The Monuments Men (65 page)

Read The Monuments Men Online

Authors: Robert M. Edsel

Tags: #Arts & Photography, #History & Criticism, #History, #Military, #World War II, #Politics & Social Sciences, #Politics & Government, #International & World Politics, #European, #Public Affairs & Policy, #Cultural Policy, #Social Sciences, #Museum Studies & Museology, #Art, #Art History, #Schools; Periods & Styles, #HIS027100

31
. Houghton, “James J. Rorimer,” 39.

32
. Letter to Harvard from Frieda van Schaïk, November 1945, Huchthausen Papers, Harvard University.

33
. Letter from Marvin Ross, Huchthausen Papers.

34
. Hancock to Saima, November 25, 1945, Hancock Papers.

35
. Letter to Mr. Kenneth Balfour, October 1, 1954, Balfour Papers.

36
. Letter to Mr. and Mrs. Balfour, November 17, 1955, Balfour Papers.

37
. Letter to Mr. Kenneth Balfour, October 1, 1954, Balfour Papers.

38
. Stoner, “Changing Approaches in Art Conservation, 41.

39
. Cohn, “George Stout’s Legacy,” 8.

40
. “George L. Stout, at 80; Expert on Restoration of Works of Art,”
New York Times
, July 3, 1978.

41
. “Report on Lieutenant George L. Stout, USNR, by Damon M. Gunn,” November 19, 1944, roll 1420, Stout Papers.

42
. Duberman,
The Worlds of Lincoln Kirstein
, 403.

43
. Standen, “Report on Germany,” 213.

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Articles

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Le Figaro
, November 21, 1968.
Bradsher, Greg. “Nazi Gold: The Merkers Mine Treasure.”
Prologue Magazine
31, no. 1 (Spring 1999).
Canady, John. “James Rorimer Left Cloisters to Excel in a Bigger Job.”
New York Times
, May 12, 1966.
Chamson, André. “In Memoriam, Jascques Jaujard.”
Musees et Collections Publiques
(1967): 151–153.
Cohn, Marjorie B. “George Stout’s Legacy.”
Journal of the American Institute for Conservation
18, no. 1 (1978).
Esterow, Milton. “Europe is Still Hunting its Plundered Art.”
New York Times
, November 16, 1964.
Gibson, Michael. “How a Timid Curator with a Deadpan Expression Outwitted the Nazis.”
ARTnews
80 (Summer 1981): 105–111
Hammett, Ralph. “Comzone and the Protection of Monuments in North-West Europe.”
College Art Journal
5, no. 2 (Jan. 1946): 123–126.

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