The Seventh Commandment (8 page)

"To our branches around the country. Then they sell it to small jewelry stores in their area."

"Correct me if I'm wrong, but I presume because of its size, resources, and reputation, plus the volume of its purchases, Starrett buys gold at a good price from those overseas dealers."

"That's correct."

"And tacks on a markup when it sells to its branches?"

"Yes."

"Which, in turn, make a profit when they sell to independents in their area?" ' "Yes."

Arthur Rushkin tossed up his hands. "Sol," he said, laughing, "what you've just described is a very normal, conventional way of doing business. Buy low, sell high. You get complete documentation of every step in the procedure, don't you? Contracts, bills of lading, shipping invoices, and so forth?"

"Yes. On the computer."

"And the final customers-the small, independent jewelry stores-have they ever stiffed you?"

"No," Guthrie admitted, then burst out, "but I tell you something stinks! There's too much gold coming in, going out, floating all over the place. And some of those small shops that buy our gold-why, they weren't even in business a couple of years ago. I know; I checked."

"Small retail stores come and go, Sol; you know that. I really can't understand why you're so upset. You haven't told me anything that even hints of illegal business practices-if that's what you're implying."

"Something's going on," Guthrie insisted. "I know it is. We're buying too much bullion, and too many independent stores are buying it from us. Listen, what do they need it for? Everyone knows pure gold is very rarely used in jewelry. It's too soft; it bends or scratches. Maybe twenty-four-karat or twenty-two-karat will be used as a thin plating on some other metal, but gold jewelry is usually an eighteen- or fourteen-karat alloy. So why do these rinky-dink stores need so much pure stuff?"

Arthur sighed. "I don't know, but if their checks don't bounce, what the hell do you care what they do with it? Sol, what is it exactly you want me to do? Talk to Clayton? About what? That he's making money for Starrett by dealing in gold bullion?"

Guthrie opened his briefcase, piled the statement and computer printout on the attorney's desk. "Just take a look at this stuff, will you, Art?" he asked. "Study it. Maybe you'll spot something I can't see." He paused a moment, then almost shouted, "You know what Clayton did the other day?"

"What?"

"Gave me a fifty-thousand-dollar-a-year raise."

"Mazeltov!" Rushkin cried.

Sol shook his head. "Too much," he said. "It doesn't make business sense to give me so much. And he gave it to me right after I complained about what's going on at Starrett Fine Jewelry. You don't suppose he did it so I'll keep my mouth shut, do you?"

The attorney stared at him. "Sol," he said, "I've got to tell you that sounds paranoid to me. In all honesty, I think you're making something out of nothing."

"Just look over this printout, Art-will you do that for me?"

"Of course."

"And please don't tell Clayton I came to see you. Well, you can tell him if he asks; my secretary knows I came here. But don't tell Clayton what we talked about."

"Whatever you say, Sol."

The CFO stood up, tucked the empty briefcase under his arm. "I'm going to keep digging," he vowed. "I'll find out what's going on."

Rushkin nodded, walked out to the reception room with Guthrie, helped him on with his coat. "Keep in touch, Sol," he said lightly.

When the outside door closed, the lawyer turned to the receptionist and stared at her a moment.

"Too bad," he said.

"What's too bad, Mr. Rushkin?"

"Growing old is too bad, for some people. They can't keep up with new developments, like computers. They resent younger people coming into their business and doing a good job. They want things to remain the way they were. Change confuses them. They get the feeling the world is passing them by, and they start thinking there's a conspiracy against them. Don't ever grow old, Sally."

"Do I have a choice?" she asked.

He laughed. "I have to meet Mr. Yamoto at the Four Seasons bar," he said. "That means I won't be back this afternoon. There's a pile of computer printout on my desk. Will you put it away in a filing cabinet, please."

"Which filing cabinet?"

"I couldn't care less," Arthur Rushkin said.

