The New Mammoth Book of Pulp Fiction (70 page)

He should have shot me right away. But he gave Fay Hooper time to save my life.

She stepped in front of me. “Shoot me, Mr Carlson. You might as well. You shot the one man I ever cared for.”

“Your husband shot George Rambeau, if that’s who you mean. I ought to know. I was there.” Carlson scowled down at his gun, and replaced it in his holster.

Lieutenant Scott was watching him from the doorway.

“You were there?” I said to Carlson. “Yesterday you told me Hooper was alone when he shot Rambeau.”

“He was. When I said I was there, I meant in the general neighborhood.”

“Don’t believe him,” Fay said. “He fired the gun that killed George, and it was no accident. The two of them hunted George down in the woods. My husband planned to shoot him himself, but George’s dog came at him and he had to dispose of it. By that time, George had drawn a bead on Allan. Mr Carlson shot him. It was hardly a coincidence that the next spring Allan financed his campaign for sheriff.”

“She’s making it up,” Carlson said. “She wasn’t within ten miles of the place.”

“But you were, Mr Carlson, and so was Allan. He told me the whole story yesterday, after we found Otto. Once that happened, he knew that everything was bound to come out. I already suspected him, of course, after I talked to Fernando. Allan filled in the details himself. He thought, since he hadn’t killed George personally, I would be able to forgive him. But I couldn’t. I left him and flew to Nevada, intending to divorce him. I’ve been intending to for twenty years.”

Carlson said: “Are you sure you didn’t shoot him before you left?”

“How could she have?” I said. “Ballistics don’t lie, and the ballistic evidence says he was shot with Fernando’s rifle. Nobody had access to it but Fernando and you. You stopped him on the road and knocked him out, took his rifle and used it to kill Hooper. You killed him for the same reason that Hooper buried the dog – to keep the past buried. You thought Hooper was the only witness to the murder of George Rambeau. But by that time, Mrs Hooper knew about it, too.”

“It wasn’t murder. It was self-defense, just like in the war. Anyway, you’ll never hang it on me.”

“We don’t have to. We’ll hang Hooper on you. How about it, Lieutenant?”

Scott nodded grimly, not looking at his chief. I relieved Carlson of his gun. He winced, as if I were amputating part of his body. He offered no resistance when Scott took him out to the car.

I stayed behind for a final word with Fay. “Fernando asked me to tell you he’s sorry for shooting your dog.”

“We’re both sorry.” She stood with her eyes down, as if the past was swirling visibly around her feet. “I’ll talk to Fernando later. Much later.”

“There’s one coincidence that bothers me. How did you happen to take your dog to his school?”

“I happened to see his sign, and Fernando Rambeau isn’t a common name. I couldn’t resist going there. I had to know what had happened to George. I think perhaps Fernando came to California for the same reason.”

“Now you both know,” I said.

THE WENCH IS DEAD
Fredric Brown
1

A fuzz is a fuzz is a fuzz when you awaken from a wino jag. God, I’d drunk three pints of muscatel that I know of and maybe more, maybe lots more, because that’s when I drew a blank, that’s when research stopped. I rolled over on the cot so I could look out through the dirty pane of the window at the clock in the hockshop across the way.

Ten o’clock said the clock.

Get up, Howard Perry, I told myself. Get up, you B.A.S. for bastard, rise and greet the day. Hit the floor and get moving if you want to keep that job, that all-important job that keeps you drinking and sometimes eating and sometimes sleeping with Billie the Kid when she hasn’t got a sucker on the hook. That’s your life, you B.A.S., you bastard. That’s your life for a while. This is it, this is the McCoy, this is the way a wino meets the not-so-newborn day. You’re learning, man.

Pull on a sock, another sock, pants, shirt, shoes, get the hell to Burke’s and wash a dish, wash a thousand dishes for six bits an hour and a meal or two a day when you want it.

God, I thought, did I really have the habit? Nuts, not in three months. Not when you’ve been a normal drinker all your life. Not when, much as you’ve always enjoyed drinking, it’s always been in moderation and you’ve always been able to handle the stuff. This was just temporary.

And I had only a few weeks to go. In a few weeks I’d be back in Chicago, back at my desk in my father’s investment company, back wearing white shirts, and B.A.S. would stand for Bachelor of Arts in Sociology. That was a laugh right now, that degree. Three months ago it had meant something – but that was in Chicago, and this was LA, and now all it meant was bastard. That’s all it had meant ever since I started drifting.

