The Science Fiction Hall of Fame (27 page)

Read The Science Fiction Hall of Fame Online

Authors: Robert Silverberg

Tags: #Science Fiction, #Short Stories, #Fiction

"It decided to let you in, then it changed its mind."

"What foolishness are you talking!" Fara spoke violently. "/* changed its mind.

Are you crazy? A door has no sense."

But a surge of fear put a half-quaver into his voice. It was the sudden alarm that made him bold beyond all his normal caution. With a jerk of his body, Fara faced the shop.

The building loomed there under the night sky, in itself bright as day, huge in width and length, and alien, menacing, no longer easily conquerable. The dim queasy wonder came as to what the soldiers of the empress would do if they were invited to act. And suddenly—a bare, flashing glimpse of a grim possibility—the feeling grew that even they would be able to do nothing.

Abruptly, Fara was conscious of horror that such an idea could enter his mind. He shut his brain tight, said wildly:

"The door opened for me once. It will open again."

It did. Quite simply it did. Gently, without resistance, with that same sensation of weightlessness, the strange, sensitive door followed the tug of his fingers. Beyond the threshold was dimness, a wide, darkened alcove. He heard the voice of Mel Dale behind him, the mayor saying:

"Fara, don't be a fool. What will you do inside?"

Fara was vaguely amazed to realize that he had stepped across the threshold. He turned, startled, and stared at the blur of faces. "Why—" he began blankly; then he brightened; he said, "Why, I'll buy a gun, of course."

The brilliance of his reply, the cunning implicit in it, dazzled Fara for a half a minute longer. The mood yielded slowly, as he found himself in the dimly lighted interior of the weapon shop.

It was preternaturally quiet inside. Not a sound penetrated from the night from which he had come; and the startled thought came that the people of the shop might actually be unaware that there was a crowd outside.

Fara walked forward gingerly on a rugged floor that muffled his footsteps utterly.

After a moment, his eyes accustomed themselves to the soft lighting, which came like a reflection from the walls and ceilings. In a vague way, he had expected ultranormalness; and the ordinariness of the atomic lighting acted like a tonic to his tensed nerves.

He shook himself angrily. Why should there be anything really superior? He was getting as bad as those credulous idiots out in the street.

He glanced around with gathering confidence. The place looked quite common. It was a shop, almost scantily furnished. There were showcases on the walls and on the floor, glitteringly lovely things, but nothing unusual, and not many of them—a few dozens. There was in addition a double, ornate door leading to a back room—

Fara tried to keep one eye on that door, as he examined several showcases, each with three or four weapons either mounted or arranged in boxes or holsters.

Abruptly, the weapons began to excite him. He forgot to watch the door, as the wild thought struck that he ought to grab one of those guns from a case, and then the moment someone came, force him outside where Jor would perform the arrest and—

Behind him, a man said quietly: "You wish to buy a gun?"

Fara turned with a jump. Brief rage flooded him at the way his plan had been wrecked by the arrival of the clerk.

The anger died as he saw that the intruder was a fine-looking, silver- haired man, older than himself. That was immeasurably disconcerting. Fara had an immense and almost automatic respect for age, and for a long second he could only stand there gaping. He said at last, lamely:

"Yes, yes, a gun."

"For what purpose?" said the man in his quiet voice.

Fara could only look at him blankly. It was too fast. He wanted to get mad. He wanted to tell these people what he thought of them. But the age of this representative locked his tongue, tangled his emotions. He managed speech only by an effort of will:

"For hunting." The plausible word stiffened his mind. "Yes, definitely for hunting.

There is a lake to the north of here," he went on more fulsomely, glibly, "and—"

He stopped, scowling, startled at the extent of his dishonesty. He was not prepared to go so deeply into prevarication. He said curtly:

"For hunting."

Fara was himself again. Abruptly, he hated the man for having put him so completely at a disadvantage. With smoldering eyes he watched the old fellow click open a showcase, and take out a green-shining rifle.

