The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (138 page)

Perhaps if my brain had been augmented, I would have acted more rationally.

My steps crunched on banks of pebbles, the peg-leg making a different sound than my remaining foot, so that my gait created an alternating rhythm like the bass-snare drumbeat of old-fashioned pop music. The beach smelled of sea-salt, and of the decaying vegetation that had fallen with the landslip. Chunks of driftwood lay everywhere.

The day was quiet; the wind had dropped and the tide was out, so the only sounds came from my own steps and the occasional cry of the gulls far out to sea. Otherwise I would never have heard the voice, barely more than a scratchy whisper.

“Soon, my darling. Soon we’ll be together. Ah, how long has it been?”

I looked around and saw no one. Then I realised that the voice came from low down, from somewhere among the pebbles and the ever-present trash. I sifted through the debris and found a small square of plastic. When I lifted it to my ear, it swore at me.

“Arsewipe! Fuckflaps!”

The voice was so tinny and distorted that I couldn’t be sure I recognized it. “Katriona?” I asked.

“How long, how long? Oh, the sea, the dear blessed sea. Speed the waves . . .”

I asked again, but the voice wouldn’t respond to me. Maybe the broken chip, which no longer projected a hologram, had also lost its aural input. Or maybe it had stopped bothering to speak to passers by.

Now I saw that some of the driftwood planks were slats of benches. The memorial benches, which over the years had inched closer to the eroding cliff-edge, had finally succumbed to the waves.

Yet perhaps they hadn’t succumbed, but rather had finally
attained
their goal – or would do soon enough when the next high tide carried the detritus away. I remembered the holograms lighting up last night, how they’d seemed to summon the storm. I remembered Katriona telling me about her husband who’d drowned. For all the years of her death, she must have longed to join him in the watery deeps.

I strode out towards the distant waves. My steps grew squelchy as I neared the waterline, and I had to pick my way between clumps of seaweed. As I walked, I crunched the plastic chip to shreds in my palm, my exo-skin easily strong enough to break it. When I reached the spume, I flung the fragments into the sea.

“Goodbye,” I said, “and God rest you.”

I shivered as I returned to the upper beach. I felt an irrational need to clamber up the rocks to the cliff-top path, further from the hungry sea.

I’d seen my own future. The exo-skin and the other augments would become more and more of me, and the flesh less and less. One day only the augments would be left, an electronic ghost of the person I used to be.

As I retrieved my clothes from where I’d cached them, I experienced a surge of relief at donning them to rejoin society. Putting on my shoes proved difficult, since I lacked a right foot. I had to reshape my exo-skin into a hollow shell, in order to fill the shoes of a human being.

Tomorrow I would return to the launch base. I’d seek medical attention after we lifted off, when they couldn’t remove me from the colony roster for my foolishness. I smiled as I wondered what similar indiscretions my comrades might reveal, when it was too late for meaningful punishment. What would we all have left behind?

What flaws would we take with us? And what would remain of us, at the last?

Now we approach the end of my story, and there is little left. As I once helped a shadow fade, long ago and far away, I hope that someday you will do the same for me.

 
VISHNU AT THE
CAT CIRCUS
Ian McDonald

British author Ian McDonald is an ambitious and daring writer with a wide range and an impressive amount of talent. His first story was published in 1982, and since then he has appeared with some frequency in
Interzone, Asimov’s Science Fiction
, and elsewhere. In 1989 he won the Locus Best First Novel Award for his novel
Desolation Road.
He won the Philip K. Dick Award in 1992 for his novel
King of Morning, Queen of Day.
His other books include the novels
Out On Blue Six
and
Hearts, Hands and Voices, Terminal Cafe, Sacrifice of Fools, Evolution’s Shore, Kirinya
, a chapbook novella
Tendeleo’s Story, Ares Express
, and
Cyberabad
, as well as two collections of his short fiction,
Empire Dreams
and
Speaking In Tongues.
His novel
River of Gods
was a finalist for both the Hugo Award and the Arthur C. Clarke Award in 2005, and a novella drawn from it, “The Little Goddess,” was a finalist for the Hugo and the Nebula. His most recent books are another new novel that’s receiving critical raves,
Brasyl
, and a new collection,
Cyberabad Days.
Coming up is a new novel,
The Dervish House.
Born in Manchester, England, in 1960, McDonald has spent most of his life in Northern Ireland, and now lives and works in Belfast. His website is lysator.liu.se/^unicorn/mcdonald/.

