The Papers of Tony Veitch (9 page)

‘Oh-ho,' he said as he came towards them. ‘Thought Ah heard voices. Ah wis at the lavvy there. A wee fly party, boays. Well, how's about a ticket? Any chance of a drink?'

He had had enough already to suggest he should be taken into protective custody. It was Cam Colvin he had interrupted. John Rhodes was watching him without amusement. The others waited.

‘Cat got yer tongues? Any chance of a drink?'

‘Aye.' Cam looked up at him. ‘How about a pint of blood? Siphoned off your face.'

The man started to sketch a laugh and erased it instantly. Losing its self-assurance, his face was clumsily rehearsing expressions as he looked round the table, slowly assimilating the drift of the plot from the appearance of the cast. It wasn't a comedy. ‘Huh,' he tried, to convince them he could take a role here. It was a bad audition.

‘Wait a minute. There's no need—'

‘Fuck off,' Cam said precisely, as if he was giving elocution lessons.

The man went out, his mouth bumbling a rearguard of aimless noise to cover the retreat of his self-esteem.

‘I must tell Dan Tomlinson,' Cam said. ‘He's not supposed to decorate the place with balloons till Christmas. Anyway. I think Hook should help me, John.'

‘How?'

‘He knows the people that go about the Crib. He can ask around. Just for starters, I'm going to find this Tony Veitch. Just for starters. If it's him, he's dead. And anybody that gets in my road'll get hurt sore. I wouldn't like to think Hook was being less than helpful.'

John Rhodes smiled. They were watching each other.

‘If anything happens to Hook or any of mine through you, Cam, ye better book a family plot. Paddy Collins'll have a lot o' company.'

The others were utterly still. Professional criminals are essentially conservative, perhaps because they have to take the law so seriously, can only operate effectively where rules are rules. They were all aware of how threatening to the tight order of things this confrontation was, like a nuclear standoff in the terms of their narrow lives.

Macey understood the tension. If you were choosing a winner out of such a conflict, it would have to be Cam. His interests were bigger and more varied and he was far more highly organised than John. But among several people who were in any organisational sense more powerful, John Rhodes still commanded a lot of respect.

There were sound reasons for it. Like a traditional family firm overtaken by pushy corporations, John Rhodes retained one quality which had so far guaranteed his survival: he dispensed a pure and undiluted product – 100% proof violence. When he had to go, it would be to the death, preferably other
people's. Everybody knew that if you went against John Rhodes it was serious business. You weren't going to conclude it by breaking a couple of knee-caps here and there.

Cam seemed to be contemplating that old-fashioned set of values that would let John make a bonfire of everything he had just to warm his sense of honour at it. Cam could deal with it if he had to, but he would rather not. You could never be sure what would be left.

When he spoke, his face had an expression almost of pleading but it was a complicated plea, including a desire not to have his own violence activated, since he couldn't himself see the end of it.

‘John. You want trouble, your wish is granted. But does it have to be now? All I'm asking is for Hook to show willing. Show whose side he's on. He can help. Is he going to?'

John Rhodes finished his port. ‘Doin' what, like?'

‘Mickey here's going to be asking around a bit. It's handy. He's handy. He's not known about here the way he was. But he could use a guide. He thinks Hook could help him. Okay?'

Mickey looked at Hook, who put the question back to John Rhodes. John nodded.

‘Okay. He'll help. But don't come back to any o' ma pubs, Cam. And you, Action Man.' He pointed at Panda Paterson. ‘If it even rains on any o' ma pubs, Ah'm gonny blame you. See it disny. Macey here'll pass on anything else we get. Okay?'

‘Okay. The fella's name is Tony Veitch. I'll be looking for you soon, Macey.'

Macey nodded briskly to cover his worry. In a marriage as uneasy as this one the best man could finish up being the purvey.

 

 

 

 

12

T
his should have been a Saturday but it didn't feel like one to Harkness. This had to be the eighth day of some deformed week, a kind of thirty-first of June. It didn't fit. Maybe the moon had blown a fuse.

They weren't in the office. They weren't preparing for a court case. They weren't on surveillance. They weren't on the streets soliciting information. They were in Pollokshields.