As the man faced him, weapon in hand, Fara was thinking grimly, "Pretty clever, having an old man as a front." It was the same kind of cunning that had made them choose the property of Miser Harris. Icily furious, taut with his purpose, Fara reached for the gun; but the man held it out of his reach, saying:

"Before I can even let you test this, I am compelled by the bylaws of the weapon shops to inform you under what circumstances you may purchase a gun."

So they had private regulations. What a system of psychology tricks to impress gullible fools! Well, let the old scoundrel talk. As soon as he, Fara, got hold of the rifle, he'd put an end to hypocrisy.

"We weapons makers," the clerk was saying mildly, "have evolved guns that can, in their particular ranges, destroy any machine or object made of what is called matter. Thus whoever possesses one of our weapons is the equal and more of any soldier of the empress. I say more because each gun is the center of a field of force which acts as a perfect screen against immaterial destructive forces. That screen offers no resistance to clubs or spears or bullets, or other material substances, but it would require a small atomic cannon to penetrate the superb barrier it creates around its owner.

"You will readily comprehend," the man went on, "that such a potent weapon could not be allowed to fall, unmodified, into irresponsible hands. Accordingly, no gun purchased from us may be used for aggression or murder. In the case of the hunting rifle, only such specified game birds and animals as we may from time to time list in our display windows may be shot. Finally, no weapon can be resold without our approval. Is mat clear?"

Fara nodded dumbly. For the moment, speech was impossible to him. The incredible, fantastically stupid words were still going round and around in his head.

He wondered if he ought to laugh out loud, or curse the man for daring to insult his intelligence so tremendously.

So the gun mustn't be used for murder or robbery. So only certain birds and animals could be shot. And as for reselling it, suppose— suppose he bought this thing, took a trip of a thousand miles, and offered it to some wealthy stranger for two credits—who would ever know?

Or suppose he held up the stranger. Or shot him. How would the weapon shop ever find out? The thing was so ridiculous that—

He grew aware that the gun was being held out to him stock first. He took it eagerly, and had to fight the impulse to turn the muzzle directly on the old man.

Mustn't rush this, he thought tautly. He said:

"How does it work?"

"You simply aim it, and pull the trigger. Perhaps you would like to try it on a target we have."

Fara swung the gun up. "Yes," he said triumphantly, "and you're it. Now, just get over there to the front door, and then outside."

He raised his voice: "And if anybody's thinking of coming through the back door, I've got that covered, too."

He motioned jerkily at the clerk. "Quick now, move! I'll shoot! I swear I will."

The man was cool, unflustered. "I have no doubt you would. When we decided to attune the door so that you could enter despite your hostility, we assumed the capacity for homicide. However, this is our party. You had better adjust yourself accordingly, and look behind you—"

There was silence. Finger on trigger, Fara stood moveless. Dim thoughts came of all the half-things he had heard in his days about the weapon shops: that they had secret supporters in every district, that they had a private and ruthless hidden government, and that once you got into their clutches, the only way out was death and—

But what finally came clear was a mind picture of himself, Fara Clark, family man, faithful subject of the empress, standing here in this dimly lighted store, deliberately fighting an organization so vast and menacing that—He must have been mad.

Only—here he was. He forced courage into his sagging muscles. He said:

"You can't fool me with pretending there's someone behind me. Now, get to that door. And fast!"

The firm eyes of the old man were looking past him. The man said quietly: "Well, Rad, have you all the data?"

"Enough for a primary," said a young man's baritone voice behind Fara. "Type A-7 conservative. Good average intelligence, but a Monaric development peculiar to small towns. One-sided outlook fostered by the Imperial schools present in exaggerated form. Extremely honest. Reason would be useless. Emotional approach would require extended treatment. I see no reason why we should bother. Let him live his life as it suits him."

"If you think," Fara said shakily, "that that trick voice is going to make me turn, you're crazy. That's the left wall of the building. I know there's no one there."

"I'm all in favor, Rad," said the old man, "of letting him live his life. But he was the prime mover of the crowd outside. I think he should be discouraged."

"We'll advertise his presence," said Rad. "He'll spend the rest of his life denying the charge."

