The Heat of Betrayal (3 page)

All the way home that question nagged at me. Life, they say, is a great teacher. But only if we are truly willing to shake off our illusions and self-deceptions.

Love, however, always muddies clarity of vision. And a life without love is a bit like the balance sheets I gaze over every working day: far too concrete, too reasoned. My love for Paul was as bound up in his recklessness as in his talent, his intelligence, his ardour for me.

I got home just after six p.m. to the nineteenth-century Gothic place we'd bought together. His car was parked out front. When I entered the house I was startled to find that order had descended upon chaos. In recent weeks Paul had started treating our home as a happy dumping ground. However, in the days I had been out of contact, not only had he divested the house of his mess, but all the windows glistened, all the wood surfaces were free of dust and had been polished. There were fresh flowers in several vases and I could smell something pasta-esque in the oven.

As the door slammed behind me, Paul emerged from the kitchen, looking just a little sheepish. He couldn't make direct eye contact with me. But when he did once look up in my direction I could see his sadness and fear.

‘Smells good,' I said.

‘I made it for you, for us.' Again he avoided my gaze. ‘Welcome home.'

‘Yes, I came back. But—'

He held up his hand.

‘I sold all the wine.'

‘I see.'

‘I found a guy here in town. Big-deal collector. Offered me six thousand dollars for my cellar.'

‘You have a cellar?'

He nodded, looking like a little boy who had just been caught out in a very big lie.

‘Where?' I asked.

‘You know that shed behind the garage? The one we never use?'

The shed was something akin to a bomb shelter, with two folding steel doors that lay flat to the ground. When we were negotiating to buy the house we naturally had it opened for us, and found a damp semi-lined cave. As the house already had a renovated basement we simply put a lock on the two doors after we bought the place and left it empty.

At least, that's what I thought.

‘How long have you been building up this wine collection?' I tried to sound reasonable.

‘A while.'

He came over and took me in his arms.

‘I'm sorry,' he said.

‘I don't want apologies. I just don't want another repetition of all this financial mess.'

‘And I don't want to lose you.'

‘Then don't. Because I do want you,
us
.'

To Paul's credit he became industrious again after the wine incident, spending all free non-teaching hours on a new series of lithographs. It was the first time that he had settled down to serious creative work since our marriage. Though his gallery owner in New York was enthusiastic, the general downturn in the market and Paul's lack of visibility in recent times meant that the sort of prices he could demand had shrunk decisively. Still, he did manage to find a buyer. Though Paul was disappointed with the negotiated price, part of him was clearly thrilled with the fact that he still ‘had the chops', as he put it, when it came to his art. After paying off most of his credit-card debts he then took me out to dinner at a most upscale (for Buffalo) French restaurant where he ordered a far too expensive bottle of wine and told me the gallery owner had another client interested in a new series.

‘The buyer is willing to plonk down fifty per cent up front – so that should be another ten grand to me in a couple of weeks. What's a bottle of Paulliac compared to that?'

I'm not that into wine. Still . . . why not celebrate? Especially as Paul was making good on paying off his debts. When we got home that night, he lit candles in our bedroom, put on a CD of Miles Davis playing ‘Someday My Prince Will Come', and made love to me with the ferocity and sensuality that only he could.

My first husband, Donald, had always had issues about intimacy. He was a super-bright, endlessly anxious man; an old-school journalistic muckraker on the
Buffalo Sun
who covered local politics and was widely considered to be one of the great specialists on municipal corruption in the state. Just out of college, having done a stint on a paper in Madison, Wisconsin, after getting my BA from Minnesota, I was delighted to have landed the job on the City Desk of the
Sun
. Donald was completely committed to Buffalo. I was so smitten by this five-foot-six-inch whirlwind that I too became committed to Buffalo. But the sex – when it happened – was, at best, perfunctory; at worst, it flat-lined.

