couldn't help her with her obsession about John.
Julius turned on his computer and opened a file titled, "Short Story Plots"--a file which contained the great unfulfilled project in his life: to be a real writer. He was a good, contributing
professional writer (he had published two books and a hundred
articles in the psychiatric literature), but Julius yearned to write literature and for decades had collected plots for short stories from his imagination and his practice. Though he had started several, he never found the time, nor the courage, to finish and submit a story for publication.
Scrolling down the lists of plots he clicked on "Victims
confront their enemy" and read two of his ideas. The first
confrontation took place on a posh ship cruising off the Turkish coast. A psychiatrist enters the ship's casino and there across the smoke-filled room sees an ex-patient, a con man who had once
swindled him out of seventy-five thousand dollars. The second
confrontation plot involved a female attorney who was assigned a pro bono case to defend an accused rapist. On her first jail
interview with him she suspects he is the man who raped her ten years before.
He made a new entry: "In a therapy group a woman
encounters a man who, many years before, had been her teacher
and sexually exploited her." Not bad. Great potential for literature, Julius thought, though he knew it would never be written. There were ethical issues: he'd need permission from Pam and Philip.
And he'd need, also, the passage of ten years, which he didn't have. But potential, too, for good therapy, thought Julius. He was certain that something positive could come of this--if only he could keep them both in the group and could bear the pain of
opening up old wounds.
Julius picked up Philip's translation of the tale of the ship's passengers. He reread it several times, trying to understand its meaning or relevance. But still he ended up shaking his head.
Philip offered it as comfort. But where was the comfort?
31
H
o
w
A
r
t
h
u
r
L
i
v
e
d
_________________________
Even
when there
is
no
particular
provocation, I
always have an
anxious concern
that causes me
to see and look
for
dangers
when
none
exist; for me
it magnifies to
infinity
the
tiniest
vexation
and
makes
association
with
people
most difficult.
_________________________
After obtaining his doctorate, Arthur lived in Berlin, briefly in Dresden, Munich, and Mannheim, and then, fleeing a cholera
epidemic, settled, for the last thirty years of his life, in Frankfurt, which he never left aside from one-day excursions. He had no paid employment, lived in rented rooms, never had a home, hearth,
wife, family, intimate friendships. He had no social circle, no close acquaintances, and no sense of community--in fact he was often the subject of local ridicule. Until the very last few years of his life he had no audience, readership, or income from his writings. Since he had so few relationships, his meager correspondence consisted primarily of business matters.
Despite his lack of friends, we nonetheless know more about
his personal life than that of most philosophers because he was astonishingly personal in his philosophical writings. For example, in the opening paragraphs of the introduction to his major
work,
The World as Will and Representation,
he strikes an unusually personal note for a philosophic treatise. His pure and clear prose makes it immediately evident that he desires to
communicate personally with the reader. First he instructs the reader how to read his book, starting with a plea to read the book twice--and to do so with much patience. Next he urges the reader to first read his previous book,
On the Fourfold Root of Sufficient Reason,
which serves as an introduction to this book and assures the reader that he will feel much gratitude toward him for his advice. He then states that the reader will profit even more if he is familiar with the magnificent work of Kant and the divine Plato.
He notes that he has, however, discovered grave errors in Kant, which he discusses in an appendix (which should also be read
first), and lastly notes that those readers familiar with the
Upanishads will be prepared best of all to comprehend his book.
And, finally, he remarks (quite correctly) that the reader must be growing angry and impatient with his presumptuous, immodest,
and time-consuming requests. How odd that this most personal of philosophic writers should have lived so impersonally.
In addition to personal references inserted into his work,
Schopenhauer reveals much about himself in an autobiographical document with a title written in Greek,
(About
Myself), a manuscript shrouded in mystery and controversy whose strange story goes like this:
Late in his life there gathered around Arthur a very small
circle of enthusiasts, or "evangelists," whom he tolerated but neither respected nor liked. These acquaintances often heard him speak of "About Myself," an autobiographical journal in which he had been jotting observations about himself for the previous thirty years. Yet after his death something strange happened: "About
Myself" was nowhere to be found. After searching in vain,
Schopenhauer's followers confronted Wilhelm Gwinner, the
executor of Schopenhauer's will, about the missing document.
Gwinner informed them that "About Myself" no longer existed; as Schopenhauer had instructed him he had burned it immediately
after his death.
