The Magicians (17 page)

 

 

Even though he was part of the Physical Kids now, Quentin still spent most of his time with the other Third Years: he took his classes with them, and worked with them in P.A., and studied for exams with them, and sat with them at dinner. The Maze had been scrambled and redrawn over the summer—as it was every summer, it turned out—and they spent a week’s worth of afternoons relearning it, yelling at one another over the tall hedges when they got lost or found an especially sweet shortcut.

They threw a party in honor of the fall equinox—there was a strong undercurrent of Wiccan sentiment at Brakebills, though hardly anybody took it seriously except the Naturals. They had a bonfire and music and a Wicker Man, and a light show by the Illusionists, and everybody stayed out way too late, their noses running in the cold fall air, their faces hot and red from the fire. Alice and Quentin taught the others the fire-shaping spell, which was a big hit, and Amanda Orloff revealed that she’d been brewing a batch of mead on the sly for the past couple of months. It was sweet and fizzy and disgusting, and they all drank way too much of it and felt like death the next day.

That fall Quentin’s studies changed again. There was less rote learning of gestures and arcane languages, though God knows there was plenty of that, and more actual spellcasting. They spent an entire month on low-level architectural magic: spells to strengthen foundations and rain-proof roofs and keep gutters free of rotting leaves, all of which they practiced on a pathetic little shed barely larger than a doghouse. Just one spell, to make a roof resistant to lightning, took Quentin three days to memorize, grinding the gestures in a mirror to get them exactly right, at the proper speed and with the proper angles and emphasis. And then there was the incantation, which was in a corrupt old Bedouin Arabic and very tricky. And then Professor March conjured a little rainstorm which emitted a single lightning bolt that sheared through it in one eye-searing, ego-demolishing instant, while Quentin stood there getting soaked to the skin.

On alternate Tuesdays Quentin worked with Bigby, the Physical Kids’ unofficial faculty advisor, who turned out be a small man with large liquid eyes and close-cropped gray hair who dressed neatly, if extremely affectedly, in a long Victorian-looking duster. His posture was slightly hunched, but he didn’t seem otherwise frail or crippled. Quentin had the impression that Bigby was a political refugee from somewhere. He was always making vague noises about the conspiracy that had ousted him, and what he would do following his inevitable return to power. He had the stiff, wounded dignity of the deposed intelligentsia.

One afternoon during a seminar—Bigby specialized in ridiculously difficult enchantments that transmuted elements by manipulating their structure on a quantum level—he paused and performed an odd gesture: he reached back behind first one shoulder, then the other, unbuttoning something back there. The movement reminded Quentin of nothing more than a woman unhooking her bra. When Bigby was finished four magnificent insect wings like a dragonfly’s, two on each side, sprang out from behind him. He flexed them with a deep, satisfied sigh.

The wings were gauzy and iridescent. They disappeared for a second in a buzz of activity, then reappeared as they became still.

“Sorry,” he said. “Couldn’t stand it a minute more.”

It never stopped, the weirdness of this place. It just went on and on.

“Professor Bigby, are you a—” Quentin stopped. A what? An elf? An angel? He was being rude, but he couldn’t help it. “Are you a fairy?”

Bigby smiled a pained smile. His wings made a dry chitinous rattle.

“Pixie, technically,” he said.

He seemed a little sensitive about it.

 

 

One morning, very early, Professor March was giving a lecture on weather magic and summoning cyclonic wind patterns. For a portly man he was surprisingly spry. Just looking at him bouncing on his toes, with his red ponytail and his red face, made Quentin want to go back to bed. In the mornings Chambers served tarry black espresso which he smelted in a delicate, gilded-glass exotic Turkish device. But it was all gone by the time Quentin came down for class.

He closed his eyes. When he opened them again Professor March was addressing him directly.

“. . . between a subtropical cyclone and an extratropical? Quentin? In the French, please, if you can.”

Quentin blinked. He must have drifted off.