‘Not good at this, never been good at this,' he whispered the first night we slept together and he had what could be politely described as ‘performance-related issues'. I reassured him that this happened to all men from time to time, that it was no big deal, that things would come right. The truth is . . . even when he was able to complete the act it was never satisfying. He was endlessly anxious, caught up in his fears about appearing inadequate and inferior, and no amount of reassurance could assuage such ingrained self-doubts. But I chose to overlook the fact that our bed became a sort of cross upon which Donald crucified himself. By the end of our first year of marriage, our lovemaking (if you could call it that) had dwindled to twice a month. I suggested that Donald seek counselling. He agreed and then refused to go. Though he remained brilliantly engaging company, that crucial part of our married life went into permanent decline.

But I continued to reason that, given even more love and support, all those intimacy issues would vanish and our marriage would steady and . . .

It is extraordinary, isn't it, the way we convince ourselves all will be well in a relationship that we privately know to be doomed.

The end of my marriage to Donald came the evening he showed up late from the newsroom, with eight whiskies too many in him, and informed me:

‘The fact is, even if I did get counselling or go to my doctor and let him prescribe me something, all the little blue pills in the world wouldn't stop the repulsion I feel every time you come close to me.'

I snapped my eyes shut, trying to tell myself that he had not said what he had just said. But when my eyes opened the look on Donald's face was a strange little half-smile. The sight of him, quietly enjoying the hurt and confusion now ricocheting within me, led me to the following uncomfortable truth: he said that because he knew, once it was uttered, we would have passed the point of no return.

‘Now you can really hate me,' he finally whispered.

‘I just pity you, Donald.'

I asked for a meeting with our newspaper's editor-in-chief the next morning. I told him that, if the paper was still offering the voluntary redundancy packages mentioned some months earlier during a wave of cutbacks, I would be willing to accept one.

Ten days later – with one year's salary in the bank – I got into my car and drove north to Montreal. I had decided to learn French and live in a city that hovered somewhere between a European and New World sensibility. It was also cheap. I found a small apartment in the decidedly francophone confines of the Plateau, and went to daily French lessons at the Université de Montréal where I worked hard at mastering that challenging and intricate language. My proficiency improved considerably when I started having an affair with a man named Thierry, who ran a used record store on the rue Saint Denis and was intermittently trying to write the great
québécois
novel. His charms and reasonable sexual confidence – especially after Donald – were subsumed by unapologetic laziness.

After a year I was able to renew my student visa. As my prowess in French grew, I began to hatch plans about perhaps moving to Paris and working out some way of landing a
carte de séjour
and reinventing myself professionally as . . .

This was the dilemma. What was I going to do next in my life? I set up an appointment at the French consulate in Montreal and found myself facing a very
petite fonctionnaire
who discouraged me from even thinking about finding work in Paris without a European passport or a French husband. My Canadian student visa allowed me to take on work for the length of my sojourn there at the university. I found a temporary post as an administrative assistant in a firm of bilingual accountants – and started finding myself fascinated by the world of numbers. I knew that, by retraining as a certified public accountant, I was again landing myself in the world of other people's narratives that I had said I would dodge when I left journalism. Nonetheless, after eighteen months in Quebec, I decided to cross over the American frontier again and enter a CPA course in Buffalo. I knew why I was running back there. Buffalo was safe. It was the only place to date in my life where I had put down roots. No longer being at the newspaper meant that my chances of running into Donald were nominal. I still felt a deep lingering sadness about the end of the marriage, coupled with the thought that I should have been able to change him. Just as my need to do something practical or serious with my life was also a larger reflection of all the residual things I felt about Dad. In Buffalo I had some good friends and many contacts – so there was also the prospect of being able to set up my own small accountancy firm and have enough people to reach out to as potential clients.

Just to prove that I was a responsible young woman I found a job with a local CPA while doing the two-year accountancy course. This allowed me to take what was left from the redundancy money and put down a 50 per cent payment on a nice apartment in an old Victorian-style house (Buffalo is so cheap), and even renovate the kitchen and bathroom while furnishing it with funky second-hand items. When the time came – and I was indeed an officially certified public accountant – I had seven clients who joined me on the day I first opened my office.

