The John Green Collection (47 page)

Read The John Green Collection Online

Authors: John Green

Tags: #Juvenile Fiction, #Social Issues, #Friendship, #Death & Dying, #Adolescence

Colin considered lying. Staying in a hotel. Working in a restaurant here. Getting my bearings. But he told the truth. “She’s nice. I trust her.”

“You trust everyone.”

“Dad, I survived seventeen years in Chicago without ever getting mugged or stabbed or kidnapped or falling onto the third rail or get—”

“Talk to your mother,” he said, which is what his dad always said. After a few moments (Colin could just see them talking while his dad held his hand over the receiver), his mom picked up. “Well, are you happy?”

“I wouldn’t go that far.”

“Happier?” his mom tried.

“Marginally,” he allowed. “I’m not lying facedown on the carpet.”

“Let me talk to this woman,” his mom said. So Colin walked inside, found Hollis on the couch, and handed the phone to her.

And after talking to Hollis, it was decided: he could stay. He knew that his mom wanted him to have an adventure. She’d always wished he could be a normal kid. Colin suspected she’d be secretly pleased if he came home one night at three in the morning reeking of booze, because that would be
normal.
Normal kids come home late; normal kids drink warm forties of malt liquor in alleys with their friends (normal kids have more than one friend). His father wanted Colin to transcend all that stuff, but maybe even he was starting to see the unlikelihood of Colin ever becoming extraordinary.

Colin walked up to Hassan’s room to tell him his parents were cool with him staying, but Hassan wasn’t home. He hunted around the cavernous house, eventually making his way downstairs, where he found a closed door with Lindsey’s voice emanating from behind it. He stood in front of the thin door and listened.

“Right, but how does he
do
it? Does he just
memorize
everything?” Lindsey was saying.

“No it’s not like that. It’s like, if you or me sat down and read a book about, say, the presidents, and we read that William Howard Taft was the fattest president and one time he got stuck in a bathtub,
52
that might click in our brains as interesting, and we’d remember it, right?” Lindsey laughed. “You and me will read a book and find like three interesting things that we remember. But Colin finds
everything
intriguing. He reads a book about presidents and he remembers more of it because everything he reads clicks in his head as fugging interesting. Honestly, I’ve seen him do it with the phone book. He’ll be like, ’Oh, there are twenty-four listings for Tischler. How
fascinating.
”’

Colin felt an odd mix of feelings, like his talent was at once being inflated and ridiculed. It was true, he guessed. But it wasn’t just that he found things fascinating in and of themselves and could memorize the whole phone book because it made for such excellent literature. He found stuff fascinating for a
reason.
Like, take for example the Tischler thing, which happened to be true (and Hassan remembered it correctly). “Tischler” was the German word for carpenter, and when he was looking in the phone book that day with Hassan, Colin thought,
How strange that there would be exactly twenty-four German carpenters in Chicago when the all-night manicure place on the corner of Oakley and Lawrence is called “24/7 Nails.”
And then he got to wondering whether there were exactly seven carpenters of some other language in the Chicago phone book, and it turned out that there were precisely seven Carpinteros. So it wasn’t just that things interested him because he didn’t know from boring—it was the connection his brain made, connections he couldn’t help but seek out.

“But that doesn’t explain why he’s good at, like, Scrabble,” Lindsey pointed out.

“Right, well, he’s good at that because he’s ridiculously good at anagramming. But anything he takes up, he just works insanely hard. Like, typing. He didn’t learn to type until ninth grade, when we were friends. Our English teacher required typewritten papers, so over like two weeks, Singleton taught himself to type. And he didn’t do it by typing his English papers, because then he wouldn’t have been
good
enough at typing. What he did is he sat down at his computer every day after school and retyped Shakespeare’s plays. All of them. Literally. And then he retyped
The Catcher in the Rye.
And he kept retyping and retyping until he could fugging type like a genius.”

Colin backed away from the door then. It occurred to him that he’d never done anything else in his whole life. Anagramming; spitting back facts he’d learned in books; memorizing ninety-nine digits of an already known number; falling in love with the same nine letters over and over again: retyping and retyping and retyping and retyping. His only hope for originality was the Theorem.

