Authors: Mazo de la Roche
Tags: #FIC045000 – FICTION / Sagas
As he ran, he flung his arms forward alternately like a swimmer; he darted off at sudden tangents, shying like a skittish horse, his face now fierce with rolling eyes, now blank as a gambolling lamb’s.
It was an erratic progress, and, as he crept through his accustomed hole in the cedar hedge on to the shaggy lawn, he began to be afraid that he might, after all, be late for dinner. He entered the house quietly and heard the click of dishes and the sound of voices in the dining room.
Dinner was in progress, the older members of the family already assembled, when the youngest (idler, liar, thief, wastrel that he was!) presented himself at the door.
T
HE
F
AMILY
T
HERE
seemed a crowd of people about the table, and all were talking vigorously at once. Yet, in talking, they did not neglect their meal, which was a hot, steaming dinner, for dishes were continually being passed, knives and forks clattered energetically, and occasionally a speaker was not quite coherent until he had stopped to wash down the food that impeded his utterance with a gulp of hot tea. No one paid any attention to Wakefield as he slipped into his accustomed place on the right of his half sister Meg. As soon as he had begun to come to table he had been set there, first in a high chair, then, as he grew larger, on a thick volume of
British Poets,
an anthology read by no member of the family and, from the time when it was first placed under him, known as “Wakefield’s book.” As a matter of fact, he did not need its added inches to be able to handle competently his knife and fork now, but he had got used to it, and for a Whiteoak to get used to anything meant a tenacious and stubborn clinging to it. He liked the feel of its hard boards under him, though occasionally, after painful acquaintance with Renny’s shaving strop or Meg’s slipper, he could have wished the
Poets
had been padded.
“I want my dinner!” He raised his voice, in a very different tone from the conciliatory one he had used to Mrs. Brawn, Mrs. Wigle, and the rector. “My dinner, please!”
“Hush.” Meg took from him the fork with which he was stabbing the air. “Renny, will you please give this child some beef. He won’t eat the fat, remember. Just nice lean.”
“He ought to be made to eat the fat. It’s good for him.” Renny hacked off some bits of the meat, adding a rim of fat.
Grandmother spoke, in a voice guttural with food: “Make him eat the fat. Good for him. Children spoiled nowadays. Give him nothing but the fat. I eat fat and I’m nearly a hundred.”
Wakefield glared across the table at her resentfully. “Shan’t eat the fat. I don’t want to be a hundred.”
Grandmother laughed throatily, not at all ill-pleased. “Never fear, my dear, you won’t do it. None of you will do it but me. Ninety-nine, and I never miss a meal. Some of the dish gravy, Renny, on this bit of bread. Dish gravy, please.”
She held up her plate, shaking a good deal. Uncle Nicholas, her eldest son, who sat beside her, took it from her and passed it to Renny, who tipped the platter till the ruddy juice collected in a pool at one end. He put two spoonfuls of this over the square of bread. “More, more,” ordered Grandmother, and he trickled a third spoonful. “Enough, enough,” muttered Nicholas.
Wakefield watched her, enthralled, as she ate. She wore two rows of artificial teeth, probably the most perfect, most efficacious that had ever been made. Whatever was put between them they ground remorselessly into fuel for her endless vitality. To them many of her ninety-and-nine years were due. His own plate, to which appetizing little mounds of
mashed potatoes and turnips had been added by Meg, lay untouched before him while he stared at Grandmother.
“Stop staring,” whispered Meg, admonishingly, “and eat your dinner.”
“Well, take off that bit of fat, then,” he whispered back, leaning toward her.
She took it on to her own plate.
The conversation buzzed on in its former channel. What was it all about, Wake wondered vaguely, but he was too much interested in his dinner to care greatly. Phrases flew over his head, words clashed. Probably it was just one of the old discussions provocative of endless talk: what crops should be sown that year; what to make of Finch, who went to school in town; which of Grandmother’s three sons had made the worst mess of his life—Nicholas, who sat on her left, and who had squandered his patrimony on fast living in his youth; Ernest, who sat on her right, and who had ruined himself by nebulous speculations and the backing of notes for his brothers and his friends; or Philip, who lay in the churchyard, who had made a second marriage (and that beneath him!) which had produced Eden, Piers, Finch, and Wakefield, unnecessary additions to the family’s already too great burdens.
