Unwin removed the paper he had just rolled into the typewriter and took a pen from his briefcase. “Read them to me, Emily.”
She squinted and read, “ ‘M-U-E-S-U-M-L-A-P-I-C-I-N-U-M.’ Muesum Lapicinum? Is that Latin?”
“Of course not. The first letter on the ribbon is the last Sivart typed. We’ll have to read it backward. Please proceed.”
Emily’s nervousness returned (better that, Unwin thought, than her suspicion), and her hands shook as she continued. Twenty minutes later those hands were covered with ink. Unwin typed a final copy, separating the words where he imagined spaces ought to be.
Wednesday. I’m putting aside my designated case in favor of something that’s come out of left field, even though it’s probably a load of bunkum. As for protocol, stuff it. I think I’ve earned the right to break the rules now and then, assuming I know what they are. So, clerk, if you ever see this report, may it please you to know I’ve been contacted by atypical means—over the telephone for cripes sake—by a party previously unbeknownst to me, to whom I am apparently beknownst. I mean, he knew my name. How did he get my number? I don’t even know my number. He said, “Travis T. Sivart?” And I said, “Okay.” And he said, “We have much to discuss,” or something of that bodeful ilk. He wants me to meet him at the cafe of one of our finer civic institutions. Maybe Hoffmann’s behind it. Maybe it’s a trap. One can hope, right? Thus concludes my report for the day. I’m off to the Municipal Museum.
Once he had read the report twice, Unwin handed it to Emily. She read it and asked, “Could the telephone call have had something to do with The Oldest Murdered Man?”
Unwin ought to have guessed that she would be familiar with Sivart’s cases, but to hear his own title spoken aloud by someone he had only just met—someone not even a clerk—caused him to shudder. Emily seemed to take this as discouragement and lowered her eyes.
Still, he had to consider the possibility that Emily was correct, that the telephone call did have something to do with the ancient cadaver in the museum, with the case consigned to the archives thirteen years ago. He thought of the note to Lamech he had found in the dumbwaiter:
Let sleeping corpses lie.
What if the Miss P. who had offered that advice meant
that
corpse,
that
file?
It did not matter. All Unwin had to do was find Detective Sivart, and now he knew where Sivart had gone. He picked up his new badge and rubbed its face with his sleeve. In the burnished Agency eye he could see his own distorted reflection.
Charles Unwin, Detective.
Who had inscribed those words? He took the clerk’s badge from his jacket pocket (no gleaming frontispiece there, only a worn, typewritten card) and replaced it with the detective’s. That, at least, would help him if he encountered Screed again. And the gun? The gun went with his old badge into the desk drawer. The gun he would not need.
Emily followed him to the outer office. He took his coat, hat, and umbrella from the rack, waving off her assistance.
“Where are you going?” she asked.
“I’m off to the Municipal Museum,” he said, but the situation seemed to call for some words of encouragement, so he adapted something he had seen in Agency newspaper advertisements. “We have a good team here, and the truth is our business.”
Emily said, “But we haven’t rehearsed and codified any secret signals, for use in times of duress.”
He glanced at his watch. “I’ll let you choose something, if you think it’s necessary.”
“You want me to come up with something right now?”
“It was your idea, Emily.”
She closed her eyes again, as though better to see her own thoughts. “All right, how about this? When one of us says, ‘The devil’s in the details,’ the other must say, ‘And doubly in the bubbly.’ ”
“Yes, that will do nicely.”
Still she squinted behind those enormous lenses, out of worry or irritation or both. Unwin would have to find something for her to do, an assignment. The phonograph record in his briefcase was a Sivart file of some kind and could be of some use to him in his search. He said, “I have a job for you, Emily. I want you to find a phonograph player. The Agency must have one somewhere.”
He did not wait to see if this was enough to placate her, and turned to go. His hand froze on the doorknob, however, at the sound of movement on the other side of the door. A shadow loomed in the window, but no knock came. An eavesdropper. Or worse: they had already found Lamech’s body and come to question him.
Unwin cautioned his assistant with a nod and set his briefcase down. The interloper was tapping the glass now, very lightly, as though to send a secret signal of his own. Unwin raised his umbrella saberwise over his head and threw the door open.
The man on the other side toppled backward onto the floor. Black paint spilled from a bucket in his hand, splattering over his clothes, his chin, and the polished wood floor. He held his paintbrush over his head, to protect himself from the anticipated blow.
Unwin lowered his umbrella and looked at the freshly painted words on his office window. DETECTIVE CHARLES UN, it read, and that was all it would ever read, because the painter stood, stabbed his brush into the bucket, and walked back toward the elevator, muttering.
Detective Screed’s door opened. He saw the puddle of paint, saw the black boot prints that trailed down the hall. He yanked the handkerchief from his jacket pocket as though to begin cleaning the mess but put it to his forehead instead. He slammed his door closed again.
“Emily,” Unwin said, “send a message to the custodian, please.”
He stepped over the paint and went down the hall, his shoes squeaking. Other office doors opened, and other detectives peered out at him. Among them were the two he had seen in the elevator with Detective Screed. Peake was the name on one door, Crabtree the other. They shook their heads at him as he passed, and Peake—still scratching the rash at his collar—whistled in mock admiration.
FIVE
On Memory
Imagine a desk covered with papers. That is everything
you are thinking about. Now imagine a stack of file
drawers behind it. That is everything you know. The trick
is to keep the desk and the file drawers as close to one
another as possible, and the papers stacked neatly.
U
nwin pedaled north along the dripping, shadowed expanse of City Park. There were fewer cars on the street now, but twice he had to ride up onto the sidewalk to pass horse-drawn carriages, and a peanut vendor swore at him as he swerved too close to his umbrella-topped stand. By the time Unwin arrived at the Municipal Museum, his socks were completely soaked again. He hopped off his bicycle and chained it to a lamppost, stepping away just in time to avoid the spray of filthy water raised by the tires of a passing bus.
