Read The Romanov Sisters (Four Sisters) Online
Authors: Helen Rappaport
Tags: #History, #Europe, #Russia & the Former Soviet Union, #Biography & Autobiography, #Women's Studies, #Family & Relationships, #Royalty, #1910s, #Civil War, #WWI
giving Christopher ‘a stiff whisky and soda’, Grand Duchess George
dispatched him to the Livadia Palace to try his luck. He came back
* Yagelsky worked for the firm of K. E. von Gann, based at Tsarskoe Selo.
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with his tail between his legs; Nicholas had been kind but firm:
‘Olga is too young to think of such a thing as marriage yet’, he had
told him.59
That might be so, but Olga and Tatiana were growing up fast,
and Sofya Tyutcheva had already noticed with some alarm their
coquettish behaviour with some of the officers in the
Shtandart
.60
Several of these men joined the family at Livadia for games of tennis, which were Nicholas’s principal distraction from his heavy workload.
Tennis matches were a golden opportunity for the eldest girls to
see much more of their favourites:
Nikolay Sablin, Pavel Voronov and Nikolay Rodionov.61 Like Sofya Tyutcheva, General Mosolov
noticed the older girls’ growing interest in the opposite sex and how the sometimes childish games they played with officers ‘changed
into a series of flirtations all very innocent’. ‘I do not, of course, use the word “flirtation” quite in the ordinary sense of the term’,
he pointed out, for ‘the young officers could better be compared
with the pages or squires of dames of the Middle Ages’. They were
all intensely loyal to the tsar and his daughters and thus were
‘polished to perfection by one of their superiors, who was regarded
as the Empress’s squire of dames’. What disturbed Mosolov, however,
was the sisters’ astonishing unworldliness: ‘even when the two eldest had grown up into real young women one might hear them talking
like little girls of ten or twelve’.62
Nevertheless, the physical transformation in Olga between her
fifteenth and sixteenth birthdays had been considerable. Many
remarked how the rather plain and serious grand duchess had now
blossomed into an elegant beauty. Her tutor Pierre Gilliard had
been taken aback, on returning to Russia from a visit to his family
in Switzerland, by how Olga had become so slender and graceful.
She was now ‘a tall girl (as tall as me) who blushes violently as she looks at me, seeming as uncomfortable with her new self as she is
in her longer skirts’.63
On her sixteenth birthday on 3 November 1911 Olga awoke to
gifts from her parents of two necklaces, one of diamonds, one of
pearls, and a ring. Alexandra, with typical frugality, had wanted one large pearl to be bought for each of her daughters every time she
had a birthday so that by the time they all reached sixteen they
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would have enough for a necklace; a fact which the head of her
private office Prince Obolensky considered a false economy.
Alexandra was eventually persuaded, with the tsar’s backing, to buy
a five-string necklace that could be broken up into individual pearls, so that the pearls in the necklaces when complete would at least
match.64
That evening, Olga appeared wearing a full-length, high-necked,
tulle dress with a lace bodice and a deep sash round her waist pinned with roses, her cheeks flushed with excitement and her shining fair
hair dressed on top of her head – an important signifier of her
transition from girl to young woman. ‘She was as excited over her
debut as any other young girl’, recalled Anna Vyrubova. But the
girls were still thought of as two pairs: Tatiana was dressed similarly to Olga with her hair up, while Maria and Anastasia wore shorter
matching dresses with their hair loose.65
The ball was the social event of the Crimean season, and Olga
was thrilled to have her favourite officer Nikolay Sablin as her escort for the evening; while Tatiana was partnered by Nikolay Rodionov.66
At a quarter to seven, 140 carefully selected guests assembled in the large upstairs state dining room for dinner. Agnes de Stoeckl recalled how
Innumerable servants in their gold and scarlet liveries were
standing behind each chair – those special ones called ‘l’homme
à la plume’ with plumes in their hats. The ladies were in rich
coloured gowns, the young girls mostly in white tulle, and the
gorgeous uniforms seemed to belong to a feast from the eastern
hemisphere.67
After a candlelit dinner, the dancing began to music from the
regimental orchestra, as officers of the
Shtandart
(which was at anchor nearby at Sevastopol) and the Alexandrovsky cavalry division
invited the ladies to dance. Nicholas proudly conducted his daughter
on to the dance floor for her first waltz, as a gaggle of admiring
young officers gathered round to watch. It was a magical evening,
with a full moon in a cloudless sky. The exotic Crimean location
made it even more special, wrote Anna Vyrubova:
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the glass doors to the courtyard thrown open, the music of the
unseen orchestra floating in from the rose garden like a breath
of its own wondrous fragrance. It was a perfect night, clear and
warm, and the gowns and jewels of the women and the brilliant
uniforms of the men made a striking spectacle under the blaze
of the electric lights.68
Flushed with the thrill of dancing the mazurka, waltz, contre-
danse, danse hongroise and cotillion, and heady with the Crimean
champagne they had been allowed to drink for the first time, Olga
and Tatiana spent the whole evening in high spirits, ‘fluttering round like butterflies’ as General Spiridovich recalled, and savouring every moment.69 Never one to say much in her diaries, which she had
first attempted keeping in 1906 at the age of eleven, Olga made
little of the occasion:
Today for the first time I put on a long white dress. At 9 p.m.
was my first ball. Knyazhevich (Major-General of the Suite) and
I opened it. I danced the whole time, right up till 1 a.m. and
was very happy. There were many officers and ladies. Everyone
was having a terribly good time. I am 16 years old.70
Rather as anticipated, the empress had made her excuses about
attending the dinner but had come down afterwards to greet her
guests, looking quite beautiful in a gold brocade gown and wearing
vivid jewels in her hair and her corsage. By her side was Alexey, ‘his lovely little face flushed with the excitement of the evening’.
