Authors: Alastair Reynolds,Sophia McDougall,Adam Roberts,Kaaron Warren,E.J. Swift,Kameron Hurley
Tito Cravelli
Larkin Street, San Francisco
1951
Document 2
To Deputy Director
From Chief: DOI
Top Secret
POTUS asks us to confirm the Cravelli issue has been dealt with. For my own satisfaction, please confirm an EZ 21 was instigated and not an EZ 19 or below. I will let you have my decision on the other matter after I’ve heard from the bureau.
Document 3
For the eyes of the Chief; DOI only
From Deputy Director
Top Secret
I can confirm – and have confirmed with the Oval Office – that there is no evidence Tito Cavelli existed. No records of any kind are available. No copies or originals of the following:
Birth Certificate
Social Security card or number
Driver’s license
Passport
Library card
Medical Insurance card
Medical records
Dental records
School records
Exams taken or certificates issued
Army Service record
Military ID
PI license
Mortgage forms
Rent book for any building
Death certificate
Can I ask if a decision has been reached on the PKD issue?
Document 4
From Chief; DOI
To Deputy Director
Top Secret
The FBI’s new dept. of psychological affairs has asked us NOT to instigate an EZ 21 or EZ 19 on PKD. The White House has authorised JEH to use him as a test case and I include a copy of their proposed reply (plus their most recent communication to me). As of now, PKD becomes their problem. I understand they will be watching the man for life.
Document 5
From Head; Dept. of Psychological Affairs
To Chief: DOI
Top Secret
We note from your bureau’s records that the subject is of nervous disposition, dislikes authority, recently dropped out of the University of California, Berkeley, and currently works in a record store, that he recently married, and has aspirations to be a novelist.
This is, we feel, both an ideal bedrock and fertile ground on which to sow our ideas. In the first instance, we will be writing as follows.
Please note, we suggest our agent claims to work for your Deputy Director, since this will supply a plausible link between your holding letter and this reply [attached].
Document 6
To Philip K. Dick
From Joan Reiss
Dear Mr. Dick,
I’ve been passed your letter by my section head. He asks me to extend the dept’s apologies for the tardiness of this reply to your letter about Mr. Tito Cavelli, your “missing friend”. He further asks me to tell you there is no record of a Mr. Cavelli in any government file. The apartment you say Mr. Cravelli owned has been lived in by a Polish refugee for the last five years. There was no Cavelli Detective Agency at the address you gave. More to the point, the Bureau of Investigative Services in Sacramento had no record of issuing a Mr. Cavelli with a PI license. As you might know, the office block in which you say this office existed was recently demolished but we are certain of our facts.
Yours truly,
Joan Reiss
P.S. I probably shouldn’t say this – in fact, I’m supposed to be curt with you for wasting the bureau’s time – but I loved the short story you sent us and just want to say it’s as good as anything I’ve read in a magazine. You should be a writer. As we’re both fans of science fiction, I wondered if you’d like to meet? We could always have a drink after work. Do let me know if you like the idea.
They couldn’t do a thing to stop me buying it. So I did. And I’m having my fun.
A Roman dupondius, a brass coin used in the Roman Empire and Republic. The reverse (shown) depicts a moon and seven stars. The face shows Faustina the Younger, wife of Marcus Aurelius. (After 176 AD)
MARK CHARAN NEWTON
People call me Felix, or sometimes Felix the Athenian. Though, I have little memory of Athens, or even Earth for that matter. I was manufactured, or so it has been explained to me, in the workshops of Athens during the two-hundred-year period where Greece had returned to ancient and more primitive city-states. During those ongoing conflicts, I was fortunate enough to be removed from the violence. I was fortunate enough to become a slave.
Felix means lucky, you see.
Since then I served as a slave on three planets and four moons, and under two cruel masters, before being bought up for my writing skills – a forgotten craft – by Magnus Lucretius.
Magnus acquired me at a slave auction almost one year ago to the day. His purchase came eagerly after he saw the Athenian-branding on my right arm. It was, he told me later, a sure sign of quality craftsmanship, the likes of which he had rarely seen. It is common knowledge that Greek slaves had forever been the preferred choice of a discerning master.
I was the only slave of quality available that day, so I could not truly compare myself. My only flaw, according to the dealer, was with my eye lenses, which had trouble focusing on occasion, but I believed Magnus when he said I was of exceptional craftsmanship. The others with whom I shared the platform suffered from occasionally problematic hydraulics, which would make pouring wine difficult, let alone writing. They would clearly be sub-par slaves and as a consequence fetched a very cheap price.
Magnus was kind to me. He rewrote my systems so that my memories of the war were deleted, and installed file after file of old civilizations and long-forgotten tongues. I have retained my core model files – a basic familiarity with, and acceptance of, emotions, to enable us slaves to understand and tolerate the nuances of our human masters, who rarely follow logic.
Because of the fashion in which Magnus reworked my circuitry, I feel have always struggled to recall old events. Luckily the flaw seems confined only to moments in my own history rather than the ability to recall facts. Sometimes I cannot tell if this is a curse or a blessing. Magnus claims, however, that it can be best to forget the past, so I am content.