The dining room was a very large room, full of heavy furniture that would have overshadowed and depressed a weaker family. The sideboard, the cabinets towered toward the ceiling. Heavy cornices glowered ponderously from above. Inside shutters and long curtains of yellow velours, caught back by cable-like cords, with tassels at the ends shaped like the wooden human figures in a Noah’s ark, seemed definitely to shut out the rest of the world from the world of the Whiteoaks, where they squabbled, ate, drank, and indulged in their peculiar occupations.
Those spaces on the wall not covered by furniture were covered by family portraits in oil, heavily framed, varied in one instance by the bright Christmas supplement of an English periodical, framed in red velvet by the mother of Renny and Meg, when she was a gay young bride.
Chief among the portraits was that of Captain Philip Whiteoak in his uniform of a British officer. He was Grandfather, who, if he were living, would have been more than a hundred, for he was older than Grandmother. The portrait showed a well-set-up gentleman of fair skin, waving brown hair, bold blue eyes, and sweet, stubborn mouth.
He had been stationed at Jalna, in India, where he had met handsome Adeline Court, who had come out from Ireland to visit a married sister. Miss Court not only had been handsome and of good family—even better than the Captain’s own, as she had never allowed him to forget—but had had a pleasing little fortune of her very own, left to her by a maiden great-aunt, the daughter of an earl. The pair had fallen deeply in love, she with his sweet, stubborn mouth, and he with her long, graceful form, rendered more graceful by voluminous hooped skirts, her “waterfall” of luxuriant dark red hair, and most of all with her passionate red-brown eyes.
They had been married in Bombay in 1848, a time of great uneasiness and strife almost throughout the world. They felt no unease and anticipated no strife, though enough of that and to spare followed, when much of the sweetness of his mouth was merged into stubbornness, and the tender passion of her eyes was burned out by temper. They were the handsomest, most brilliant couple in the station. A social gathering without them was a tame and disappointing affair.
They had wit, elegance, and more money than any others of their youth and military station in Jalna. All went well till a baby girl arrived, a delicate child, unwanted by the pleasure-loving couple, who with its wailing advent brought a train of physical ills to the young mother which, in spite of all that the doctors and a long and dull sojourn in the hills could do, seemed likely to drag her down into invalidism. About the same time Captain Whiteoak had a violent quarrel with his colonel, and he felt that his whole world, both domestic and military, had somehow suddenly become bewitched.
Fate seemed to have a hand in bringing the Whiteoaks to Canada, for just at the moment when the doctor insisted that the wife, if she were to be restored to health, must live for some time in a cool and bracing climate, the husband got notice that an uncle, stationed in Quebec, had died, leaving him a considerable property.
Philip and Adeline had decided simultaneously—the only decision of moment except their marriage that they ever arrived at without storm and stress—that they were utterly sick of India, of military life, of trying to please stupid and choleric superiors, and of entertaining a narrow, gossiping, middle-class set of people. They were made for a freer, more unconventional life. Suddenly their impetuous spirits yearned toward Quebec. Philip had had letters from his uncle, eloquent on the subject of the beauties of Quebec, its desirability as a place of residence, its freedom from the narrow conventionalities of the Old World, combined with a grace of living bequeathed by the French.
Captain Whiteoak had a very poor opinion of the French—he had been born in the year of Waterloo, and his father had been killed there—but he liked the descriptions of Quebec, and when he found himself the owner of property
there, with a legacy of money attached, he thought he would like nothing better than to go there to live—for a time, at any rate. He visualized a charming picture of himself and his Adeline, clinging to his arm, parading the terrace by the river after Sunday morning service, he no longer in an uncomfortable uniform but in tight, beautifully fitting trousers, double-breasted frock coat, and glittering top hat, all from London, while Adeline seemed literally to float amid fringes, ruches, and gaily tinted veils. He had other visions of himself in company with lovely French girls when Adeline would possibly be occupied with a second accouchement, though, to do him justice, these visions never went beyond the holding of velvety little hands and the tranced gazing into darkfringed eyes.
