‘Did your mother communicate her intentions to you?’ Holmes asked.
‘She didn’t need to. I knew what was in her mind and I was hardly surprised when they found her. She had made her choice. This has not been a pleasant household from the day that the American woman arrived, Mr Holmes. And now this latest business, this intruder who has broken into our home and stolen Mama’s necklace, our most cherished memory of that dear, departed soul. It is all part of the same evil business. How do we not know that this stranger has not come here on her account rather than to pursue some vendetta against my brother? She was with me in the sitting room when he first appeared. I saw him from the window. Perhaps he is an old acquaintance who has followed her here. Perhaps he is more. But this is only the beginning of it, Mr Holmes. So long as this marriage continues, we will none of us be safe.’
‘Your brother seems perfectly content,’ Holmes responded, with a degree of indifference. ‘But setting that aside, what would you have me do? A man can choose whom he marries without the blessing of his mother. Or, indeed, of his sister.’
‘You can investigate her.’
‘It is none of my business, Miss Carstairs.’
Eliza Carstairs gazed at him with contempt. ‘I have read of your exploits, Mr Holmes,’ she replied. ‘And I have always considered them to be exaggerated. You yourself, for all your cleverness, have always struck me as someone with no understanding of the human heart. Now I know that to be true.’ And with that, she wheeled round and went back into the house.
Holmes watched her until the door had closed. ‘Most singular,’ he remarked. ‘This case becomes increasingly curious and complex.’
‘I have never heard a woman speak with such fury,’ I observed.
‘Indeed, Watson. But there is one thing I would particularly like to know, for I am beginning to see great danger in this situation.’ He glanced at the fountain, at the stone figures and the frozen circle of water. ‘I wonder if Mrs Catherine Carstairs is able to swim?’
Holmes slept in late the next morning and I was sitting on my own, reading
The Martyrdom of Man
, by Winwood Reade, a book that he had recommended to me on more than one occasion but which, I confess, I had found heavy going. I could see, however, why the author had appealed to my friend with his hatred of ‘idleness and stupidity’, his reverence for ‘the divine intellect’, his suggestion that ‘It is the nature of man to reason from himself outwards.’ Holmes could have written much of it himself, and although I was glad to turn the last page and set it aside, I felt it had at least provided me with some insight into the detective’s mind. The morning post had brought a letter from Mary. All was well in Camberwell; Richard Forrester was not so ill that he could not take delight in seeing his old governess again, and she was evidently enjoying the companionship of the boy’s mother who was treating her, quite correctly, as an equal rather than a former employee.
I had picked up my pen to reply to her when there was a loud ring at the front door, followed by the patter of many feet on the stairs. It was a sound that I remembered well, so I was fully prepared when about half a dozen street Arabs burst into the room and formed themselves into something resembling an orderly line, with the tallest and oldest of them shouting them into shape.
‘Wiggins!’ I exclaimed, for I remembered his name. ‘I had not expected to see you again.’
‘Mr ’olmes sent us a message, sir, summoning us on a matter of the greatest hurgency,’ Wiggins replied. ‘And when Mr ’olmes calls, we come, so ’ere we are!’
Sherlock had once named them the Baker Street division of the detective police force. At other times he referred to them as the Irregulars. A scruffier, more ragged bunch would be hard to imagine, boys between the ages of eight and fifteen, held together by dirt and grime, their clothes so cut about and stitched back together that it would be impossible to say to how many other children they must have at some time belonged. Wiggins himself was wearing an adult jacket that had been cut in half, a strip removed from the middle and the top, and the bottom put together again. Several of the boys were barefooted. Only one, I noted, was a little smarter and better fed than the others, his clothes slightly less threadbare, and I wondered what wickedness – pickpocketing, perhaps, or burglary – had furnished him with the means not just to survive but, in his own way, to prosper. He could not have been more than thirteen years old and yet, like all of them, he was already quite grown up. Childhood, after all, is the first precious coin that poverty steals from a child.
A moment later, Sherlock Holmes appeared and with him, Mrs Hudson. I could see that our landlady was flustered and out of sorts and she did not attempt to hide her thoughts. ‘I won’t have it, Mr Holmes. I’ve told you before. This is a respectable house in which to invite a gang of ragamuffins. Heaven knows what diseases they’ll have brought in with them – nor what items of silver or linen will be gone when they depart.’
