Authors: Adam Nevill
Then Luke paused and turned around to look up at the windows of the house. The whitish balloon of Surtr’s face peered down at him from the little window of the room where they had kept him captive. Her face was full of shock. They stared at each other and then she retreated away from the glass.
‘Hey,’ he said to Fenris. ‘Hey.’
Fenris looked up at him, his eyes bulged from his smeared face. A horrible speckling of blood dotted his chin and the forearm beneath the hand that clutched at the handle of the hunting knife moving up and down in his throat.
Luke looked away, at the trees. He felt dizzy and sick and he just wanted to sit down on the grass, but could not bring himself to get any closer to the sounds Fenris was making.
‘I could get the truck running. Put you in the back. Drive like a bastard to … Where, I don’t fucking know, but that road must go somewhere, Fenris.’
Fenris propped himself up on one elbow. He gasped, he choked, his throat produced a horrible aerosol of blood, a mist as he pulled air in and out of himself from mouth, nose and throat.
Luke looked back at the house, wondering if there was a second gun. Nothing moved in the old black building, but Surtr would have to come down soon. From where he stood in the paddock, he could see through the open front door, and along the hallway to the far rear wall of the building. But still, nothing moved.
He looked down at Fenris again. He wanted, he needed, to speak. To make some sense of this to himself. It was like he was just doing things without thinking any of it through. He was operating on instinct now. But where did these instincts come from?
‘It’s too late for all that,’ Luke said, surprising himself with his own voice that possessed an inappropriate strength. ‘I don’t think the world has enough time left for all that, Fenris. It’s too late to understand, you know. Everything has just gone too far. You can’t persuade any more, or re-educate. You think this, I think that.’
Fenris might not have been listening; he clawed towards Luke’s leg.
‘You kidnap, you murder. Can you expect any mercy? There are consequences. I told Loki the same thing. You never thought about them. Did you? Even if you were caught, you would still expect special treatment. That’s what gets me the most. And you would get it. Fuck that shit, Fenris. Just fuck it.’
Fenris gobbled with his mouth at the air; he reached for Luke’s leg again and convulsed. Luke shot him through his right eye from close range.
Luke turned and walked back to the house, paused on the porch. Stood beside Loki, to the left of the doorframe, and peered into the brownish hallway. Loki had stopped moving now, but was leaking all over the uneven planking. Luke regretted not asking Loki or Fenris where they had put his tobacco. He was light in the head, soul-buoyant. Wanted this finished, quick now.
‘Surtr!’
No sound from upstairs in the dark house.
What to do. What to do. What to do.
Bullets. How many? There was a magazine before the trigger guard. But he wasn’t sure how to detach it to check the ammunition, and if he did, he worried he would not be able to get the magazine back inside the rifle. These things were never simple. He would need a knife, a backup.
‘Surtr! Loki’s gone. Your friends. Gone. You hear me?’
Silence.
He hiked up the dress and looked at his hip; it was open like a mouth with no lips, and had soaked the hem of the dress with blood; new blood on old blood. He couldn’t bear to look into it. The knife had gone down to muscle on his chest too, and peering below the neckline of the gown and seeing the wound so close made him faint and cold and nauseous. He bent double and dared to close his eyes. Breathed deep. Then straightened, stepped over Loki, and went back inside the kitchen.
He looked at the old woman; she looked at him. She had not moved from her little cradle beside the stove. And seemed expectant, dissatisfied with him; he had work to do, was not finished.
But how?
he wanted to ask her, though she spoke no English and could not answer him. He did not want to walk up that narrow staircase and go into the tiny rooms with their low ceilings; it was no place for a man with no blood left inside him and a rifle in his shaky white fingers. The girl could be up there waiting, moon-faced in the dark, with a knife in her pudgy little fist.
Bitch
.
And what was he to do with these wounds. He was about to point at his hip and show the old woman the new mouth, when she looked at the wall. The wall opposite the stove. And nodded her shrunken leathery head. Luke frowned. She nodded again, raised her top lip to flash her discoloured teeth in a little snarl.
Luke looked at the wall, and the moment he did he heard the door give a tiny moan from across the hallway. He shouldered the rifle. Surtr had come down the stairs silently on her flat round feet and was waiting inside the parlour. And she would have seen Loki too.
