The Kills: Sutler, the Massive, the Kill, and the Hit (98 page)

‘It’s nothing.’ Finn closed the book and tucked it into his back pocket.

‘You write nothing?’

Finn felt himself begin to flush.

The man nodded. ‘Where are you from?’

‘Boston.’

The man curved his mouth, impressed. His voice sounded softer than his brother’s, the accent a little more marked. The man leaned into him, angular and uncomfortable. ‘You should be careful who you speak to. Not everyone is happy to remember this story. It might be a big city, but this is personal, and you might want to show some care.’

Finn gave a gesture, a half-shrug indicating, naturally, he would show discretion.

‘Do you smoke?’ The older brother tapped Finn’s arm. ‘Do you want to come outside to smoke something?’

The four men walked to the alley behind the Fazzini. Muffled beats came from the bar, the blue lights of televisions hesitantly illuminated rooms in the wall above them.

The older brother took a cigarette out from a packet. He licked along the length and tore off a strip. ‘You’ll like this.’ He smiled as he concentrated on the task. ‘This is a nice. A little different. You smoke this sometimes? It’s OK?’ Gripped in his hand was a smaller packet, a lighter and papers. He looked to Finn for his response.

Finn said yes.

When the joint was made Massimiliano rolled it between his forefinger and thumb and eyed it, pleased. ‘This is good,’ he said again. A scooter’s buzz sounded in the night. The four of them waited but the scooter did not appear. The younger brother lit a cigarette and leaned back against a car.

‘Twenty euro,’ the man said, his expression held, expectant.

‘Sorry?’

‘For the joint. Twenty euro. It’s good. You’ll like it. Twenty euro and we’ll all have a nice smoke.’

Finn took out his wallet and tried not to show how much money he had. The older brother took the note, pocketed it, then lit up the reefer. Then handed it to his brother.

The younger brother blew smoke up in a long measured calculation. ‘Have you seen the palazzo,’ he said, blinking. Then shook his head and sniggered as if he had no clue what the answer might be, and Finn thought in these casual gestures was seated a small element of threat. In the humid air the smoke rose and flattened out above him.

‘Do you want to see inside the room? The basement room.’ Salvatore used the word
basso
, although technically this was not one of the
bassi
, but a simple underground storage room. ‘We can show you the room.’

Salvatore leaned into Finn. ‘It’s true,’ he said. ‘We have a key. If you want to see inside the room we can show you. We can take you tonight if you like. Only if you want, of course.’

Salvatore snorted, a little incredulous. ‘Of course he wants to.’

Massimiliano spoke deliberately, answering to his brother through Finn. ‘He’s in a mood. He wanted to go to a party tonight, but instead.’ He took the cigarette out of Salvatore’s hand. ‘So, we can show you the room but it’s expensive.’

A light blinked above them, on and off. The four looked up. Rino, who had yet to receive the reefer looked a little disconsolate.

Massimiliano offered the joint to Finn. ‘So how much to see the room?’

When Finn raised his hand Massimiliano drew the joint away, then slowly set it to Finn’s lips. ‘Take a little, breathe lightly and hold it, then let it go down slowly.’

Finn nodded, and did exactly as he was told.

At the first proper toke Finn immediately felt dizzy. He held the smoke in his mouth and felt it soak softly into him. This, he thought, wasn’t grass. Not even close.

Massimiliano set his chin on Finn’s shoulder and looked up at his face. He smiled when Finn smiled. ‘I said it was good.’ He took the joint out of Finn’s mouth. ‘Don’t blow out yet. Just let it . . .’ He smoothed his hand through the air, and Finn felt the smoke run free through him.

‘So how much are you looking for?’ he asked.

The men looked eye to eye.

‘Three hundred euro and we can take you there tonight. You can have a look now.’

Massimiliano took a drag himself, a deep, slow intake. He leaned his head back, wrapped his arm about Finn’s shoulders. Looking up at the sky he held his breath, then slowly, in what seemed to be an infinitely beautiful moment, exhaled with a satisfied hum, a soft guttural roll. He offered the cigarette back to Finn.

‘I like the name. Finn. It’s a good name.’

