The Return of the Dancing Master (34 page)

Another person had appeared in the place where Molin and Andersson lived their lives. A woman. He'd seen her three times when she came to visit Molin. He'd followed them when they went for walks on forest tracks. Once, during her second visit, they'd gone towards the lake and he'd been afraid they might discover his tent. Luckily they turned back before they came to the last bend. He'd followed them through the trees, like a Boy Scout or one of those Red Indians he'd read about as a child, in the books by Edward S. Ellis. Sometimes they talked, and very occasionally they laughed.

After their walks they would go back to the house, and the dog would go wild; he would hear the sound of music. The first time he'd scarcely been able to believe his ears when he heard somebody singing in Spanish, Argentinean Spanish, with the characteristic intonation different from that in any other Spanish-speaking country. After the music, which usually lasted between half an hour and an hour, everything had been quiet. He wondered if they'd been making love. Afterwards Molin had accompanied her to where she'd parked her car. They had shaken hands, never embraced. Then she'd driven away.

He guessed that woman must have been Elsa Berggren. That was the name with those of Molin and Andersson on the back of the bill the police officer had crumpled up and dropped into the ashtray. He still wasn't sure what the implications were. Was Berggren another old Nazi who had withdrawn to Harjedalen?

He gazed over the hills and tried to work out the possibilities. A triangle of Molin, Berggren, and Andersson. He didn't know if Berggren also knew Andersson. Andersson and Berggren had been mere extras in the drama he'd come into the forests to enact.

He walked around the house one more time. He thought he could hear an airplane in the distance, then only the wind swishing along the sides of the mountains.

There was no other explanation, it seemed to him, but that there was some kind of link, a secret, between the three of them, just as the policeman had written on that bill. Molin was dead, so Andersson had to die as well. That left only the woman. She must be the one with the key to all this.

He went back inside. He'd taken another package of hamburgers out of the freezer, and they were thawing on the draining board. He would have to speak to the Berggren woman to find out what had happened.

In the evening, he worked out his plan. He had drawn the curtains and put the table lamp on the floor so that no light would seep out into the surrounding darkness. He sat at the table until midnight. By then he knew what he was going to do. It would be risky, but he had no choice.

Before going to bed he dialed a telephone number in Buenos Aires. The man who answered was in a hurry. He could hear the hum of conversation in the background.

“La Cabana,” the man shouted. “Hello?”

Silberstein replaced the receiver. The restaurant was still there. Before long he'd be back at his table, next to the window overlooking the side street leading into Avenida Corrientes.

Next to the telephone was a directory in which he found Elsa Berggren's number and an address in town. He checked the map of Sveg in the phone book and saw that it was a street on the south side of the river. He breathed a sigh of relief: he wouldn't need to go looking for her house in the forest. The risk of being seen by someone else would be greater, of course. He wrote the address on a scrap of paper, then put the directory back where he'd found it.

He slept uneasily. He felt shattered when he woke. He stayed in bed all day, only getting up occasionally to eat some of the food he'd taken out of the freezer.

 

 

He stayed in Frostengren's chalet for three more days, by which time he could feel his strength returning. On the morning of the fourth day he cleaned the place and waited until the afternoon before locking up and replacing the key under the stone. When he came to his car, he consulted the map again. Although it was hardly likely that the police would have set up roadblocks, he decided not to take the shortest route to Sveg. Instead, he drove north towards Vålådalen. When he came to Mittådalen he turned towards Hede and came to Sveg just as it was getting dark. He parked on the edge of the little town where there were stores and gas stations, and also an information board and a map. He found his way to Mrs. Berggren's house. She lived in a white house surrounded by a large garden. There was a light on downstairs. He took a good look around, then returned to his car when he'd seen enough.

He still had a lot of hours to fill. He went into a supermarket, found himself a woollen hat big enough for it to be pulled down over his face,
then joined the longest of the checkout lines, where the girl seemed to be the one most under pressure. He gave her exactly the right amount, and was sure as he left the store that nobody would remember what he looked like nor how he was dressed. When he got back to the car he used a knife he'd taken from Frostengren's chalet to make holes in the hat for him to see through.

By 8 P.M. there wasn't much traffic. He drove over the bridge and parked where his car was invisible from the road. Then he went on waiting. To pass the time, in his head he reupholstered the sofa that Don Batista wanted to give his daughter as a wedding present.

He headed out at midnight. He took with him a small axe that he had taken from the chalet. He waited until a heavy truck had gone past, then he hurried over the road and along the path down by the river.

L
indman stormed out of Elena's home in a fury at 2 A.M. Even before he reached the street his rage had subsided, but he couldn't bring himself to go back, for all that he really wanted to. He got into his car and drove into town, but he avoided Allegatan: he didn't want to go home, at least not yet. He pulled up at the Gustav Adolf Church and switched off the engine. The place was deserted and dark.

What actually had happened? Elena had been pleased to see him. They had sat in the kitchen and shared a bottle of wine. He'd told her about his journey and the sudden pains he'd had in Sveg. He'd told her the bare minimum about Molin and Andersson and Wetterstedt: Elena wanted to know what he'd been doing. She was very concerned about him, and her eyes betrayed her worry. They'd sat up for a long time, but she shook her head when he asked if she was tired. No, she wanted to hear everything about what he'd been up to while he was away. We shouldn't always insist on sleeping, she said, not when there were more important things to do. Even so, after a while they'd started clearing away the table before going to bed. After washing the glasses, she'd asked him in passing if he couldn't have called her a little more often, despite everything. Hadn't he realized how worried she'd been?

“You know I don't like telephones. We've been through that lots of times.”

“There's nothing to stop you from calling, saying hello, and hanging up.”