He swallowed. And moved slowly back to the entrance of the kitchen. Hesitated. Wondered if he should go into the parlour. Sutr could be just inside the doorway. Yes, the door had moved. He was sure he had not left it like that, pushed halfway back to the frame. Or maybe it had swung back of its own accord and she was still upstairs, hiding, waiting.
Holding his breath, he crouched and moved sideways down the hallway to the front door, stepped over Loki and sank himself down to the grass. Then stood up straight and peered at the little grimy windows of the parlour from the outside. Too dim.
Moving closer to the old brown glass, he placed one foot on the sagging deck of the porch and Surtr came into focus so quickly he sucked in his breath and nearly yanked at the trigger.
Bent forward, she faced the floor of the parlour, which is why she could not see him at the window. She wore jeans and a black T-shirt. She was listening intently, pressed against the inside of the old parlour door; clinging and ready to swing around and into him had he walked back inside the room. Or she was poised to smash the door closed on the rifle as he went inside. Or maybe she would creep out and take him by surprise from behind as he passed that room to search for her. Clever. She wanted him. Always had done. No woman had desired him so much – desired him dead.
He boiled, sweated cold over his face. Gritted his teeth until they hurt and he raised the rifle at the window.
Fired.
In went the entire glass pane and up and onto her toes went Surtr, like she’d been electrocuted. For a split second she was all shaky black hair and big white eyes. Something smashed inside. She cried out.
Was she hit?
Up, forward, back, down with the bolt in the breech. When Luke looked up she had gone from the parlour, the door closed behind her.
Luke hobbled sideways across the paddock and looked down and into the hallway of the house from outside. Heard the bump bump bump of her feet, somewhere inside, in the dark, out of sight. But she could not have reached the stairs, so she must have run inside the kitchen. Luke continued to walk sideways, outside, across the face of the house, with the rifle raised. He’d shoot the bitch through the glass of the kitchen windows. An eagerness, verging on excitement, made him tingle all over and sweat heavy.
There she was, going out the tiny back door of the kitchen; he saw her through the dirty windows as he squinted along the gun barrel.
Luke ran, ungainly, sloppily, with his breath hoarse and infuriating in his ears, down the side of the house, the rifle raised. He was desperate to fire it again. But he made sure to come round the corner of the house carefully, and into the rear paddock before the orchard, looking everywhere and ready to go.
No one on the grass.
Movement out there: in the orchard, on the other side of the truck. Off she went, fast for a big girl, between the trees planted along the side of the rutted track.
The rifle sights swam, then moved before his eyes. His hands were overeager, shaky. He blinked sweat out of his eyes. Refocused. Had her sighted. Then she was gone from the sights again, changing her direction, dodging, her big thighs pumping.
When he finally had her shape in front of the rifle sights, as she moved between two black-limbed trees, he fired.
Too high. Or had he hit her? She had vanished.
Cordite seared his face, his eyes, throat and nose. His ears rang out their resistance like a drill.
But no, he had not hit her, because there she was, still on her feet and running across the track at the side of the orchard. By the time he had the rifle cocked again, she was gone, into the trees where the forest began, on the other side of the track.
Disappointed, he looked at the white truck. Went to it. Through the passenger window, he saw sweet wrappers in the foot wells, a discarded book of maps written in Swedish. A right-hand drive. Opened the door. The smell of rubber, oil, wet metal, old cigarette smoke hit him. Scents of the old world; the world this vehicle could take him back to. It was filthy inside. Dirt was compacted into the mats and the seats; the floor of the cabin was bare metal. The rubber pads were gone from the pedals; upholstery was split on the long bench seat. A bright turquoise fishing lure hung from the rear-view mirror. In the flatbed an open bag of tools, empty red plastic fuel containers, a dozen crushed beer cans. It was not their vehicle. It had brought them here, but they had taken it from someone, somewhere else.
Luke put the gun down. Then leant inside the truck cabin and touched the steering column, put his finger tips on to the slot for the ignition key, hoping. Empty.
Keys, keys, fucking keys.
He decided there and then to just get the hell out, and fast. He turned and walked gingerly back towards the house, one hand clamped upon the movements of the new mouth in his hip.