Colin opened the door and found Hassan and Lindsey sitting on opposite sides of a green leather couch in a room dominated by a pool table with pink felt. They were watching poker on a huge, flat-screen TV hanging on the wall. Hassan turned around to face Colin. “Dude,” he said, “you can see all their zits.”

Colin sat down between them. Lindsey and Hassan talked about poker and zits and HD and DVR while Colin graphed his past. By the end of the night, a slightly tweaked formula had worked for two more K’s: IX and XIV. He barely registered the change when they turned off the TV and started playing pool. He just kept scribbling. He loved the scratching of pencil against paper when he was this focused: it meant something was happening.

When the clock read midnight, Colin put his pencil down. He looked up at Lindsey, who was standing on one foot, bent over the pool table at an absurdly awkward angle. Hassan seemed to have left the room. “Hey,” said Colin.

“Oh, you’re out of the Twilight Zone,” she said. “How’s the Theorem?”

“Okay. I don’t really know if it will work yet. Where’s Hassan?”

“He went to bed. I asked you if you wanted to play, but I don’t think you heard me, so I figured I’d just play against myself for a while. I’m beating me pretty handily.”

Colin stood up and sniffed. “I think I’m allergic to this house.”

“It could be Princess,” Lindsey said. “This is actually Princess’s room.
Shh.
She’s sleeping.” Colin followed Lindsey to the pool table and knelt down beside her. Beneath the table, a large sphere that initially seemed to be a ball of shaggy carpet grew and then shrunk rhythmically, breathing. “She’s always sleeping.”

“I’m allergic to pet dander,” Colin announced.

She smirked. “Yeah, well, Princess lived here first.” She sat back down with him, her legs tucked beneath her so that she seemed taller than Colin. “Hassan told me you’re good at anagramming,” she said.

“Yeah,” Colin answered. “Good at anagramming—dragon maggot mania.”

Lindsey’s hand (she’d painted her fingernails an electric blue since yesterday) was suddenly against his forearm, and Colin tensed up from surprise. When he turned his head to look at her, she placed her hand back in her lap. “So,” she went on, “you’re a genius at making words out of other words, but you can’t make new words out of thin air.”

And yes, again, that was it exactly. A retyper and not a writer. A prodigy and not a genius. It was so quiet then that he could hear Princess breathing, and he felt the missing piece inside him. “I just want to do something that matters. Or
be
something that matters. I just want to matter.”

Lindsey didn’t answer right away, but she leaned in toward Colin and he could smell her fruity perfume, and then she lay down next to him on her back, the crown of her head just brushing against his shorts. “I think we’re opposites, you and me,” she said finally. “Because personally I think mattering is a piss-poor idea. I just want to fly under the radar, because when you start to make yourself into a big deal, that’s when you get shot down. The bigger a deal you are, the worse your life is. Look at, like, the miserable lives of famous people.”

“Is that why you read
Celebrity Living
?”

Lindsey nodded. “Yeah. Totally—there’s a word in German for it. God, it’s on the tip of—a . . .”

“Schadenfreude,” Colin said. Finding pleasure in others’ pain.

“Right! So, anyway,” Lindsey went on, “take staying here. Hollis always tells me that nothing really good will ever happen to me if I stay in Gutshot; and maybe that’s true. But nothing really bad will ever happen, either, and I’ll take that bargain any day.”

Colin didn’t answer, but he was thinking that Lindsey Lee Wells, for all her coolness and whatever, was a bit of a wimp. But before he could figure a way to say so, Lindsey sat up, animated by a new topic.

“Okay,” she said. “Here’s the thing about storytelling: you need a beginning, and a middle, and an end. Your stories have no plots. They’re like, here’s something I was thinking and then the next thing I was thinking and then et cetera. You can’t get away with rambling. You’re Colin Singleton, Beginning Storyteller, so you’ve got to stick to a straight plot.

