The Other Gods and More Unearthly Tales (38 page)

I saw the features of the Harris line, masculine and feminine, adult and infantile, and other features old and young, coarse and refined, familiar and unfamiliar. For a second there flashed a
degraded counterfeit of a miniature of poor mad Rhoby Harris that I had seen in the School of Design Museum, and another time I thought I caught the raw-boned image of Mercy Dexter as I recalled
her from a painting in Carrington Harris’ house. It was frightful beyond conception; toward the last, when a curious blend of servant and baby visages flickered close to the fungous floor
where a pool of greenish grease was spreading, it seemed as though the shifting features fought against themselves, and strove to form contours like those of my uncle’s kindly face. I like to
think that he existed at that moment, and that he tried to bid me farewell. It seems to me I hiccoughed a farewell from my own parched throat as I lurched out into the street; a thin stream of
grease following me through the door to the rain-drenched sidewalk.

The rest is shadowy and monstrous. There was no one in the soaking street, and in all the world there was no one I dared tell. I walked aimlessly south past College Hill and the Athenaeum, down
Hopkins Street, and over the bridge to the business section where tall buildings seemed to guard me as modern material things guard the world from ancient and unwholesome wonder. Then grey dawn
unfolded wetly from the east, silhouetting the archaic hill and its venerable steeples, and beckoning me to the place where my terrible work was still unfinished. And in the end I went, wet,
hatless, and dazed in the morning light, and entered that awful door in Benefit Street which I had left ajar, and which still swung cryptically in full sight of the early householders to whom I
dared not speak.

The grease was gone, for the mouldy floor was porous. And in front of the fireplace was no vestige of the giant doubled-up form in nitre. I looked at the cot, the chairs, the instruments, my
neglected hat, and the yellowed straw hat of my uncle. Dazedness was uppermost, and I could scarcely recall what was dream and what was reality. Then thought trickled back, and I knew that I had
witnessed things more horrible than I had dreamed. Sitting down, I tried to conjecture as nearly as sanity would let me just what had happened, and how I might end the horror, if indeed it had been
real. Matter it seemed not to be, nor ether, nor anything else conceivable by mortal mind. What, then, but some exotic
emanation;
some vampirish vapour such as Exeter rustics tell of as
lurking over certain churchyards? This I felt was the clue, and again I looked at the floor before the fireplace where the mould and nitre had taken strange forms. In ten minutes my mind was made
up, and taking my hat I set out for home, where I bathed, ate, and gave by telephone an order for a pickaxe, a spade, a military gasmask, and six carboys of sulphuric acid, all to be delivered the
next morning at the cellar door of the shunned house in Benefit Street. After that I tried to sleep; and failing, passed the hours in reading and in the composition of inane verses to counteract my
mood.

At 11
AM
the next day I commenced digging. It was sunny weather, and I was glad of that. I was still alone, for as much as I feared the unknown horror I sought, there was
more fear in the thought of telling anybody. Later I told Harris only through sheer necessity, and because he had heard odd tales from old people which disposed him ever so little toward belief. As
I turned up the stinking black earth in front of the fireplace, my spade causing a viscous yellow ichor to ooze from the white fungi which it severed, I trembled at the dubious thoughts of what I
might uncover. Some secrets of inner earth are not good for mankind, and this seemed to me one of them.

My hand shook perceptibly, but still I delved; after a while standing in the large hole I had made. With the deepening of the hole, which was about six feet square, the evil smell increased; and
I lost all doubt of my imminent contact with the hellish thing whose emanations had cursed the house for over a century and a half. I wondered what it would look like—what its form and
substance would be, and how big it might have waxed through long ages of life-sucking. At length I climbed out of the hole and dispersed the heaped-up dirt, then arranging the great carboys of acid
around and near two sides, so that when necessary I might empty them all down the aperture in quick succession. After that I dumped earth only along the other two sides; working more slowly and
donning my gas-mask as the smell grew. I was nearly unnerved at my proximity to a nameless thing at the bottom of a pit.

Suddenly my spade struck something softer than earth. I shuddered, and made a motion as if to climb out of the hole, which was now as deep as my neck. Then courage returned, and I scraped away
more dirt in the light of the electric torch I had provided. The surface I uncovered was fishy and glassy—a kind of semi-putrid congealed jelly with suggestions of translucency. I scraped
further, and saw that it had form. There was a rift where a part of the substance was folded over. The exposed area was huge and roughly cylindrical; like a mammoth soft blue-white stovepipe
doubled in two, its largest part some two feet in diameter. Still more I scraped, and then abruptly I leaped out of the hole and away from the filthy thing; frantically unstopping and tilting the
heavy carboys, and precipitating their corrosive contents one after another down that charnel gulf and upon the unthinkable abnormality whose titan
elbow
I had seen.

The blinding maelstrom of greenish-yellow vapour which surged tempestuously up from that hole as the floods of acid descended, will never leave my memory. All along the hill people tell of the
yellow day, when virulent and horrible fumes arose from the factory waste dumped in the Providence River, but I know how mistaken they are as to the source. They tell, too, of the hideous roar
which at the same time came from some disordered water-pipe or gas main underground—but again I could correct them if I dared. It was unspeakably shocking, and I do not see how I lived
through it. I did faint after emptying the fourth carboy, which I had to handle after the fumes had begun to penetrate my mask; but when I recovered I saw that the hole was emitting no fresh
vapours.

The two remaining carboys I emptied down without particular result, and after a time I felt it safe to shovel the earth back into the pit. It was twilight before I was done, but fear had gone
out of the place. The dampness was less foetid, and all the strange fungi had withered to a kind of harmless greyish powder which blew ash-like along the floor. One of earth’s nethermost
terrors had perished forever; and if there be a hell, it had received at last the daemon soul of an unhallowed thing. And as I patted down the last spadeful of mould, I shed the first of the many
tears with which I have paid unaffected tribute to my beloved uncle’s memory.