Alexandra sat down in a large armchair to watch the dancing (looking, as one lady recalled ‘like an Eastern potentate’). During the cotillion she went down onto the dance floor to place garlands of artificial
flowers on the ladies’ heads that she had made herself.71 She tried
several times to send Alexey off to bed, where he stubbornly refused
to go. Eventually she left the room, upon which Alexey jumped up
into her chair. ‘Slowly his little head dropped and he slept’, recalled Agnes de Stoeckl, upon which Nicholas, who had been sitting at a
table playing bridge for most of the evening, went over and ‘gently
woke him up saying: “You must not sit in mama’s chair” and led
him quietly away to bed’.72
Other smaller family dances were enjoyed by the sisters that
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autumn at Harax and Ai-Todor but General Mosolov later recalled
that ‘the children long regarded [Olga’s] ball as one of the greatest events in their lives’.73 For on this one, special night in the Crimea the Romanov sisters had shown that despite the limitations of their
till now sheltered lives, ‘they were simple, happy, normal young
girls, loving dancing and all the frivolities which make youth bright and memorable’.74 Elizaveta Naryshkina could not help wishing that
the girls would now be able to take their proper place in Russian
aristocratic society. ‘In this, however, I was to be disappointed.’75
For although, when the family returned to Tsarskoe Selo, Olga and
Tatiana were allowed to attend three more balls given by the
Romanov grand dukes in the run-up to Christmas, their mother
maintained a stern attitude about how ‘harmful’ she thought aris-
tocratic society to be.76
But Olga, of all the girls the most deep-feeling and sensitive, was
now struggling with her emotions, full of longing for something
more from life. At sixteen she was already well aware of widespread
discussion about her future marriage, only too painfully conscious
that the men she most admired and felt comfortable with – the
officers of the
Shtandart
and her father’s Cossack Escort – would never, ever, be acceptable candidates.
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N
In January 1912, on a week’s visit to Russia as one of a delegation
of British officials, Sir Valentine Chirol of
The Times
remembered with particular pleasure a lunch with the imperial family at Tsarskoe Selo. ‘I happened to sit next to the little Grand Duchess Tatiana, a
very attractive girl of fifteen’, he recalled. She talked with ease in English and told him how she was ‘longing to have another holiday
in England’.
When I asked her what she liked best there she whispered quickly,
almost in my ear, ‘Oh, it feels so free there,’ and when I remarked
that she surely enjoyed a great deal of freedom at home she
pursed up her lips into a little pout and with a toss of the head
pointed towards an elderly lady sitting at another small table
close to ours who was her gouvernante.1
Rasputin’s two daughters Maria and Varvara, who had been
brought to St Petersburg by their father to be educated, also noticed how extremely curious the Romanov sisters were when they met
them at Anna Vyrubova’s. They plied the Rasputin sisters with ques-
tions: ‘the life of a girl of fourteen living in the town, who went to school with other children, and once a week went to the cinema,
sometimes to the circus, seemed to them the rarest and most envi-
able of wonders’, recalled Maria.2 In the years just before the war,
she and her sister represented a rare female link of their own age
with the outside world. The Romanov girls were especially anxious
to know all about the dances Maria Rasputin attended, ‘they would
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question her at length about her clothes and who was there and
what dances she danced’, recalled Sidney Gibbes.3 Two other young
visitors to Trina Schneider at her apartments in the Alexander Palace, found themselves bombarded with similar questions. Maria and
Anastasia often joined them at Trina’s apartments after lunch and
engaged the girls, Natalya and Fofa, in exuberant, mischievous games
that were almost too much for Trina to cope with. In quieter
moments Anastasia and Maria were endlessly inquisitive about their
everyday lives. ‘They asked us about school, our friends, our teachers and wanted to know how we spent our time off, which theatres we
went to, what books we read, and so on.’4
For now, however, the world of the Romanov sisters was strictly
controlled by their governess Sofya Tyutcheva, who was still holding
fast to her continuing campaign against the corrupting influence of
Rasputin and the world outside. According to Anna Vyrubova,
Tyutcheva had been encouraged in her ongoing vilification of
Rasputin by ‘certain bigoted priests’, one of whom was Tyutcheva’s
own cousin, Bishop Vladimir Putiyata.5 By the end of 1911 things
had reached crisis point, at a time when Alexandra was also coming
into conflict with the dowager and her sister-in-law over her contin-
uing patronage of Grigory. ‘My poor daughter-in-law does not
perceive that she is ruining the dynasty and herself’, Maria
Feodorovna had prophetically remarked to the murdered Stolypin’s
successor, Vladimir Kokovtsov. ‘She sincerely believes in the holiness of an adventurer, and we are powerless to ward off the misfortune,
which is sure to come.’6 The situation had been greatly exacerbated
by circulation in St Petersburg in December 1911 of the letters
written in all innocence to Father Grigory two years previously by
the four sisters and the tsaritsa, and which he had given to an asso-
ciate and defrocked monk named Iliodor.
*
Iliodor had since fallen out with Rasputin and, out of spite, had entrusted the letters to a
Duma deputy who had had them copied and circulated among his
political colleagues. When they were brought to Kokovtsov’s atten-
tion, he went straight to Nicholas. The tsar turned pale at the sight of the letters, but confirmed their authenticity before shutting them
* Rasputin later claimed that Iliodor had stolen the letters from him.
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in a drawer.7 When she heard what had happened, Alexandra sent
a furious telegram to Grigory who was effectively banished back to
Pokrovskoe and away from the family.
During the frantic damage limitation that followed, Sofya
Tyutcheva was the first of Grigory’s detractors to be targeted, accused of spreading malicious gossip about him and also of taking too stubbornly independent a line in her management of the girls.8 Early