Authors: Gore Vidal
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Babbitt
was intended to be the account of a single day in the life of the eponymous protagonist, a realtor in the great city of Zenith, an extension and enlargement of Gopher Prairie, with elements of sultry Duluth where the Lewises had lived for a season and were—what else?—the cynosure of all eyes. The day that Lewis had picked was one in April 1920, and we follow George F. Babbitt from the moment that he awakens with, significantly, a hangover to the end of the day, but by that time Lewis had decided that one day wasn’t going to be enough for him to do his stunts in, so the story continues another year or two, and a Midwestern Bloom was not to be.
Lewis’s eye for detail is, as always, precise. We get an inventory of bathroom and house and sleeping porch, a fad of the day that I have just recalled with the sense of having slipped several notches back in time. There is a long-suffering wife, a son, two daughters—one at Bryn Mawr. Babbitt is forty-six years old. Prohibition has been in place for a year, so everyone drinks too much. There is talk of the coming election, and the great shadow of Warren Gamaliel Harding is already darkening the land and his famous injunction “Don’t knock, boost” is on every Zenith businessman’s lip. Babbitt himself is vaguely unhappy: “the Babbitt house,” apparently, “was not a home.” But all the latest gadgets are on display. There is chintz, but no heart. The real estate business is booming.
Even so, he dreams of “a fairy child,” a recurring dream that somehow underscores Lewis’s uneasiness with sex, mature or otherwise. Babbitt has been true to his wife, Myra, since he married her, something that is hard for us plague-ridden
fin de siècle
types to fathom. As a result, he lusts for other women in his heart, and, sooner or later, lust must be served. This gives the story what small impetus it has: how—and for whom—will he fall, and what kind of mess will he make?
As in
Main Street
there is no plot, only set scenes. Lewis notes the class divisions. There is the class above Babbitt that belongs to the Union Club as best emblemized by Charles McKelvey; then there is the Athletic Club where Babbitt and his fellow boosters hang out and denounce socialism and labor unions and anarchists. Meanwhile, at the wheel of his new car, a “perilous excursion,” Babbitt daydreams en route to his office, the “pirate ship.” He has had his first conversation of the day with a neighbor, and they have talked of the weather in great detail and though their exchange should be as tedious as the real thing, Lewis is a master of those grace notes of boring speech that put one in mind of Bach. “There was still snow at Tiflis, Montana, yesterday,” says the neighboring Bore; then goes for a crescendo: “Two years ago we had a snow-squall right here in Zenith on the twenty-fifth of April.”
Next, a loving description of Zenith—skyscrapers now—and old houses, movie billboards, drugstores, factory suburbs, a proper city where once the Chippewas roamed. At the office there is a young partner, a secretary—Babbitt’s father-in-law is senior partner, and seldom seen. Babbitt is having what now would be called a midlife crisis of a sexual nature: “In twenty-three years of married life he had peered uneasily at every graceful ankle, every soft shoulder; in thought he had treasured them; but not once had he hazarded respectability by adventuring.” Plainly, Lewis is not drawing on autobiography. Although he preferred drink to sex, he had, at least once, in Italy, cheated on Grace, and one does not suppose him to have been pure premarriage. What is interesting about Lewis’s description of Babbitt’s sex life is whether he is distorting it deliberately to give American readers, a high-toned, censorious, prudish lot, this picture of an average American businessman,
true as steel to the little lady, or whether he has some arcane knowledge of how Zenith males denied themselves. It is hard to know what to think. Even in the Gopher Prairie of Springfield, Illinois, in the 1840s there were girls to be rented by young lawyers like A. Lincoln and J. Speed. Yet in 1920 Babbitt has only masturbatory images, and the recurring mawkish dream of the “fairy girl.”
Babbitt has only one actual friend, even though he himself is a prototypical gregarious regular fellow and very well liked. But he had been at a school with Paul Riesling, who had wanted to be a musician; instead Paul married a virago (whom he will later shoot but not, alas, kill—he does serve time). Paul and Babbitt revert to adolescence when together. They romanticize their common past. Babbitt was to have been a powerful tribune of the people and Paul a world-class violinist. But since neither is articulate, when they are together they can only tell jokes, as they try, rather wistfully, to go back in time to where they had been, if nothing else, real. They dream now of going off together on a hunting trip.
