The Nightmare Factory (8 page)

Episode One.
Place: The Bathroom. Time: A Little After Eight a.m., the Last Day of October.

The water was running for my morning bath, cascading into the tub a bit noisily for my sensitive ears. The night before, I suffered from an advanced case of insomnia, which even extra doses of my beloved Guardsman’s Reserve Stock did not help. I was very glad to see a sunny autumn morning come and rescue me. My bathroom mirror, however, would not let me forget the sleepless night I’d spent, and I combed and creamed myself without noticeable improvement. Sandal was with me, lying atop the toilet tank and scrutinizing the waters of the bowl below. She was actually staring very hard and deliberately at something. I’d never seen a cat stare at its own reflection and have always been under the impression that they cannot see reflected images of themselves. (Lucky them!) But this one saw something. “What is it, Sandal?” I asked with the patronizing voice of a pet owner. Her tail had a life of its own; she stood up and hissed, then yowled in that horribly demonic falsetto of threatened felines. Finally she dashed out of the bathroom, relinquishing her ground for the first time in all my memory of her.

I had been loitering at the other side of the room, a groggy bystander to an unexpected scene. With a large plastic hairbrush gripped in my left hand, I investigated. I gazed down into the same waters, and though at first they seemed clear enough, something soon appeared from within that porcelain burrow…It had dozens of legs and looked all backward and inside out, but what was most disgusting about the thing was that it had a tiny human head, one like a baby’s except all blue and shriveled.

This latter part, of course, is an exaggeration; or rather, it’s an alarm without a fire. It helps if I can tack a neat storybook finish onto these episodes, because what seem to be their real conclusions just leave me hanging. You can’t have stories end that way and still expect to hold your reader’s esteem. Some genius once said that literature was invented the first time a certain boy cried “Wolf!” and there was none. I suppose this is what I’m doing now. Crying wolf. Not that it’s my intention to make a fiction out of what is real. (Much too real, judging by my recent overdrinking and resultant late-night vomiting sessions.) But stories, even very nasty ones, are traditionally considered more satisfying than reality—which, as we all know, is a grossly overrated affair. So don’t worry about my cries of wolf. Even if it turns out that I’m making
everything
up, at least what you have left can be enjoyed as a story—no small value to my mind. It’s just a different story, that’s all: one about
another
old-lady author of children’s yarns, which, incidentally, has nothing to do with the “truth” one way or the other.

So: Yes, I was in the bathroom, staring into the toilet bowl. The truth is that there was nothing in there, except nice, disinfected water of a bluish tint. The water was still, like a miniature lake, and cruelly reflected a miniature face. That’s all I really saw, my hysterical kitty notwithstanding. I gazed at my wrinkled self in the magic pool for a few moments longer and then cocked the handle to flush it away. (You were right, Father, it doesn’t pay to get old and ugly.)

I spent the rest of the morning lying around the baggy old suburban home my second husband left me when he died some years ago. An old war movie on television helped me pass the time. (And vain lady that I am, what I remember most about the war is the shortage of silk and other luxury items, like the quicksilver needed to make a mirror of superior reflective powers.)

In the afternoon I began preparing myself for the reading I was to give at the library, the preparation being mostly alcoholic. I’ve never looked forward to this annual ordeal and only put up with it out of a sense of duty, vanity, and other less comprehensible motives. Maybe this is why I welcomed the excuse to skip it last year. And I wanted to skip it this year, too, if only I could have come up with a reason satisfactory to the others involved—and, more importantly, to myself. Wouldn’t want to disappoint the children, would I? Of course not, though heaven only knows why. Children have made me nervous ever since I stopped being one of them. Perhaps this is why I never had any of my own—adopted any, that is—for the doctors told me long ago that I’m about as fertile as the seas of the moon.

