The Selected Stories of Mavis Gallant (16 page)

“Mac’s got a fair-size garden. That won’t break his neck. Out there, there’s no winter. You stick something in the ground, it grows.”

“My father hung on to the house all through the Depression,” said Mr. Fenton. “It’ll take a lot more than a couple of store windows to chase me away.” So saying, he made a sudden rough swerve into his street, having almost missed the corner.

It jolted the baby, who had just fallen asleep. Before he could start to cry or do anything else that could make him unpopular, she lifted him to the window. “See the houses?” she said. “One of them’s yours.” A few had fancy dress shops on the first floor. Others were turned into offices, with uncurtained front windows and neon lights, blazing away in broad daylight. The double row of houses ran straight down to St. Catherine Street without a break, except for some ashy lanes. Short of one of these, Mr. Fenton pulled up. He retrieved his vest and jacket, got out, and slammed the door. It was the doctor who turned back to help Nora struggle out of the car, held her arm firmly, even adjusted the strap of her white shoulder bag. He wasn’t trying anything, so she let him. Anyone could tell he was a family man.

Neil seemed more awkward to hold than before, perhaps because she was tired. Shielding his eyes from sunlight, she turned his face to a narrow house of pale gray stone. On her street, it would indicate three two-bedroom flats, not counting the area. She was about to ask, “Is the whole thing yours?” but it might make her sound as if she had never been anywhere, and the last thing she wanted was Mr. Fenton’s entire attention. In the shadow of steps leading up to the front door, at a window in the area, a hand lifted a net curtain and let it fall. So, someone knew that Neil was here. For his sake, she took precedence and climbed straight to the door. The men barely noticed. Mr. Fenton, in shirtsleeves, vest and jacket slung over a shoulder, spoke of heat and thirst. Halfway up, the doctor paused and said, “Boyd, isn’t that the alley where the girl was supposed to have been raped?”

“They never caught him,” said Mr. Fenton at once. “It was dark. She didn’t see his face. Some kids had shot out the alley light with an air gun.
Her father tried to sue the city, because of the light. It didn’t get him anywhere. Ray Abbott knows the story. Light or no light, it wasn’t a city case.”

“What was she doing by herself in a dark lane?” said the doctor. “Did she work around here?”

“She lived over on Bishop,” said Mr. Fenton. “She was visiting some friend and took a shortcut home. Her father was a principal.” He named the school. Nora had never heard of it.

“English,” said Dr. Marchand, placing the story in context.

“They moved away. Some crazy stories went around, that she knew the guy, they had a date.”

“I knew a case,” said the doctor. “An old maid. She set the police on a married man. He never did anything worse than say hello.”

“It was hard on Louise, something like that going on just outside. Nobody heard a thing until she ran down to the area and started banging on the door and screaming.”

“Louise did that?”

“This girl. Missy let her in and gave her a big shot of brandy. Missy’s a good head. She said, ‘If you don’t quit yelling I’ll call the police.’ ”

“Her English must be pretty good now,” said the doctor.

“Missy’s smart. When my mother-in-law hired her, all she could say was, ‘I cook, I clean.’ Now she could argue a case in court. She told Louise, ‘Some guy grabs
me
in a lane, I twist him like a wet mop.’ Louise couldn’t get over it.” He became lighthearted suddenly, which suited him better. “We shouldn’t be scaring Nora with all this.” Nora found that rich, considering the things that had been said in the car. She was at the door, waiting. He had to look up.

He took the last steps slowly. Of course, he was closer to thirty than twenty and not in great shape. All that booze and his lazy way of moving were bound to tell. On the landing he had to catch his breath. He said, “Don’t worry, Nora. This end of Crescent is still good. It isn’t as residential as when I was a kid but it’s safe. Anyway, it’s safe for girls who don’t do dumb things.”

“I’m not one for worrying,” she said. “I don’t wander around on my own after dark and I don’t answer strangers. Anyways, I won’t ever be spending the night here. My father doesn’t like me to sleep away.”

