Presently the sound of the woman’s voice came to him distinctly in the warm night-air. “Well, he looks at us as one of the old lions or tigers may have looked at the Christian martyrs!” These were the words he heard, in the familiar accent of Miss Daisy Miller.
“Let us hope he is not very hungry,” responded the ingenious Giovanelli. “He will have to take me first; you will serve for dessert!”
Winterbourne stopped, with a sort of horror; and, it must be added, with a sort of relief. It was as if a sudden illumination had been flashed upon the ambiguity of Daisy’s behaviour and the riddle had become easy to read. She was a young lady whom a gentleman need no longer be at pains to respect. He stood there looking at her—looking at her companion, and not reflecting that though he saw them vaguely, he himself must have been more brightly visible. He felt angry with himself that he had bothered so much about the right way of regarding Miss Daisy Miller. Then, as he was going to advance again, he checked himself; not from the fear that he was doing her injustice, but from a sense of the danger of appearing unbecomingly exhilarated by this sudden revulsion from cautious criticism. He turned away towards the entrance of the place; but as he did so he heard Daisy speak again.
“Why, it was Mr. Winterbourne! He saw me—and he cuts me!”
What a clever little reprobate she was, and how smartly she played an injured innocence! But he wouldn’t cut her. Winterbourne came forward again, and went towards the great cross. Daisy had got up; Giovanelli lifted his hat. Winterbourne had now begun to think simply of the craziness, from a sanitary point of view, of a delicate young girl lounging away the evening in this nest of malaria. What if she
were
a clever little reprobate? that was no reason for her dying of the
perniciosa.
“How long have you been here?” he asked, almost brutally.
Daisy, lovely in the flattering moonlight, looked at him a moment. Then—“All the evening,” she answered gently. . . . “I never saw anything so pretty.”
“I am afraid,” said Winterbourne, “that you will not think Roman fever very pretty. This is the way people catch it. I wonder,” he added, turning to Giovanelli, “that you, a native Roman, should countenance such a terrible indiscretion.”
“Ah,” said the handsome native, “for myself, I am not afraid.”
“Neither am I—for you! I am speaking for this young lady.”
Giovanelli lifted his well-shaped eyebrows and showed his brilliant teeth. But he took Winterbourne’s rebuke with docility. “I told the Signorina it was a grave indiscretion; but when was the Signorina ever prudent?”
“I never was sick, and I don’t mean to be!” the Signorina declared. “I don’t look like much, but I’m healthy! I was bound to see the Colosseum by moonlight; I shouldn’t have wanted to go home without that; and we have had the most beautiful time, haven’t we, Mr. Giovanelli? If there has been any danger, Eugenio can give me some pills. He has got some splendid pills.”
“I should advise you,” said Winterbourne, “to drive home as fast as possible and take one!”
“What you say is very wise,” Giovanelli rejoined. “I will go and make sure the carriage is at hand.” And he went forward rapidly.
Daisy followed with Winterbourne. He kept looking at her; she seemed not in the least embarrassed. Winterbourne said nothing; Daisy chattered about the beauty of the place. “Well, I
have
seen the Colosseum by moonlight!” she exclaimed. “That’s one good thing.” Then, noticing Winterbourne’s silence, she asked him why he didn’t speak. He made no answer; he only began to laugh. They passed under one of the dark archways; Giovanelli was in front with the carriage. Here Daisy stopped a moment, looking at the young American. “
Did
you believe I was engaged the other day?” she asked.
“It doesn’t matter what I believed the other day,” said Winterbourne, still laughing.
“Well, what do you believe now?”
“I believe that it makes very little difference whether you are engaged or not!”
He felt the young girl’s pretty eyes fixed upon him through the thick gloom of the archway; she was apparently going to answer. But Giovanelli hurried her forward. “Quick, quick,” he said; “if we get in by midnight we are quite safe.”
Daisy took her seat in the carriage, and the fortunate Italian placed himself beside her. “Don’t forget Eugenio’s pills!” said Winterbourne, as he lifted his hat.
“I don’t care,” said Daisy, in a little strange tone, “whether I have Roman fever or not!” Upon this the cab-driver cracked his whip, and they rolled away over the desultory patches of the antique pavement.