‘Please calm yourself, my good Mrs Hudson,’ Holmes laughed. ‘Wiggins! I’ve told you before. I will not have the house invaded in this way. In future, you alone will report to me. But since you are here and have brought with you the entire gang, listen carefully to my instructions. Our quarry is an American, a man in his mid-thirties who occasionally wears a flat cap. He has a recent scar on his right cheek and, I think we can assume, is a stranger to London. Yesterday, he was at London Bridge Station and has in his possession a gold necklace set with three clusters of sapphires which, needless to say, he came by illicitly. Now, where do you think he would go to dispose of it?’
‘Fullwood’s Rents!’ one boy shouted out.
‘The Jews on Petticoat Lane,’ cried another.
‘No! He’ll get a better price at the hell houses,’ suggested a third. ‘I’d go to Flower Street or Field Lane.’
‘The pawnbrokers!’ interjected the better-dressed boy who had first caught my attention.
‘The pawnbrokers!’ Holmes agreed. ‘What’s your name, boy?’
‘It is Ross, sir.’
‘Well, Ross, you have the makings of a detective. The man that we seek is new to the city and will not know Flower Street, Fullwood’s Rents or any of the more esoteric corners where you boys find trouble for yourselves. He will go to the most obvious place and the symbol of the three golden balls is known throughout the world. So that’s where I want you to begin. He arrived at London Bridge, and let us assume that he chose to reside in a hotel or a lodging house close to there. You must visit every pawnbroker in the district, describing the man and the jewellery which he may have attempted to sell.’ Holmes reached into his pocket. ‘My rates are the same as always. A shilling each and a guinea for whoever finds what I’m looking for.’
Wiggins snapped a command and, with a great deal of noise and bustle, our unofficial police force marched out, watched by a hawk-eyed Mrs Hudson who would spend the rest of the morning counting the cutlery. As soon as they had gone, Holmes clapped his hands and sank into a chair. ‘Well, Watson,’ he proclaimed. ‘What do you make of that?’
‘You seem to have every confidence that we will find O’Donaghue,’ I said.
‘I am fairly certain that we will locate the man who broke into Ridgeway Hall,’ he replied.
‘Do you not think that Lestrade will also be enquiring at the pawnbrokers?’
‘I somehow doubt it. It is so obvious that it will not have crossed his mind. However, we have the whole day ahead of us and nothing to fill it so, since I have missed breakfast, let’s take lunch together at Le Cafe´ de l’Europe beside the Haymarket Theatre. Despite the name, the food is English and first rate. After that, I have it in mind to visit the gallery of Carstairs and Finch in Albemarle Street. It might be interesting to acquaint ourselves with Mr Tobias Finch. Mrs Hudson, should Wiggins return, you might direct him there. But now, Watson, you must tell me what you thought of
The Martyrdom of Man
. I see that you have finally finished it.’
I glanced at the book which was lying innocuously on its side. ‘Holmes …?’
‘You have been using a cigarette card as a bookmark. I have watched its tortuous progress from the first page to the last and I see it is now lying on the table, finally released from its labours. I will be interested to hear your conclusions. Some tea, perhaps, Mrs Hudson, if you will be so kind?’
We left the house and strolled down to the Haymarket. The fog had lifted and, although still very cold, it was another brilliant day with crowds of people pouring in and out of the department stores and street sellers wheeling their barrows and calling out their wares. At Wimpole Street a great throng had gathered round an organ grinder, an old Italian playing some mournful Neapolitan tune which had also drawn in an assortment of shammers who moved among the spectators, relating their pitiful stories to anyone who would listen. There was barely a corner that did not have a street performer and, for once, nobody was inclined to move them on. We ate at Le Cafe´ de l’Europe where we were served an excellent raised game pie and Holmes was in an effusive mood. He did not speak of the case, at least, not directly, but I remember him musing on the nature of pictorial art and its possible use in the solving of crime.