In the complex novella that follows, he takes us to his evocative future India, the setting for
River of Gods
and “The Little Goddess,” where ancient customs and dazzlingly sophisticated high-tech exist side by side, for a story of sibling rivalry with some very unexpected results.

T
hey are saved by a desk.

Come Matsya, come Kurma. Come Narasimha and Varaha. By the smoky light of burning trash polyethylene and under the mad-eye moon lying drunk on its back, come run in the ring; ginger and black and tabby and grey, white and piebald and tortie and hare-legged tailless Manx. Run Varana, Pashurama, run Rama and Krishna.

I pray I do not offend with my circus of cats that carry the names of divine avatars. Yes, they are dirty street cats, stolen from rubbish dumps and high walls and balconies, but cats are naturally blasphemous creatures. Every lick and curl, every stretch and claw is a calculated affront to divine dignity. But do I not bear the name of a god myself, so may I not name my runners, my leapers, my stars, after myself? For I am Vishnu, the Preserver.

See! The trash-lamp are lit, the rope ring is set and the seats laid out, such as they are, being cushions and worn mattresses taken from the boat and set down to keep your fundament from the damp sand. And the cats are running, a flowing chain of ginger and grey, the black and the white and the part-coloured: the marvellous, the magical, the Magnificent Vishnu’s Celestial Cat Circus! You will be amazed, nay, astounded! So why do you not come?

Round they run and round, nose to tail. You would marvel at the perfect fluid synchronisation of my cats. Go Buddha, go Kalki! Yes, it takes a god to train a cat circus.

All evening I beat my drum and rang my bicycle bell through the heat-blasted hinterland of Chunar.
The Marvellous, the Magical, the Magnificent Vishnu Cat Circus! Gather round gather round! There are few enough joys in your life: wonder and a week’s conversation for a handful of rupees.
Sand in the streets, sand slumped against the crumbling walls of abandoned houses, sand slumped banked up on the bare wheel rims of the abandoned cars and minibuses, sand piled against the thorny hurdles that divided the river-edge sandbars into sterile fields. The long drought and the flashfire wars had emptied this town like so many others close to the Jyotirlinga. I climbed up to the old fort, with its preview 20 kilometres up and down river. From the overlook where the old British ambassador had built his governor’s residence I could see the Jyotirlinga spear into the sky above Varanasi, higher than I could see, higher than the sky for it ran all the way into another universe. The walls of the old house were daubed with graffiti. I rang my bell and beat my drum but there was never any hope of even ghosts here. Though I am disconnected from the deva-net, I could almost smell the devas swirling on the contradictory airs. Walking down into the town I caught the true smell of woodsmoke and the lingering perfume of cooking and I turned, haunted by a sense of eyes, of faces, of hands on doorframes that vanished into shadows when I looked.
Vishnu’s Marvellous Magical Magnificent Cat Circus!
I cried, ringing my bicycle bell furiously, as much to advertise my poverty and harmlessness as my entertainment. In the Age of Kali the meek and helpless will be preyed upon without mercy, and there will be a surplus of AK-47s.

The cats were furious and yowling in unison when I returned, hot in their cages despite the shade of the awning. I let them hunt by the light of the breaking stars as I set up the ring and the seats, my lamps and sign and alms bowl, not knowing if a single soul would turn up. The pickings were meagre. Small game will be scarce in the Age of Kali.