The two men held on to each other. Massimiliano, inexpressibly big and soft, seemed permeable, his arm still about Finn’s shoulder. ‘You have three hundred euro. It’s nothing. You can afford this.’

‘How do you have the keys?’

‘For the shop. Everyone has keys.’

*

Massimiliano opened the small portal door to the courtyard, and as he held it open he warned that there wasn’t a great deal to see (now the money had changed hands), but a trained eye could pick out the right details to get a close picture of what had happened. The two brothers led Finn across the courtyard to an unlocked metal door. Rino followed behind, his hands in his pockets. Finn ducked through the doorway and found to his surprise a steep set of steps carved into the rock to form something like a tunnel, the top of which was rounded, the steps themselves small, steep, and worn with use. A blue electric cable threaded down the steps, and Finn, feeling increasingly more of an interloper, consciously ducked to make himself smaller – still feeling a soft buzzing blur from the reefer (surely something more than just a regular reefer).

The four men came carefully down to the basement. The air, cooler underground, set up the hairs on their arms, a stale reek of mildew made them hold their breaths. At the bottom, Massimiliano pushed forward and indicated a door set into the right side.

The door, small, metal, chipped and battered, had the lock punched out and the handle removed so that it could not lock. Salvatore pointed this out. ‘They took the door handle as evidence,’ he said, smiling. ‘Look, they cut it out.’

The blue cable ran along the corridor into the room, and he could see through the doorway a set of photographers’ lights to the left and the right. Finn had the feeling that the brothers had brought a good number of people into the basement, and the likelihood of it costing three hundred euro to every person was slim. He took in breaths, held them, slowly released, and thought that he would not be able to stay for long because of the overbearing reek of mould.

The room itself was entirely stripped, smaller and cleaner than he had imagined. A strip-light in the corridor shed an oblong of sour yellow into the room. Of all the reports Finn had read, none had given much of a sense of the space and just how tiny it was.

Massimiliano leaned into one of the corners. ‘There are more caves under this,’ he kicked his heel to scuff the stone. Then stamped. ‘Can you hear that?’ A small boom, perhaps nothing. He stamped again. Moments later another faint boom, deep below, possibly imagined. ‘You wouldn’t think that people used to live here. When they built these old palazzos the city introduced a stone tax. You couldn’t bring stone to the city, so most of the palazzos were built from stone dug out from under them. You have buildings five or six floors high which lean against each other and that’s all that holds them up.’

Salvatore held out his hands and shook them, made a rumbling noise and Finn realized he was talking about an earthquake.

Rino, uncomfortable, sweating, bowed his head. He was sorry he said, but he would have to leave. The basement had a bad smell, the room was too confining. Finn felt uneasy as the man scuttled out. The remaining men did not speak as the scuff of Rino’s footsteps tracked back to the courtyard hollow and fast.

Finn realized that he was alone with two men, brothers, in a basement where two men (brothers according to Marek Krawiec) had cut their first victim, another American, to pieces. Salvatore said that he would turn on the electricity for the lights and disappeared after Rino, leaving Finn and Massimiliano to face each other in the basement. Neither speaking. As if a plan were now in action. The light from the corridor fell on the man’s shoulders but not his face, which seemed to Finn to hold a desperate expression. Finn began to compose an excuse in his head. Massimiliano watched him without a word.

With a loud click the basement lights completely failed, both Finn and Massimiliano were swallowed by thick, clothy darkness. This is it. Finn felt himself weaken, become dizzy. He had walked directly into this, and any questions he’d had about how the brothers had enticed the boy to the palazzo were gone. It was that easy. A little curiosity. A little smoke. If he ran there would be Rino and Salvatore to contend with, there would be no escape. His sister, he thought, would be hearing bad news.

A timid apology echoed down from the courtyard, and with a third click both the photographic lights and the corridor lights suddenly brightened. The glare, so instant and so bright, brought Finn and Massimiliano’s arms up to cover their eyes. Finn began to laugh with relief. He was sweating and he could smell himself even above the mould, sour and bitter, and he could taste bile. For the boy, he thought, there had been no such relief.