It’s funny, the way those things can happen. You’ve got a good family and a good education, and then suddenly, for no reason you can define, you start drifting. You lose interest in your family and your job, and one day you find yourself headed for the Coast.

You sit down one day and ask yourself how it happened. But you can’t answer. There are a thousand little answers, sure, but there’s no
big
answer. It’s easier to worry about where the next bottle of sweet wine is coming from.

And that’s when you realize your own personal B.A.S. stands for bastard.

With me, LA had been the end of the line. I’d seen the
Dishwasher Wanted
sign in Burke’s window, and suddenly I’d known what I had to do. At pearl-diver’s wages, it would take a long time to get up the bus fare back to Chicago and family and respectability, but that was beside the point. The point was that after a hundred thousand dirty dishes there’d
be
a bus ticket to Chicago.

But it had been hard to remember the ticket and forget the dishes. Wine is cheap, but they’re not giving it away. Since I’d started pearl-diving I’d had grub and six bits an hour for seven hours a day. Enough to drink on and to pay for this dirty, crumby little crackerbox of a room.

So here I was, still thinking about the bus ticket, and still on my uppers on East Fifth Street, LA. Main Street used to be the tenderloin street of Los Angeles and I’d headed for it when I jumped off the freight, but I’d found that the worst district, the real Skid Row, was now on Fifth Street in the few blocks east of Main. The worse the district, the cheaper the living, and that’s what I’d been looking for.

Sure, by Fifth Street standards, I was being a pantywaist to hold down a steady job like that, but sleeping in doorways was a little too rugged and I’d found out quickly that panhandling wasn’t for me. I lacked the knack.

I dipped water from the cracked basin and rubbed it on my face, and the feel of the stubble told me I could get by one more day without shaving. Or anyway I could wait till evening so the shave would be fresh in case I’d be sleeping with Billie.

Cold water helped a little but I still felt like hell. There were empty wine bottles in the corner and I checked to make sure they were completely empty, and they were. So were my pockets, except, thank God, for tobacco and cigarette papers. I rolled myself a cigarette and lighted it.

But I needed a drink to start the day.

What does a wino do when he wakes up broke (and how often does he wake otherwise?) and needs a drink? Well, I’d found several answers to that. The easiest one, right now, would be to hit Billie for a drink if she was awake yet, and alone.

I crossed the street to the building where Billie had a room. A somewhat newer building, a hell of a lot nicer room, but then she paid a hell of a lot more for it.

I rapped on her door softly, a little code knock we had. If she wasn’t awake she wouldn’t hear it and if she wasn’t alone she wouldn’t answer it.

But she called out, “It’s not locked; come on in,” and she said “Hi, Professor,” as I closed the door behind me. “Professor” she called me, occasionally and banteringly. It was my way of talking, I guess. I’d tried at first to use poor diction, bad grammar, to fit in with the place, but I’d given it up as too tough a job. Besides, I’d learned Fifth Street already had quite a bit of good grammar. Some of its denizens had been newspapermen once, some had written poetry; one I knew was a defrocked clergyman.

I said, “Hi, Billie the Kid.”

“Just woke up, Howie. What time is it?”

“A little after ten,” I told her. “Is there a drink around?”

“Jeez, only ten? Oh well, I had seven hours. Guy came here when Mike closed at two, but he didn’t stay long.”

She sat up in bed and stretched, the covers falling away from her naked body. Beautiful breasts she had, size and shape of half grape-fruits and firm. Nice arms and shoulders, and a lovely face. Hair black and sleek in a page-boy bob that fell into place as she shook her head. Twenty-five, she told me once; and I believed her, but she could have passed for several years less than that, even, now without make up and her eyes still a little puffy from sleep. Certainly it didn’t show that she’d spent three years as a B-girl, part-time hustler, heavy drinker. Before that she’d been married to a man who’d worked for a manufacturing jeweler; he’d suddenly left for parts unknown with a considerable portion of his employer’s stock, leaving Billie in a jam and with a mess of debts.

Wilhelmina Kidder, Billie the Kid, my Billie. Any man’s Billie if he flashed a roll, but oddly I’d found that I could love her a little and not let that bother me. Maybe because it had been that way when I’d first met her over a month ago; I’d come to love her knowing what she was, so why should it bother me? What she saw in me I don’t know, and didn’t care.

