The Red Pyramid -1 (5 page)

My eyes wandered across my room and fixed on my desk.

No, I thought. Not going to do it.

But I walked over and opened the drawer. I shoved aside a few old mags, my stash of sweets, a stack of maths homework I'd forgotten to hand in, and a few pictures of me and my mates Liz and Emma trying on ridiculous hats in Camden Market. And there at the bottom of it all was the picture of Mum.

Gran and Gramps have loads of pictures. They keep a shrine to Ruby in the hall cupboard-Mum's childhood artwork, her O-level results, her graduation picture from university, her favorite jewelry. It's quite mental. I was determined not to be like them, living in the past. I barely remembered Mum, after all, and nothing could change the fact she was dead.

But I did keep the one picture. It was of Mum and me at our house in Los Angeles, just after I was born. She stood out on the balcony, the Pacific Ocean behind her, holding a wrinkled pudgy lump of baby that would some day grow up to be yours truly. Baby me was not much to look at, but Mum was gorgeous, even in shorts and a tattered T-shirt. Her eyes were deep blue. Her blond hair was clipped back. Her skin was perfect. Quite depressing compared to mine. People always say I look like her, but I couldn't even get the spot off my chin much less look so mature and beautiful.

[Stop smirking, Carter.]

The photo fascinated me because I hardly remembered our lives together at all. But the main reason I'd kept the photo was because of the symbol on Mum's T-shirt: one of those life symbols-an ankh.

My dead mother wearing the symbol for life. Nothing could've been sadder. But she smiled at the camera as if she knew a secret. As if my dad and she were sharing a private joke.

Something tugged at the back of my mind. That stocky man in the trench coat who'd been arguing with Dad across the street--he'd said something about the Per Ankh.

Had he meant ankh as in the symbol for life, and if so, what was a per? I supposed he didn't mean pear as in the fruit.

I had an eerie feeling that if I saw the words Per Ankh written in hieroglyphics, I would know what they meant.

I put down the picture of Mum. I picked up a pencil and turned over one of my old homework papers. I wondered what would happen if I tried to draw the words Per Ankh. Would the right design just occur to me?

As I touched pencil to paper, my bedroom door opened. "Miss Kane?"

I whirled and dropped the pencil.

A police inspector stood frowning in my doorway. "What are you doing?"

"Maths," I said.

My ceiling was quite low, so the inspector had to stoop to come in. He wore a lint-colored suit that matched his gray hair and his ashen face. "Now then, Sadie. I'm Chief Inspector Williams.

Let's have a chat, shall we? Sit down."

I didn't sit, and neither did he, which must've annoyed him. It's hard to look in charge when you're hunched over like Quasimodo.

"Tell me everything, please," he said, "from the time your father came round to get you."

"I already told the police at the museum."

"Again, if you don't mind."

So I told him everything. Why not? His left eyebrow crept higher and higher as I told him the strange bits like the glowing letters and serpent staff.

"Well, Sadie," Inspector Williams said. "You've got quite an imagination."

"I'm not lying, Inspector. And I think your eyebrow is trying to escape."

He tried to look at his own eyebrows, then scowled. "Now, Sadie, I'm sure this is very hard on you. I understand you want to protect your father's reputation. But he's gone now--"

"You mean through the floor in a coffin," I insisted. "He's not dead."

Inspector Williams spread his hands. "Sadie, I'm very sorry. But we must find out why he did this act of...well..."

"Act of what?"

He cleared his throat uncomfortably. "Your father destroyed priceless artifacts and apparently killed himself in the process. We'd very much like to know why."

I stared at him. "Are you saying my father's a terrorist? Are you mad?"

"We've made calls to some of your father's associates. I understand his behavior had become erratic since your mother's death. He'd become withdrawn and obsessive in his studies, spending more and more time in Egypt--"

"He's a bloody Egyptologist! You should be looking for him, not asking stupid questions!"

"Sadie," he said, and I could hear in his voice that he was resisting the urge to strangle me.

Strangely, I get this a lot from adults. "There are extremist groups in Egypt that object to Egyptian artifacts being kept in other countries' museums. These people might have approached your father. Perhaps in his state, your father became an easy target for them. If you've heard him mention any names--"

I stormed past him to the window. I was so angry I could hardly think. I refused to believe Dad was dead. No, no, no. And a terrorist? Please. Why did adults have to be so thick? They always say "tell the truth," and when you do, they don't believe you. What's the point?

I stared down at the dark street. Suddenly that cold tingly feeling got worse than ever. I focused on the dead tree where I'd met Dad earlier. Standing there now, in the dim light of a streetlamp, looking up at me, was the pudgy bloke in the black trench coat and the round glasses and the fedora--the man Dad had called Amos.

I suppose I should've felt threatened by an odd man staring up at me in the dark of night. But his expression was full of concern. And he looked so familiar. It was driving me mad that I couldn't remember why.

Behind me, the inspector cleared his throat. "Sadie, no one blames you for the attack on the museum. We understand you were dragged into this against your will."

I turned from the window. "Against my will? I chained the curator in his office."

The inspector's eyebrow started to creep up again. "Be that as it may, surely you didn't understand what your father meant to do. Possibly your brother was involved?"

I snorted. "Carter? Please."

"So you are determined to protect him as well. You consider him a proper brother, do you?"

I couldn't believe it. I wanted to smack his face. "What's that supposed to mean? Because he doesn't look like me?"

The inspector blinked. "I only meant--"

"I know what you meant. Of course he's my brother!"