They lowered their arms slowly, blinked and grinned and grew accustomed to the light. Massimiliano cleared his throat, and, as if obligated, explained that the holes, these holes, were where the plastic sheeting found at Ercolano had been pinned to the stone. Starting at this line here, and ending there, close to the doors. The police had brought two sheets back and rehung them, and found that whoever had prepped the room had taken considerable care to make sure that the sheets were held taut and flat. It would have been a difficult job and it would have taken two people. The tape used to hold the plastic together was cut, sliced, and set at regular intervals to prevent the plastic from sagging. ‘A professional job.’ Massimiliano nodded almost in admiration. The sheets on the roof were stuck with a double row of tape. It would have taken some time to complete. The mattress was taken out of the room before the final attack. It was possible that when they removed the mattress they also disturbed the plastic on the floor, which is how there came to be such a large quantity of blood underneath it. There was, Massimiliano cleared his throat, another possibility. From what they could tell, the American was suspended at the centre of the room with his arms above him, however, it is possible that he was standing. Out in the field they discovered the lengths of tape used to bind him. He was hog-tied, ankles bound to his wrists, and hoisted, belly down. Before this happened he was kept hanging by his arms, possibly for two days. Depending how high and how firmly he was raised he could have disturbed the plastic on the floor, kicking or thrashing. The event itself had probably occurred over three days, two at the very least, as there were three different drying patterns in the blood. They knew one thing for certain: the boy had been bled before the final event, and then slit open.

How the plastic was removed was another story, and it was certainly done in haste. There was evidence that someone had begun to wipe, perhaps mop, but this was only in one small area close to the door and this was started very soon after the killing, thirty-six to forty-two hours. The woman denied cleaning the room, and in truth it was unlikely that she was able or strong enough to tug down the plastic. ‘She’s a dwarf,’ he said, cutting his hands at hip height. ‘It’s just not a possibility.’

Finn tried not to think of where he was, and that a young man had been strung up and gutted right where he was standing. According to Massimiliano the boy would have died within four minutes, and four minutes, after waiting three days, was a long time. It’s also possible that he would have remained conscious for much of that time. Whatever the scenario, there would have been time for him to realize exactly what was happening.

It must have occurred to Massimiliano, just as it had occurred to Finn, that he could do to him whatever he liked.

A line of sweat ran down Finn’s side; he held his breath, and despite Massimiliano standing close beside him he felt utterly alone. It was more than this. He felt useless, and sad. And while he could see the logic to how he had come to this place it just didn’t make sense once he was there. What he had taken as a public phenomenon, public property, was nothing of the kind. The boy was taken from a train station, brought to a room, any room in any basement, and gutted.

Finn had never properly felt alone. He’d moved from infatuation to infatuation, falling from one kind of love into another, and he’d distracted himself with the idea of it, so that he could not remember a time when he wasn’t preoccupied with thoughts of someone else, so that a presence sat with him at all times – except now. At this moment, for the first time he could remember, Finn was not in love, and neither was he surrounded by family, and he felt alone and wretched.

Remembering his mobile phone, Finn took it out and began to take photographs, and used the activity to avoid making conversation, and as a way of concluding the visit.

Finn woke in the early morning with the sun full on his face, his mouth open and dry, unsure for a moment where he was.

He waited for Rino on Corso Umberto. His chest ached. He felt seasick, out of balance, his throat unnaturally sore. He hung his head and breathed slowly, his conscience was beginning to prick. The visit to the basement had brought home exactly what he was involved in. Confronted with the room itself, he’d felt his interest to be sordid, a little shameful. He was earning money writing about the killing of a fellow American, and it seemed random to him who would be receiving the money to write the book and who would the subject of the book – as if their positions were interchangeable. However he justified his interest and motivation, he came back to this fact,
he was earning money from a death
, and it didn’t feel good. Last night had cost him close to five hundred euro.

Rino was late. A bad sign. While Finn couldn’t complain about the previous night, he couldn’t say either that the basement visit had happened as a result of Rino’s research. This had come out of the discussion – which was otherwise useless. Finn waited where they had agreed: Corso Umberto, beside the
farmacia
and opposite the Banco di Napoli. Or was it inside the
farmacia
?