Babbitt has lunch at the Athletic Club. Lewis delights in reproducing the banalities of the Joshers, Good Fellows, Regular Guys. Kidding, chaffing, “stunts”—all these pass for communication and the fact that Lewis could reproduce this sort of conversational filler delighted those who went in for it, which was most Americans, while British book reviewers acknowledged that Lewis’s Joshers confirmed their worst fears about the collective cretinism of the separated cousinage. I cannot think how the French took Lewis’s dialogue in translation. Bouvard and Pécuchet are like figures from Racine when compared with the Boosters of the Athletic Club. In any case, Lewis had somehow struck a universal class nerve and, for a time, everyone was delighted by his hyperrealism. Even so, Edith Wharton struck a warning note. She was, she wrote, duly grateful for the dedication to herself of
Babbitt
but she saw fit to make one suggestion: “In your next book, you should use slang in dialogue
more sparingly. I believe the real art in this respect is to use just enough to
colour
your dialogue, not so much that in a few years it will be almost incomprehensible.” She admired his “irony,” wondering how much of it Americans got.
I suspect they got none; the book was taken as just like life and Lewis was hardly more critical of Americans and their values than his readers were. They, too, hankered after fairy girls in dreamland as well as magic casements elsewhere, preferably in Europe, through which they might, like Alice, step into Wonderland. The secret of Lewis and his public was that he was as one with them. Grace thought that the crown of ironist he had been mistakenly awarded by those who read
Main Street
obliged him to go for the real diadem in
Babbitt
. But I think he just kept on recording.
The story proceeds with random events. Babbitt becomes an orator for the realtors; he takes part in the election of a Republican mayor; tries to move up socially and fails; he drinks more and more; the most vivid description in the book is the way booze was sold clandestinely at an ex-saloon, a sordid place, “giving that impression of forming a large crowd which two men always give in a saloon.”
Lewis makes an odd obeisance to Howells, whom he will dismiss, so foolishly, at the Nobel Prize ceremony of 1930. Lewis calls the state capital Galop de Vache, in memoriam of the hometown of the journalist hero of Howells’s Florentine tale
Indian Summer
, who hailed from Des Vaches, Indiana.
Babbitt
is essentially a
roman fleuve
despite its snappy scenes and bright “stunts.” In due course, the river deposits Babbitt on the not-so-wild shore of love. He meets a demimondaine lady of a certain age, Mrs. Tanis Judique. She is arty; she has a salon of marginal types. Tactfully, Myra Babbitt has retreated, temporarily, to her family and so Babbitt is able to conduct his love affair in relative peace while drinking more and more in the company of the feckless young. Business is affected: deals are lost. He falls in with the town radical, Seneca Doane, another variation on the original Dorion, with a bit of Upton Sinclair thrown in. Doane has been defeated for mayor. He now supports a local strike. Babbitt falls under his spell for a time (they had known each other in college). Then the town turns on Babbitt. Adultery does not disturb the boosters so much as Babbitt’s timid support of the strikers. In a series of confrontations almost as terrible as the ones at the end of
The Age of Innocence
Zenith threatens to destroy him; and Babbitt caves in. He has not fought the good fight, and he has not kept much of any faith to anything but, at the end, he will “ ‘start something’, he vowed, and he tried to make it valiant.” Meanwhile, happy ending. Tanis and Seneca slink away; wife comes home. Valiant.
March 26, 1925, Lewis wrote his publisher, “Any thoughts on pulling wires for [
Arrowsmith
] for Nobel Prize?” There were such thoughts, there were such wires. By 1930 the Swedes were at last ready to pick an American. Earlier, Henry James had been airily dismissed in favor of Maurice Maeterlinck, the Belgian beemaster. The choice was now between Dreiser and Lewis and, as these things are ordered in the land of the great white night, Lewis was inevitably chosen. Mark Schorer writes of all this with distinct sadness. Even the President of the United States, a New England wit called Calvin Coolidge, broke his usual silence—he was a school of Buster Keaton comic—to declare, “No necessity exists for becoming excited.”
