The Moon and Sixpence (20 page)

Tiaré, when I told her this story, praised my prudence, and for a few minutes we worked in silence, for we were shelling peas. Then her eyes, always alert for the affairs of her kitchen, fell on some action of the Chinese cook which aroused her violent disapproval. She turned on him with a torrent of abuse. The Chink was not backward to defend himself, and a very lively quarrel ensued. They spoke in the native language, of which I had learnt but half a dozen words, and it sounded as though the world would shortly come to an end; but presently peace was restored and Tiaré gave the cook a cigarette. They both smoked comfortably.

'Do you know, it was I who found him his wife?' said Tiaré suddenly, with a smile spread all over her immense face.

'The cook?'

'No, Strickland.'

'But he had one already.'

'That is what he said, but I told him she was in England, and England is at the other end of the world.'

'True', I replied.

'He would come to Papeete every two or three months, when he wanted paints or tobacco or money, and then he would wander about like a lost dog. I was sorry for him. I had a girl here then called Ata to do the rooms; she was some sort of a relation of mine, and her father and mother were dead, so I had her to live with me. Strickland used to come here now and then to have a square meal or to play chess with one of the boys. I noticed that she looked at him when he came, and I asked her if she liked him. She said she liked him well enough. You know what these girls are; they're always pleased to go with a white man.'

'Was she a native?' I asked.

'Yes; she hadn't a drop of white blood in her. Well, after I'd talked to her I sent for Strickland, and I said to him: "Strickland, it's time for you to settle down. A man of your age shouldn't go playing about with the girls down at the front. They're bad lots, and you'll come to no good with them. You've got no money, and you can never keep a job for more than a month or two. No one will employ you now. You say you can always live in the bush with one or other of the natives, and they're glad to have you because you're a white man, but it's not decent for a white man. Now, listen to me, Strickland."'

Tiarémingled French with English in her conversation, for she used both languages with equal facility. She spoke them with a singing accent which was not unpleasing. You felt that a bird would speak in these tones if it could speak English.

'"Now, what do you say to marrying Ata? She's a good girl and she's only seventeen. She's never been promiscuous like some of these girls – a captain or a first mate, yes, but she's never been touched by a native.
Elle se respecte, vois-tu.
The purser of the
Oahu
told me last journey that he hadn't met a nicer girl in the islands. It's time she settled down too, and besides, the captains and the first mates like a change now and then. I don't keep my girls too long. She has a bit of property down by Taravao, just before you come to the peninsula, and with copra at the price it is now you could live quite comfortably. There's a house, and you'd have all the time you wanted for your painting. What do you say to it?"'

Tiare paused to take breath.

'It was then he told me of his wife in England. "My poor Strickland," I said to him, "they've all got a wife somewhere; that is generally why they come to the islands. Ata is a sensible girl, and she doesn't expect any ceremony before the Mayor. She's a Protestant, and you know they don't look upon these things like the Catholics."'

'Then he said: "But what does Ata say to it?" "It appears that she has a
béguin
for you", I said. "She's willing if you ... are. Shall I call her?" He chuckled in a funny, dry way he had, and I called her. She knew what I was talking about, the hussy, and I saw her out of the corner of my eyes listening with all her ears, while she pretended to iron a blouse that she had been washing for me. She came. She was laughing, but I could see that she was a little shy, and Strickland looked at her without speaking.

'Was she pretty?' I asked.

'Not bad. But you must have seen pictures of her. He painted her over and over again, sometimes with a
pareo
on and sometimes with nothing at all. Yes, she was pretty enough. And she knew how to cook. I taught her myself. I saw Strickland was thinking of it, so I said to him: "I've given her good wages and she's saved them, and the captains and the first mates she's known have given her a little something now and then. She's saved several hundred francs."'

'He pulled his great red beard and smiled.'

'"Well, Ata," he said, "do you fancy me for a husband?"

'She did not say anything, but just giggled.'

'"But I tell you, my poor Strickland, the girl has a
beguin
for you", I said.

'"I shall beat you", he said, looking at her.

'"How else should I know you loved me?" she answered.'

Tiaré broke off her narrative and addressed herself to me reflectively.

