The Light in the Ruins (35 page)

Read The Light in the Ruins Online

Authors: Chris Bohjalian

Tags: #Suspense

“And your sister. Have you forgiven her?”

“Yes.”

“Why?”

“She was eighteen. Eighteen-year-olds make mistakes. Besides, a man expects more from his father than he does from his younger sister. In the war, she was still such a … a child.”

“I was the same age as she was.”

“So? What in the world has that got to do with anything?”

Serafina tried to gather herself. This was the second stupid thing she had said in the last minute. What she had been doing during the war was irrelevant.

“Let’s go back to Piredda,” she said. “You were mad at him.”

“I was disappointed in him. There’s a difference.”

“Did he feel any anger toward you? Did he have any sort of grudge?”

“No. Not toward me and not toward my family.”

“You see where I was going.”

He reached for his cigarette, gazed at its blue smoke, but didn’t take a drag. “Piredda killed no one. Really, he hasn’t any reason.” And with that, Vittore stood, taking the Lucky Strike with him.

“You’re sure of that?”

“I’m sure of that. Now, forgive me, Detective, but I should be
leaving. I have a long drive ahead of me and I want to get back to my family.”

“Are you still burying your mother and sister-in-law tomorrow?”

“We are. I’m going to see you there, aren’t I?”

“I am coming, yes. But I promise to be unobtrusive.”

He closed his eyes and rubbed the bridge of his nose. Then he looked up and said, “I’m not worried about spectacle. I’m worried about my family. I want you and Inspector Ficino and anyone else you bring to be as obtrusive as you want.”

Cristina sat in the passenger seat of her own little Fiat, wishing for the first time in her life that she smoked. A cigarette might mask the menthol stench from the aftershave of the police officer who, at the insistence of Paolo Ficino, was driving her all the way back to Rome. His name was Armando and she guessed he was a few years younger than she was. He drove like a madman and viewed his ability to terrify the periodic hay wagons—the farmers and their horses alike—he passed as they raced south through Chianti as a barometer of his masculinity. She’d been so shocked when he’d had the audacity to ask if she had a man in her life that she had failed to lie. She had just looked at him, a little aghast, and shook her head no. Then she had mumbled, “My mother is going to be buried tomorrow,” hoping he would see the spectacular inappropriateness of asking her out now. He hadn’t. He’d expressed his sympathy instead. Told her that he couldn’t imagine why someone was cutting the hearts from her family. Then he added that, although he had been to Rome only a few times in his life, an older friend had told him of a very romantic restaurant on the Via Margutta, mere blocks from the base of the Spanish Steps. He offered to take her there that night.

She ignored him, her mind’s eye transfixed by images of her mother’s bedroom in the Rome apartment they shared. She saw the bed, which her father had had built after the war, incorporating
the piece of a headboard he had salvaged from the ruins of the Villa Chimera, the family crest carved into the center of the wood. There was the long closet with her mother’s two tiers of dresses and blouses and skirts. It was a big closet by the standards of the city but tiny compared to the small dressing room off the bedroom where the marchesa’s clothing had been stored at the villa. On the bureau was an Etruscan psykter, which Beatrice had used like a vase, placing a fresh bouquet of flowers there every second or third day. She and her mother had a woman who came in twice a week to clean the apartment, but it had never been a demanding job; Cristina wondered whether she would retain her now. The woman needed the work; wasn’t that reason enough? Meanwhile, she herself was going to need Vittore to help her understand better her assets—their assets. She felt infantilized by all that she didn’t know.

And as she gazed out the window at the countryside, she tried to decide whether she was more sad or scared.

In the end it was her memories of Friedrich that tipped the scales. For a decade she had believed he was dead while allowing herself to hope he was alive. She had told herself that he was a prisoner somewhere in Siberia and eventually even the communists would let him go. Send him home. Technically, nothing Serafina had shared with her in Florence should have changed that. After all, there was still no body. But in fact there was now a concreteness to her fears. To his end. Budapest. The Eastern Front. As her brother had reminded her, by 1945 the Soviets weren’t likely to take a German captain prisoner.

She wondered where Friedrich had gone after he had left the villa for the last time. She wondered when he had left Italy. Once, when Vittore had grown frustrated with the way she was pining for the lieutenant, he had tried to turn her against him by insisting that Friedrich was likely to have been with Decher when the villagers and their priest had been massacred just south of Arezzo. She had told him that wasn’t possible. Friedrich wasn’t capable of that sort of violence or brutality. He wasn’t. It was just that simple.

“We’ll be in Rome by the middle of the afternoon,” Armando
was saying, one hand on the wheel, the other arm dangling outside the window. “It will still be light out. We’ll park your car and lock you safely inside your apartment. Like a princess—which they tell me you are.”

“Someone told you I’m a princess?”

“Someone did,” he said.

“No,” she corrected him. “Whoever told you that was mistaken.”

He took a turn on a switchback so quickly that she fell against him. He smiled, pleased with even that small, inadvertent contact. She looked past him out the window at the sheep on the hillside and settled back on her side of the vehicle.

“I hear the drivers are maniacs in Rome,” he told her. “But I’m an excellent driver. I can keep up with the best of them. I should race cars.”

For a few seconds she was able to hear the tinkling of the sheep’s bells through the open windows. It reminded her of her summers as a child.

“Maybe before we park your car, we should drive down the Via Margutta. Find that restaurant,” he went on. “I bet I’d recognize the name if I saw it.”