Winterbourne—to do him justice, as it were—mentioned to no one that he had encountered Miss Miller, at midnight, in the Colosseum with a gentleman; but nevertheless, a couple of days later, the fact of her having been there under these circumstances was known to every member of the little American circle, and commented accordingly. Winterbourne reflected that they had of course known it at the hotel, and that, after Daisy’s return, there had been an exchange of jokes between the porter and the cab-driver. But the young man was conscious at the same moment that it had ceased to be a matter of serious regret to him that the little American flirt should be “talked about” by low-minded menials. These people, a day or two later, had serious information to give: the little American flirt was alarmingly ill. Winterbourne, when the rumour came to him, immediately went to the hotel for more news. He found that two or three charitable friends had preceded him, and that they were being entertained in Mrs. Miller’s salon by Randolph.
“It’s going round at night,” said Randolph—“that’s what made her sick. She’s always going round at night. I shouldn’t think she’d want to—it’s so plaguey dark. You can’t see anything here at night, except when there’s a moon. In America there’s always a moon!” Mrs. Miller was invisible; she was now, at least, giving her daughter the advantage of her society. It was evident that Daisy was dangerously ill.
Winterbourne went often to ask for news of her, and once he saw Mrs. Miller, who, though deeply alarmed, was—rather to his surprise—perfectly composed, and, as it appeared, a most efficient and judicious nurse. She talked a good deal about Dr. Davis, but Winterbourne paid her the compliment of saying to himself that she was not, after all, such a monstrous goose. “Daisy spoke of you the other day,” she said to him. “Half the time she doesn’t know what she’s saying, but that time I think she did. She gave me a message; she told me to tell you. She told me to tell you that she never was engaged to that handsome Italian. I am sure I am very glad; Mr. Giovanelli hasn’t been near us since she was taken ill. I thought he was so much of a gentleman; but I don’t call that very polite! A lady told me that he was afraid I was angry with him for taking Daisy round at night. Well, so I am; but I suppose he knows I’m a lady. I would scorn to scold him. Any way, she says she’s not engaged. I don’t know why she wanted you to know; but she said to me three times—‘Mind you tell Mr. Winterbourne.’ And then she told me to ask if you remembered the time you went to that castle, in Switzerland. But I said I wouldn’t give any such messages as that. Only, if she is not engaged, I’m sure I’m glad to know it.”
But, as Winterbourne had said, it mattered very little. A week after this the poor girl died; it had been a terrible case of the fever. Daisy’s grave was in the little Protestant cemetery, in an angle of the wall of imperial Rome, beneath the cypresses and the thick spring-flowers. Winterbourne stood there beside it, with a number of other mourners; a number larger than the scandal excited by the young lady’s career would have led you to expect. Near him stood Giovanelli, who came nearer still before Winterbourne turned away. Giovanelli was very pale; on this occasion he had no flower in his button-hole; he seemed to wish to say something. At last he said, “She was the most beautiful young lady I ever saw, and the most amiable.” And then he added in a moment, “And she was the most innocent.”
Winterbourne looked at him, and presently repeated his words, “And the most innocent?”
“The most innocent!”
Winterbourne felt sore and angry. “Why the devil,” he asked, “did you take her to that fatal place?”
Mr. Giovanelli’s urbanity was apparently imperturbable. He looked on the ground a moment, and then he said, “For myself, I had no fear; and she wanted to go.”
“That was no reason!” Winterbourne declared.
The subtle Roman again dropped his eyes. “If she had lived, I should have got nothing. She would never have married me, I am sure.”
“She would never have married you?”
“For a moment I hoped so. But no. I am sure.”
Winterbourne listened to him; he stood staring at the raw protuberance among the April daisies. When he turned away again Mr. Giovanelli, with his light slow step, had retired.
Winterbourne almost immediately left Rome; but the following summer he again met his aunt, Mrs. Costello, at Vevey. Mrs. Costello was fond of Vevey. In the interval Winterbourne had often thought of Daisy Miller and her mystifying manners. One day he spoke of her to his aunt—said it was on his conscience that he had done her injustice.
“I am sure I don’t know,” said Mrs. Costello. “How did your injustice affect her?”
“She sent me a message before her death which I didn’t understand at the time. But I have understood it since. She would have appreciated one’s esteem.”