'My first husband, Captain Johnson, used to thrash me regularly. He was a man. He was handsome, six foot three, and when he was drunk there was no holding him. I would be black and blue all over for days at a time. Oh, I cried when he died. I thought I should never get over it. But it wasn't till I married George Rainey that I knew what I'd lost. You can never tell what a man is like till you live with him. I've never been so deceived in a man as I was in George Rainey. He was a fine, upstanding fellow too. He was nearly as tall as Captain Johnson, and he looked strong enough. But it was all on the surface. He never drank. He never raised his hand to me. He might have been a missionary. I made love with the officers of every ship that touched at the island, and George Rainey never saw anything. At last I was disgusted with him, and I got a divorce. What was the good of a husband like that? It's a terrible thing the way some men treat women.'

I condoled with Tiaré, and remarked feelingly that men were deceivers ever, then asked her to go on with her story of Strickland.

'"Well," I said to him, "there's no hurry about it. Take your time and think it over. Ata has a very nice room in the annexe. Live with her for a month, and see how you like her. You can have your meals here. And at the end of a month, if you decide you want to marry her, you can just go and settle down on her property."

'Well, he agreed to that. Ata continued to do the housework, and I gave him his meals as I said I would. I taught Ata how to make one or two dishes I knew he was fond of. He did not paint much. He wandered about the hills and bathed in the stream. And he sat about the front looking at the lagoon, and at sunset he would go down and look at Murea. He used to go fishing on the reef. He loved to moon about the harbour talking to the natives. He was a nice quiet fellow. And every evening after dinner he would go down to the annexe with Ata. I saw he was longing to get away to the bush, and at the end of the month I asked him what he intended to do. He said if Ata was willing to go, he was willing to go with her. So I gave them a wedding dinner. I cooked it with my own hands. I gave them a pea soup and lobster à
la portugaise,
and a curry, and a coconut salad – you've never had one of my coconut salads, have you? I must make you one before you go – and then I made them an ice. We had all the champagne we could drink and liqueurs to follow. Oh, I'd made up my mind to do things well. And afterwards we danced in the drawing-room. I was not so fat then, and I always loved dancing.'

The drawing-room at the Hotel de la Fleur was a small room, with a cottage piano, and a suite of mahogany furniture, covered in stamped velvet, neatly arranged round the walls. On round tables were photograph albums, and on the walls enlarged photographs of Tiaré and her first husband, Captain Johnson. Still, though Tiaré was old and fat, on occasion we rolled back the Brussels carpet, brought in the maids and one or two friends of Tiaré's, and danced, though now to the wheezy music of a gramophone. On the veranda the air was scented with the heavy perfume of the tiaré, and overhead the Southern Cross shone in a cloudless sky.

Tiarésmiled indulgently as she remembered the gaiety of a time long passed.

'We kept it up till three, and when we went to bed I don't think anyone was very sober. I had told them they could have my trap to take them as far as the road went, because after that they had a long walk. Ata's property was right away in a fold of the mountain. They started at dawn, and the boy I sent with them didn't come back till next day.

'Yes, that's how Strickland was married.'

I suppose the next three years were the happiest of Strickland's life. Ata's house stood about eight kilometres from the road that runs round the island, and you went to it along a winding pathway shaded by the luxuriant trees of the tropics. It was a bungalow of unpainted wood, consisting of two small rooms, and outside was a small shed that served as a kitchen. There was no furniture except the mats they used as beds and a rocking-chair, which stood on the veranda. Bananas with their great ragged leaves, like the tattered habiliments of an empress in adversity, grew close up to the house. There was a tree just behind which bore alligator pears, and all about were the coconuts which gave the land its revenue. Ata's father had planted crotons round his property, and they grew in coloured profusion, gay and brilliant; they fenced the land with flame. A mango grew in front of the house, and at the edge of the clearing were two flamboyants, twin trees, that challenged the gold of the coconuts with their scarlet flowers.

