The Name of the Rose (61 page)

Meanwhile, all came in and out bringing choice game of every shape and color, of which Benjamin always kept the biggest share and Mary the choicest morsel, while Martha complained of always having to wash the dishes. Then they divided up the calf, which had meanwhile grown very big, and John was given the head, Abessalom the brain, Aaron the tongue, Sampson the jaw, Peter the ear, Holofernes the head, Leah the rump, Saul the neck, Jonah the belly, Tobias the gall, Eve the rib, Mary the breast, Elizabeth the vulva, Moses the tail, Lot the legs, and Ezekiel the bones. All the while, Jesus was devouring a donkey, Saint Francis a wolf, Abel a lamb, Eve a moray, the Baptist a locust, Pharaoh an octopus (naturally, I said to myself, but why?), and David was eating Spanish fly, flinging himself on the maiden nigra sed formosa while Sampson bit into a lion's behind and Thecla fled screaming, pursued by a hairy black spider.

All were obviously drunk by now, and some slipped on the wine, some fell into the jars with only their legs sticking out, crossed like two stakes, and all of Jesus's fingers were black as he handed out pages of books saying: Take this and eat, these are the riddles of Synphosius, including the one about the fish that is the son of God and your Saviour.

Sprawled on his back, Adam gulped, and the wine came from his rib, Noah cursed Ham in his sleep, Holofernes snored, all unsuspecting, Jonah slept soundly, Peter kept watch till cockcrow, and Jesus woke with a start, hearing Bernard Gui and Bertrand del Poggetto plotting to burn the maiden; and he shouted: Father, if it be thy will, let this chalice pass from me! And some poured badly and some drank well, some died laughing and some laughed dying, some bore vases and some drank from another's cup. Susanna shouted that she would never grant her beautiful white body to the cellarer and to Salvatore for a miserable beef heart, Pilate wandered around the refectory like a lost soul asking for water to wash his hands, and Fra Dolcino, with his plumed hat, brought the water, then opened his garment, snickering, and displayed his pudenda red with blood, while Cain taunted him and embraced the beautiful Margaret of Trent: and Dolcino fell to weeping and went to rest his head on the shoulder of Bernard Gui, calling him Angelic Pope, Ubertino consoled him with a tree of life, Michael of Cesena with a gold purse, the Marys sprinkled him with unguents, and Adam convinced him to bite into a freshly plucked apple.

And then the vaults of the Aedificium opened and from the heavens descended Roger Bacon on a flying machine, unico homine regente. Then David played his lyre, Salome danced with her seven veils, and at the fall of each veil she blew one of the seven trumpets and showed one of the seven seals, until only the amicta sole remained. Everyone said there had never been such a jolly abbey, and Berengar pulled up everyone's habit, man and woman, kissing them all on the anus.

Then it was that the abbot flew into a rage, because, he said, he had organized such a lovely feast and nobody was giving him anything; so they all outdid one another in bringing him gifts and treasures, a bull, a lamb, a lion, a camel, a stag, a calf, a mare, a chariot of the sun, the chin of Saint Eubanus, the tail of Saint Ubertina, the uterus of Saint Venantia, the neck of Saint Burgosina engraved like a goblet at the age of twelve, and a copy of the
Pentagonum Salomonis.
But the abbot started yelling that they were trying to distract his attention with their behavior, and in fact they were looting the treasure crypt, where we all were, and a most precious book had been stolen which spoke of scorpions and the seven trumpets, and he called the King of France's archers to search all the suspects. And, to everyone's shame, the archers found a multicolored cloth on Hagar, a gold seal on Rachel, a silver mirror in Thecla's bosom, a siphon under Benjamin's arm, a silk coverlet among Judith's clothes, a spear in Longinus's hand, and a neighbor's wife in the arms of Abimelech. But the worst was when they found a black rooster on the girl, black and beautiful she was, like a cat of the same color, and they called her a witch and a Pseudo Apostle, so all flung themselves on her, to punish her. The Baptist decapitated her, Abel cut her open, Adam drove her out, Nebuchadnezzar wrote zodiacal signs on her breast with a fiery hand, Elijah carried her off in a fiery chariot, Noah plunged her in water, Lot changed her into a pillar of salt, Susanna accused her of lust, Joseph betrayed her with another woman, Ananias stuck her into a furnace, Sampson chained her up, Paul flagellated her, Peter crucified her head down, Stephen stoned her, Lawrence burned her on a grate, Bartholomew skinned her, Judas denounced her, the cellarer burned her, and Peter denied everything. Then they all were on that body, flinging excrement on her, farting in her face, urinating on her head, vomiting on her bosom, tearing out her hair, whipping her buttocks with glowing torches. The girl's body, once so beautiful and sweet, was now lacerated, torn into fragments that were scattered among the glass cases and gold-and-crystal reliquaries of the crypt. Or, rather, it was not the body of the girl that went to fill the crypt, it was the fragments of the crypt that, whirling, gradually composed to form the girl's body, now something mineral, and then again decomposed and scattered, sacred dust of segments accumulated by insane blasphemy. It was now as if a single immense body had, in the course of millennia, dissolved into its parts, and these parts had been arranged to occupy the whole crypt, more splendid than the ossarium of the dead monks but not unlike it, and as if the substantial form of man's very body, the masterpiece of creation, had shattered into plural and separate accidental forms, thus becoming the image of its own opposite, form no longer ideal but earthly, of dust and fragments, capable of signifying only death and destruction. . . .