Yet a short time later the same Wilhelm Gwinner wrote the
first biography of Arthur Schopenhauer, and in it Schopenhauer's evangelists insisted they recognized sections of the "About
Myself" document either in direct quotes or in paraphrase. Had Gwinner copied the manuscript before burning it? Or not burned it all and instead plundered it for use in his biography? Controversy swirled for decades, and ultimately another Schopenhauer scholar reconstituted the document from Gwinner's book and from other
of Schopenhauer's writings and published the forty-seven—
page
at the end of the four-volume
Nachschlass
(Manuscript Remains). "About Me" is an odd reading experience
because each paragraph is followed by a description of its
Byzantine provenance, often longer than the text itself.
Why was it that Arthur Schopenhauer never had a job? The
story of Arthur's kamikaze strategy for obtaining a position at the university is another one of those quirky anecdotes included in every biographical account of Schopenhauer's life. In 1820, at the age of thirty-two, he was offered his first teaching job, a
temporary, very low-salaried position (
Privatdozent
) to teach philosophy at the University of Berlin. What did he do but
immediately and deliberately schedule his lecture course (titled "The Essence of the World") at the exact same hour as the course offered by Georg Wilhelm Hegel, the departmental chairman and
the most renowned philosopher of the day?
Two hundred eager students crammed into Hegel's course,
whereas only five came to hear Schopenhauer describe himself as an avenger who had come to liberate post-Kantian philosophy
from the empty paradoxes and the corrupting and obscure language of contemporary philosophy. It was no secret that Schopenhauer's target was Hegel and Hegel's predecessor, Fichte (remember, the philosopher who had begun life as a gooseherd and walked across all of Europe in order to meet Kant). Obviously, none of this
endeared the young Schopenhauer to Hegel or to the other faculty members, and when no students at all materialized for
Schopenhauer's course the following semester his brief and
reckless academic career was over: he never again gave a public lecture.
In his thirty years at Frankfurt until his death in 1860,
Schopenhauer adhered to a regular daily schedule, almost as
precise as Kant's daily routine. His day began with three hours of writing followed by a hour, sometimes two, of playing the flute.
He swam daily in the cold Main River, rarely missing a day even in the midst of winter. He always lunched at the same club, the Englisher Hof, dressed in tails and white tie, a costume that was high fashion in his youth but conspicuously out of style in mid-nineteenth century Frankfurt. It was to his luncheon club that any curious person wanting to meet the odd and querulous philosopher would go.
Anecdotes about Schopenhauer at the Englisher Hof abound:
his enormous appetite, often consuming food for two (when
someone remarked upon this, he replied that he also thought for two), his paying for two lunches to ensure no one sat next to him, his gruff but penetrating conversation, his frequent outbursts of temper, his blacklist of individuals to whom he refused to speak, his tendency to discuss inappropriate shocking topics--for
example, praising the new scientific discovery that allowed him to avoid venereal infection by dipping his penis after intercourse into a dilute solution of bleaching powder.
Though he enjoyed serious conversation, he rarely found
dining companions he deemed worthy of his time. For some time, he regularly placed a gold piece on the table when he sat down and removed it when he left. One of the military officers that usually lunched at the same table once asked him about the purpose of this exercise. Schopenhauer replied that he would donate the gold piece for the poor the day that he heard officers have a serious
conversation that did not entirely revolve around their horses, dogs, or women. During his meal he would address his poodle,
Atman, as "You, Sir," and if Atman misbehaved he redressed him by calling him "You Human!"
Many anecdotes of his sharp wit are told. Once a diner asked
him a question to which he simply responded, "I don't know." The young man commented, "Well, well, I thought you, a great sage, knew everything!" Schopenhauer replied, "No, knowledge is
limited, only stupidity is unlimited!" A query to Schopenhauer from or about women or marriage elicited without fail an acerbic response. He was once forced to endure the company of a very
talkative woman, who described in detail the misery of her
marriage. He listened patiently, but when she asked if he
understood her, he replied, "No, but I do understand your
husband."
In another reported exchange he was asked if he would
marry.
"I have no intention to get married because it would only
cause me worries."
"And why would that would be the case?"
"I would be jealous, because my wife would cheat on
me."
"Why are you so sure of that?"
"Because I would deserve it."
"Why is that?"
"Because I would have married."
He also had sharp words to say about physicians, once
remarking that doctors have two different handwritings: a barely legible one for prescriptions and a clear and proper one for their bills.
A writer who visited the fifty-eight-year-old Schopenhauer
at lunch in 1846 described him thus:
Well built...invariably well dressed but an outmoded
cut...medium height with short silvery hair...amused and
exceedingly intelligent blue-flecked eyes...displayed an
introverted and, when he spoke, almost baroque nature,