“The difference?” he hazarded. “There is no difference?”

There was a long, awkward pause, into which Quentin inserted more words in an attempt to find out what exactly the question had been, and to say “baroclinic zones” as many times as possible just in case they were relevant. People shifted in their chairs. March, having caught the delicious scent of humiliation, was prepared to wait. Quentin waited, too. There was something in the reading about this. He’d actually done it, that was the injustice of it.

The moment stretched on and on. His face was on fire. This wasn’t even magic, it was meteorology.

“I don’t understand—” came a voice from the back of the classroom.

“I’m asking Quentin, Amanda.”

“But maybe you could clarify something?” It was Amanda Orloff. She persisted, with the shit-eating blitheness of somebody who had academic cred to burn. “For the rest of us? Whether these are barotropic cyclones or not? I find it a little confusing.”

“They are all barotropic, Amanda,” March said, exasperated. “It’s irrelevant. All tropical cyclones are barotropic.”

“But I thought one was barotropic and one was baroclinic,” Alice put in.

The resulting mass wrangle ended up being so inane and time-consuming that March was forced to abandon Quentin and move on or lose the entire thread of the lecture. If he could have done so unobtrusively, Quentin would have run back to where Amanda Orloff was sitting and kissed her on her broad, unmoisturized forehead. Instead he settled for blowing her a kiss when March wasn’t looking.

March had segued into a lengthy spell that involved sketching an elaborate mandala-like symbol on the chalkboard. He stopped every thirty seconds and stepped back to the edge of the stage, hands on hips, whispering to himself, then dove back into the design. The point of the spell was fairly trivial—it either guaranteed hail or prevented it, one or the other, Quentin wasn’t really following, and anyway the principle was the same.

Either way, Professor March was struggling with it. The spell was in a very proper and precise Medieval Dutch that evidently wasn’t his forte. It occurred to Quentin that it might be nice if he screwed it up. He hadn’t particularly enjoyed being called out on technical minutiae this early in the morning. He would play a tiny prank.

Brakebills classrooms were proofed against most forms of mischief, but it was well known that the podium was any teacher’s Achilles’ heel. You couldn’t do much to it, but the wards on it weren’t quite ironclad, and with a lot of effort and some body English you could get it to rock back and forth a little. Maybe that would be enough to throw Professor March (the students called him “Death” March) off his game. Quentin made a few small gestures under his desk, between his knees. The podium stirred, as if it were stretching a kink in its back, then became inert again. Success.

March was reeling off some extra Old High Dutch. His attention flicked down at the podium as he felt it move, and he hesitated but recovered his concentration and forged ahead. It was either that or start the whole spell over.

Quentin was disappointed. But Infallible Alice leaned over.

“Idiot,” she whispered. “He dropped the second syllable. He should have said—”

Just then, for an instant, the film of reality slipped off the spokes of its projector. Everything went completely askew and then righted itself again as if nothing had happened. Except that, like a continuity error in a movie, there was now a man standing behind Professor March.

He was a small man, conservatively dressed in a neat gray English suit and a maroon club tie that was fixed in place with a silver crescent-moon pin. Professor March, who was still talking, didn’t seem to realize he was there—the man looked out at the Third Years archly, conspiratorially, as if they were sharing a joke at the teacher’s expense. There was something odd about the man’s appearance—Quentin couldn’t seem to make out his face. For a second he couldn’t figure out why, and then he realized it was because there was a small leafy branch in front of it that partially obscured his features. The branch came from nowhere. It was attached to nothing. It just hung there in front of the man’s face.

Then Professor March stopped speaking and froze in place.

Alice had stopped, too. The room was silent. A chair creaked. Quentin couldn’t move either. There was nothing restraining him, but the line between his brain and his body had been cut. Was the man doing this? Who was he? Alice was still leaned over slightly in his direction, and a fly-away wisp of her hair hung in his field of vision. He couldn’t see her eyes; the angle was wrong. Everything and everybody was still. The man on the stage was the only thing in the world still in motion.