Now I could no longer find the banqueters or the gifts they had brought, it was as if all the guests of the symposium were now in the crypt, each mummified in its own residue, each the diaphanous synecdoche of itself, Rachel as a bone, Daniel as a tooth, Sampson as a jaw, Jesus as a shred of purple garment. As if, at the end of the banquet, the feast transformed into the girl's slaughter, it had become the universal slaughter, and here I was seeing its final result, the bodies (no, the whole terrestrial and sublunar body of those ravenous and thirsting feasters) transformed into a single dead body, lacerated and tormented like Dolcino's body after his torture, transformed into a loathsome and resplendent treasure, stretched out to its full extent like the hide of a skinned and hung animal, which still contained, however, petrified, the leather sinews, the viscera, and all the organs, and even the features of the face. The skin with each of its folds, wrinkles, and scars, with its velvety plains, its forest of hairs, the dermis, the bosom, the pudenda, having become a sumptuous damask, and the breasts, the nails, the horny formations under the heel, the threads of the lashes, the watery substance of the eyes, the flesh of the lips, the thin spine of the back, the architecture of the bones, everything reduced to sandy powder, though nothing had lost its own form or respective placement, the legs emptied and limp as a boot, their flesh lying flat like a chasuble with all the scarlet embroidery of the veins, the engraved pile of the viscera, the intense and mucous ruby of the heart, the pearly file of even teeth arranged like a necklace, with the tongue as a pink-and-blue pendant, the fingers in a row like tapers, the seal of the navel reknotting the threads of the unrolled carpet of the belly . . . From every corner of the crypt, now I was grinned at, whispered to, bidden to death by this macrobody divided among glass cases and reliquaries and yet reconstructed in its vast and irrational whole, and it was the same body that at the supper had eaten and tumbled obscenely but here, instead, appeared to me fixed in the intangibility of its deaf and blind ruin. And Ubertino, seizing me by the arm, digging his nails into my flesh, whispered to me: “You see, it is the same thing, what first triumphed in its folly and took delight in its jesting now is here, punished and rewarded, liberated from the seduction of the passions, rigidified by eternity, consigned to the eternal frost that is to preserve and purify it, saved from corruption through the triumph of corruption, because nothing more can reduce to dust that which is already dust and mineral substance, mors est quies viatoris, finis est omnis laboris. . . .”

