The Other Gods and More Unearthly Tales (19 page)

That is not dead which can eternal lie,

And with strange aeons even death may die.

Only the grim brooding desert gods know what really took place—what indescribable struggles and scrambles in the dark I endured or what Abaddon guided me back to life, where I must always
remember and shiver in the night-wind till oblivion—or worse—claims me. Monstrous, unnatural, colossal, was the thing—too far beyond all the ideas of man to be believed except in
the silent damnable small hours when one cannot sleep.

I have said that the fury of the rushing blast was infernal—cacodaemoniacal—and that its voices were hideous with the pent-up viciousness of desolate eternities. Presently those
voices, while still chaotic before me, seemed to my beating brain to take articulate form behind me; and down there in the grave of unnumbered aeon-dead antiquities, leagues below the dawn-lit
world of men, I heard the ghastly cursing and snarling of strange-tongued fiends. Turning, I saw outlined against the luminous aether of the abyss what could not be seen against the dusk of the
corridor—a nightmare horde of rushing devils; hate-distorted, grotesquely panoplied, half-transparent; devils of a race no man might mistake—the crawling reptiles of the nameless
city.

And as the wind died away I was plunged into the ghoul-peopled blackness of earth’s bowels; for behind the last of the creatures the great brazen door clanged shut with a deafening peal of
metallic music whose reverberations swelled out to the distant world to hail the rising sun as Memnon hails it from the banks of the Nile.

 
T
HE
M
OON
-B
OG

This story was written to order in March 1921 for a gathering of amateur journalists meeting on March 10 in Boston to com memorate St. Patrick’s Day (a week early).
It is one of Lovecraft’s most relatively conventional supernatural tales, but its setting in Ireland may betray the influence of Lord Dunsany; oddly enough, it anticipates the theme of
Dunsany’s much later novel,
The Curse of the Wise Woman
(1933), which similarly deals with the baleful effects of an attempt to drain a bog. There is a brief, and rather peculiar,
allusion to “The Tree” in the mention of “fauns on distant Maenalus.” The story was first published in
Weird Tales
(June 1926).

S
OMEWHERE, TO WHAT REMOTE AND FEARSOME REGION
I
KNOW NOT,
Denys Barry has gone. I was with him the last night he lived among
men, and heard his screams when the thing came to him; but all the peasants and police in County Meath could never find him, or the others, though they searched long and far. And now I shudder when
I hear the frogs piping in swamps, or see the moon in lonely places.

I had known Denys Barry well in America, where he had grown rich, and had congratulated him when he bought back the old castle by the bog at sleepy Kilderry. It was from Kilderry that his father
had come, and it was there that he wished to enjoy his wealth among ancestral scenes. Men of his blood had once ruled over Kilderry and built and dwelt in the castle, but those days were very
remote, so that for generations the castle had been empty and decaying. After he went to Ireland Barry wrote me often, and told me how under his care the grey castle was rising tower by tower to
its ancient splendour; how the ivy was climbing slowly over the restored walls as it had climbed so many centuries ago, and how the peasants blessed him for bringing back the old days with his gold
from over the sea. But in time there came troubles, and the peasants ceased to bless him, and fled away instead as from a doom. And then he sent a letter and asked me to visit him, for he was
lonely in the castle with no one to speak to save the new servants and labourers he had brought from the north.

The bog was the cause of all these troubles, as Barry told me the night I came to the castle. I had reached Kilderry in the summer sunset, as the gold of the sky lighted the green of the hills
and groves and the blue of the bog, where on a far islet a strange olden ruin glistened spectrally. That sunset was very beautiful, but the peasants at Ballylough had warned me against it and said
that Kilderry had become accursed, so that I almost shuddered to see the high turrets of the castle gilded with fire. Barry’s motor had met me at the Ballylough station, for Kilderry is off
the railway. The villagers had shunned the car and the driver from the north, but had whispered to me with pale faces when they saw I was going to Kilderry. And that night, after our reunion, Barry
told me why.

The peasants had gone from Kilderry because Denys Barry was to drain the great bog. For all his love of Ireland, America had not left him untouched, and he hated the beautiful wasted space where
peat might be cut and land opened up. The legends and superstitions of Kilderry did not move him, and he laughed when the peasants first refused to help, and then cursed him and went away to
Ballylough with their few belongings as they saw his determination. In their place he sent for labourers from the north, and when the servants left he replaced them likewise. But it was lonely
among strangers, so Barry had asked me to come.

