The Luminaries (53 page)

‘Not by my hand,’ Carver said. ‘I’ve got nothing more to do with her. I’ve settled my dues.’

‘Your
dues
!’ Löwenthal spat on the floor. ‘You mean the baby? Your own child—dead, before its own first breath! That’s what you call
dues
!’

But suddenly Carver was looking at him with a very amused expression.

‘My own child?’ he repeated.

‘I’ll tell you, though you haven’t asked,’ Löwenthal shouted. ‘Your baby’s dead. Do you hear me? Your own child—dead, before its first breath! And by your hand!’

And Carver laughed—harshly, as though clearing something foul from his throat. ‘That whore carried no baby of
mine
,’ he said. ‘Who told you that?’

‘Anna herself,’ Löwenthal said, feeling a flash of trepidation for the first time. ‘Do you deny it?’

Carver laughed again. ‘I wouldn’t touch that girl with a boathook,’ he said, and before Löwenthal could reply, he was gone.

Anna Wetherell had not visited the opium den in Kaniere since the afternoon of the 14th of January. The half-ounce of fresh resin that Sook Yongsheng had gifted her that afternoon ought to have lasted no more than two weeks, by Anna’s habitual rate of consumption. But now over a month had passed, and Anna had not once returned to Kaniere to share a pipe with her old companion, or to replenish her supply—an absence for which Ah Sook could not produce any kind of reasonable explanation.

The hatter missed the whore’s visits very much. Every afternoon he waited, in vain, for her to appear at the edge of the clearing beyond the bounds of Kaniere Chinatown, her bonnet hanging down her back, and every afternoon he was disappointed. He guessed that she must have ceased to take opium altogether: either that, or she had decided to source the drug from the chemist directly. This latter alternative ought to have been the more
hurtful
to Ah Sook, for he still suspected that Joseph Pritchard had played a part in engineering Anna’s overdose, on the night of the 14th: he still believed, despite many assurances to the contrary, that Pritchard had tried for some reason to end Anna’s life. But in fact it was the former alternative that was the more difficult for Ah Sook to bear. He simply could not believe—did not
want
to
believe—that Anna had managed to rid herself, once and for all, of her addiction.

Ah Sook was very fond of Anna, and he believed that she was fond of him also. He knew, however, that the intimacy that they enjoyed together was less a togetherness than it was a shared isolation—for there is no relationship as private as that between the addict and his drug, and they both felt that isolation very keenly. Ah Sook loathed his own enslavement to opium, and the more he loathed it, the more his craving for the drug strengthened, taking a disgusted shape in his heart and mind. Anna, too, had loathed the habit in herself. She had loathed it all the more when she began to swell with child, and her trade in Hokitika dwindled, and she was left with days and weeks of twilit smoke, an acreage of time, that softened at the edges, and blurred, until the baby died, and Anna’s dependence acquired a
desperation
that even Ah Sook did not attempt to understand. He did not know how the baby came to perish, and had not asked.

They never spoke in the Kaniere den—not as they lit the lamp, not as they lay back, not as they waited for the resin to soften and bubble in the bowl. Sometimes Anna filled Ah Sook’s pipe first, and held it for him as he took the smoke into his body, and breathed, and slipped away—only to wake, later, and find her stretched out beside him, supple and clammy, her hair plastered wet against her cheek. It was important to the lighting of the pipe that no words were ever spoken, and Ah Sook was pleased that they had adopted this practice without any kind of negotiation or request. As the
conjugal
act cannot be spoken of aloud for reasons both sacred and profane, the ritual of the pipe was, for the pair of them, a holy ritual that was unspeakable and mortified, just as it was ecstatic and divine: its sacredness lay in its very profanity, and its profanity, in its sacred form. For what a solemn joy it was, to wait in silence for the resin to melt; to ache for it, shamefully, wondrously, as the sweet scent of it reached one’s nose; to pull the needle through the tar; to cut the flame, and lie back, and take the smoke into one’s body, and feel it, miraculous, rushing to one’s very extremities, one’s
fingers
, one’s toes, the top of one’s head! And how tenderly he looked upon her, when they woke.

On the afternoon of the widow’s
séance
(it was a Sunday—a provocative scheduling on Mrs. Wells’s part, and one of which she was very well aware) Ah Sook was sitting in the rectangular patch of sunshine that fell through the doorway of his hut, scraping clean the bowl of his opium pipe, humming through his teeth, and thinking about Anna. This had been his occupation for the better part of an hour, and the bowl was long since clean. His knife no longer turned up the reddish powder left by the burnt opium gum; the long
chamber
of the pipe was clear. But the redundant motion matched the redundancy of his repeating thoughts, and helped to reassure him.