But suddenly Salvatore entered the crypt, glowing like a devil, and cried, “Fool! Can't you see this is the great Lyotard? What are you afraid of, my little master? Here is the cheese in batter!” And suddenly the crypt was bright with reddish flashes and it was again the kitchen, but not so much a kitchen as the inside of a great womb, mucous and viscid, and in the center an animal black as a raven and with a thousand hands was chained to a huge grate, and it extended those limbs to snatch everybody around it, and as the peasant when thirsty squeezes a bunch of grapes, so that great beast squeezed those it had snatched so that its hands broke them all, the legs of some, the heads of others, and then it sated itself, belching a fire that seemed to stink more than sulphur. But, wondrous mystery, that scene no longer instilled fear in me, and I was surprised to see that I could watch easily that “good devil” (so I thought) who after all was none other than Salvatore, because now I knew all about the mortal human body, its sufferings and its corruption, and I feared nothing any more. In fact, in the light of that flame, which now seemed mild and convivial, I saw again all the guests of the supper, now restored to their original forms, singing and declaring that everything was beginning again, and among them was the maiden, whole and most beautiful, who said to me, “It is nothing, it is nothing, you will see: I shall be even more beautiful than before; just let me go for a moment and burn on the pyre, then we shall meet again here!” And she displayed to me, God have mercy on me, her vulva, into which I entered, and I found myself in a beautiful cave, which seemed the happy valley of the golden age, dewy with waters and fruits and trees that bore cheeses in batter. And all were thanking the abbot for the lovely feast, and they showed him their affection and good humor by pushing him, kicking him, tearing his clothes, laying him on the ground, striking his rod with rods, as he laughed and begged them to stop tickling him. And, riding mounts whose nostrils emitted clouds of brimstone, the Friars of the Poor Life entered, carrying at their belts purses full of gold with which they transformed wolves into lambs and lambs into wolves and crowned them emperor with the approval of the assembly of the people, who sang praises of God's infinite omnipotence. “Ut cachinnis dissolvatur, torqueatur rictibus!” Jesus shouted, waving his crown of thorns. Pope John came in, cursing the confusion and saying, “At this rate I don't know where it all will end!” But everyone mocked him and, led by the abbot, went out with the pigs to hunt truffles in the forest. I was about to follow them when in a corner I saw William, emerging from the labyrinth and carrying in his hand the magnet, which pulled him rapidly northward. “Do not leave me, master!” I shouted. “I, too, want to see what is in the finis Africae!”

“You have already seen it!” William answered, far away by now. And I woke up as the last words of the funeral chant were ending in the church:

 

Lacrimosa dies illa

qua resurget ex favilla

iudicandus homo reus:

huic ergo parce deus!

Pie Iesu domine

dona eis requiem.

 

A sign that my vision, rapid like all visions, if it had not lasted the space of an “amen,” as the saying goes, had lasted almost the length of a “Dies irae.”

In which William explains Adso's dream to him.

 

Dazed, I came out
through the main door and discovered a little crowd there. The Franciscans were leaving, and William had come down to say good-bye to them.

I joined in the farewells, the fraternal embraces. Then I asked William when the others would be leaving, with the prisoners. He told me they had already left, half an hour before, while we were in the treasure crypt, or perhaps, I thought, when I was dreaming.

For a moment I was aghast, then I recovered myself. Better so. I would not have been able to bear the sight of the condemned (I meant the poor wretched cellarer and Salvatore . . . and, of course, I also meant the girl) being dragged off, far away and forever. And besides, I was still so upset by my dream that my feelings seemed numb.

As the caravan of Minorites headed for the gate, to leave the abbey, William and I remained in front of the church, both melancholy, though for different reasons. Then I decided to tell my master my dream. Though the vision had been multiform and illogical, I remembered it with amazing clarity, image by image, action by action, word by word. And so I narrated it, omitting nothing, because I knew that dreams are often mysterious messages in which learned people can read distinct prophecies.

William listened to me in silence, then asked me, “Do you know what you have dreamed?”

“Exactly what I told you . . .” I replied, at a loss.

“Of course, I realize that. But do you know that to a great extent what you tell me has already been written? You have added people and events of these past few days to a picture already familiar to you, because you have read the story of your dream somewhere, or it was told you as a boy, in school, in the convent. It is the
Coena Cypriani.
”

I remained puzzled briefly. Then I remembered. He was right! Perhaps I had forgotten the title, but what adult monk or unruly young novice has not smiled or laughed over the various visions, in prose or rhyme, of this story, which belongs to the tradition of the paschal season and the ioca monachorum? Though the work is banned or execrated by the more austere among novice masters, there is still not a convent in which the monks have not whispered it to one another, variously condensed and revised, while some piously copied it, declaring that behind a veil of mirth it concealed secret moral lessons, and others encouraged its circulation because, they said, through its jesting, the young could more easily commit to memory certain episodes of sacred history. A verse version had been written for Pope John VIII, with the inscription “I loved to jest; accept me, dear Pope John, in my jesting. And, if you wish, you can also laugh.” And it was said that Charles the Bald himself had staged it, in the guise of a comic sacred mystery, in a rhymed version to entertain his dignitaries at supper.