There were four other slaves in Magnus’ villa, but they were retired upon my arrival. There are human servants that work away in the gardens or tend to the horses, but I conduct all his more sophisticated business. Magnus likes to keep me close – he tells me he does not trust humans.
But enough about me.
Because this story is not about me at all. It is about Magnus Lucretius, a great man, though perhaps I am programmed to say that.
Magnus Lucretius was the finest mind of his generation. He was a planetcrafter, wealthy to the tune of seventeen trillion pounds. “Planetcrafter” is a deceptive name because he also terraformed planetoids and planetismals to make them environmentally similar to Earth.
The moral questions of engineering an alien landscape I will leave aside.
Magnus Lucretius, in his lifetime, re-housed three billion people – a fraction of those still on Earth admittedly – but his work relieved local population pressures to a great extent and saved many lives from the conflicts that beset our age. His company, Basilica Holdings, currently conducts development works on four planets and seventeen moons in three systems, two of which do not rely upon a dome.
Perhaps it was his appreciation of engineering that led Magnus, at an early age, to form a love of ancient Earth cultures. Or perhaps it was the other way around. I cannot know.
“It’s damn remarkable, Felix,” he once said, as we reclined in his blue gardens during my first sunset on Europa, “how three thousand years ago people could build structures on a scale that wouldn’t be seen again for millennia. They built aqueducts that stretched for thousands of miles, all to allow people to live in the deserts! If that ain’t terraforming, I don’t know what is. People who harp on about what
I
do need to learn a thing or two about the past. Now those were people who knew how to do things.”
Forgive his use of language, but Magnus was a passionate man and did not like those who questioned the art of planetcraft. And note how I, too, was allowed to recline alongside him – such brazen intimacy was rare for a slave and is some indication on how he would treat me as a friend and confidant rather than as someone he owned.
Perhaps because I know little of my own past, I felt an urge to encourage him to talk of his history and his dreams. I believe he liked such conversations, that they took his mind off the stresses of daily business.
“Felix,” he said that same sunset, “I’ve read them all. Studied everything from Romulus to Justinian. Digested the works of Al-Kindi and of those who passed through the Platonic Academy. Herodotus and Livy. The lot. Y’know what?”
“No, dominus.”
“Knowledge hasn’t moved on. Sure we’ve
refined
things, but we’re all pretty much stuck in the past.”
During the galactice-wide depresion, a good few years before he purchased me, he bought Europa at a knockdown price. It was there that he was able to combine both of his loves, planetcraft and of the ancient world.
“It’s a worthless rock,” he said. “I told my accountants that and they couldn’t do a thing to stop me buying it. So I did. And I’m having my fun with it.”
And I was lucky enough to witness the latter stages of his “fun”. Though the moon had been promptly domed, the skin was created so finely that one could not perceive being inside a bubble.
His project – his driving passion – was to transform this modern moon into an ancient Earth world. He recreated ancient battles with cheap droids and spectacular visual effects. The cities of the past were born again with precisely the same layouts and architecture. Laws were adjusted to reflect the Law of the Twelve Tables, echoing the ancient Roman Republic. There were brothels and baths, games and Gauls, anything one could wish for.
Starships began to stop by Europa on their way elsewhere. Passengers, jaded from interstellar travel and homesickness, were delighted to find on Europa something to stimulate both the intellect and libido. It was a moon where men and women could unwind. They could spend a carefree cycle watching epic battles, visiting the brothels or simply sitting in marvellous ornamental gardens amid the statues and the fountains. Because Magnus was not looking to turn a profit, and because he had no need of the weatlh, there was no modern, corporate advertising to ruin the effect, as could be found on other moons.
Magnus did rename Europa, however. He called the rock Orbis Romanus.
In the later stages of the project, he reined in the excesses of wealthy travellers and burnt-out workers, and began to transform his project into a more family-friendly tourist destination. Scholars – those who had not been invited initially to help with the recreations – visited from Earth, bringing with them their students and their partners (who were sometimes both) for a weekend away. Magnus entertained those scholars and gleaned information from them. They became his advisors; they helped him fine-tune Orbis Romanus.
Since the galaxy’s economy had recovered, what was once a worthless rock happened now to be a habitable, fully terraformed moon situated on burgeoning trade routes. It was one of the most valuable properties in the solar system.
Despite his ability to shape worlds, I believe Magnus Lucretious found himself dissatisfied on Orbis Romanus. He was Mark Antony without his Cleopatra.
Moreover, it came quite apparent that there was a new direction to his historical recreations.
Magnus orchestrated certain battles, ones from between the second and third century AD. The Roman-Parthian War, the Dacian Wars. Poetry was read out, and plays performed on stage, all of which had originally been written in that same era. And if the text could not be found, it was written by his pet academics to mimic the style of the era.
