The Man Without a Shadow (28 page)

“
You
explain it.”

Eli is further flattered by being told that other subjects have failed to complete the drawings as he'd done.

E.H. smiles as if exulting in secret knowledge. As if thinking—
But of course I know how to do this, I have mastered it many times in the past
.

Margot knows that E.H. is simulating such knowledge. The amnesiac wishes to provide the examiner with the sort of socially-determined response that would seem plausible in a normal subject; in E.H., this response is a confabulation.

Margot has explored E.H.'s strategy of confabulating. The subject is infinitely fascinating to her as a (possible? probable?) foundation of all human belief, mythology. Margot will ask E.H. why he is wearing his watch on his right wrist instead of his left, and E.H. will say matter-of-factly, “Because—I always wear my watch on my right wrist.” (In fact, one of Margot's assistants instructed E.H. to switch it to the other wrist earlier that day.)

Under the guise of an experiment Margot pushes the Celtic ring onto one of E.H.'s fingers. She tells him it is a “present from a friend.” And an hour later when E.H. is asked about the ring he
stares at it as if he has never seen it before. (Indeed, he has never seen it before.) He is likely to say, “This is an old family ring. This is a ring I always wear.”

Another time, E.H. will say, “This is my wedding ring. My wife and I have identical rings.”

“And—where is your wife now, Eli?”

“She would be in our apartment at Forty-Four Rittenhouse Square. She would be waiting for me.”

Margot is intrigued by this reply in the subjunctive mood.
Would be.

Yet, she's rather hurt by her lover's remark. As if he'd slapped her lightly with the back of his hand in rebuke.

“But—what is your wife's name, Eli?”

Her question is faint, faltering. E.H. bares his teeth in an obstinate smile.

“What d'you think it would be, Doctor? If she's my wife she is ‘Mrs. Hoopes.'”

THOUGH E.H. IS
the amnesiac subject of
Project E.H.
, from time to time Margot Sharpe and her colleagues work with other impaired individuals at the Institute as well. And they work with “normal” individuals, student volunteers at the university; these “normal” individuals are their control group.

“Semantic” knowledge, “episodic” knowledge. The one is factual, impersonal, and non-contextual; the other personal, autobiographical, and contextual.

In E.H., all “memory” acquired after his illness in July 1965 has vanished. That is, all declarative memory.

E.H.'s more general memory, consolidated before his illness, remains more or less intact, and is considerable; he was a highly educated and highly intelligent man. But his personal memory,
Margot thinks, has begun to seriously corrode. By the time the amnesiac subject is in his sixties, his recollection of his early, pre-amnesiac life has become unreliable, at times surreal. (E.H. will say, “Did that happen? Or did I dream that happened?”) Tests administered to the amnesiac subject at two-year intervals, drawing upon childhood and boyhood memories, record this decline. But why is this happening? Why, when E.H.'s brain hasn't been further injured? It is Margot's theory that E.H.'s personal memory is fading or breaking up because he has no way of consolidating it, as normal individuals do; even if E.H. recalls an event or a person distinctly he can't consciously preserve the memory for retrieval, for he has no present-time memory.

Without fail E.H. can remember historic events: Pearl Harbor, Hiroshima, the surrender of Japan on September 2, 1945. The Kennedy-Nixon campaign and election of Kennedy. Cuban missile crisis. But the connective tissue between these events and his own, personal life seems to be decaying. When he speaks of such events it's as if they occurred without his consciousness. Wryly he says, “It's like a bad job of caulking. Falls apart.”

In a separate category of tests administered by psychologists specializing in sleep, E.H.'s sleep patterns have been monitored. EEGs have recorded electrical activity produced by neurons in his brain. E.H.'s presumably “normal” sleep is often disturbed, Margot Sharpe has observed. (She has spent many hours beside E.H. in the sleep lab at the Institute, taking meticulous notes. These have been deeply satisfying hours—an unspeakable intimacy.) The sleeping amnesiac grinds his teeth, squirms and shudders and thrashes his limbs. He mutters incoherently—he curses in a voice Margot has never heard before, and which pierces her, thrillingly. When wakened by the examiner during REM sleep and asked what he is dreaming, E.H. will blink his eyes in
confusion before saying, in a way that suggests the fluency of a familiar anecdote and not the more halting recollection of an actual dream—
When I was a boy and it was Christmas . . . When we were going to my grandparents' house . . . It was somewhere in the mountains, but there were horses . . . It was a happy time, but there was a big snowstorm . . .