When I heard the fears which had driven the people from Kilderry I laughed as loudly as my friend had laughed, for these fears were of the vaguest, wildest, and most absurd character. They had
to do with some preposterous legend of the bog, and of a grim guardian spirit that dwelt in the strange olden ruin on the far islet I had seen in the sunset. There were tales of dancing lights in
the dark of the moon, and of chill winds when the night was warm; of wraiths in white hovering over the waters, and of an imagined city of stone deep down below the swampy surface. But foremost
among the weird fancies, and alone in its absolute unanimity, was that of the curse awaiting him who should dare to touch or drain the vast reddish morass. There were secrets, said the peasants,
which must not be uncovered; secrets that had lain hidden since the plague came to the children of Partholan in the fabulous years beyond history. In the
Book of Invaders
it is told that
these sons of the Greeks were all buried at Tallaght, but old men in Kilderry said that one city was overlooked save by its patron moon-goddess; so that only the wooded hills buried it when the men
of Nemed swept down from Scythia in their thirty ships.

Such were the idle tales which had made the villagers leave Kilderry, and when I heard them I did not wonder that Denys Barry had refused to listen. He had, however, a great interest in
antiquities; and proposed to explore the bog thoroughly when it was drained. The white ruins on the islet he had often visited, but though their age was plainly great, and their contour very little
like that of most ruins in Ireland, they were too dilapidated to tell the days of their glory. Now the work of drainage was ready to begin, and the labourers from the north were soon to strip the
forbidden bog of its green moss and red heather, and kill the tiny shell-paved streamlets and quiet blue pools fringed with rushes.

After Barry had told me these things I was very drowsy, for the travels of the day had been wearying and my host had talked late into the night. A manservant shewed me to my room, which was in a
remote tower overlooking the village, and the plain at the edge of the bog, and the bog itself; so that I could see from my windows in the moonlight the silent roofs from which the peasants had
fled and which now sheltered the labourers from the north, and too, the parish church with its antique spire, and far out across the brooding bog the remote olden ruin on the islet gleaming white
and spectral. Just as I dropped to sleep I fancied I heard faint sounds from the distance; sounds that were wild and half musical, and stirred me with a weird excitement which coloured my dreams.
But when I awaked next morning I felt it had all been a dream, for the visions I had seen were more wonderful than any sound of wild pipes in the night. Influenced by the legends that Barry had
related, my mind had in slumber hovered around a stately city in a green valley, where marble streets and statues, villas and temples, carvings and inscriptions, all spoke in certain tones the
glory that was Greece. When I told this dream to Barry we both laughed; but I laughed the louder, because he was perplexed about his labourers from the north. For the sixth time they had all
overslept, waking very slowly and dazedly, and acting as if they had not rested, although they were known to have gone early to bed the night before.

That morning and afternoon I wandered alone through the sun-gilded village and talked now and then with idle labourers, for Barry was busy with the final plans for beginning his work of
drainage. The labourers were not as happy as they might have been, for most of them seemed uneasy over some dream which they had had, yet which they tried in vain to remember. I told them of my
dream, but they were not interested till I spoke of the weird sounds I thought I had heard. Then they looked oddly at me, and said that they seemed to remember weird sounds, too.

In the evening Barry dined with me and announced that he would begin the drainage in two days. I was glad, for although I disliked to see the moss and the heather and the little streams and
lakes depart, I had a growing wish to discern the ancient secrets the deep-matted peat might hide. And that night my dreams of piping flutes and marble peristyles came to a sudden and disquieting
end; for upon the city in the valley I saw a pestilence descend, and then a frightful avalanche of wooded slopes that covered the dead bodies in the streets and left unburied only the temple of
Artemis on the high peak, where the aged moon-priestess Cleis lay cold and silent with a crown of ivory on her silver head.