Citizens and tourists alike were encouraged to wear the dress style of that particular time. Buildings were reworked in that same fashion. The whole of Orbis Romanus’ most developed sector became a vast city plucked straight out of that same era. Even the walls of our mansion were covered in fourth style Roman frescos – bright and bold colours detailing classical scenes, all of which were set within frames painted to look like columns.
I came to my own conclusions about his actions, and finally determined to ask him. As Magnus was sprawling in bed one evening, I served him his food, and put my thoughts to him.
He turned to look at me from his pillow and it was only then I noticed yet another woman in the bed next to him, almost hidden beneath the sheets.
“Ah, my apologies, dominus,” I said, backing away.
But what I’d said to him seemed to have touched him in some way.
He sighed. “No you’re right. I can’t hide anything from you, Felix. That’s the Athenian quality, right there. Give me a moment to cover up my arse and we’ll talk.”
We walked through the gardens listening to a lyre player. Directly above us a ship with Saturnian insignia fragmented into being, a good fourteen miles from the nearest skyport. Normally Magnus would lose his temper at such poor use of mathematics, but not today. He merely smiled at the error and continued through the gardens as the ship’s engines flamed and burned the sky, turning the vessel in a slow arc to the north. There came a sudden peace after it had left, and the purpling sky settled calmly into its previous state. The lyre player continued. The faint contrails left from other, slower ships could be seen extending through to the horizon.
“Her name was Cornelia,” Magus breathed.
“The woman in bed, dominus?”
“No. Gods, no. That was just one of the actresses from the theatre. No, Cornelia... she was, is, the reason for all of this. You know as well as I do how little money this place makes.”
“I believe it has yielded a four billion pound loss thus far, dominus.” There had been opportunities for it to make more revenue - anyone could see that – but here, for just this property, Magnus seemed content that the project be about something else, something other than the balance sheet.
Waving away my reminder, he paused and smiled. “I keep thinking about her, when we talk of the old days. You helped me do that, our little conversations now and then, when we revisit the past – well, when I speak of the old days.”
“I merely stirred the thoughts, dominus.”
“Well, that may be. But the fountains, the courtyards, the recreations of the battles, the simulations of culture, the replications and the museum pieces... They’re all because of her.”
“She admired these things?”
“Cornelia used to love them, back on Earth. We were young, but she adored that era – not the fashionable end of the Republic days, but later, y’know? The later emperors, Nerva. Hadrian and even that guy he was fucking, Antinous. Cornelia was besotted by the wisdom of Marcus Aurelius – bit of a cliché looking back, but still.”
“Do you think she has heard of Orbis Romanus?”
“Given the amount of advertising I’ve spent on Earth in the past year, I would be impressed if she hadn’t. Every time she read an article on her tab she’d see a personalized ad from me, expanding upon the delights of this place. ‘Relive life under the Five Good Emperors, Cornelia’, he quoted, ‘accommodation included’. ‘Do you have the nerve for Nerva?’.”
He and Cornelia had been childhood sweethearts. She had been a vatted child, grown for an older, very wealthy childless couple. Magnus had come from a poor family. But his brains and his talent marked him for a brilliant career and he had won scholarships to the same academy as Cornelia. They met for the first time, so he said, whilst reaching for the same copy of Marcus Aurelius’
Meditations
in the school library. They had an intense romance in their final year. He had even saved up part of his scholarship money to purchase her a fountain pen constructed from genuine melted Roman denarii. She wept after she had unwrapped it, and later, in the dark, they made love in the library, just beneath the Ovids
He wanted to marry her but, because of Magnus’ poor background and family status, Cornelia’s father would not let them. Magnus made desperate overtures, of course, but his persistence annoyed her father and eventually he was forbidden from ever seeing her again. Under the portico of her family mansion he said farewell to her one last time, quietly vowing that some day he would earn enough money to please her father.
Later, he learned that she had married a banker.
“So you see, I want her back, Felix. I’ve managed to track her down – easy enough to do when you pay the right people. She’s divorced now, as it turns out. The time is ripe.”
“I have heard talk among humans of the ‘one that got away’. Is this just such an example?”
A wry smile upon his face, emotions that, despite my programming, I could not fathom. “Something like that.”
“Why now?” I asked.
“I have everything I could possibly want. I’m still not happy.”
“Perhaps, if it is happiness you seek, then you will forever be disappointed.”
“You’ve not been programmed a Stoic, have you?”
I inclined my head. “Not unless you requested. All I can say then is that you are very persistent, dominus.”
“That’s why I’ve got where I have today, Felix.” He seemed to regret his words immediately but, instead of offering an apology, he merely slid the garden wall up and stormed off into the kitchen. The lyre player stuttered and blacked out, and I made a note to recharge it overnight. As a matter of fact, I felt as if I needed to recharge myself.
It was not long, a mere thirty days until after that conversation, when we heard from one of the human operators at the skyport that Cornelia was on her way to Orbis Romanus.
The messages came through the mansion information system, relayed in every room, streaming down the windowscreens like green neon rain.
Her ship will materialise 15 miles away within 50 minutes.
Could someone please pick her up from the skyport at Hadrian’s Island?