The sleep examiners record E.H.'s responses as accounts of dreams but Margot Sharpe believes that they are simply confabulated memories. The amnesiac can't remember his dream scant seconds after he has been wakened and so he invents a plausible-sounding dream, or draws upon an anecdote out of his past, in itself corroded by time. From the EEG monitor it appears that the amnesiac is dreaming as if normally but his dreams evaporate even more rapidly than the dreams of the “normal.” Eager to placate his examiners, genial and gentlemanly Elihu Hoopes provides them with neatly described dreams. Margot has experimented with putting suggestions to E.H. before his sleep to see if his dreams might be influenced but there appears to be no more memory in his unconscious brain than in his conscious brain.

It is an exciting theory of Margot's that the amnesiac subject E.H. is haunted by obsessive memories which he can't fix in place or exorcise, since he lacks the present-time ability to evaluate them. Nor is it clear (to examiners, to him) whether these are actual memories, quasi-memories, or frankly false memories that have corroded his identification with the person he'd been before his illness. Thus, his obsessive drawing in the sketchbook—that is, in his current sketchbook. E.H. has run through numerous sketchbooks in the years Margot has worked with him.

In her amnesia logbook Margot will speculate:

How do we know who we
were,
if we don't know who we
are
?

How do we know who we
are,
if we don't know who we
were
?

Margot escorts E.H. from the sleep lab on the first floor of the Institute to the more familiar fourth floor. When they walk together in this public place, E.H. seems to take the lead—definitely, you would not guess from E.H.'s stride that he has not the slightest idea where he is or where he is going; but he is acutely sensitive to the motions of the woman beside him, and can anticipate her turns. When he sees the bank of elevators, he moves to them unhesitatingly. Margot notes how E.H. prepares to exit the elevator at the fourth floor as if instinctively; yet, if you ask E.H. which floor he is going to, E.H. will shrug irritably—“Who knows? Where it stops.”

Or he will say more genially, “Doctor, you're the doctor. You have the answers.”

MARGOT PLACES HER
slender hand beside E.H.'s larger, big-knuckled hand.

“Look, Eli! We're wearing identical rings.”

It is the end of the day. It is the happiest time in the day.

E.H. is delighted. E.H. examines the rings with care.

“Are you my dear wife, then? My dear wife is a doctor in the hospital here?”

“I am not a doctor, Eli. I am—yes, I am your wife—but it's a secret, and no one must know.”

“But why? Why is it ‘no one must know'?”

“Because we want to tell them at a later time, darling. Because it's our secret right now.”

“But—why is it a secret? I don't understand.”

“Because your family would not approve.”

Margot can think of no other reply. She regrets having spoken recklessly, and she regrets, or halfway regrets, having slipped E.H.'s ring on his finger, and her matching ring on her finger.

E.H. shrugs disdainfully. His fingers twitch as if he'd like to hit someone.

“My family?—the ‘Hoopeses'? They are all dead, and gone to Hell.”

Margot is astonished. “But why, Eli? ‘Gone to Hell'—why?”

“They were building a big department store there. The Emporium in Hell.”

E.H. speaks in so solemn a manner, Margot understands suddenly that he is joking. She feels a wifely twinge of indignation.

“Oh, Eli! That is
not funny
.”

AT LAST IN
February 1993 E.H.'s brain is “mapped.” The Institute has acquired an MRI scanner and E.H. is one of the first neurologically damaged patients to be subjected to it.

Margot Sharpe accompanies E.H. to the Radiology unit. She has been awaiting this occasion for years. She is excited about learning at last what is physically wrong with E.H.'s brain even as she is fearful for her lover: she is fearful of what the brain mapping will reveal. More than thirty minutes E.H. endures the arduous procedure as Margot waits outside the windowless chamber. Badly she would like to be with him, to hold his hand and comfort him as he lies strapped inside the machine like a corpse while noises loud as thunderclaps sound erratically in his ears.