A word she knew but had never thought of using—“morose”—came to mind at the slow change in his face. Sulky or deeply pensive (it was hard to tell), he began searching the pockets of his vest and jacket, probably looking
for his latchkey. The doctor reached across and pressed the doorbell. They heard it jangle inside the house. Without Dr. Marchand they might have remained stranded, waiting for the earth to turn and the slant of the sun to alter and allow them shade. Just as she was thinking this, wondering how Mr. Fenton managed to get through his day-by-day life without having the doctor there every minute, Dr. Marchand addressed her directly:
“On ne dit pas
‘anyways.’
C’est commun. Il faut toujours dire
‘anyway.’ ”

The heat of the day and the strain of events had pushed him off his rocker. There was no other explanation. Or maybe he believed he was some kind of bilingual marvel, a real work of art, standing there in his undertaker suit, wearing that dopey hat. Nora’s father knew more about anything than he did, any day. He had information about local politics and the private dealings of men who were honored and admired, had their pictures in the
Gazette
and the
Star
. He could shake hands with anybody you cared to mention; could tell, just by looking at another man, what that man was worth. When he went to Blue Bonnets, the racetrack, a fantastic private intuition told him where to put his money. He often came home singing, his hat on the back of his head. He had an office to himself at City Hall, no duties anybody could figure, but unlimited use of a phone. He never picked a quarrel and never took offense. “Never let anyone get under your skin,” he had told Gerry and Nora. “Consider the source.”

She considered the source: Dr. Marchand had spent a horrible morning, probably, trying to sidestep Mr. Fenton’s temporary moods and opinions. Still, the two of them were friends, like pals in a movie about the Great War, where actors pledged true loyalty in a trench before going over the top. Wars ran together, like the history of English kings, kept alive in tedious stories repeated by men. As a boring person he was easy to forgive. As a man he had a cold streak. His reproof stung. He had made her seem ignorant. Mr. Fenton didn’t know a word of French, but he must have caught the drift.

Just as Nora’s mother could predict a change in the weather from certain pains in her wrists, so the baby sensed a change in Nora. His face puckered. He let out some more of that clotted slobber, followed by a weak cough and a piercing, choking complaint. “Oh, stop,” she said, hearing a rush of footsteps. She gave him a gentle shake. “Where’s my little man? Where’s my soldier?” Her piqué dress, which had been fresh as an ironed handkerchief just a few hours before, was stained, soiled, crumpled, wetted, damaged by Neil. She kissed his head. All she could find to say, in a hurry, was “Be good.” The door swung open. Without being bidden Nora entered the house. The doctor
removed his hat, this time with a bit of a flourish. Mr. Fenton, she noticed, was still looking for a key.

In rooms glimpsed from the entrance hall the shades were drawn against the burning street. A darker and clammier heat, like the air of an August night, condensed on her cheeks and forehead. She smiled at two women, dimly perceived. The younger had the figure of a stout child, wore her hair cut straight across her eyebrows, and had on what Nora took to be a white skirt. In the seconds it took for her pupils to widen, her eyes to focus anew, she saw that the white skirt was a white apron. In the meantime, she had approached the young woman, said, “Here’s your sweet baby, Mrs. Fenton,” and given him up.

“Well, Missy, you heard what Nora said,” said Mr. Fenton. He could enjoy that kind of joke, laugh noisily at a mistake, but Missy looked as if a tide had receded, leaving her stranded and unable to recognize anything along the shore. All she could say was “There’s a bottle ready,” in a heavy accent.

“Give it to him right away,” said the older woman, who could not be anyone but Mrs. Clopstock, the mother-in-law from Toronto. “That sounds to me like a hunger cry.” Having made the observation, she took no further notice of Neil, but spoke to the two men: “Louise is really knocked out by the heat. She doesn’t want any lunch. She said to say hello to you, Alex.”

The doctor said, “Once she sees him, she’ll take an interest. I had another case, just like that. I can tell you all about it.”

“Yes, tell us, Alex,” said Mrs. Clopstock. “Do tell us. You can tell us about it at lunch. We have to talk about something.”

It pleased Nora that Dr. Marchand, for the first time, had made a “th” mistake in English, saying “dat” for “that.” He wasn’t so smart, after all. Just the same, she had spoiled Neil’s entrance into his new life; as if she had crossed the wrong line. The two errors could not be matched. The doctor could always start over and get it right. For Nora and Neil, it had been once and for all.

II

N
ora’s uncle, Victor Cochefert, was the only member of her family, on either side, with much of consequence to leave in a will. He had the place he lived in—four bedrooms and double garage and a weeping willow on the
lawn—and some flats he rented to the poor and improvident, in the east end of the city. He was forever having tenants evicted, and had had beer bottles thrown at his car. The flats had come to him through his marriage to Rosalie, daughter of a notary. Her father had drawn up a tight, grim marriage contract, putting Rosalie in charge of her assets, but she had suffered an early stroke, dragged one foot, and left everything up to Victor. The other relatives were lifelong renters, like most of Montreal. None were in want but only Victor and Rosalie had been to Florida.