I have said that I awaked suddenly and in alarm. For some time I could not tell whether I was waking or sleeping, for the sound of flutes still rang shrilly in my ears; but when I saw on the
floor the icy moonbeams and the outlines of a latticed Gothic window I decided I must be awake and in the castle at Kilderry. Then I heard a clock from some remote landing below strike the hour of
two, and I knew I was awake. Yet still there came that monotonous piping from afar; wild, weird airs that made me think of some dance of fauns on distant Maenalus. It would not let me sleep, and in
impatience I sprang up and paced the floor. Only by chance did I go to the north window and look out upon the silent village and the plain at the edge of the bog. I had no wish to gaze abroad, for
I wanted to sleep; but the flutes tormented me, and I had to do or see something. How could I have suspected the thing I was to behold?

There in the moonlight that flooded the spacious plain was a spectacle which no mortal, having seen it, could ever forget. To the sound of reedy pipes that echoed over the bog there glided
silently and eerily a mixed throng of swaying figures, reeling through such a revel as the Sicilians may have danced to Demeter in the old days under the harvest moon beside the Cyane. The wide
plain, the golden moonlight, the shadowy moving forms, and above all the shrill monotonous piping, produced an effect which almost paralysed me; yet I noted amidst my fear that half of these
tireless, mechanical dancers were the labourers whom I had thought asleep, whilst the other half were strange airy beings in white, half indeterminate in nature, but suggesting pale wistful naiads
from the haunted fountains of the bog. I do not know how long I gazed at this sight from the lonely turret window before I dropped suddenly in a dreamless swoon, out of which the high sun of
morning aroused me.

My first impulse on awaking was to communicate all my fears and observations to Denys Barry, but as I saw the sunlight glowing through the latticed east window I became sure that there was no
reality in what I thought I had seen. I am given to strange phantasms, yet am never weak enough to believe in them; so on this occasion contented myself with questioning the labourers, who slept
very late and recalled nothing of the previous night save misty dreams of shrill sounds. This matter of the spectral piping harassed me greatly, and I wondered if the crickets of autumn had come
before their time to vex the night and haunt the visions of men. Later in the day I watched Barry in the library poring over his plans for the great work which was to begin on the morrow, and for
the first time felt a touch of the same kind of fear that had driven the peasants away. For some unknown reason I dreaded the thought of disturbing the ancient bog and its sunless secrets, and
pictured terrible sights lying black under the unmeasured depth of age-old peat. That these secrets should be brought to light seemed injudicious, and I began to wish for an excuse to leave the
castle and the village. I went so far as to talk casually to Barry on the subject, but did not dare continue after he gave his resounding laugh. So I was silent when the sun set fulgently over the
far hills, and Kilderry blazed all red and gold in a flame that seemed a portent.

Whether the events of that night were of reality or illusion I shall never ascertain. Certainly they transcend anything we dream of in Nature and the universe; yet in no normal fashion can I
explain those disappearances which were known to all men after it was over. I retired early and full of dread, and for a long time could not sleep in the uncanny silence of the tower. It was very
dark, for although the sky was clear the moon was now well in the wane, and would not rise till the small hours. I thought as I lay there of Denys Barry, and of what would befall that bog when the
day came, and found myself almost frantic with an impulse to rush out into the night, take Barry’s car, and drive madly to Ballylough out of the menaced lands. But before my fears could
crystallise into action I had fallen asleep, and gazed in dreams upon the city in the valley, cold and dead under a shroud of hideous shadow.

Probably it was the shrill piping that awaked me, yet that piping was not what I noticed first when I opened my eyes. I was lying with my back to the east window overlooking the bog, where the
waning moon would rise, and therefore expected to see light cast on the opposite wall before me; but I had not looked for such a sight as now appeared. Light indeed glowed on the panels ahead, but
it was not any light that the moon gives. Terrible and piercing was the shaft of ruddy refulgence that streamed through the Gothic window, and the whole chamber was brilliant with a splendour
intense and unearthly. My immediate actions were peculiar for such a situation, but it is only in tales that a man does the dramatic and foreseen thing. Instead of looking out across the bog toward
the source of the new light, I kept my eyes from the window in panic fear, and clumsily drew on my clothing with some dazed idea of escape. I remember seizing my revolver and hat, but before it was
over I had lost them both without firing the one or donning the other. After a time the fascination of the red radiance overcame my fright, and I crept to the east window and looked out whilst the
maddening, incessant piping whined and reverberated through the castle and over all the village.

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