‘You remember Carstairs telling us of the four lost Constables,’ he said. ‘They were views of the Lake District painted at the start of the century when, apparently, the artist was sombre and depressed. The oils on the canvas, therefore, become a clue to his psychology and it follows that if a man chooses to hang such a work on the wall of his drawing room, we may also learn a great deal about his own state of mind. Did you remark, for example, on the art on display at Ridgeway Hall?’
‘A great deal of it was French. There was a view of Brittany, another of a bridge crossing the River Seine. I thought the works very fine.’
‘You admired them but you learned nothing from them.’
‘You mean in respect of the character of Edmund Carstairs? He prefers the countryside to the city. He is drawn to the innocence of childhood. He is a man who likes to be surrounded by colour. I suppose that something of his personality could have been surmised from the pictures we saw on his walls. But then again, we cannot be sure that every piece had been chosen by Carstairs himself. His wife or his late mother could have been responsible.’
‘That is very true.’
‘And even a man who kills his wife may have a gentler side to his nature which finds expression in his choice of art. You will recall that business with the Abernetty family. Horace Abernetty had hung his walls with many fine studies of local flora, as I recall. And yet he himself was an individual of the most loathsome and thuggish sort.’
‘My own memory is that much of the fauna depicted was of the poisonous variety, since you mention it.’
‘And what of Baker Street, Holmes? Are you telling me that a visitor to your sitting room will find clues to your psychology through a contemplation of the works that hang around you?’
‘No. But they might tell you a great deal about my predecessor, for I can assure you, Watson, that there is hardly a single picture in my own lodgings which was not there when I arrived. Do you seriously imagine that I went out and purchased that portrait of Henry Ward Beecher which used to stand over your books? An admirable man by all accounts and his views on slavery and bigotry are to be recommended, but it was left behind by whomever had the room before me and I simply chose to leave it in its place.’
‘Did you not purchase the picture of General Gordon?’
‘No. But I had it mended and reframed after I accidentally fired a bullet into it. That was at the insistence of Mrs Hudson. You know, I may very well write a monograph on this subject; the use of art in matters of detection.’
‘Holmes, you insist upon seeing yourself as a machine,’ I laughed. ‘Even a masterpiece of impressionism is to you nothing more than a piece of evidence to be used in the pursuit of a crime. Perhaps an appreciation of art is what you need to humanise you. I shall insist that you accompany me on a visit to the Royal Academy.’
‘We already have the gallery of Carstairs and Finch on our agenda, Watson, and I think that will be enough. The cheeseboard, waiter. And a glass of Moselle, I think, for my friend. Port is too heavy for the afternoon.’
It was but a short distance to the gallery, and once again we strolled together. I have to say that I took immense satisfaction in these moments of quiet sociability and felt myself to be one of the luckiest men in London to have shared in the conversation which I have just described and to be walking in such a leisurely manner at the side of so great a personage as Sherlock Holmes. It was about four o’clock and the light was already fading when we arrived at the gallery which was not, in fact, in Albermarle Street itself, but in an old coaching yard just off it. Apart from a discreet sign, written in gold letters, there was little to indicate that this was a commercial enterprise. A low door led into a rather gloomy interior with two sofas, a table and a single canvas – two cows in a field painted by the Dutch artist, Paulus Potter – mounted on an easel. As we entered, we heard two men arguing in the adjoining room. One voice I recognised. It belonged to Edmund Carstairs.
‘It’s an excellent price,’ he was saying. ‘And I am certain of it, Tobias. These works are like good wine. Their value can only rise.’
‘No, no, no!’ replied the other voice in a high-pitched whine. ‘He calls them seascapes. Well, I can see the sea … but precious little else. His last show was a fiasco and now he has taken refuge in Paris where, I hear, his reputation is in rapid decline. It’s a waste of money, Edmund.’
‘Six works by Whistler—’
‘Six works we shall never be rid of!’
I was standing at the door and closed it more heavily than was strictly necessary, wishing to signal our presence to the two men inside. It had the desired effect. The conversation broke off and a moment later a thin, white-haired individual, immaculately dressed in a dark suit with a wing collar and black tie, appeared from behind a curtain. A gold chain hung across his waistcoat and a pair of pince-nez, also gold, rested at the very tip of his nose. He must have been at least sixty years old, but there was still a spring in his step and a certain nervous energy that manifested itself in his every move.