Lewis lived for twenty-one more years. He produced a great amount of work. He turned to the theater; even acted onstage. He married the splendid journalist Dorothy Thompson, who never stopped talking either. They opposed America’s entry into World War Two, a war in which his son Wells was killed. It is painful to read of Lewis’s last days as recorded by Schorer. Drink had estranged him from most people; and so he was obliged to hire young secretaries to play chess with him and keep him company; among those paid companions were the writers-to-be Barnaby Conrad and John Hersey, who has prepared the exemplary Library of America
Sinclair Lewis
.
Mr. Schorer, enraged to the end, notes, finally, “He was one of the worst writers in modern American literature, but without his writing one cannot imagine modern American literature. That is because, without his writing, we can hardly imagine ourselves.” This is not a left-handed compliment so much as a rabbit-punch. Whatever Lewis’s faults as a writer he never knowingly wrote a bad book or, indeed, one on any subject that he could not at least identify with in imagination. Curiously enough, his ex-wife, Grace Hegger, is more generous (and writes rather better prose) than the biographer:
Even though Lewis’s first successful novels can be recognized as written by him, it is significant that he created no school of writing as have Hemingway and Faulkner, Henry James and Flaubert. He influenced public thinking rather than public writing.
Surely, that is something. As for the man, after his ashes were returned to Sauk Center, she writes, “Dear, dear Minnesota Tumbleweed, driven by the winds of your own blowing, rootless to the day when your ashes were returned to the soil which had never received your living roots, I offer you these memories. With love from Gracie.”
The New York Review of Books
8 October 1992
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T
WAIN ON THE
G
RAND
T
OUR
Both Mark Twain and his inventor, Samuel Clemens, continue to give trouble to those guardians of the national mythology to which Twain added so much in his day, often deliberately. The Freudians are still on his case even though Dr. Freud and his followers are themselves somewhat occluded these days. Yet as recently as 1991, an academic critic
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tells us that Clemens was sexually infantile, burnt-out at fifty (if not before), and given to pederastic reveries about little girls, all the while exhibiting an unnatural interest in outhouse humor and other excremental vilenesses. It is hard to believe that at century’s end, academics of this degraded sort are still doing business, as Twain would put it, at the same old stand.
As is so often the case, this particular critic is a professor emeritus and emerituses often grow reckless once free of the daily grind of dispensing received opinion. Mr. Guy Cardwell, for reasons never quite clear, wants to convince us that Twain (we’ll drop the Clemens because he’s very much dead while Twain will be with us as long as there are English-speakers in the United States) “suffered from erectile dysfunction at about the age of fifty. . . . Evidence that he became impotent ranges from the filmy to the relatively firm.” This is a fair example of the good professor’s style. “Filmy” evidence suggests a slightly blurred photograph of an erection gone south, while “relatively firm” is a condition experienced by many men over fifty who drink as much Scotch whisky as Twain did. But filmy—or flimsy?—as the evidence is, the professor wants to demolish its owner, who, sickeningly,
married above his station
in order to advance himself
socially as well as to acquire a surrogate mother; as his own mother was—yes!—a strong figure while his father was—what else?—cold and uncaring.
No Freudian cliché is left unstroked. To what end? To establish that Twain hated women as well as blacks, Jews, foreigners, American imperialists, Christian missionaries, and Mary Baker Eddy. Since I join him in detesting the last three, I see no need to find a Freudian root to our shared loathing of, say, that imperialist jingo Theodore Roosevelt. Actually, Twain was no more neurotic or dysfunctional than most people and, on evidence, rather less out of psychic kilter than most other figures in the American literary canon.
Twain was born November 30, 1835, in Missouri. He spent his boyhood, famously, in the Mississippi River town of Hannibal. When he was twelve, his father died, becoming
truly
absent as Dr. Freud might sagely have observed, and Twain went to work as a printer’s apprentice. Inevitably, he started writing the copy that was to be printed and, in essence, he was a journalist to the end of his days. Literature as such did not really engage him.
Don Quixote
was his favorite novel (as it was Flaubert’s). He could not read Henry James, who returned the compliment by referring to him only once in his own voluminous bookchat, recently collected and published by the Library of America.