I fade out.
I keep fading in and out.
THE NAME OF THE MAN with the Clark Gable mustache turned out to be Dr. Faruqi.
He wasn’t a soap opera star at all, but a head-and-neck surgeon, though I kept thinking of him as some one named Armand in some steamy soap set on a tropical island.
Where am I? I wanted to ask. But my mouth wouldn’t open. I frowned. Grunted. Armand smiled; his teeth were blinding white.
“Not yet, Amir,” he said, “but soon. When the wires are out.” He spoke English with a thick, rolling Urdu accent.
Wires?
Armand crossed his arms; he had hairy forearms and wore a gold wedding band. “You must be wondering where you are, what happened to you. That’s perfectly normal, the postsurgical state is always disorienting. So I’ll tell you what I know.”
I wanted to ask him about the wires. Postsurgical? Where was Aisha? I wanted her to smile at me, wanted her soft hands in mine.
Armand frowned, cocked one eyebrow in a slightly selfimportant way. “You are in a hospital in Peshawar. You’ve been here two days. You have suffered some very significant injuries, Amir, I should tell you. I would say you’re very lucky to be alive, my friend.” He swayed his index finger back and forth like a pendu lum when he said this.
“Your spleen had ruptured, probably--and fortunately for you--a delayed rupture, because you had signs of early hemorrhage into your abdominal cavity My colleagues from the general surgery unit had to perform an emergency splenec tomy. If it had ruptured earlier, you would have bled to death.” He patted me on the arm, the one with the IV, and smiled. “You also suffered seven broken ribs. One of them caused a pneumothorax.”
I frowned. Tried to open my mouth. Remembered about the wires.
“That means a punctured lung,” Armand explained. He tugged at a clear plastic tubing on my left side. I felt the jabbing again in my chest. “We sealed the leak with this chest tube.” I followed the tube poking through bandages on my chest to a container halffilled with columns of water. The bubbling sound came from there.
206
“The Kite Runner” By Khaled Hosseini
“You had also suffered various lacerations. That means ‘cuts.” I wanted to tell him I knew what the word meant; I was a writer. I went to open my mouth. Forgot about the wires again.
“The worst laceration was on your upper lip,” Armand said. “The impact had cut your upper lip in two, clean down the mid dle. But not to worry, the plastics guys sewed it back together and they think you will have an excellent result, though there will be a scar. That is unavoidable.
“There was also an orbital fracture on the left side; that’s the eye socket bone, and we had to fix that too. The wires in your jaws will come out in about six weeks,” Armand said. “Until then it’s liq uids and shakes. You will lose some weight and you will be talking like Al Pacino from the first Godfather movie for a little while.” He laughed. “But you have a job to do today. Do you know what it is?”
I shook my head.
“Your job today is to pass gas. You do that and we can start feeding you liquids. No fart, no food.” He laughed again.
Later, after Aisha changed the IV tubing and raised the head of the bed like I’d asked, I thought about what had happened to me. Ruptured spleen. Broken teeth. Punctured lung. Busted eye socket. But as I watched a pigeon peck at a bread crumb on the windowsill, I kept thinking of something else Armand/Dr. Faruqi had said: The impact had cut your upper lip in two, he had said, clean down the middle. Clean down the middle. Like a harelip.
FARID AND SOHRAB came to visit the next day. “Do you know who we are today? Do you remember?” Farid said, only half-jokingly. I nodded.
“Al hamdullellah!” he said, beaming. “No more talking non sense.”
“Thank you, Farid,” I said through jaws wired shut. Armand was right--I did sound like Al Pacino from The Godfather. And my tongue surprised me every time it poked in one of the empty spaces left by the teeth I had swallowed. “I mean, thank you. For everything.”
He waved a hand, blushed a little. “Bas, it’s not worthy of thanks,” he said. I turned to Sohrab. He was wearing a new outfit, light brown pirhan-tumban that looked a bit big for him, and a black skullcap. He was looking down at his feet, toying with the IV line coiled on the bed.
207
“The Kite Runner” By Khaled Hosseini
“We were never properly introduced,” I said. I offered him my hand. “I am Amir.”
He looked at my hand, then to me. “You are the Amir agha Father told me about?” he said.