He sold his commission, and the two sailed for England with the delicate baby and a native ayah. The few relations they had in England did not proffer them a very warm welcome, so their stay there was short, for they were equally proud and high-spirited. They found time, however, to have their portraits painted by a really first-class artist, he in the uniform he was about to discard, and she in a low-cut yellow evening gown with camellias in her hair.
Armed with the two portraits and a fine collection of inlaid mahogany furniture—for their position must be upheld in the Colony—they took passage in a large sailing vessel. Two months of battling with storms and fogs and even icebergs passed like a nightmare before they sighted the battlements of Quebec. On the way out the ayah died and was buried at sea, her dark form settling meekly into the cold Western waters. Then there was no one to care for the baby girl but the young, inexperienced parents. Adeline herself was ill almost to death. Captain Whiteoak would sooner have set out to subdue a
rebellious hill tribe than the squalling infant. Cursing and sweating, while the vessel rolled like a thing in torture and his wife made sounds such as he had never dreamed she could utter, he tried to wrap the infant’s squirming chafed legs in a flannel barrow coat. Finally he pricked it with a safety pin, and when he saw blood trickling from the tiny wound he could stand it no longer; he carried the child into the common cabin, where he cast it into the lap of a poor Scotswoman who already had five of her own to look after, commanding her to care for his daughter as best she could. She cared for her very capably, neglecting her own hardy bairns, and the Captain paid her well for it. The weather cleared, and they sailed into Quebec on a beautiful crisp May morning.
But they lived for only a year in that city. The house in the Rue St. Louis was flush with the street—a dim, chilly French house, sad with ghosts from the past. The sound of church bells was never out of their ears, and Philip, discovering that Adeline sometimes went secretly to those Roman churches, began to fear that she would under such influence become a papist. But, as they had lingered in London long enough to have their portraits done, so they lingered in Quebec long enough to become the parents of a son. Unlike little Augusta, he was strong and healthy. They named him Nicholas, after the uncle who had left Philip the legacy (now himself “Uncle Nicholas,” who sat at his mother’s right hand when Wakefield entered the dining room).
With two young children in a cold drafty house; with Adeline’s health a source of anxiety; with far too many French about Quebec to be congenial to an English gentleman; with a winter temperature that played coyly about twenty dazzling degrees below zero; the Whiteoaks felt driven to find a more suitable habitation.
Captain Whiteoak had a friend, a retired Anglo-Indian colonel who had already settled on the fertile southern shore of Ontario. “Here,” he wrote, “the winters are mild. We have little snow, and in the long, fruitful summer the land yields grain and fruit in abundance. An agreeable little settlement of
respectable
families is being formed. You and your talented lady, my dear Whiteoak, would receive the welcome here that people of your consequence merit.”
The property in Quebec was disposed of. The mahogany furniture, the portraits, the two infants, and their nurse were somehow or other conveyed to the chosen Province. Colonel Vaughan, the friend, took them into his house for nearly a year while their own was in process of building.
Philip Whiteoak bought from the Government a thousand acres of rich land, traversed by a deep ravine through which ran a stream lively with speckled trout. Some of the land was cleared, but the greater part presented the virgin grandeur of the primeval forest. Tall, unbelievably dense pines, hemlocks, spruces, balsams, with a mingling of oak, ironwood, and elm, made a sanctuary for countless song birds, wood pigeons, partridges, and quail. Rabbits, foxes, and hedgehogs abounded. The edge of the ravine was crowned by slender silver birches, its banks by cedars and sumachs, and along the brink of the stream was a wild sweet-smelling tangle that was the home of water rats, minks, raccoons, and blue herons.
Labour was cheap. A small army of men was employed to make the semblance of an English park in the forest, and to build a house that should overshadow all others in the county. When completed, decorated, and furnished, it was the wonder of the countryside. It was a square house of dark red brick, with a wide stone porch, a deep basement where the kitchens and servants’ quarters were situated, an
immense drawing-room, a library (called so, but more properly a sitting room, since few books lived there), a dining room, and a bedroom on the ground floor; and six large bedrooms on the floor above, topped by a long, low attic divided into two bedrooms. The wainscoting and doors were of walnut. From five fireplaces the smoke ascended through picturesque chimneys that rose among the treetops.