The fountains to either side of the museum entrance were shut off, but rainwater had overflowed the reservoirs and was pouring across the sidewalk to the gutter. The place had a cursed and weary look about it—built, Unwin imagined, not to welcome visitors but to keep secrets hidden from them. He fought the urge to turn around and go home. With every step he took, the report he would have to write explaining his actions grew in size. But if he were ever going to get his old job back, he would have to find Sivart, and this was where Sivart had gone.
Unwin angled his umbrella against a fierce damp wind, climbed the broad steps, and passed alone through the revolving doors of the museum.
Light from the windowed dome of the Great Hall shone dimly over the information booth, the ticket tables, the broad-leafed potted plants flanking each gallery entrance. He followed the sound of clinking flatware to the museum café.
Three men were hunched over the lunch counter, eating in silence. All but one of the dozen or so tables in the room were unoccupied. Near the back of the room, a man with a pointed blond beard was working on a portable typewriter. He typed quickly, humming to himself whenever he had to stop and think.
Unwin went to the counter and ordered a turkey and cheese on rye, his Wednesday sandwich. The three men remained intent on their lunches, eating their soup with care. When Unwin’s food came, he took it to a table near the man with the blond beard. He set his hat upside down next to his plate and put his briefcase on the floor.
The man’s stiff beard bobbed while he worked—he was silently mouthing the words as he typed them. Unwin could see the top of the page curl upward, and he glimpsed the phrases
eats lunch same time every day
and
rarely speaks to workfellows.
Before Unwin could read more, the man glanced over his shoulder at him, righted the page, and frowned so that his beard stuck straight out from his face. Then he returned his attention to his typewriter.
Despite all that Unwin had read of detective work, he had no idea how to proceed with this investigation. Whom had Sivart met with, and what had transpired between them? What good did it do to have come here now? The trail might already have “gone cold,” as Sivart would have put it.
Unwin opened his briefcase. He had sworn not to read
The Manual of Detection,
but he knew he would at least have to skim it if he were going to play at being a detective. He told himself he would read only enough to help him along to the first break in the case. That would come soon, he thought, if he only knew how to begin.
He turned the book over in his hands. The edges of the cloth were worn from use.
It’s saved my life more than once,
Pith had said to him. But Unwin had never even heard of the book, so he was sure the Agency did not wish for non-employees to learn of its existence. Instead of setting the book on the table, he opened it in his lap.
THE MANUAL
OF
DETECTION
A Compendium of Techniques and Advice
for the Modern Detective,
Representing Matters Procedural, Practical, and Methodological;
Featuring
True Accounts of Pertinent Cases
With Helpful Illustrations and Diagrams;
Including an Appendix of Exercises, Experiments,
and Suggestions for Further Study.
FOURTH EDITION
He turned to the table of contents. Each chapter focused on one of the finer points of the investigative arts, from the common elements of case management to various surveillance techniques and methods of interrogation. But the range of topics was so broad that Unwin did not know what to read first.
Nothing in the index seemed entirely appropriate to his situation, except perhaps one entry: “Mystery, First Tidings of.” He turned to the corresponding page and began to read.
The inexperienced agent, when presented with a few promising leads, will likely feel the urge to follow them as directly as possible. But a mystery is a dark room, and anything could be waiting inside. At this stage of the case, your enemies know more than you know—that is what makes them your enemies. Therefore it is paramount that you proceed slantwise, especially when beginning your work. To do anything else is to turn your pockets inside out, light a lamp over your head, and paste a target on your shirtfront.
The iciness that had settled in Unwin’s wet socks climbed up his legs and began melting into his stomach. How many blunders had he already committed? He read the next few pages quickly, then skimmed the beginnings of those chapters that dealt with the foundations of the investigative process. Every paragraph of
The Manual of Detection
read like an admonishment tailored specifically for him. He should have developed an alternate identity, come in disguise or through a back door, planned an escape route. Certainly he should have remained armed. In one case file after another he had seen these techniques used, but detectives employed them without any apparent forethought. Was Sivart really so deliberate? Everything he did—whether throwing someone off his trail or throwing a punch—he did as though the possibility had only just occurred to him.
Unwin closed the book and set it on the table, set his hands on top of it, and took a few deep breaths. The man with the blond beard was working quickly now. Unwin saw the phrase
habits suggesting a dull but potentially dangerous personality, empty or clouded over,
and then, just as he typed it,
if he is in contact with the absentee agent, he does not know it.
Maybe he had stumbled into a lucky spot after all. Unwin got the man’s attention with a wave of his hand.
The man turned in his seat, his beard a pointed accusation.
“Begging your pardon,” Unwin said, “but are you the person who met here with Detective Sivart recently?”
The typist’s frown deepened, his eyebrows drooping even as his beard rose an inch higher. He ground his teeth and said nothing, then plucked the page from his typewriter, stuffed it into his jacket, and rose from the table with his fists clenched. Unwin straightened, almost expecting the man to come at him, but he walked past Unwin’s table and stomped off to the very back of the room, where a pay phone was mounted to the wall. He lifted the transceiver, spoke a number to the operator, and dropped a dime into the slot.
The three men at the lunch counter had turned from their bowls of soup. They looked on with tired expressions. Unwin could not tell if they were suspicious of him or thankful for the reprieve from the man’s typing. Unwin nodded at them, and they swiveled back to their lunches without a word.
He took up the
Manual
again. His hands were shaking. He fanned the pages, breathing in the scent of old paper, and caught a whiff of what might have been gunpowder. He could begin to count the things he had done wrong, was perhaps even now adding to the list, but he still did not know where to begin.