“Yes.” I remembered the words from Hassan’s letter. I have told much about you to Farzana jan and Sohrab, about us growing up together and playing games and running in the streets. They laugh at the stories of all the mischief you and I used to cause! “I owe you thanks too, Sohrab jan,” I said. “You saved my life.”
He didn’t say anything. I dropped my hand when he didn’t take it. “I like your new clothes,” I mumbled.
“They’re my son’s,” Farid said. “He has outgrown them. They fit Sohrab pretty well, I would say.” Sohrab could stay with him, he said, until we found a place for him. “We don’t have a lot of room, but what can I do? I can’t leave him to the streets. Besides, my children have taken a liking to him. Ha, Sohrab?” But the boy just kept looking down, twirling the line with his finger.
“I’ve been meaning to ask,” Farid said, a little hesitantly. “What happened in that house?
What happened between you and the Talib?”
“Let’s just say we both got what we deserved,” I said.
Farid nodded, didn’t push it. It occurred to me that somewhere between the time we had left Peshawar for Afghanistan and now, we had become friends. “I’ve been meaning to ask something too.”
“What?”
I didn’t want to ask. I was afraid of the answer. “Rahim Khan,” I said.
“He’s gone.”
My heart skipped. “Is he--”
“No, just... gone.” He handed me a folded piece of paper and a small key. “The landlord gave me this when I went looking for him. He said Rahim Khan left the day after we did.”
208
“The Kite Runner” By Khaled Hosseini
“Where did he go?”
Farid shrugged. “The landlord didn’t know He said Rahim Khan left the letter and the key for you and took his leave.” He checked his watch. “I’d better go. Bia, Sohrab.”
“Could you leave him here for a while?” I said. “Pick him up later?” I turned to Sohrab.
“Do you want to stay here with me for a little while?”
He shrugged and said nothing.
“Of course,” Farid said. “I’ll pick him up just before evening _namaz_.”
THERE WERE THREE OTHER PATIENTS in my room. Two older men, one with a cast on his leg, the other wheezing with asthma, and a young man of fifteen or sixteen who’d had appendix surgery. The old guy in the cast stared at us without blinking, his eyes switching from me to the Hazara boy sitting on a stool. My roommates’ families--old women in bright shalwar-kameezes, children, men wearing skullcaps--shuffled noisily in and out of the room. They brought with them pakoras, _naan_, sa,nosas, biryani.
Sometimes people just wandered into the room, like the tall, bearded man who walked in just before Farid and Sohrab arrived. He wore a brown blanket wrapped around him.
Aisha asked him something in Urdu. He paid her no attention and scanned the room with his eyes. I thought he looked at me a little longer than necessary. When the nurse spoke to him again, he just spun around and left.
“How are you?” I asked Sohrab. He shrugged, looked at his hands.
“Are you hungry? That lady there gave me a plate of biryani, but I can’t eat it,” I said. I didn’t know what else to say to him. “You want it?”
He shook his head.
“Do you want to talk?”
He shook his head again.
We sat there like that for a while, silent, me propped up in bed, two pillows behind my back, Sohrab on the three-legged stool next to the bed. I fell asleep at some point, and, when I woke up, daylight had dimmed a bit, the shadows had stretched, and Sohrab was still sitting next to me. He was still looking down at his hands.
209
“The Kite Runner” By Khaled Hosseini
THAT NIGHT, after Farid picked up Sohrab, I unfolded Rahim Khan’s letter. I had delayed reading it as long as possible. It read: Amirjan, _Inshallah_, you have reached this letter safely. I pray that I have not put you in harm’s way and that Afghanistan has not been too unkind to you. You have been in my prayers since the day you left. You were right all those years to suspect that I knew.
I did know. Hassan told me shortly after it happened. What you did was wrong, Amir jan, but do not forget that you were a boy when it happened. A troubled little boy. You were too hard on yourself then, and you still are--I saw it in your eyes in Peshawar. But I hope you will heed this: A man who has no conscience, no goodness, does not suffer. I hope your suffering comes to an end with this journey to Afghanistan.
Amir jan, I am ashamed for the lies we told you all those years. You were right to be angry in Peshawar. You had a right to know. So did Hassan. I know it doesn’t absolve anyone of anything, but the Kabul we lived in in those days was a strange world, one in which some things mattered more than the truth.