Fara's confidence in the gun had faded so far that, as he listened in puzzled uneasiness to the incomprehensible conversation, he forgot it completely. He parted his lips, but before he could speak, the old man cut in, persistently:

"I think a little emotion might have a long-run effect. Show him the palace."

Palace! The startling word tore Fara out of his brief paralysis. "See here," he began, "I can see now that you lied to me. This gun isn't loaded at all. It's—"

His voice failed him. Every muscle in his body went rigid. He stared like a madman. There was no gun in his hands.

"Why, you—" he began wildly. And stopped again. His mind heaved with imbalance. With a terrible effort he fought off the spinning sensation, thought finally, tremblingly: Somebody must have sneaked the gun from him. That meant—there was someone behind him. The voice was no mechanical thing. Somehow, they had—

He started to turn—and couldn't. What in the name of—He struggled, pushing with his muscles. And couldn't move, couldn't budge, couldn't even—

The room was growing curiously dark. He had difficulty seeing the old man and—He would have shrieked then if he could. Because the weapon shop was gone.

He was—

He was standing in the sky above an immense city.

In the sky, and nothing beneath him, nothing around him but air, and blue summer heaven, and the city a mile, two miles below.

Nothing, nothing—He would have shrieked, but his breath seemed solidly embedded in his lungs. Sanity came back as the remote awareness impinged upon his terrified mind that he was actually standing on a hard floor, and that the city must be a picture somehow focused directly into his eyes.

For the first time, with a start, Fara recognized the metropolis below. It was the city of dreams, Imperial City, capital of the glorious Empress Isher—From his great height, he could see the gardens, the gorgeous grounds of the silver palace, the official Imperial residence itself—

The last tendrils of his fear were fading now before a gathering fascination and wonder; they vanished utterly as he recognized with a ghastly thrill of uncertain expectancy that the palace was drawing nearer at great speed.

"Show him the palace," they had said. Did that mean, could it mean—

That spray of tense thoughts splattered into nonexistence, as the glittering roof flashed straight at his face. He gulped, as the solid metal of it passed through him, and then other walls and ceilings.

His first sense of imminent and mind-shaking desecration came as the picture paused in a great room where a score of men sat around a table at the head of which sat—a young woman.

The inexorable, sacrilegious, limitlessly powered cameras that were taking the picture swung across the table, and caught the woman full face.

It was a handsome face, but there was passion and fury twisting it now, and a very blaze of fire in her eyes, as she leaned forward, and said in a voice at once familiar—

how often Fara had heard its calm, measured tones on the telestats—and distorted.

Utterly distorted by anger and an insolent certainty of command. That caricature of a beloved voice slashed across the silence as clearly as if he, Fara, was there in that room:

"I want that skunk killed, do you understand? I don't care how you do it, but I want to hear by tomorrow night that he's dead."

The picture snapped off and instantly—it was as swift as that—Fara was back in the weapon shop. He stood for a moment, swaying, fighting to accustom his eyes to the dimness; and then—

His first emotion was contempt at the simpleness of the trickery—a motion picture. What kind of a fool did they think he was, to swallow something as transparently unreal as that? He'd—

Abruptly, the appalling lechery of the scheme, the indescribable wickedness of what was being attempted here brought red rage.

"Why, you scum!" he flared. "So you've got somebody to act the part of the empress, trying to pretend that—Why, you—"

"That will do," said the voice of Rad; and Fara shook as a big young man walked into his line of vision. The alarmed thought came that people who would besmirch so vilely the character of her imperial majesty would not hesitate to do physical damage to Fara Clark. The young man went on in a steely tone:

"We do not pretend that what you saw was taking place this instant in the palace.

That would be too much of a coincidence. But it was taken two weeks ago; the woman is the empress. The man whose death she ordered is one of her many former lovers. He was found murdered two weeks ago; his name, if you care to look it up in the news files, is Banton McCreddie. However, let that pass. We're finished with you now and—"

"But I'm not finished," Fara said in a thick voice. "I've never heard or seen so much infamy in all my life. If you think this town is through with you, you're crazy.

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