The other Alice is the one who’s really comfortable with kids and kiddish things. How else could she have written
Preston and the Laughing This
or
Preston and the Twitching That
? So when it comes time to do this reading every year, I try to put
her
onstage as much as possible, something that’s becoming more difficult with the passing years. Oddly enough, it’s my grown-up’s weakness for booze that allows me to do this most effectively. Each drink I had this afternoon peeled away a few more winters, and soon I was ready to confront the most brattish child without fear. Which leads me to introduce:

Episode Two.
Place: The Car in the Driveway. Time: A Radiant Twilight.

With a selection of Preston stories on the seat beside me (I was still undecided on which to read, hoping for inspiration), I was off to do my duty at the library. A routine adjustment of the rearview mirror straightened the slack-mouthed angle it had somehow assumed since I’d last driven the car. The image I saw in the mirror was also routine. Across the street and staring into my car by way of the rear window was the odious and infinitely old Mr. Thompson. (Worse than E. Nesbit’s U. W. Ugli, let me assure you.)

He seemed to appear out of nowhere, for I hadn’t seen him when I was getting into the car. But there he was now, ogling the back of my head. This was quite normal for the lecherous old boy, and I didn’t think anything of it. While I was adjusting the mirror, however, a strange little trick took place. I must have hit the switch that changes the position of the mirror for night driving, flipping it back and forth very quickly like the snap of a camera. So what I saw for an instant was a nighttime, negative version of Mr. Thompson as he stood there with his hands deep in his trouser pockets. What a horrendous idea. The unappealingly lubricious Thompson on this side of reality is bad enough without
anti-
Thompsons running around and harassing me for dates. (Thank goodness there’s only one of everybody, I thought.) I didn’t pull out of the driveway until I saw Thompson move on down the sidewalk, which he did after a few moments, leaving me to stare at my own shriveled eye sockets in the rearview mirror.

The sun was going down in a pumpkin-colored blaze when I arrived at the little one-story library. Some costumed kids were hanging around outside: a werewolf, a black cat with a long curling tail, and what looked like an Elvis Presley, or at least some teen idol of a bygone age. And coming up the walk were two identical Tinkerbells, who I later found out were Tracy and Trina Martin. I had forgotten about twins. So much for the comforting notion that there’s only one of everybody.

I was actually feeling quite confident, even as I entered the library and suddenly found myself confronted with a huddling mass of youngsters. But then the spell was broken maliciously when some anonymous smart aleck called out from the crowd, saying: “Hey, lookit the mask
she’s
wearing.” After that I propelled myself down several glossy linoleum hallways in search of a friendly adult face. (Someone should give that wisecracker a copy of
Struwwelpeter
; let him see what happens to his kind of kid.)

Finally I passed the open door of a tidy little room where a group of ladies and the head librarian, Mr. Grosz, were sipping coffee. Mr. Grosz said how nice it was to see me again and introduced me to the moms who were helping out with the party.

“My William’s read all your books,” said a Mrs. Harley, as if she were relating a fact to which she was completely indifferent. “I can’t keep him away from them.”

I didn’t know whether or not to thank her for this comment, and ended up replying with a dignified and slightly liquorish smile. Mr. Grosz offered me some coffee and I declined: bad for the stomach. Then he wickedly suggested that, as it was starting to get dark outside, the time seemed right for the festivities to begin. My reading was to inaugurate the evening’s fun, a good spooky story “to get everyone in the mood.” First, though, I needed to get myself in the mood, and discreetly retired to a nearby ladies’ room where I could refortify my fluttering nerves. Mr. Grosz, in one of the strangest and most embarrassing social gestures I’ve ever witnessed, offered to wait right outside the lavatory until I finished.

“I’m quite ready now, Mr. Grosz,” I said, glaring down at the little man from atop an unelderly pair of high heels. He cleared his throat, and I almost thought he was going to extend a crooked arm for me to take. But instead, he merely stretched it out, indicating the way to an old woman who might not see as well as she once did.