“Is that a modest way,” asked Mrs. Costello, “of saying that she would have reciprocated one’s affection?”
Winterbourne offered no answer to this question; but he presently said, “You were right in that remark that you made last summer. I was booked to make a mistake. I have lived too long in foreign parts.”
Nevertheless, he went back to live at Geneva, whence there continue to come the most contradictory accounts of his motives of sojourn: a report that he is “studying” hard—an intimation that he is much interested in a very clever foreign lady.
Brooksmith
Harper’s Weekly,
May 2, 1891. One of Ford Madox Hueffer’s servants said, “It always gives me a turn to open the door for Mr. James. His eyes seem to look you through to the very backbone.” “Brooksmith” considers a London butler who, according to James’s
New York Edition
preface, had “caught a glimpse, all untimely, of ‘la beauté parfaite’” of fine conversation in an ideal setting. Relating the “obscure tragedy” of a servant who loses his place at the fringes of such society, “Brooksmith” feels like a Jamesian version—supersaturated with acculturation though it may be—of Melville’s “Bartleby.”
We are scattered now, the friends of the late Mr. Oliver Offord; but whenever we chance to meet I think we are conscious of a certain esoteric respect for each other. “Yes, you too have been in Arcadia,” we seem not too grumpily to allow. When I pass the house in Mansfield Street I remember that Arcadia was there. I don’t know who has it now, and I don’t want to know; it’s enough to be so sure that if I should ring the bell there would be no such luck for me as that Brooksmith should open the door. Mr. Offord, the most agreeable, the most lovable of bachelors, was a retired diplomatist, living on his pension, confined by his infirmities to his fireside and delighted to be found there any afternoon in the year by such visitors as Brooksmith allowed to come up. Brooksmith was his butler and his most intimate friend, to whom we all stood, or I should say sat, in the same relation in which the subject of the sovereign finds himself to the prime minister. By having been for years, in foreign lands, the most delightful Englishman any one had ever known, Mr. Offord had, in my opinion, rendered signal service to his country. But I suppose he had been too much liked—liked even by those who didn’t like
it
—so that as people of that sort never get titles or dotations for the horrid things they have
not
done, his principal reward was simply that we went to see him.
Oh, we went perpetually, and it was not our fault if he was not overwhelmed with this particular honour. Any visitor who came once came again—to come merely once was a slight which nobody, I am sure, had ever put upon him. His circle, therefore, was essentially composed of
habitués,
who were
habitués
for each other as well as for him, as those of a happy
salon
should be. I remember vividly every element of the place, down to the intensely Londonish look of the grey opposite houses, in the gap of the white curtains of the high windows, and the exact spot where, on a particular afternoon, I put down my tea-cup for Brooksmith, lingering an instant, to gather it up as if he were plucking a flower. Mr. Offord’s drawing-room was indeed Brooksmith’s garden, his pruned and tended human
parterre,
and if we all flourished there and grew well in our places it was largely owing to his supervision.
Many persons have heard much, though most have doubtless seen little, of the famous institution of the
salon,
and many are born to the depression of knowing that this finest flower of social life refuses to bloom where the English tongue is spoken. The explanation is usually that our women have not the skill to cultivate it—the art to direct, between suggestive shores, the course of the stream of talk. My affectionate, my pious memory of Mr. Offord contradicts this induction only, I fear, more insidiously to confirm it. The very sallow and slightly smoked drawing-room in which he spent so large a portion of the last years of his life certainly deserved the distinguished name; but on the other hand it could not be said at all to owe its stamp to the soft pressure of the indispensable sex. The dear man had indeed been capable of one of those sacrifices to which women are deemed peculiarly apt; he had recognised (under the influence, in some degree, it is true, of physical infirmity), that if you wished people to find you at home you must manage not to be out. He had in short accepted the fact which many dabblers in the social art are slow to learn, that you must really, as they say, take a line and that the only way to be at home is to stay at home. Finally his own fireside had become a summary of his habits. Why should he ever have left it?—since this would have been leaving what was notoriously pleasantest in London, the compact charmed cluster (thinning away indeed into casual couples), round the fine old last century chimney-piece which, with the exception of the remarkable collection of miniatures, was the best thing the place contained. Mr. Offord was not rich; he had nothing but his pension and the use for life of the somewhat superannuated house.