Then, two years later, Paul walked in.

‘I wonder – is this all a mistake?'

His words as we landed in Morocco. A journey that was his idea, his surprise which he sprang on me just two weeks after he had cleared a significant portion of his debts and had sworn off compulsive spending. I'd just come home from my bi-weekly yoga class to find Paul at work in the kitchen, the aromatic aromas of North Africa wafting everywhere. Approaching him at the stove I gave him a kiss and said:

‘Let me guess – a tagine?'

‘Your powers of observation are formidable.'

‘Not as formidable as your culinary skills.'

‘Your self-doubt is touching, but not founded in fact.'

As always Paul's lamb tagine was splendid. He made it with preserved lemons and prunes; a recipe he'd learned during the very formative two years he'd spent in Morocco in his mid-twenties.

That was back in the early 1980s – when, having graduated from Parsons School of Design in New York and having tried to make a go of it as an artist in the then still demi-monde world of Alphabet City in the extreme East Village, he decided that a radical change of scene was required. Through the careers office at Parsons he learned that an art school in Casablanca was looking for an instructor in drawing: $3,000 a year for a two-year contract, plus a little apartment near the school.

‘They told me it was probably the best art school in Morocco – “though that's not saying much”. Still, it would give me the chance to live somewhere exotic, escape the workaday world, travel, and get a considerable amount of my own work done under that white-hot North African sun.'

So Paul quit his job, took the cramped overnight flight to Casablanca – and hated everything about the place on sight. In no way resembling the fabled, mythic city of the movie, it was sprawling, concrete, ugly. The art school turned out to be second-rate, the staff demoralised, the students largely untalented.

‘I had very few friends at the beginning – outside of a Franco-Moroccan artist named Romain Ben Hassan who was a rather talented abstract expressionist for such a budding alcoholic. But it was Romain who got me a French teacher and forced me to speak with him in the language of everyone around me. And it was Romain who also got me to stop feeling sorry for myself, and let me into his social circle of local and expatriate artists. He also forced me to get on with my own work.'

Paul had found a life for himself. He had a circle of fellow artists – Moroccan and expatriate – with whom he hung out. He had one or two students whom he thought promising. Most of all he worked rigorously on an amazing portfolio of lithographs and line drawings that chronicled his quarter of Casablanca. Though the art school wanted him to stay on he used this portfolio – which he called ‘The White City' – to get himself a gallery in New York.

While on a three-week break between art school terms he headed south to a walled seaside city called Essaouira: ‘Like going back to the Middle Ages and landing yourself in the ultimate artist's colony.' Essaouira was always one of Paul's conversation pieces. How he found a room in a fantastically cheap and ‘atmospherically seedy' hotel, with a great balcony from which he could see the sweep of the Atlantic and the medieval walls of this strange, alluring city where ‘Orson Welles shot his film version of
Othello
' and ‘Jimi Hendrix smoked far too much dope while chilling out on the Moroccan Atlantic vibe'. Paul spent his weeks there working on a second collection of line drawings – ‘In the Labyrinth' – depicting the spindly alleyways of Essaouira. His art dealer/gallery owner in Manhattan, Jasper Pirnie, managed to sell thirty of his lithographs.

‘The money I made from the lithographs could have paid for me to stay another two years in Essaouira, it was so cheap back then. But what did I do? The State University of New York in Buffalo had a position open in their Visual Art Department. The fact that I knew the chairman of the department, who actually rated me . . . well, there it was – an assistant professorship with the possibility of tenure in six years if I kept getting my lithographs and drawings exhibited. But even as I packed my bags in Essaouira, after sending a telegram back to the department head that I was accepting the job and telling the Casablanca art school that I wouldn't be returning to teach there, I knew this was a decision I would come to regret.'