Joseph A. Citro
First Digital Edition published by Crossroad Press & Macabre Ink Digital
© 2012 /
Joseph A. Citro
Copy-edited by: David Dodd
Cover design by David Dodd
Illustrations
© 2012 /
Stephen R. Bissette
Foreword and Afterword
© 2012 /
Stephen R. Bissette
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NOVELS
:
UNABRIDGED AUDIOBOOKS:
1. Named one of the "113 Best Books of Modern Horror" by critic Stanley Wiater.
2. Reviewer Don Kaye: "â¦a supercharged cross between The X-Files and The Exorcist."
3.
Fangoria
: "For those of you who are tired of vampires, serial killers and angst-ridden, deteriorating artists, DEUS-X will be welcome relief.
4. Emmy Award winner Anne MacLeod: "Why it hasn't yet been turned into a movie is beyond me."
5. T. B. Estabrook: "Lucyâdear, sweet Lucyâshe's easily the scariest anti-heroine I've ever encountered. Even though my skin crawls every time I think of her (and what eventually happens to her), I'm glad I met the creepy little being."
6. Amazon reviewer:
Â
"â¦will spook you in ways you've never been spooked before."
7.
Â
Artist Stephen R. Bissette: "D
EUS
-X culminates in one of the most chilling finales in modern fiction."
One Good Reason NOT to read DEUS-X
1. It might scare the sap out of you!
******************
Scare-master Richard Laymon: "Citro
'
s stuff is as good as it gets."
Acclaimed author Dan Simmons: "â¦the work of Joseph A
.
Citro could make a vampire fear the dark."
FICTION
Not Yet Dead, 2009
DEUS-X: The Reality Conspiracy, 2003
Lake
Monsters
, 2001
The Gore, 2000
Guardian Angels, 1999
Shadow Child, 1998
NONFICTION
Vermont's Haunts, 2010
Vermont
Monster Guide, 2009
Weird
New England
, 2005
Cursed in
New England
: Stories of Damned Yankees, 2004
Vermont
Ghost Guide, 2000
Green Mountains
, Dark Tales, 1999
Passing Strange, 1996
Green
Mountain
Ghosts, Ghouls and Unsolved Mysteries, 1994
Curious
New England
, 2003
Vermont
Air (Ed. 2002)
Vermont
Lifer (Ed. 1986)
To properly thank everyone who helped me with DEUS-X: The Reality Conspiracy would require another volume this size. Scores of individuals made contributions, whether they realize it or not. However, I owe a substantial debt to the following: Michael Johnson, Pat Whitman, Craig Goden, John Keel, Steve Bissette, Wayne and Darlene Decker. In addition, I'd like to thank David Dodd and David Niall Wilson at Crossroad Press for bringing this book into the 21st century. Thanks, too, to everyone who, by request or oversight, is not listed above.
"The only thing I will say with complete confidence about the mystic and invisible power is that it tells lies."
â G. K.
Â
Chesterton
X Marks the Spot: A
Foreword (by Ste
phen R.
Bissette)
X Marks the Spot: An Afterword (by Stephen R. Bissette)
Let us begin by noting that there are, in and about us, "bad places." If you visit a "bad place," deliberately or inadvertently, you may see "bad things."
U
nlike the novel you are about to read, I'll begin by putting all my cards on the table:
Joseph A. Citro is a friend of mine. In fact, he's one of my best friends in the world. So you see, I already have a stake in this volume.
I also have a stake in this book because I made my own mark in hereâor, rather, my marks. Joe's
DEUS-X
was originally published in 1994. It was his fifth and, as it turned out, final novel to date. It was also our first published book project together, as I illustrated the signed-and-limited edition hardcover first printing.
I have a personal philosophy as an illustrator:
give nothing away
. (Damn near every copy of
Moby Dick
I've ever seen gives away Moby Dick's smashing of the whaleship
Pequod
âoops, sorry. Spoiled that for you, I reckon. Apologies. PS: Ishmael alone survives.)
I make sure my illustrations are eye-catching and fit the text, but to keep them free of "spoilers" some illustrations will seem downright eccentric and enigmatic until you've absorbed the narrative, which is as it should be.
The same goes for intros and forewords: I'll give nothing away here, either, about what you're about to read.
DEUS-X
was also, as Joe details in his appendix to this edition, a "cursed book," in and of itself. I was privy to every nuanced emergence, twist, turn, and element of that curse, but found myself left strangely untouched by it. If anything, the only manifestation of the curse I personally experienced was the world's seeming indifference to its publication. Neither the world at large nor the world in miniature blinked an eye or cared a whit.
Mind you, while I might have expected the lack of attention to my own humble contribution (the illustrations), I was gob-smacked that even the so-called "horror community" seemed oblivious to Joe's newest work, and its considerable significance.
That is the greatest curse of all I've seen attached to
DEUS-X
: the curse of apathy and neglect.
In this, there's not much of a surprise. As with the Devil himself (as upstanding Catholic youths such as Joe and I were told again and again), the forces at work in
DEUS-X
count upon our apathy, myopia, ignorance, and neglect; our lack of attention spans, of noticing when things go awry, or of comprehending anything once they
do
.
So, a suggestion:
Pay attention. Remember what you read and see and hear in the following pages. There are forces greater than you or me or the Devil or the Deep Blue Sea counting on the fact you don't, and won't.
I dare say that much, much more than merely your state of mind or comparative comfort level with the following novel is at risk.
Pay.
Close.
Attention.
I fear I've said too much, though really I've told you nothing at all.
Oh, and, please, one more thingâ
Turn the page.