“And you need a good, strong moral. Or a theme or whatever. And the other thing is romance and adventure. You’ve got to put some of those in. If it’s a story about peeing into a lion cage, give yourself a girlfriend who notices how gigantic your winky is and then saves you from the lion at the last second by tackling you, because she’s desperate to save that gorgeous, ginormous winky.” Colin blushed, but Lindsey kept going. “In the beginning, you need to pee; in the middle, you do; in the end, through romance and adventure, your winky is saved from the jaws of a hungry lion by the pluck of a young girl motivated by her abiding love for giant winkies. And the moral of the story is that a heroic girlfriend, combined with a giant winky, will save you from even the most desperate situations.”

When Colin finished laughing, he placed his hand on top of Lindsey’s. It stayed there for a moment, and he could feel the worn place on her thumb where she nibbled at it. He pulled his hand away after a moment and said, “My Theorem will tell the story. Each graph with a beginning and a middle and an end.”

“There’s no romance in geometry,” Lindsey answered.

“Just you wait.”

The Beginning (of the Middle)

He never thought much about Katherine I. He only felt upset about the breakup because that’s what you’re
supposed
to feel. Little kids play house; they play war; they play relationships. I want to go with you; you dumped me; I’m sad. But none of it was really real.

Because Katherine’s dad was Colin’s tutor, Colin and Katherine continued to see each other periodically over the next several years. They got along well—but it’s not like he burned with longing for her. He didn’t miss her enough to become obsessed with her name, to date her namesakes over and over and over and over
53
again.

And yet, that’s what happened. It didn’t seem willful at first—it was
just a series of odd coincidences. It just kept happening: he’d meet a Katherine, and like her. She’d like him back. And then it would end. And then, after it ceased being mere coincidence, it just became two streaks—one (dating Katherines) he wished to keep, and one (getting dumped by them) he wished to break. But it proved impossible to divorce one cycle from the other. It just kept happening to him, and after a while it felt almost routine. Each time, he’d cycle through feelings of anger, regret, longing, hope, despair, longing, anger, regret. The thing about getting dumped generally, and getting dumped by Katherines in particular, was how utterly
monotonous
it was.

That’s why people grow weary of listening to Dumpees obsess over their troubles: getting dumped is predictable, repetitive, and boring. They want to stay friends; they feel smothered; it’s always them and it’s never you; and afterward, you’re devastated and they’re relieved; it’s over for them and just starting for you. And to Colin’s mind, at least, there was a deeper repetition: each time, Katherines dumped him because they just didn’t
like
him. They each came to precisely the same conclusion about him. He wasn’t cool enough or good-looking enough or as smart as they’d hoped—in short, he didn’t matter enough. And so it happened to him again and again, until it was boring. But monotony doesn’t make for painlessness. In the first century CE, Roman authorities punished St. Apollonia by crushing her teeth one by one with pliers. Colin often thought about this in relationship to the monotony of dumping: we have thirty-two teeth. After a while, having each tooth individually destroyed probably gets repetitive, even dull. But it never stops hurting.

49
It eventually became clear to Colin that Starnes did not mean “the United States of America” but rather “this general area of south-central Tennessee.”

50
Haram
is an Arabic word that means “forbidden by Islam.”

51
It’s cheesy, but that’s what they always said to each other. “I love you like crazycakes; I miss you like crazycakes;” etc.

52
True.

53
And over and over and over and over and over and over and over and over and over and over and over and over and over.

(
ten
)

The next morning
, Colin felt tired enough to sleep through the rooster’s squawking until eight. When he made his way downstairs, he found Hollis wearing a hot pink muumuu, passed out on the couch with papers strewn across her chest and the floor. Colin walked softly past her, and thought to add “muumuu” to his mental list of unanagrammable words.

Hassan sat in the kitchen, eating oatmeal and scrambled eggs. Without speaking, he handed Colin a note written on stationery embossed with the words
HOLLIS
P
.
WELLS
/
CEO
&
PRESIDENT
,
GUTSHOT
TEXTILE
:

Other books

The Call of the Weird by Louis Theroux
Hope's Vengeance by Ricki Thomas
Unlikely Praise by Carla Rossi
A Fatal Grace by Louise Penny
The Prime-Time Crime by Franklin W. Dixon
Hogg by Samuel Delany
River of Ruin by Jack Du Brul
True Colors by Jill Santopolo
Craphound by Cory Doctorow