Her own father’s financial arrangements were seen by the Cocheferts as eccentric and somewhat obscure. He never opened his mouth about money but was suspected of being better off than he cared to let on; yet the Abbotts continued to live in a third-floor walk-up flat, with an outside staircase and linoleum-covered floors on which scatter rugs slipped and slid underfoot. His wife’s relations admired him for qualities they knew to exist behind his great wall of good humor; they had watched him saunter from the dark bureau where he had stood on the far side of a counter, wearing an eyeshade (against what light?), registering births and delivering certificates, to a private office in City Hall. He had moved along nonchalantly, whistling, hands in his pockets—sometimes in other people’s, Victor had hinted. At the same time, he held Ray in high regard, knowing that if you showed confidence, made him an accomplice, he could be trusted. He had even confided to Ray a copy of his will.

Victor’s will was locked up in a safe in Ray’s small office, where nothing was written on the door. “Nothing in the safe except my lunch,” Ray often remarked, but Nora once had seen it wide open and had been impressed by the great number of files and dossiers inside. When she asked what these were, her father had laughed and said, “Multiple-risk insurance policies,” and called her pie-face and sniffy-nose. She thought he must be proud to act as custodian to any part of Victor’s private affairs. Victor was associate in a firm of engineers, established since 1900 on St. James Street West. The name of the company was Macfarlane, Macfarlane & Macklehurst. It was understood that when Macfarlane Senior died or retired, “Cochefert” would figure on the letterhead—a bit lower and to the right, in smaller print. Three other people with French surnames were on staff: a switchboard operator, a file clerk, and a bilingual typist. During working hours they were expected to speak English, even to one another. The elder Macfarlane harbored the fear that anything said in an unknown language could be about him.

Nora’s father knew the exact reason why Uncle Victor had been hired: It had to do with Quebec provincial government contracts. Politicians liked to deal in French and in a manner they found pertinent and to the point. Victor used English when he had to, no more and no less, as he waited. He was waiting to see his name figure on the firm’s stationery, and he pondered the retreat and obscuration of the English. “The English” had names such as O’Keefe, Murphy, Llewellyn, Morgan-Jones, Ferguson, MacNab, Hoefer, Oberkirch, Aarmgaard, Van Roos, or Stavinsky. Language was the clue to native origin. He placed the Oberkirches and MacNabs by speech and according to the street where they chose to live. Nora’s father had escaped his close judgment, was the English exception, even though no one knew what Ray thought or felt about anything. The well-known Anglo reluctance to show deep emotion might be a shield for something or for nothing. Victor had told his wife this, and she had repeated it to Nora’s mother.

He had taken the last war to be an English contrivance and had said he would shoot his three sons rather than see them in uniform. The threat had caused Aunt Rosalie to burst into sobs, followed by the three sons, in turn, as though they were performing a round of weeping. The incident took place at a dinner given to celebrate the Cochefert grandparents’ golden wedding anniversary—close relatives only, twenty-six place settings, small children perched on cushions or volumes of the Littré dictionary. The time was six days after the German invasion of Poland and three after Ray had tried to enlist. Victor was in such a state of pacifist conviction that he trembled all over. His horn-rimmed glasses fell in his plate. He said to Nora’s father, “I don’t mean this for you.”

Ray said, “Well, in my family, if Canada goes to war, we go too,” and left it at that. He spoke a sort of French he had picked up casually, which not everyone understood. Across the table he winked at Nora and Geraldine, as if to say, “It’s all a lot of hot air.” His favorite tune was “Don’t Let It Bother You.” He could whistle it even if he lost money at Blue Bonnets.

Just before Victor’s terrible outburst, the whole table had applauded the arrival of the superb five-tier, pink-and-white anniversary cake, trimmed with little gold bells. Now, it sat at the center of the table and no one had the heart to cut it. The chance that one’s children could be shot seemed not contrary to reason but prophetic. It was an unlucky age. The only one of Victor’s progeny old enough to get into uniform and be gunned down by her father was his daughter, Ninon—Aunt Rosalie’s Ninette. For years Victor and Rosalie had been alone with Ninette; then they had started having
the boys. She was eighteen that September, just out of her convent school, could read and speak English, understand every word of Latin in the Mass, play anything you felt like hearing on the piano; in short, was ready to become a superior kind of wife. Her historical essay, “Marie-Antoinette, Christian Queen and Royal Martyr,” had won a graduation medal. Aunt Rosalie had brought the medal to the dinner, where it was passed around and examined on both sides. As for “Marie-Antoinette,” Victor had had it printed on cream-colored paper and bound in royal blue, with three white fleurs-de-lys embossed on the cover, and had presented a copy to every person he was related to or wished to honor.