or officers, there's not that much difference. The galleries above, with their concrete railings, are for the lower-ranking women, the Marthas, the Econowives in their multicoloured stripes. Attendance at Prayvaganzas isn't compulsory for them, especially if they're on duty or have young children, but the galleries seem to be filling up anyway. I suppose it's a form of entertainment, like a show or a circus.

A number of the Wives are already seated, in their best embroidered blue. We can feel their eyes on us as we walk in our red dresses two by two across to the side opposite them. We are being looked at, assessed, whispered about; we can feel it, like tiny ants running on our bare skins.

Here there are no chairs. Our area is cordoned off with a silky twisted scarlet rope, like the kind they used to have in movie theatres to restrain the customers. This rope segregates us, marks us off, keeps the others from contamination by us, makes for us a corral or pen; so into it we go, arranging ourselves in rows, which we know very well how to do, kneeling then on the cement floor.

“Head for the back,” Ofglen murmurs at: my side. “We can talk better.” And when we are kneeling, heads bowed slightly, I can hear from all around us a susurration, like the rustling of insects in tall dry grass: a cloud of whispers. This is one of the places where we can exchange news more freely, pass it from one to the next. It's hard for them to single out any one of us or hear what's being said. And they wouldn't want to interrupt the ceremony, not in front of the television cameras.

Ofglen digs me in the side with her elbow, to call my attention, and I look up, slowly and stealthily. From where we're kneeling we have a good view of the entrance to the courtyard, where people are coming steadily in. It must be Janine she meant me to see, because there she is, paired with a new woman, not the former one; someone I don't recognize. Janine must have been transferred then, to a new household, a new posting. It's early for that, has something gone wrong with her breast milk? That would be the only reason they'd move her, unless there's been a fight over the baby; which happens more than you'd think. Once she had it, she may have resisted giving it up. I can see that. Her body under the red dress looks very thin, skinny almost, and she's lost that pregnant glow. Her face is white and peaked, as if the juice is being sucked out of her.

“It was no good, you know,” Ofglen says near the side of my head. “It was a shredder after all.”

She means Janine's baby, the baby that passed through Janine on its way to somewhere else. The baby Angela. It was wrong, to name her too soon. I feel an illness, in the pit of my stomach. Not an illness, an emptiness. I don't want to know what was wrong with it. “My God,” I say. To go through all that, for nothing. Worse than nothing.

“It's her second,” Ofglen says. “Not counting her own, before. She had an eighth-month miscarriage, didn't you know?”

We watch as Janine enters the roped-off enclosure, in her veil of untouchability, of bad luck. She sees me, she must see me, but she looks right through me. No smile of triumph this time. She turns, kneels, and all I can see now is her back and the thin bowed shoulders.

“She thinks it's her fault,” Ofglen whispers. “Two in a row. For being sinful. She used a doctor, they say, it wasn't her Commander's at all.”

I can't say I do know or Ofglen will wonder how. As far as she's aware, she herself is my only source, for this kind of information; of which she has a surprising amount. How would she have found out about Janine? The Marthas? Janine's shopping partner? Listening at closed doors, to the Wives over their tea and wine, spinning their webs. Will Serena Joy talk about me like that, if I do as she wants?
Agreed to it right away, really she didn't care, anything with two legs and a good you-know-what was fine with her. They aren't squeamish, they don't have the same feelings we do
. And the rest of them leaning forward in their chairs,
My dear
, all horror and prurience. How could she? Where? When?

As they did no doubt with Janine. “That's terrible,” I say. It's like Janine though to take it upon herself, to decide the baby's flaws were due to her alone. But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.

One morning while we were getting dressed, I noticed that Janine was still in her white cotton nightgown. She was just sitting there on the edge of her bed.

I looked over towards the double doors of the gymnasium, where the Aunt usually stood, to see if she'd noticed, but the Aunt wasn't there. By that time they were more confident about us; sometimes they left us unsupervised in the classroom and even the cafeteria for minutes at a time. Probably she'd ducked out for a smoke or a cup of coffee.

Look, I said to Alma, who had the bed next to mine.

Alma looked at Janine. Then we both walked over to her. Get your clothes on, Janine, Alma said, to Janine's white back. We don't want extra prayers on account of you. But Janine didn't move.

By that time Moira had come over too. It was before she'd broken free, the second time. She was still limping from what
they'd done to her feet. She went around the bed so she could see Janine's face.

Come here, she said to Alma and me. The others were beginning to gather too, there was a little crowd. Go on back, Moira said to them. Don't make a thing of it, what if
she
walks in?

I was looking at Janine. Her eyes were open, but they didn't see me at all. They were rounded, wide, and her teeth were bared in a fixed smile. Through the smile, through her teeth, she was whispering to herself. I had to lean down close to her.

Hello, she said, but not to me. My name's Janine. I'm your wait-person for this morning. Can I get you some coffee to begin with?

Christ, said Moira, beside me.

Don't swear, said Alma.

Moira took Janine by the shoulders and shook her. Snap out of it, Janine, she said roughly. And don't use that
word
.

Janine smiled. You have a nice day, now, she said.

Moira slapped her across the face, twice, back and forth. Get back here, she said. Get right back here! You can't stay
there
, you aren't
there
any more. That's all gone.

Janine's smile faltered. She put her hand up to her cheek. What did you hit me for? she said. Wasn't it good? I can bring you another. You didn't have to hit me.

Don't you know what they'll do? Moira said. Her voice was low, but hard, intent. Look at me. My name is Moira and this is the Red Centre. Look at me.

Janine's eyes began to focus. Moira? she said. I don't know any Moira.

They won't send you to the Infirmary, so don't even think about it, Moira said. They won't mess around with trying to cure you. They won't even bother to ship you to the Colonies. You go too far away and they just take you up to the Chemistry Lab and shoot you.
Then they burn you up with the garbage, like an Unwoman. So forget it.

I want to go home, Janine said. She began to cry.

Jesus God, Moira said. That's enough. She'll be here in one minute, I promise you. So put your goddamn clothes on and shut up.

Janine kept whimpering, but she also stood up and started to dress.

She does that again and I'm not here, Moira said to me, you just have to slap her like that. You can't let her go slipping over the edge. That stuff is catching.