My fine white Kalki, flowing over the hurdles like a riffle in a stream, it is written that you will battle and defeat Kali, but that seems to me too big an ask for a mere cat. No, I shall take up that task myself, for if it’s your name, it’s also my name. Am I not Vishnu the ten-incarnated? Are not all of you part of me, cats? I have an appointment down this river, at the foot of that tower of light that spears up into the eastern sky.

Now come, sit down on this mattress – I have swept away the sand, and let the lamps draw away the insects. Make yourself comfortable. I would offer chai but I need the water for the cats. For tonight you will witness not only the finest cat circus in all of India – likely the only cat circus in all of India. What do you say? All they do is run in a circle? Brother, with cats, that is an achievement. But you’re right; running in a circle, nose to tail is pretty much the meat of my Cat Circus. But I have other ways to justify the handful of rupees I ask from you. Sit, sit and I will tell you a story, my story. I am Vishnu, and I was designed to be a god.

There were three of us and we were all gods. Shiv and Vish and Sarasvati. I am not the firstborn; that is my brother Shiv, with whom I have an appointment at the foot of the Jyotirlinga of Varanasi. Shiv the success, Shiv the businessman, the global success, the house hold name and the inadvertent harbinger of this Age of Kali; Shiv I cannot imagine what he has become. I was not the firstborn but I was the best born and therein lies the trouble of it.

Strife, I believe, was worked into every strand of my parents’ DNA. Your classical Darwinist scorns the notion that intellectual values can shape evolution, but I myself am living proof that middle class values can be programmed into the genes. Why not war?

A less likely cyberwarrior than my father you would be hard-pressed to imagine. Un-co-ordinated; ungainly; portly – no, let’s not mince words, he was downright fat; he had been a content and, in his own way, celebrated, designer for DreamFlower. You remember DreamFlower?
Street Sumo; RaMaYaNa; BollywoodSingStar.
Million-selling games? Maybe you don’t. I increasingly find it’s been longer than I think. In everything. What’s important is that he had money and career and success and as much fame as his niche permitted and life was rolling along, rolling along like a Lexus, when war took him by surprise. War took us all by surprise. One day we were the Great Asian Success Story – the Indian Tiger (I call it the Law of Aphoristic Rebound – the Tiger of Economic Success travels all around the globe before returning to us) – and unlike those Chinese we had English, cricket and democracy; the next we were bombing each others’ malls and occupying television stations. State against state, region against region, family against family. That is the only way I can understand the War of Schism; that India was like one of those big, noisy, rambunctious families into which the venerable grandmother drops for her six-month sojourn and within two days sons are at their father’s throats. And the mothers at their daughters, and the sisters feud and the brothers fight and the cousins uncles aunts all take sides and the family shatters like a diamond along the faults and flaws that gave it its beauty. I saw a diamond cutter in Delhi when I was young – apologies, when I was small. Not so young. I saw him set the gem in the padded vice and raise his cutter and pawl, which seemed too huge and brutal an object by far for so small and bright an object. I held my breath and set my teeth as he brought the big padded hammer down and the gem fell into three gems, brighter and more radiant than their parent.

“Hit it wrong,” he said, “and all you have is dazzling dust.”

Dazzling dust, I think, has been our history ever since.

The blow came – success, wealth, population strain – and we fell to dust but Delhi didn’t know it. The loyalists resolutely defended the dream of India. So my father was assigned as Help Desk to a Recon Mecha Squad. To you this will sound unspeakably hot and glamorous. But this was another century and another age and robots were far from the shimmering rakshasa-creatures we know today, constantly shifting shape and function along the edge of human expectation. This was a squad of reconnaissance bots; two legged joggers and jumpers, ungainly and temperamental as iron chickens. And Dadaji was the Help Desk, which meant fixing them and de-virusing them and unbugging them and hauling them out of the little running circles they’d trapped themselves in, or turning them away from the unscalable wall they were attempting to leap, all the while wary of their twin flechettegatlings and their close-defence nano-edged blades.

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