Inspector Williams held up his hands apologetically, but I was still seething. As much as Carter annoyed me, I hated it when people assumed we weren't related, or looked at my father askance when he said the three of us were a family--like we'd done something wrong. Stupid Dr. Martin at the museum. Inspector Williams. It happened every time Dad and Carter and I were together.

Every bloody time.

"I'm sorry, Sadie," the inspector said. "I only want to make sure we separate the innocent from the guilty. It will go much easier for everyone if you cooperate. Any information. Anything your father said. People he might've mentioned."

"Amos," I blurted out, just to see his reaction. "He met a man named Amos."

Inspector Williams sighed. "Sadie, he couldn't have done. Surely you know that. We spoke with Amos not one hour ago, on the phone from his home in New York."

"He isn't in New York!" I insisted. "He's right--"

I glanced out the window and Amos was gone. Bloody typical.

"That's not possible," I said.

"Exactly," the inspector said.

"But he was here!" I exclaimed. "Who is he? One of Dad's colleagues? How did you know to call him?"

"Really, Sadie. This acting must stop."

"Acting?"

The inspector studied me for a moment, then set his jaw as if he'd made a decision. "We've already had the truth from Carter. I didn't want to upset you, but he told us everything. He understands there's no point protecting your father now. You might as well help us, and there will be no charges against you."

"You shouldn't lie to children!" I yelled, hoping my voice carried all the way downstairs.

"Carter would never say a word against Dad, and neither will I!"

The inspector didn't even have the decency to look embarrassed.

He crossed his arms. "I'm sorry you feel that way, Sadie. I'm afraid it's time we went downstairs...to discuss consequences with your grandparents."

4. Kidnapped by a Not-So-

I JUST LOVE FAMILY MEETINGS.Very cozy, with the Christmas garlands round the fireplace and a nice pot of tea and a detective from Scotland Yard ready to arrest you.

Carter slumped on the sofa, cradling Dad's workbag. I wondered why the police had let him keep it. It should have been evidence or something, but the inspector didn't seem to notice it at all.

Carter looked awful--I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down shirt and loafers. He's not bad looking, I suppose. He's reasonably tall and fit and his hair isn't hopeless. He's got Dad's eyes, and my mates Liz and Emma have even told me from his picture that he's hot, which I must take with a grain of salt because (a) he's my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn't have known hot if it bit him on the bum.

[Oh, don't look at me like that, Carter. You know it's true.]

At any rate, I shouldn't have been too hard on him. He was taking Dad's disappearance even worse than I was.

Gran and Gramps sat on either side of him, looking quite nervous. The pot of tea and a plate of biscuits sat on the table, but no one was having any. Chief Inspector Williams ordered me into the only free chair. Then he paced in front of the fireplace importantly. Two more police stood by the front door--the woman from earlier and a big bloke who kept eyeing the biscuits.

"Mr. and Mrs. Faust," Inspector Williams said, "I'm afraid we have two uncooperative children."

Gran fidgeted with the trim of her dress. It's hard to believe she's related to Mum. Gran is frail and colorless, like a stick person really, while Mum in the photos always looked so happy and full of life. "They're just children," she managed. "Surely you can't blame them."

"Pah!" Gramps said. "This is ridiculous, Inspector. They aren't responsible!"

Gramps is a former rugby player. He has beefy arms, a belly much too big for his shirt, and eyes sunk deep in his face, as if someone had punched them (well, actually Dad had punched them years ago, but that's another story). Gramps is quite scary looking. Usually people got out of his way, but Inspector Williams didn't seem impressed.

"Mr. Faust," he said, "what do you imagine the morning headlines will read? 'British Museum attacked. Rosetta Stone destroyed.' Your son-in-law--"

"Former son-in-law," Gramps corrected.

"--was most likely vaporized in the explosion, or he ran off, in which case--"

"He didn't run off!" I shouted.

"We need to know where he is," the inspector continued. "And the only witnesses, your grandchildren, refuse to tell me the truth."

"We did tell you the truth," Carter said. "Dad isn't dead. He sank through the floor."

Inspector Williams glanced at Gramps, as if to say, There, you see? Then he turned to Carter.

"Young man, your father has committed a criminal act. He's left you behind to deal with the consquences--"

"That's not true!" I snapped, my voice trembling with rage. I couldn't believe Dad would intentionally leave us at the mercy of police, of course. But the idea of him abandoning me--well, as I might have mentioned, that's a bit of a sore point.

"Dear, please," Gran told me, "the inspector is only doing his job."

"Badly!" I said.

"Let's all have some tea," Gran suggested.

"No!" Carter and I yelled at once, which made me feel bad for Gran, as she practically wilted into the sofa.

"We can charge you," the inspector warned, turning on me. "We can and we will--"

He froze. Then he blinked several times, as if he'd forgotten what he was doing.

Gramps frowned. "Er, Inspector?"

"Yes..." Chief Inspector Williams murmured dreamily. He reached in his pocket and took out a little blue booklet--an American passport. He threw it in Carter's lap.

"You're being deported," the inspector announced. "You're to leave the country within twentyfour hours. If we need to question you further, you'll be contacted through the FBI."

Carter's mouth fell open. He looked at me, and I knew I wasn't imagining how odd this was.

The inspector had completely changed direction. He'd been about to arrest us. I was sure of it.

And then out of the blue, he was deporting Carter? Even the other police officers looked confused.

"Sir?" the policewoman asked. "Are you sure--"

"Quiet, Linley. The two of you may go."

The cops hesitated until Williams made a shooing motion with his hand. Then they left, closing the door behind them.

"Hold on," Carter said. "My father's disappeared, and you want me to leave the country?"

"Your father is either dead or a fugitive, son," the inspector said. "Deportation is the kindest option. It's already been arranged."