In the chill of Radiology no one recognizes Margot Sharpe. No one seems to know who “E.H.” is—how distinguished a patient this tall courtly silver-haired gentleman with the faint, perplexed smile.

Repeatedly E.H. has asked where is he being taken?—and repeatedly Margot has told him that he isn't leaving the Institute but going just to another floor to have his brain “scanned.”

And each time E.H. has said, tapping his head: “Well! Let's hope they can find something in here to scan.”

Afterward E.H. is escorted unsteadily from the chamber, blinking like a man utterly lost. He has been wearing earphones to shield him from the abrasive clanking noises. It occurs to Margot that her dear friend has been shielded from such extreme surprises for years—his life has been carefully monitored by her, as by Lucinda Mateson.

Margot comes quickly forward to take his arm. He has no idea who she is but he sees that she is very concerned for him, as a wife might be, and she isn't wearing a uniform like the others.

Excitedly he calls her “dear”—“darling.” Excitedly he tells her that he has been traveling somewhere far away—“And I was traveling in time, too. God damn, I forgot my camera!”

Later, upstairs in Neuropsychology, E.H. complains of a headache and a “strangeness” in his head. And still later, when he has forgotten the MRI ordeal entirely, he jokes to Margot: “You know, Doctor—I think they ‘sterilized' me today. I don't think I signed a waiver, so I can sue the bastards.”

SO VERY TIRED!
A hole has been bored into his skull, a piece of bone has been removed like a jigsaw puzzle-piece, and the delicate dura has been pierced. Can't recall why this terrible surgery was performed on his brain but knows it is irreversible.

A man's brain has been touched by strangers. Lights have been shined into the recesses of his soul. He has been turned inside out like a rubber glove, and tossed aside.

You saw nothing, Eli. You've been dreaming.

Go back to bed, Eli! There is nothing here.

“Mr. Hoopes? Are you feeling strong enough to get up? If you could swing your legs around here . . .”

He is being helped to his feet. He has lain flat on his back inside a sleek metal coffin and now he is being helped to his feet.

His knees are weak, his head feels as if air has been pumped into it—ever more air, ever more pressure.

Don't look. You didn't see.

There is nothing to see.

THE fMRI RESULTS
are as Milton Ferris had hypothesized in 1965: the amnesiac's brain is severely impaired in the region of the hippocampus and the parahippocampal gyrus (including perirhinal and entorhinal cortices); also damaged, less severely, are the amygdala, and parts of the temporal lobes. Other regions of E.H.'s brain (cerebral cortex, parietal lobe, cerebellum) appear to be reasonably normal.

With what relief, like any wife, Margot Sharpe sees that the really crucial regions of E.H.'s brain might be said to be
normal.

For years Margot has been basing her experiments with E.H. on the assumption of severe hippocampal damage; less clear was the extent of probable damage to the amygdala, the part of the brain believed to be associated with emotion and sexual sensation. Now, the extent of the damage is known. It is evident that, though at least half of the hippocampus remains intact in the amnesiac's brain, the pathways that should carry information to it are gone—no neural activity
comes into
it. This answers a question!—solves an ongoing mystery of the brain and memory.

Batteries of new tests—degrees of complexity in visual stimuli, auditory, olfactory, tactual, “subliminal” awareness; multiple tests involving interruptions, distractions, contradictions, delays and acceleration; degrees of recognition and identification, which can vary widely—all lay ahead, to be designed and implemented.
Decades of experiments with primate brains will be supplanted by work on the amnesiac E.H.—the
human subject.

Margot Sharpe is so very excited, it's as if research into the mystery of E.H. has only begun.

She might be twenty-three years old again, just entering Milton Ferris's lab for the first time! Just extending her hand to be shaken by “Elihu Hoopes” for the first time.

She will learn to decode the fMRI scans. She will pore over E.H.'s scans as over exquisite and riddlesome works of art. She will virtually inhabit them, she will dream of them.