Quentin’s heart started to pound. The man cocked his head and frowned, as if he could hear it. Quentin didn’t understand what had happened, but something had gone wrong. Adrenaline poured into his bloodstream, but it had nowhere to go. His brain was boiling in its own juices. The man began strolling around the stage, exploring his new environment. His demeanor was that of a gentleman balloonist who had accidentally touched down in exotic surroundings: inquisitive, amused. With the branch in front of his face his intentions were impossible to read.

He circled Professor March. There was something strange about the way he moved, something too fluid about his gait. When he walked into the light, Quentin saw that he wasn’t quite human, or if he had been once he wasn’t anymore. Below the cuffs of his white shirt his hands had three or four too many fingers.

Fifteen minutes crawled by, then half an hour. Quentin couldn’t turn his head, and the man moved in and out of his field of view. He puttered with Professor March’s equipment. He toured the auditorium. He took out a knife and pared his fingernails. Objects stirred and shifted restlessly in place whenever he walked too near them. He picked up an iron rod from March’s demonstration table and bent it like a piece of licorice. Once he cast a spell—he spoke too fast for Quentin to catch the details—that made all the dust in the room fly up and whirl crazily in the air before settling down again. It had no other obvious effect. When he cast the spell, the extra fingers on his hands bent sideways and backward.

An hour passed, then another. Quentin’s fear came and went and came back in huge sweating rushes, crashing waves. He was sure something very bad was happening, it just wasn’t clear yet exactly what. He knew it had something to do with his joke on March. How could he have been so stupid? In a cowardly way he was glad he couldn’t move. It spared him from having to attempt something brave.

The man seemed barely aware that he was in a room full of people. There was something grotesquely comic about him—his silence was like that of a mime. He approached a ship’s clock that hung at the back of the stage and slowly put his fist through it—he didn’t punch it, he forced his hand into its face, breaking the glass and snapping the hands and crushing the mechanism inside until he was satisfied that it was destroyed. It was as if he thought he would hurt it more that way.

Class should have been over ages ago. Somebody on the outside must have noticed by now. Where were they? Where was Fogg? Where the hell was that paramedic-nurse-woman when you really needed her? He wished he knew what Alice was thinking. He wished he could have turned his head just a few degrees more before he’d been frozen, so he could see her face.

Amanda Orloff’s voice broke the silence. She must have gotten loose somehow and was chanting a spell, rhythmically and rapidly but calmly. The spell was like nothing Quentin had ever heard, an angry, powerful piece of magic, full of vicious fricatives—it was offensive magic, battle magic, designed to literally rip an opponent to pieces. Quentin wondered how she’d even learned it. Just knowing a spell like that was way off-limits at Brakebills, let alone casting it. But before she could finish her voice became muffled. It went higher and higher, faster and faster, like a tape speeding up, then faded out before she could finish. The silence returned.

Morning turned into afternoon in a fever dream of panic and boredom. Quentin went numb. He heard signs of activity from outside. He could see only one window, and that was out of the very corner of his eye, but something was going on out there, blocking the light. There were sounds of hammering and, very faintly, six or seven voices chanting in unison. A tremendous, silent flash of light burst behind the door to the corridor with such force that the thick wood glowed translucent for an instant. There were rumblings as if somebody were trying to break through the floor from underneath. None of this visibly bothered the man in the gray suit.

In the window a single red leaf flapped crazily in the wind on the end of a bare branch, having hung on longer into the fall than any of its fellows. Quentin watched it. The wind flailed the leaf back on forth on the end of its stem. It seemed like the most beautiful thing he had ever seen. All he wanted was to go on looking at it for one minute longer. He would give anything for that, just one more minute with his little red leaf.

He must have slipped into a trance, or fallen asleep—he didn’t remember. He woke up to the sound of the man on stage singing softly and high under his breath. His voice was surprisingly tender:

He lapsed into humming. Then, with no warning, he vanished.