It was a part of Glasgow Harkness didn't know too well, a place on the South Side to drive through sometimes on his way to work, trying not to let the houses bother him. All fur coats and no knickers, he had often told himself as an antidote to the envy that hit him here like lack of oxygen.

But it wasn't true. The wealth was more real than apparent. Some of the huge yellow sandstone houses had been converted into flats, it was true. A few had become self-contained Pakistani villages. But the infiltration of some of the merely well off or even the poor was hardly enough to change the basic impression this part of Pollokshields gave.

The house they were visiting confirmed it. It was a turreted sandstone castle separated from the street by a low wall and a high hedge, like a soft-sell moat. The conservatory at the
side was an interesting piece of architecture in itself, a domed colony of humid vegetation. Inside the house, Harkness had half-expected to be handed a catalogue. The wide hall had two abstract paintings and a small terracotta frieze set into the wall – some ancient punters naked among the leaves. The staircase looked a suitable place for losing a glass slipper. A stained-glass window guled the fawn carpet faintly.

The room they had been shown into was furnished richly in leather and wood, nothing more parvenu being permitted. There was so much space around that the armchairs they sat in felt to Harkness like stations on a steppe. Watching their host nursing a nugget of Chivas Regal in his hand, Harkness wondered why Laidlaw hadn't taken one, obliging him to abstain as well. It wasn't as if Laidlaw had never indulged on duty before.

Milton Anthony Veitch, as he had declared himself, was wearing his late forties as if anything else was merely apprenticeship. The hair was beautifully grey, fairly long and precisely cut, looking not just washed but professionally laundered. The slightly worn face was carried proudly, like a trophy. The lines were earned. As far as women went, Harkness imagined, he was still a runner. If any lady didn't fancy him, that was her problem.

He was a big man but had stayed nearly trim. The weight was only now beginning to hang like slightly inferior tailoring. The way he was sitting in his real leather chair, the stomach bulged delicately. But that was a tasteful cairn, memorial to good times. Maybe he couldn't make it happen everywhere any more, Harkness thought, but then he wouldn't have to. Money would allow him to move through invented habitats and there he must still be special, an aging lion at Longleat.
Harkness thought he wouldn't like to be looking at his host down the wrong end of a business decision.

Milton Veitch had listened to Laidlaw explaining about Eck, Eck's piece of paper, and his address on it. He sighed.

‘You have the piece of paper with you, do you?'

Laidlaw took it out, went over and gave it to Mr Veitch, came back and sat down. The time it took in this room, Harkness thought, a bus-service would have helped. Mr Veitch watched his drink, looked up.

‘Tony,' he said.

‘Tony?'

‘My son. He wrote that.'

‘You're sure, Mr Veitch?'

He smiled.

‘I think I would know his writing. Besides, I was privileged to receive a communication recently from him myself. A letter, in a manner of speaking. That script is very fresh in my mind.'

He rose and crossed to the door and called, ‘Alma.' The woman who appeared, like most women, interested Harkness. He felt that this time Laidlaw, who said that studying good-looking women was one of the non-taxable perks of the job for Harkness, must be agreeing. She was tall, maybe late thirties. She clarified for Harkness why it was that older women interested him so much. It was very simple: she had been where he hadn't been but where he wanted to go. As soon as he saw her, he saw a doorway he wanted to go through.

‘This is Miss Brown,' Milton Veitch said to them, which was like pointing to Rheims Cathedral and saying, ‘This is a church.'

She smiled and Harkness's head turned a somersault. It was a beautiful smile, slow and undeliberate and unselfconsciously
strange. Harkness decided it was an Amazon of a smile and he knew what he wanted to be: an explorer.

‘She keeps house for me.'

Everybody in the room knew what he meant and Harkness was deeply disappointed. She could be so much more than that, he knew. He started to have misgivings about her.

‘Alma. Do we still have that letter Tony wrote me?'

‘Which letter?'

His look told her not to play games.

‘Which letter would it be?'

‘You threw it out. Remember?'

‘Anyway, it doesn't matter. It was just to convince the police force that I know my own son's writing. Maybe you'd better stay.'