He led me back down the hallway toward the children’s section of the library, where I assumed my reading would take place as it always had in the past. However, we walked right by this area, which was dark and ominously empty, and proceeded down a flight of stairs leading to the library’s basement. “Our
new
facility,” bragged Mr. Grosz. “Converted one of the storage rooms into a small auditorium of sorts.” Down at the end of the hallway, two large green doors faced each other on opposite walls. “Which one will it be tonight?” asked Mr. Grosz while staring at my left hand. “
Preston and the Starving Shadows
,” I answered, showing him the book I was holding. He smiled and confided that it was one of his favorites. Then he opened the door to the library’s
new
facility.

Over fifty kids were sitting (quietly!) in their seats. At the front of the long, narrow room, a big witch was outlining the party activities for the night; and when she saw Mr.
Grosz
and me enter, she began telling the children about a “special treat for us all,” meaning that the half-crocked lady author was about to give her half-cocked oration. Walking a very straight line to the front, I took the platform and thanked everyone for that nice applause—most of it, in fact, coming from the sweaty hands of Mr. Grosz. On the platform was a lamp-bearing podium decorated with wizened cornstalks. I fixed my book in place before me, disguising my apprehension with a little stage patter about the story everyone was going to hear. When I invoked the name of Preston Penn, a few kids actually cheered, or at least one did. Just as I was ready to begin reading, however, the lights went out, which was rather unexpected. And for the first time I noticed that facing each other on opposite sides of the room were two rows of jack-o’-lanterns shining bright orange and yellow in the darkness. They all had identical faces—triangular eyes and noses, wailing
O
’s for mouths—and could have been mirror reflections of themselves. (As a child, I was convinced that pumpkins naturally grew this way, complete with facial features and phosphorescent insides.) Furthermore, they seemed to be suspended in space, darkness concealing their means of support. Since that darkness also prevented my seeing the faces of the children, these jack-o’-lanterns became my audience.

But as I read, the real audience asserted itself with giggles, whispers, and some rather ingenious noises made with the folding wooden chairs they were sitting in. At one point, toward the end of the reading, there came a low moan from somewhere in the back, and it sounded as if someone had fallen out of his seat. “It’s all right,” I heard an adult voice call out. The door at the back opened, allowing a moment of brightness to break the spooky spell, and some shadows exited. When the lights came on at the end of the story, one of the seats toward the back was missing its occupant.

“Okay, kids,” said the big witch after some minor applause for Preston, “everyone move their chairs back to the walls and make room for the games and stuff.”

The games and stuff had the room in a low-grade uproar. Masked and costumed children ruled the night, indulging their appetite for movement, sweet things to eat and drink, and noise. I stood at the periphery of the commotion and chatted with Mr. Grosz.

“What exactly was the disturbance all about?” I asked him.

He took a sip from a plastic cup of cider and smacked his lips offensively. “Oh, nothing, really. You see that child there with the black-cat outfit? She seemed to have fainted. Not entirely, of course. Once we got her outside, she was all right. She was wearing her kitty mask all through your reading, and I think the poor thing hyperventilated or something like that. Complained that she saw something horrible in her mask and was very frightened for a while. At any rate, you can see she’s fine now, and she’s even wearing her mask again. Amazing how children can put things right out of their minds and recover so quickly.”

I agreed that it was amazing, and then asked precisely what it was the child thought she saw in her mask. I couldn’t help being reminded of another cat earlier in the day who also saw something that gave her a fright.

“She couldn’t really explain it,” replied Mr. Grosz. “You know how it is with children. Yes, I daresay you
do
know how it is with them, considering you’ve spent your life exploring the subject.”

I took credit for knowing how it is with children, knowing instead that Mr. Grosz was really talking about someone else, about
her
. Not to overdo this quaint notion of a split between my professional and my private personas, but at the time I was already quite self-conscious about the matter. While I was reading the Preston book to the kids, I had suffered the uncanny experience of having almost no recognition of my own words. Of course, this is rather a cliché with writers, and it has happened to me many times throughout my long career. But never so completely. They were the words of a mind (I stop just short of writing
soul
) entirely alien to me. This much I would like to note in passing, never to be mentioned again.

“I do hope,” I said to Mr. Grosz, “that it wasn’t the story that scared the child. I have enough angry parents on my hands as it is.”