‘
Ah Quee faat sang me si aa
?’

Tong Wei, a smooth-faced young man of thirty, was watching him from the other side of the clearing. Ah Sook did not respond. He had pledged not to speak of the council at the Crown Hotel, or the events that preceded it, to any man.

The lad persisted. ‘
Keoi
hai mai bei yan daa gip aa
?’

Still Ah Sook said nothing, and presently Tong Wei gave up, muttering his displeasure, and sloped off in the direction of the river.

Ah Sook sat still for a long while after the lad’s departure, and then all of a sudden he sat back, uttered an oath, and folded his knife away. It was hell to spend his days waiting for her, thinking about her, wondering. He would not endure it. He would journey to Hokitika that very afternoon, and demand an audience with her. He would go at once. He rolled up his pipe and tools, stood, and went inside to fetch his coat.

Ah Sook had only understood part of what was discussed in the smoking room of the Crown Hotel three weeks prior. In his
confusions
he had received no aid from his compatriot, for Ah Quee’s English was even more severely limited than his own, and none from the remaining men of the Crown, whose collective patience was worn very thin by any request for clarification from Chinese men. Balfour’s narration had been much too swift and poetically accented to be readily understood by a foreign ear, and both Ah Sook and Ah Quee had left the assembly at the Crown with only a partial understanding of all that had been discussed.

The crucial points of ignorance were these. Ah Sook did not know that Anna Wetherell had quit her lodgings at the Gridiron Hotel, and had taken up instead with Lydia Wells. He also did not know that Francis Carver was the master of the ship
Godspeed
, the craft that had foundered on the Hokitika bar. When the assembly at the Crown broke up, soon after midnight, Ah Sook had not
followed
the other men to the Hokitika spit to look over the wreck: shipping misadventures did not interest him, and he did not like to be on the Hokitika streets after dark. He had returned, instead, to Kaniere, where he had remained ever since. As a consequence, he still believed that Francis Carver had departed nearly a month ago for Canton, and would not be due back in Hokitika for some time. Thomas Balfour, who had quite forgotten imparting this piece of misinformation to Ah Sook in the first place, had not thought to disabuse him.

By the time the bells rang out half past three, Ah Sook was mounting the steps to the veranda of the Gridiron Hotel. At the front desk, he requested an audience with Anna Wetherell,
pronouncing
her name with both gravity and satisfaction, as though the meeting had been scheduled many months in advance. He produced a shilling, to show that he was willing to pay for the privilege of the whore’s conversation, and then bowed very deeply, as a gesture of respect. He remembered Edgar Clinch from the secret council, and had judged him, then, to be a decent and reasonable man.

Clinch, however, only shook his head. He gestured, repeatedly, towards the newly washed Wayfarer’s Fortune, on Revell-street’s opposite side, and spoke a flurry of words; when Ah Sook did not understand, Clinch brought him outside by the elbow, pointed at the hotel opposite, and explained, more slowly, that Anna now took her lodging there. Eventually Ah Sook spied a thrust of movement in the front window of the former hotel, and perceived that the figure behind the glass was Anna; satisfied, he bowed to Clinch a second time, retrieved his shilling from the other man’s palm, and pocketed it. He then crossed the thoroughfare, mounted the steps to the Wayfarer’s veranda, and rapped smartly upon the door.

Anna must have been in the foyer, for she answered the door within seconds. She appeared, as was her habit of late, in the
distracted
posture of a lady’s maid, full of annoyance and disapproval, keeping one hand upon the doorframe, so as to be ready to close the door at once. (Over the past three weeks she had received a great many callers: wistful diggers, for the most part, who missed her
presence
at the Dust and Nugget in the evenings. They begged to buy her a glass of champagne, or brandy, or small beer, and to ‘shoot the bull’ at one of the brightly lit saloons along Revell-street—but their pleading had no effect: Anna only shook her head, and shut the door.) When she saw who was on the threshold, however, she pulled the door open wide, and made an exclamation of surprise.

Ah Sook was surprised also; for a moment he simply stared. After so many weeks of recalling her shape to his mind—here she was! Was she truly so altered? Or was his memory so imperfect, that she seemed, standing in the doorway, to be a wholly different woman than the one with whom he had passed so many luxurious afternoons, with the cold light of winter falling slantwise through the square of the window, and the smoke winding about their bodies, in coils? Her dress was a new one: black, and cut very severely. But this was not merely a new dress, Ah Sook thought. This was a different woman altogether.