“Now you're annoying me. You're pressuring me.”

“All I'm asking is why you don't call me more often.”

He grabbed his jacket and stormed out. He regretted it by the time he was running downstairs. He knew he shouldn't drive. If he were caught by the police, he would be charged with drunk driving. I'm running away, he thought. All the time I'm running away from November 19. I go wandering around the forests in Harjedalen, I break into an apartment in Kalmar, and now I drive when I've been drinking. My illness is dictating my actions, or rather my fear, and it's so strong that I can't even be with the person I'm closest to in the whole world, a woman who is totally honest and showing that she loves me.

He took out his cell phone and dialed her number.

“What happened?” she asked.

“I don't know. I'm sorry. I didn't mean to hurt you.”

“I know that. Are you coming back?”

“No. I'll sleep at home.”

He didn't know why he'd said that. She didn't say anything.

“I'll call you tomorrow,” he said, trying to sound cheerful.

“We'll see,” she said wearily and hung up.

He switched off his cell phone and remained sitting there in the darkness. Then he left the car and walked back to Allégatan. He wondered if this is what death looked like, a solitary figure walking through the night.

 

 

He slept badly and got up at 6 A.M. No doubt Elena would be awake already. He should call her, but he didn't feel up to it. He forced himself to eat a substantial breakfast, then went to fetch his car. There was a gusty wind blowing, and he felt the cold. He drove south out of Borås. When he came to Kinna he left the main road and drove into the town itself. He stopped outside the house where he'd grown up. He knew that the man who lived there now was a potter who had made his studio in what used to be his father's garage and workshop. The house looked deserted in the early morning light. The branches of the tree where Lindman and his sisters used to have a swing were swaying in the strong wind. He suddenly thought that he could see his father come out of the door and walk towards him, but instead of his usual suit and gray overcoat he was wearing the uniform that hung in Berggren's closet.

Lindman drove back to the main road and didn't stop again until he came to Varberg. He had coffee at the café opposite the railway station, and borrowed their phone book to look up Anna Jacobi's number. The address was in a suburb to the south of the town. Perhaps he should
call first, but then Anna Jacobi or whoever answered might say that the old man didn't want to or wasn't well enough to be visited. He eventually found the place, after several wrong turns.

The house looked as if it had been built around the turn of the century, and stood out from the other houses, which were all modern. He opened the gate and walked down the long gravel path to the front door, which was under a veranda roof. He hesitated before ringing the bell. What am I doing? he thought. What do I expect Jacobi to tell me? He was my father's friend. Superficially, at least. What my father really thought about Jews I can only imagine, and fear the worst. Nevertheless, he was one of the small group of well-to-do people who lived in Kinna in those days. That must have been the most important thing as far as my father was concerned, keeping the peace in that little group. I'll never know what he really thought about Jacobi.

He decided to take the Strong Sweden Foundation as his starting point, the reason why his father had made a pledge in his will. He'd asked about it once before. Now he was coming to ask again, and if necessary he would say it had to do with Molin's death. I've already been in Olausson's office and lied through my teeth to him. I can hardly make matters any worse. He rang the doorbell.

After the second ring, the door was opened by a woman in her forties. She looked at him from behind a pair of thick glasses that magnified her pupils. He introduced himself and explained what he wanted.

“My father doesn't receive visitors,” she said. “He's old and ill and wants to be left in peace.”

Lindman could hear the sound of classical music from inside the house.

“My father listens to Bach every morning. In case you're wondering. Today he asked for the third Brandenburg Concerto. He says it's the only thing that keeps him going. Bach's music.”

“I have something important to ask him about.”

“My father stopped dealing with anything remotely connected with work a long time ago.”

“This is personal. He once drew up a will for my father. I spoke to your father about it in connection with my father's estate. Now the matter of a pledge in the will has come up again, in connection with a difficult legal case. I won't pretend that it doesn't have great significance for me personally as well.”

She shook her head. “I've no doubt that what you want to ask is important, but the answer has to be no even so.”

“I promise not to stay for more than a couple of minutes.”

“The answer is still no. I'm sorry.”

She took a step back before closing the door.

“Your father is old, and he'll soon be dead. I'm young, but I might die soon as well. I have cancer. It would make it easier for me to die if I were able to ask my questions.”

Anna Jacobi stared at him from behind her thick glasses. She was using a very strong perfume that irritated Lindman's nose.

“I assume that people don't tell lies about fatal illnesses.”

“If you like I can give you the telephone number of my doctor in BorÃ¥s.”

“I'll ask my father. If he says no, I shall have to ask you to leave.”

Lindman agreed and she shut the door. He could still hear the music. He waited. He was beginning to think she'd closed the door for good when she came back.

“Fifteen minutes, no more,” she said. “I'll be timing you.”

She ushered him into the house. The music was still there, but the volume had been turned down. She opened the door of a large room with bare walls, and a hospital bed in the middle.

“Speak into his left ear,” she said. “He can't hear anything in his right one.”

She closed the door behind him. Lindman suspected he'd heard a trace of weariness or irritation in her voice when she referred to her father's deafness. He went up to the bed. The man in it was thin and hollow-cheeked. In a way he reminded Lindman of Emil Wetterstedt. Another skeletal figure, waiting to die.

Jacobi turned his head to look at him. He gestured to a chair at the side of the bed.

“The music is nearly finished,” he said. “Please excuse me, but I regard it as a serious crime to interrupt the music of Johann Sebastian Bach.”

Lindman sat on the chair and waited. Jacobi had turned up the volume with a remote control, and the music echoed round the room. The old man lay listening, with his eyes closed. When the music stopped he pressed the remote control with trembling fingers, and put it on his stomach.