He did the introductions and they all sat down again.

‘What was the letter about?' Laidlaw asked.

‘A good question. A tantrum against fatherhood is about as near as I could get.'

‘Your son doesn't live here?'

‘Not for a while, no. In fact, we don't know where he lives at all.'

‘That's only been for a week or more,' Alma said. ‘Give him time.'

‘I've got no more time to give him,' Mr Veitch said. ‘Not another day.'

They were looking at each other, the absent Tony forming a frost between them.

‘Does the letter have something to do with that?' Laidlaw asked.

Mr Veitch noticed him again. He sighed.

‘It's a long and largely unsavoury story. My son is a student
at Glasgow University. Was. He was sitting his final exams recently and disappeared before he had taken all the papers. The letter was written to explain – I use the term loosely – his behaviour to me. Not so much a letter, really. More like a novel by post.'

‘But before that he hadn't lived here anyway?'

‘In a flat in the city. The wild freedom of youth, I suppose. But since he left there we haven't a clue where he is.'

‘You haven't tried to trace him?'

‘Well, he's patently all right. His letter was nothing if not full of the vigour of condemnation. I think he has at last found a way of expressing his rejection of everything I stand for. He's been trying to get the message through to me for long enough. I deliberately didn't contact the police. If he wants to disown me, that's his right. He
is
over twenty-one. Just. Perhaps you could let Alma see your piece of paper? A corroborative witness, do you call it?'

Alma didn't linger over reading it. Milton Veitch was watching her closely but she didn't look at him.

‘It's Tony's writing, all right,' she said.

‘The man who had it on him was a vagrant. Eck Adamson. He's dead. Paraquat poisoning.'

‘Suspected,' Harkness said.

Laidlaw ignored the footnote.

‘Did either of you know him?'

‘I run a rather large business. I don't meet a lot of vagrants.'

Alma Brown shook her head.

‘He was a nice vagrant,' Laidlaw said. ‘The other names. Paddy Collins. A small villain. Bit-parts only. No? I don't suppose a pub called the Crib means anything?'

Both looked as if they had forgotten he was there.

‘No, you won't have any branches in the Saracen, Mr Veitch. Lynsey Farren?'

That was the name that changed the thermostat. You could feel the room freeze slightly. Alma Brown looked involuntarily at Milton Veitch. It was like calling the name of someone who was in hiding. It blew his cover. He looked annoyed.

‘We both know Lynsey Farren,' he said. ‘She's Lord Farren of Farren's daughter. Lady Lynsey Farren. I think she may know even fewer vagrants than I do.'

He said it as if that was the matter closed. Harkness doubted that.

‘But Tony knew her, I take it?' Laidlaw asked.

‘Yes, he did. Our two families have known each other for years. Since Lynsey and Tony were children. But I really don't think I want her bothered with whatever mess my son has got himself into. What
has
happened, by the way?'

I thought you'd never ask, Harkness thought.

‘It may not all come down quite to what you want, Mr Veitch. Paddy Collins was stabbed to death. That's two corpses connected with this piece of paper your son wrote on. We don't know what happened. But I think you'll agree there's a certain urgency in finding out. Eck and Paddy Collins are keeping quiet. What's the Crib going to tell us? It would be like interviewing a football crowd. That leaves yourselves and Lynsey Farren. We're talking to you and we'll be talking to her. By the way, the telephone number on the paper is a public box in Queen Margaret Drive. Does that mean anything to you?'

His head was shaking first but hers caught up quickly.

‘Could I have Miss Farren's address, please?'

‘I'm not entirely sure I like your manner.'

Laidlaw was looking down as if waiting for the irrelevances to pass. But Mr Veitch wasn't going anywhere except towards a confrontation.

‘I said I'm not sure I like your manner.'

Laidlaw looked at him. ‘That's all right,' he said quietly. ‘I'm not sure my manner likes you. But it hardly seems relevant.'

‘Milton!' Alma Brown was appealing to him. ‘Please. If something's wrong with Tony, we must help. We must. Lynsey would want to help. She won't mind being involved, will she?'