Here Strickland lived, coming seldom to Papeete, on the produce of the land. There was a little stream that ran not far away, in which he bathed, and down this on occasion would come a shoal of fish. Then the natives would assemble with spears, and with much shouting would transfix the great startled things as they hurried down to the sea. Sometimes Strickland would go down to the reef, and come back with a basket of small, coloured fish that Ata would fry in coconut oil, or with a lobster; and sometimes she would make a savory dish of the great land-crabs that scuttled away under your feet. Up the mountain were wild-orange trees, and now and then Ata would go with two or three women from the village and return laden with the green, sweet, luscious fruit. Then the coconuts would be ripe for picking, and her cousins (like all the natives, Ata had a host of relatives) would swarm up the trees and throw down the big ripe nuts. They split them open and put them in the sun to dry. Then they cut out the copra and put it into sacks, and the women would carry it down to the trader at the village by the lagoon, and he would give in exchange for it rice and soap and tinned meat and a little money. Sometimes there would be a feast in the neighbourhood, and a pig would be killed. Then they would go and eat themselves sick, and dance, and sing hymns.

But the house was a long way from the village, and the Tahitians are lazy. They love to travel and they love to gossip, but they do not care to walk, and for weeks at a time Strickland and Ata lived alone. He painted and he read, and in the evening, when it was dark, they sat together on the veranda, smoking and looking at the night. Then Ata had a baby, and the old woman who came up to help her through her trouble stayed on. Presently the grand-daughter of the old woman came to stay with her, and then a youth appeared – no one quite knew where from or to whom he belonged – but he settled down with them in a happy-go-lucky way, and they all lived together.

'Tenez, voilà le Capitaine Biunot',
said Tiaré, one day when I was fitting together what she could tell me of Strickland. 'He knew Strickland well; he visited him at his house.'

I saw a middle-aged Frenchman with a big black beard, streaked with grey, a sunburned face, and large, shining eyes. He was dressed in a neat suit of ducks. I had noticed him at luncheon, and Ah Lin, the Chinese boy, told me he had come from the Paumotus on the boat that had that day arrived. Tiaré introduced me to him, and he handed me his card, a large card on which was printed
René Brunot,
and underneath,
Capitaine au Long Cours.
We were sitting on a little veranda outside the kitchen, and Tiaré was cutting out a dress that she was making for one of the girls about the house. He sat down with us.

'Yes; I knew Strickland well', he said. 'I am very fond of chess, and he was always glad of a game. I come to Tahiti three of four times a year for my business, and when he was at Papeete he would come here and we would play. When he married' – Captain Brunot smiled and shrugged his shoulders –
'enfin,
when he went to live with the girl that Tiaré gave him, he asked me to go and see him. I was one of the guests at the wedding feast.' He looked at Tiaré, and they both laughed. 'He did not come much to Papeete after that, and about a year later it chanced that I had to go to that part of the island for I forget what business, and when I had finished it I said to myself:
"Voyons,
why should I not go and see that poor Strickland?" I asked one or two natives if they knew anything about him, and I discovered that he lived not more than five kilometres from where I was. So, I went. I shall never forget the impression my visit made on me. I live on an atoll, a low island, it is a strip of land surrounding a lagoon, and its beauty is the beauty of the sea and sky, and the varied colour of the lagoon, and the grace of the coconut trees; but the place where Strickland lived had the beauty of the Garden of Eden. Ah, I wish I could make you see the enchantment of that spot, a corner hidden away from all the world, with the blue sky overhead and the rich, luxuriant trees. It was a feast of colour. And it was fragrant and cool. Words cannot describe that paradise. And here he lived, unmindful of the world and by the world forgotten. I suppose to European eyes it would have seemed astonishingly sordid. The house was dilapidated and none too clean. When I approached I saw three or four natives lying on the veranda. You know how natives love to herd together. There was a young man lying full length, smoking a cigarette, and he wore nothing but a
pareo.'

The
pareo
is a long strip of trade cotton, red or blue, stamped with a white pattern. It is worn round the waist and hangs to the knees.

'A girl of fifteen, perhaps, was plaiting pandanus-leaf to make a hat, and an old woman was sitting on her haunches smoking a pipe. Then I saw Ata. She was suckling a new-born child, and another child, stark naked, was playing at her feet. When she saw me, she called out to Strickland, and he came to the door. He, too, wore nothing but a
pareo.
He was an extraordinary figure, with his red beard and matted hair, and his great hairy chest. His feet were horny and scarred, so that I knew he went always barefoot. He had gone native with a vengeance. He seemed pleased to see me, and told Ata to kill a chicken for our dinner. He took me into the house to show me the picture he was at work on when I came in. In one corner of the room was the bed, and in the middle was an easel with the canvas upon it. Because I was sorry for him, I had bought a couple of his pictures for small sums, and I had sent others to friends of mine in France. And though I had bought them out of compassion, after living with them I began to like them. Indeed, I found a strange beauty in them. Everyone thought I was mad, but it turns out that I was right. I was his first admirer in the islands.'