“About that drink,” I said.

She laughed and threw down the covers, got out of bed and walked past me naked to the closet to get a robe. I wanted to reach for her but I didn’t; I’d learned by now that Billie the Kid was never amorous early in the morning and resented any passes made before noon.

She shrugged into a quilted robe and padded barefoot over to the little refrigerator behind the screen that hid a tiny kitchenette. She opened the door and said, “God damn it.”

“God damn what?” I wanted to know. “Out of liquor?”

She held up over the screen a Hiram Walker bottle with only half an inch of ready-mixed Manhattan in it. Almost the only thing Billie ever drank, Manhattans.

“As near out as matters. Honey, would you run upstairs and see if Mame’s got some? She usually has.”

Mame is a big blonde who works behind the bar at Mike Karas’ joint, The Best Chance, where Billie works as B-girl. A tough number, Mame. I said, “If she’s asleep she’ll murder me for waking her. What’s wrong with the store?”

“She’s up by now. She was off early last night. And if you get it at the store it won’t be on ice. Wait, I’ll phone her, though, so if she
is
asleep it’ll be me that wakes her and not you.”

She made the call and then nodded. “Okay, honey. She’s got a full bottle she’ll lend me. Scram.”

I scrammed, from the second floor rear to the third floor front. Mame’s door was open; she was out in the hallway paying off a milkman and waiting for him to receipt the bill. She said, “Go on in. Take a load off.” I went inside the room and sat down in the chair that was built to match Mame, overstuffed. I ran my fingers around under the edge of the cushion; one of Mame’s men friends might have sat there with change in his pocket. It’s surprising how much change you can pick up just by trying any overstuffed chairs or sofas you sit on. No change this time, but I came up with a fountain pen, a cheap dime-store-looking one. Mame had just closed the door and I held it up. “In the chair. Yours, Mame?”

“Nope. Keep it, Howie, I got a pen.”

“Maybe one of your friends’ll miss it,” I said. It was too cheap a pen to sell or hock so I might as well be honest about it.

“Nope, I know who lost it. Seen it in his pocket last night. It was Jesus, and the hell with him.”

“Mame, you sound sacrilegious.”

She laughed. “Hay-
soos
, then. Jesus Gonzales. A Mex. But when he told me that was his handle I called him Jesus. And Jesus was
he
like a cat on a hot stove!” She walked around me over to her refrigerator but her voice kept on. “Told me not to turn on the lights when he come in and went over to watch out the front window for a while like he was watching for the heat. Looks out my side window too, one with the fire escape. Pulls down all the shades before he says okay, turn on the lights.” The refrigerator door closed and she came back with a bottle.

“Was he a hot one,” she said. “Just got his coat off – he threw it on that chair, when there’s a knock. Grabs his coat again and goes out my side window down the fire escape.” She laughed again. “Was that a flip? It was only Dixie from the next room knocking, to bum cigarettes. So if I ever see Jesus again it’s no dice, guy as jumpy as that. Keep his pen. Want a drink here?”

“If you’ll have one with me.”

“I don’t drink, Howie. Just keep stuff around for friends and callers. Tell Billie to give me another bottle like this back. I got a friend likes Manhattans, like her.”

When I got back to Billie’s room, she’d put on a costume instead of the robe, but it wasn’t much of a costume. A skimpy Bikini bathing suit. She pirouetted in it. “Like it, Howie? Just bought it yesterday.”

“Nice,” I said, “but I like you better without it.”

“Pour us drinks, huh? For me, just a quickie.”

“Speaking of quickies,” I said.

She picked up a dress and started to pull it over her head. “If you’re thinking that way, Professor, I’ll hide the family treasures. Say, that’s a good line; I’m getting to talk like you do sometimes.”

I poured us drinks and we sat down with them. She’d stepped into sandals and was dressed. I said, “You’ve got lots of good lines, Billie the Kid. But correct me – was that lingerie instead of a bathing suit, or am I out of date on fashions?”

“I’m going to the beach today, Howie, for a sun-soak. Won’t go near the water so why not just wear the suit under and save changing? Say, why don’t you take a day off and come along?”

“Broke. The one thing to be said for Burke as an employer is that he pays every day. Otherwise there’d be some dry, dry evenings.”

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