Stopped. Turned around and went back for the gun that he had left on the grass. ‘Fuck.’ He wasn’t thinking straight. Was dizzy with hunger and burning with thirst; faint from the excitement that kept draining out of him, before being suddenly invigorated back through him from his exhausted glands, over and over and over again. His thighs felt so heavy. Shadows flickered at the sides of his vision. He spat, carried on.
The old woman was gone when he arrived back inside the kitchen. He called out. ‘Hello. Hello.’ But no one answered or came.
There were no taps, no sink; the house had never been plumbed. But he found six one-litre water bottles that had been reused to bring water to the house from the well he still had not seen. He uncapped one bottle; belted the warmish water inside him until a crippling stitch made him stop, bend over and gasp.
There was a pantry. Dark and brown and cool inside. A chunk of black bread he snapped from the hard loaf and crammed it to his mouth. Sucked it more than chewed it. Coarse against his tongue, it tasted of blood. There was a salted joint of meat in there; two sacks of beets; jars full of pickles and preserves lined four long shelves; dusty cooking apples; salt. Turnips, carrots, ancient coffee. But nothing to go. Blood Frenzy must have arrived empty-handed; these were her meagre provisions. They’d come to the end of the earth for this. Later, he could eat later. When he was gone.
Keys, keys, fucking keys.
He went up the stairs slowly, backwards, trying to keep the chewing mouth in his hip closed. He needed to wash it, bind it. At the top of the staircase, he turned himself around. Sent the barrel of the gun into the murk first and followed it with his body. He wondered if Surtr could have come back inside the house and crept up here. He dismissed the idea, but felt tense and brittle, like he would shatter at the first sound of her still being around.
Down the corridor. A peek into the first room. Two sleeping bags on the floor. One blue, one yellow. Loki and Surtr’s room. Clothes strewn everywhere. Untidy, dirty, angry people. He went inside, looking for Loki’s jacket. Then turned and gasped. Nearly shot from the hip, when he saw the three animal masks they had worn that first day. All three were lined up and staring from a wooden sawbuck table that looked as if the Vikings had made it. Did they bring the animal heads here, or had they come with the room?
A miasma of sweat and hair grease wafted off their clothing. In the mess on the floor he found a leather biker jacket. It was riddled with spikes around the shoulders; riveted with steel at the waistline and elbows. Celtic Frost, Satyricon, Gorgoroth, Behemoth, Ov Hell, Mayhem, Blood Frenzy, painted carefully in white paint on the back panel. Inside a pocket, a jingle-jangle. Six keys, attached to an inverted steel crucifix: what else?
For some reason Luke zipped the pocket closed after extracting the keys, then asked himself, ‘Why?’ Shook his head. It was like walking through treacle now. Was the house so hot? He could only remember being cold in here before. The building listed like a boat in a squall. The rifle was so heavy; the barrel banged against things. He swore at it. His face was burning, wet.
Back outside in the corridor, he glanced past his old room and at the little door that led to the attic staircase. Listened. A voice. He frowned. Moved down to the door, but it grew faint. He looked at the ceiling. Realized the voice was not coming from up there, but from outside. Someone was
singing
.
He went back into Loki and Surtr’s room and peered down through the dirty glass of the window. Nothing out back in the orchard. He paused, listened again. It was coming from the other side of the house. Unable to bear going back inside the room they had kept him locked inside, he descended the stairs, breathless, dazed, his wounds burning but wet.
In the hallway, he raised the rifle butt to his shoulder and walked at the front door. The parlour door was still closed; the kitchen, he saw after a quick sweep with his jerky eyes, was empty. Back door was still open.
He stepped over Loki, looked outside.
The little old woman stood by the site of the second fire, just beyond the radius of scorched grass. A tiny figure dressed in black to her neck, facing the trees, indifferent to the motionless body of Fenris on her lawn. For such a small person, her voice carried. The wailing that came out of her was almost Arabic in intonation, but then Luke thought of North American Indians too. And whatever she sang lilted up and down in the singsong cadences of Swedish. She clapped out a beat with her little hands. What she sang was simple, repetitive, like a nursery rhyme. The same few lines, going up and down, over and over. He began to recognize one word. ‘Moder.’