When she had been a teenager, from a distance some afternoons she would watch Ilario tend to the sheep. Clearly he loved the animals. It was a testimony either to how handsome he was or to how lonely and bored she was, but sometimes when she had taken him lemonade or almonds the cook had fried in olive oil and salt, she had daydreamed that together they would find romance. Not many years after that, her niece would create similar fantasies with her dolls: princesses falling in love with blacksmiths and stable hands. Unsuitable men for the princesses, which made it all the more romantic. And now? Now even Alessia was dead. All that remained of the anointed who had once walked the loggia at the Villa Chimera and managed the vineyards and olive groves—a family that, before the war, had seemed to glide effortlessly through the gardens and sunlight and rarefied air of the hilltop villa—was
her brother and herself. It was as if the estate had become a necropolis, the contours of the fields but a ghostline, and the ruins of the main house a monument to the Rosati dead.

“My shift ends at ten,” Armando told her, tapping the horn twice to scare an old woman with a walking stick who was strolling slowly along the side of the road. “But you have to eat, right? Me, too. So I’ll find us that restaurant. Really, you’ll like it—it’s very romantic.”

Cristina looked at him. She had absolutely no idea what to say.

IT WAS A missed opportunity. I would learn only later that Giulia and her children had been alone at the apartment, the police officer guarding them drunk on grappa a block away
.

But that also gave me resolve. I would not make such a mistake again
.

The Rosatis would be together in Monte Volta to bury the marchesa and her daughter-in-law. All of them—at least all of the ones who mattered to me. Now, I would not finish them all off at once; that would demand the sort of atomic option that was inimical to the surgical precision that I wanted to mark my little project
.

But I would get one of them at the Villa Chimera. I would entice one of them away from the police and the crowd (though I was honestly unsure whether there would be a sizable number of mourners) and I would extract one more heart
.

The day before the funeral, a little before dusk, I went to the estate. I saw that workers had already prepared the two plots and left. I inspected their work. And then I walked the grounds, surveying the melancholy rubble of the villa and the dreary remains of the outbuildings. It had all gone to hell—which perhaps was fitting. In a decade the vineyards had been lost entirely to creep and weed, and the olive grove had more dead trees than live ones. It was bleak. There were feral cats and rats and birds living inside the villa, while the roof of the cattle barn had collapsed and two of the walls had crumbled
.

I was, of course, not displeased by the ruin and gloom
.

That night I slept in my car, and I slept well, dreamless and long. I awoke with the sun, drove into Pienza, and drank my espresso beneath an unexpectedly welcoming touch: a bright red Campari umbrella
.

1944

IT WAS DARK now and the power was out at the villa, but the kitchen was awash in candlelight. The candelabra from the dining room and the loggia had been brought here, as had a pair of oil lamps Francesca had found. Still, Cristina could not see the wounded girl’s face because she was rolled on her side, her knees pulled up toward her chest. She lay on a pile of blankets on the kitchen floor. But Cristina knew that her mother could see the partisan’s face: Beatrice was squatting on the tile before the girl, patting her forehead gently with a rag of cold water. Cristina could not help but wonder if her face was as badly burned as her back. From her spot near the stove, she could see the young woman’s skull and her right shoulder, and she was riveted. Instead of skin, she saw a roiling landscape of festering black tissue and red hillocks, some oozing an almost hueless butter. The flickering candlelight made it look vaguely like lava, undulating and alive. She wanted to help, but she couldn’t imagine how. Still, she asked her mother if there was anything at all she could get her, anything at all she could do.

“No,” her mother said, and then she put the rag in the pot of cold water and took the girl’s wrist in her hands, feeling the pulse with her fingertips.

The partisan was lying on a white sheet, but it had small blue and gold flowers embroidered along one of the edges and Cristina didn’t believe it belonged to her family. Besides, it was filthy, browned by dust and grime from the road. Cristina speculated that the girl had already been wrapped in the sheet when the group had
turned up at the villa. Her bare feet were exposed, and Cristina saw the cuff of what she guessed was a pair of men’s gray work trousers. The feet, so dirty and small, were childlike. Somehow they managed to make the girl’s back, charred and blistered and maimed, seem even worse. It was as if this had happened to Alessia.

Finally her mother stood and said to the couple who had been watching over her as she examined the girl, “What did you say your names were?”

“We didn’t. But I’m Enrico. And this is my wife, Teresa.”

“Well, Enrico. Teresa. This girl needs a hospital.”

Enrico rubbed his forehead and then wiped his eyes. He was in his mid-twenties, his hair the ash blond of a northern Italian. His sleeves were rolled up not quite to his elbows. Teresa gazed down at the girl on the floor and then knelt beside her. Her hair was a shade darker than Enrico’s, but it may just have looked that way because it hadn’t been washed in days. It fell to her shoulders. “We know she needs a hospital,” Enrico said, his tone somewhere between exhaustion and exasperation. “The villagers thought you might have a car. We want to get her to the hospital in Montepulciano. Or, if the Germans are still there, take her to one farther south.”

Three more partisans were outside on the terrace, two men and another woman, and one of the men was wounded as well—though not nearly as badly as this girl. He had burns, too, but they were only on his left hand and arm.

Other books

Imprimatur by Rita Monaldi, Francesco Sorti
Up to No Good by Carl Weber
Rock the Band by Michelle A Valentine
Night Finds by Amber Lynn
Dancing in the Darkness by Frankie Poullain
Broken Birdie Chirpin by Tarsitano, Adam
Aurora (The Exodus Trilogy) by Andreas Christensen