He smiled maliciously at Tiaré, and with lamentations she told us again the story of how at the sale of Strickland's effects she had neglected the pictures, but bought an American stove for twenty-seven francs.

'Have you the pictures still?' I asked.

'Yes; I am keeping them till my daughter is of marriageable age, and then I shall sell them. They will be her
dot.'

Then he went on with the account of his visit to Strickland.

'I shall never forget the evening I spent with him. I had not intended to stay more than an hour, but he insisted that I should spend the night. I hesitated, for I confess I did not much like the look of the mats on which he proposed that I should sleep; but I shrugged my shoulders. When I was building my house in the Paumotus I had slept out for weeks on a harder bed than that, with nothing to shelter me but wild shrubs; and as for vermin, my tough skin should be proof against their malice.

'We went down to the stream to bathe while Ata was preparing the dinner, and after we had eaten it we sat on the veranda. We smoked and chatted. The young man had a concertina, and he played the tunes popular on the music-halls a dozen years before. They sounded strangely in the tropical night thousands of miles from civilization. I asked Strickland if it did not irk him to live in that promiscuity. No, he said; he liked to have his models under his hand. Presently, after loud yawning, the natives went away to sleep, and Strickland and I were left alone. I cannot describe to you the intense silence of the night. On my island in the Paumotus there is never at night the complete stillness that there was here. There is the rustle of the myriad animals on the beach, all the little shelled things that crawl about ceaselessly, and there is the noisy scurrying of the land-crabs. Now and then in the lagoon you hear the leaping of a fish, and sometimes a hurried noisy splashing as a brown shark sends all the other fish scampering for their lives. And above all, ceaseless like time, is the dull roar of the breakers on the reef. But here there was not a sound, and the air was scented with the white flowers of the night. It was a night so beautiful that your soul seemed hardly able to bear the prison of the body. You felt that it was ready to be wafted away on the immaterial air, and death bore all the aspect of a beloved friend.'

Tiaré sighed.

'Ah, I wish I were fifteen again.'

Then she caught sight of a cat trying to get at a dish of prawns on the kitchen table, and with a dexterous gesture and a lively volley of abuse flung a book at its scampering tail.

'I asked him if he was happy with Ata.'

'"She leaves me alone", he said. "She cooks my food and looks after her babies. She does what I tell her. She gives me what I want from a woman."

'"And do you never regret Europe? Do you not yearn sometimes for the light of the streets in Paris or London, the companionship of your friends and equals,
que sais jei
for theatres and newspapers, and the rumble of omnibuses on the cobbled pavements?"

'For a long time he was silent. Then he said:.

'"I shall stay here till I die."

'"But are you never bored or lonely?" I asked.

'He chuckled.

'"Mon pauvre ami",
he said. "It is evident that you do not know what it is to be an artist."'

Capitaine Brunot turned to me with a gentle smile, and there was a wonderful look in his dark, kind eyes.

'He did me an injustice, for I too know what it is to have dreams. I have my visions too. In my way I also am an artist.'

We were all silent for a while, and Tiaré fished out of her capacious pocket a handful of cigarettes. She handed one to each of us, and we all three smoked. At last she said:.

'Since
ce monsieur
is interested in Strickland, why do you not take him to see Dr Coutras? He can tell him something about his illness and death.'

'Volontiers',
said the Captain, looking at me.

I thanked him, and he looked at his watch.

'It is past six o'clock. We should find him at home if you care to come now.'

I got up without further ado, and we walked along the road that led to the doctor's house. He lived out of the town, but the Hotel de la Fleur was on the edge of it, and we were quickly in the country. The broad road was shaded by pepper-trees, and on each side were the plantations, coconut and vanilla. The pirate birds were screeching among the leaves of the palms. We came to a stone bridge over a shallow river, and we stopped for a few minutes to see the native boys bathing. They chased one another with shrill cries and laughter, and their bodies, brown and wet, gleamed in the sunlight.