The next spring no more pale grass and strange weeds came up in the shunned house’s terraced garden, and shortly afterward Carrington Harris rented the place. It is still spectral, but its
strangeness fascinates me, and I shall find mixed with my relief a queer regret when it is torn down to make way for a tawdry shop or vulgar apartment building. The barren old trees in the yard
have begun to bear small, sweet apples, and last year the birds nested in their gnarled boughs.

 
T
HE
H
ORROR AT
R
ED
H
OOK

This story was written on August 1–2, 1925, and first published in
Weird Tales
(January 1927). The first of three tales set in New York, it may have been
written almost on a dare: Lovecraft wrote to Frank Belknap Long that “it represents at least an attempt to extract horror from an atmosphere to which you deny any qualities save vulgar
commonplaceness.” The story is marred by flamboyance, conventionality in its supernatural manifestations, and a suspicion of racism. The figure of Thomas Malone, as a supernatural
detective, is of interest in anticipating Dr. Willett of
The Case of Charles Dexter Ward.
The Greco-Hebraic incantation in the story is taken from an article in the Encyclopaedia
Britannica.

There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and
dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.


ARTHUR MACHEN

I

N
OT MANY WEEKS AGO, ON A STREET CORNER IN THE VILLAGE OF
P
ASCOAG,
Rhode Island, a tall, heavily built, and wholesome-looking
pedestrian furnished much speculation by a singular lapse of behaviour. He had, it appears, been descending the hill by the road from Chepachet; and encountering the compact section, had turned to
his left into the main thoroughfare where several modest business blocks convey a touch of the urban. At this point, without visible provocation, he committed his astonishing lapse; staring queerly
for a second at the tallest of the buildings before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next
crossing. Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack. He muttered some shamefaced explanations
involving a strain he had undergone, and with downcast glance turned back up the Chepachet road, trudging out of sight without once looking behind him. It was a strange incident to befall so large,
robust, normal-featured, and capable-looking a man, and the strangeness was not lessened by the remarks of a bystander who had recognised him as the boarder of a well-known dairyman on the
outskirts of Chepachet.

He was, it developed, a New York police detective named Thomas F. Malone, now on a long leave of absence under medical treatment after some disproportionately arduous work on a gruesome local
case which accident had made dramatic. There had been a collapse of several old brick buildings during a raid in which he had shared, and something about the wholesale loss of life, both of
prisoners and of his companions, had peculiarly appalled him. As a result, he had acquired an acute and anomalous horror of any buildings even remotely suggesting the ones which had fallen in, so
that in the end mental specialists forbade him the sight of such things for an indefinite period. A police surgeon with relatives in Chepachet had put forward that quaint hamlet of wooden colonial
houses as an ideal spot for the psychological convalescence; and thither the sufferer had gone, promising never to venture among the brick-lined streets of larger villages till duly advised by the
Woonsocket specialist with whom he was put in touch. This walk to Pascoag for magazines had been a mistake, and the patient had paid in fright, bruises, and humiliation for his disobedience.

So much the gossips of Chepachet and Pascoag knew; and so much, also, the most learned specialists believed. But Malone had at first told the specialists much more, ceasing only when he saw that
utter incredulity was his portion. Thereafter he held his peace, protesting not at all when it was generally agreed that the collapse of certain squalid brick houses in the Red Hook section of
Brooklyn, and the consequent death of many brave officers, had unseated his nervous equilibrium. He had worked too hard, all said, in trying to clean up those nests of disorder and violence;
certain features were shocking enough, in all conscience, and the unexpected tragedy was the last straw. This was a simple explanation which everyone could understand, and because Malone was not a
simple person he perceived that he had better let it suffice. To hint to unimaginative people of a horror beyond all human conception—a horror of houses and blocks and cities leprous and
cancerous with evil dragged from elder worlds—would be merely to invite a padded cell instead of restful rustication, and Malone was a man of sense despite his mysticism. He had the
Celt’s far vision of weird and hidden things, but the logician’s quick eye for the outwardly unconvincing; an amalgam which had led him far afield in the forty-two years of his life,
and set him in strange places for a Dublin University man born in a Georgian villa near Phoenix Park.

And now, as he reviewed the things he had seen and felt and apprehended, Malone was content to keep unshared the secret of what could reduce a dauntless fighter to a quivering neurotic; what
could make old brick slums and seas of dark, subtle faces a thing of nightmare and eldritch portent. It would not be the first time his sensations had been forced to bide uninterpreted—for
was not his very act of plunging into the polyglot abyss of New York’s underworld a freak beyond sensible explanation? What could he tell the prosaic of the antique witcheries and grotesque
marvels discernible to sensitive eyes amidst the poison cauldron where all the varied dregs of unwholesome ages mix their venom and perpetuate their obscene terrors? He had seen the hellish green
flame of secret wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had smiled gently when all the New Yorkers he knew scoffed at his experiment in police work. They
had been very witty and cynical, deriding his fantastic pursuit of unknowable mysteries and assuring him that in these days New York held nothing but cheapness and vulgarity. One of them had
wagered him a heavy sum that he could not—despite many poignant things to his credit in the
Dublin Review
—even write a truly interesting story of New York low life; and now,
looking back, he perceived that cosmic irony had justified the prophet’s words while secretly confuting their flippant meaning. The horror, as glimpsed at last, could not make a
story—for like the book cited by Poe’s German authority,
“er lässt sich nicht lesen
—it does not permit itself to be read.”

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