She was sober. Her cheeks held a new lustre, and her eyes were brighter, larger, and more alert. The syrupy quality to her movements was gone—and gone, too, was the slightly dreamy gauze that had always overlaid her features, like a veil of lawn. Gone was the vague half-smile, the trembling corner of her mouth, the awed confusion—as though she were privy, always, to some small bewilderment that no one else could see. In the next moment Ah Sook’s astonishment had given way to bitterness. So it was true. Anna had rid herself of opium’s dragon. She had cured herself—when he had tried for over a decade to do the same, remaining, always, that shapeless creature’s slave.

Anna made a little snatching motion with her hand, as though wishing to steady herself upon the frame of the door. In a whisper she said, ‘But you can’t come in—you can’t come in, Ah Sook.’

Ah Sook waited a moment before he made his bow, for he trusted his own first impressions, and he wished to make this impression last. She was much thinner than he remembered: he could see the bones of her wrist quite plainly, and her cheeks were sunken in.

‘Good afternoon,’ he said.

‘What do you want?’ Anna whispered. ‘Yes—good afternoon. You know I’m not taking opium any more. Did you know that?’

He peered at her.

‘Three weeks,’ she added, as if to persuade him. ‘I haven’t had a pipe in three weeks.’

‘How?’ said Ah Sook.

She shook her head. ‘You have to understand it: I’m not the same as I was.’

‘Why you come no more to Kaniere?’ Ah Sook said. He did not know how to say that he missed her; that each afternoon before her arrival he used to arrange the cushions on the daybed just so, and tidy his belongings, and make sure his clothes were neat and his pigtail tied; that as he watched her sleep he had often been
near-choked
with joy; that he had sometimes reached out his hand and let it hover within an inch of her breast, as though he could feel the softness of her skin in that smoky space between his flesh and hers; that sometimes after she took her pipe he would wait some time before taking his own, so that he could watch her, and fix her image in his mind, to remember.

‘I can’t come to see you any more,’ Anna said. ‘You mustn’t be here. I can’t come.’

Ah Sook studied her sadly. ‘No more smoke?’

‘No more,’ Anna said. ‘No more smoke, and no more Kaniere.’

‘Why?’

‘I can’t explain it—not here. I’ve stopped, Ah Sook. I’ve stopped it altogether.’

‘No more money?’ said Ah Sook, trying to understand. He knew that Anna had laboured under an enormous debt. She owed a great deal of money to Dick Mannering, and the debt mounted every day. Perhaps she could no longer afford the drug. Or perhaps she could no longer afford the time to make the journey, to take it.

‘It’s not money,’ Anna said.

Just then a female voice called out Anna’s name, from deep in the well of the house, and asked, in a tone of impatient
condescension
, to know the name and business of the caller at the door.

Anna turned her chin to the side but did not move her eyes from Ah Sook’s face. ‘It’s just a chink I used to know,’ she called. ‘It’s nothing.’

‘Well, what does he want?’

‘Nothing,’ Anna called again. ‘He’s only trying to sell me
something
.’

There was a silence.

‘I bring to you—here?’ said Ah Sook. He cupped his hands together and proffered them to her, indicating that he was willing to deliver the resin himself.

‘No,’ Anna whispered. ‘No, you can’t do that. It’s no use. I just—the thing is—I can’t feel it any more.’

Ah Sook did not understand this. ‘Last piece,’ he said, meaning the ounce he had gifted her on the afternoon of her near-death. ‘Last piece—unlucky?’

‘No,’ Anna began, but before she could speak further there were quick steps in the passage, and in the next moment a second woman had appeared at Anna’s side.

‘Good afternoon,’ she said. ‘What is it that you are selling? That will do, Anna’—and at once Anna melted back from the doorway.

Ah Sook had also taken a step backwards—but in shock rather than submission, for this was the first he had seen of Lydia Greenway in nearly thirteen years. The last time that he had laid eyes upon her was—when?—at the Sydney courthouse, she in the gallery, he in the dock; she red-faced, fanning herself with an embroidered sandalwood fan, the scent of which had floated down to reach him, recalling, in a rush of emotion, his family’s warehouse on the Kwangchow waterfront, and the sandalwood boxes in which the merchants packed their bolts of silk, before the wars. She had been wearing a gown of pale green—this he remembered well—and a bonnet covered in lace; she had kept her face perfectly grave, throughout the trial. Her testimony, when she gave it, had been
short and to the point. Ah Sook had not understood a word of it, save for when she pointed directly at him, evidently to identify him to the court. When Ah Sook was acquitted of the murder she had betrayed no emotion of any kind: she had only risen, mutely, and left the courtroom without a backward glance. Over twelve years had passed since that day! Over twelve years—and yet here she was, monstrously present, monstrously unchanged! Her copper hair was as bright as ever; her skin was fresh, and hardly lined. She was as plump and buxom as Anna was gaunt.