Amir jan, I know how hard your father was on you when you were growing up. I saw how you suffered and yearned for his affections, and my heart bled for you. But your father was a man torn between two halves, Amir jan: you and Hassan. He loved you both, but he could not love Hassan the way he longed to, openly, and as a father. So he took it out on you instead--Amir, the socially legitimate half, the half that represented the riches he had inherited and the sin-with-impunity privileges that came with them. When he saw you, he saw himself. And his guilt. You are still angry and I realize it is far too early to expect you to accept this, but maybe someday you will see that when your father was hard on you, he was also being hard on himself. Your father, like you, was a tortured soul, Amir jan.
I cannot describe to you the depth and blackness of the sorrow that came over me when I learned of his passing. I loved him because he was my friend, but also because he was a good man, maybe even a great man. And this is what I want you to understand, that good, real good, was born out of your father’s remorse. Sometimes, I think everything he did, feeding the poor on the streets, building the orphanage, giving money to friends in need, it was all his way of redeeming himself. And that, I believe, is what true redemption is, Amir jan, when guilt leads to good.
I know that in the end, God will forgive. He will forgive your father, me, and you too. I hope you can do the same. Forgive your father if you can. Forgive me if you wish. But, most important, forgive yourself.
I have left you some money, most of what I have left, in fact. I think you may have some expenses when you return here, and the money should be enough to cover them. There
210
“The Kite Runner” By Khaled Hosseini
is a bank in Peshawar; Farid knows the location. The money is in a safe-deposit box. I have given you the key.
As for me, it is time to go. I have little time left and I wish to spend it alone. Please do not look for me. That is my final request of you.
I leave you in the hands of God.
Your friend always,
Rahim
I dragged the hospital gown sleeve across my eyes. I folded the letter and put it under my mattress.
Amir, the socially legitimate half, the half that represented the riches he had inherited and the sin-with-impunity privileges that came with them. Maybe that was why Baba and I had been on such better terms in the U.S., I wondered. Selling junk for petty cash, our menial jobs, our grimy apartment--the American version of a hut; maybe in America, when Baba looked at me, he saw a little bit of Hassan.
Your father, like you, was a tortured soul, Rahim Khan had written. Maybe so. We had both sinned and betrayed. But Baba had found a way to create good out of his remorse.
What had I done, other than take my guilt out on the very same people I had betrayed, and then try to forget it all? What had I done, other than become an insomniac?
What had I ever done to right things?
When the nurse--not Aisha but a red-haired woman whose name escapes me--walked in with a syringe in hand and asked me if I needed a morphine injection, I said yes.
THEY REMOVED THE CHEST TUBE early the next morning, and Armand gave the staff the go-ahead to let me sip apple juice. I asked Aisha for a mirror when she placed the cup of juice on the dresser next to my bed. She lifted her bifocals to her forehead as she pulled the curtain open and let the morning sun flood the room. “Remember, now,”
she said over her shoulder, “it will look better in a few days. My son-in-law was in a moped accident last year. His handsome face was dragged on the asphalt and became purple like an eggplant. Now he is beautiful again, like a Hollywood movie star.”
211
“The Kite Runner” By Khaled Hosseini
Despite her reassurances, looking in the mirror and seeing the thing that insisted it was my face left me a little breathless. It looked like someone had stuck an air pump nozzle under my skin and had pumped away. My eyes were puffy and blue. The worst of it was my mouth, a grotesque blob of purple and red, all bruise and stitches. I tried to smile and a bolt of pain ripped through my lips. I wouldn’t be doing that for a while. There were stitches
across my left cheek, just under the chin, on the forehead just below the hairline.
The old guy with the leg cast said something in Urdu. I gave him a shrug and shook my head. He pointed to his face, patted it, and grinned a wide, toothless grin. “Very good,”
he said in English. “Ins hallah.”
“Thank you,” I whispered.
Farid and Sohrab came in just as I put the mirror away. Sohrab took his seat on the stool, rested his head on the bed’s side rail.
“You know, the sooner we get you out of here the better,” Farid said.
“Dr. Faruqi says--”-
“I don’t mean the hospital. I mean Peshawar.”
“Why?”