Mrs. Eleanor Starrett sat at a white enameled table in Georgio's Salon on East 56th Street, having a set of false fingernails attached. Next to her, Dora Conti was perched uncomfortably on a small stool on rollers. Across the table from Mrs. Starrett, the attendant, a buxom lady from Martinique, bent intently over her gluing job, saying nothing but not missing a word of the conversation.

"So sorry I couldn't meet you at home," Eleanor said, "but I'm due at Tiffany's in a half-hour to select door prizes for a benefit. With the holidays coming on, it's just rush, rush, rush."

"That's all right," Dora said, wondering how this woman could pull on gloves with rocks like that on her fingers. "I just have a few questions to ask."

"I really don't understand why the insurance company is investigating my father-in-law's death. I should think that would be a job for the police."

"Of course it is," Dora said. "But the policy is so large and the circumstances of Mr. Starrett's death so puzzling, we want to be absolutely certain the claim is, ah, unemcumbered before it is paid."

"Well, the poor man could hardly have stabbed himself in the back, could he?" Eleanor said tartly. "Which means, I suppose, that you think one of the beneficiaries may have done him in."

"Mrs. Starrett," Dora said, sighing, "no one is accusing anyone of anything. We would just like to see the murder solved and the case closed, that's all. Now, do you know of any enemies Lewis Starrett had? Any person or persons who might wish to harm him?"

"No."

"How did you get along with him?"

Eleanor turned her head to look directly at her questioner. "Dad-that's what I always called him: Dad-could be a dreadful man at times. I'm sure you've heard that from others as well. But for some reason he took a liking to me, and I got along with him very well. Olivia and Clayton and Felicia suffered more from his temper tantrums than I did. And the servants were targets, too, of course. But he never raised his voice to me. Perhaps he knew that if he had, I'd have marched out of that house and never returned."

"I understand Father Brian Callaway was sometimes the cause of his anger."

"My, my," Mrs. Starrett said mockingly, "you have been busy, haven't you? Well, you're right; Dad couldn't stand the man. The fact that Olivia was giving the preacher money infuriated him. He finally forbade her to give Father Callaway's so-called church another red cent."

"And what was his argument with the servants?"

"Oh, that was a long-running civil war. Stupid things like Charles' fingernails were too long, the Sunday Times had a section missing, Clara was using the good wine to cook with-picky things like that."

"Did they ever threaten to quit?"

"Of course not. They're being very well paid indeed, and though I wouldn't call them incompetent, they're far from being super. Just adequate, I'd say. If they quit, who'd pay them what dad was giving them-plus their own little suite of rooms as well."

"I understand you're very active in charity benefits, Mrs. Starrett."

"I do what I can," she said in a tone of such humility that Dora wanted to kick her shins.

"Does your sister-in-law ever join in these activities?"

"I'm afraid Felicia's favorite charity is Felicia. We get along. Period."

"But not close?"

"No," Eleanor said with a short bark of laughter. "Not close at all."

"Could you tell me something about Helene and Turner Pierce. How long have you known them?"

"Oh, perhaps a couple of years."

"How did they become friends of the Starrett family?"

"Let me think…" Eleanor considered a moment. "I do believe Father Callaway brought them around. He knew them from somewhere, or maybe they were members of his church-I really don't recall."

"And how do you get along with them?"

"Excellently. I admire them. They are two attractive young people, very chic, very with it. And it's a pleasure to see a brother and sister so affectionate toward each other."

"More affectionate than Clayton and Felicia?"

Eleanor stared at her. "No comment," she said.

Dora rose from the low stool with some difficulty. "Thank you for your time, Mrs. Starrett," she said. "You've been very helpful."

"I have?" the other woman said. "I don't know how."

Dora left the beauty salon, went next door to a small hotel, and used the public phone in the lobby.

"The Starrett residence," Charles answered.

"This is Dora Conti. Is any member of the family home? I'd like to speak to them."

"Just a moment, please."

It took longer than a moment, but finally Felicia came on the line, breathless.

"Hiya, kiddo," she said. "Listen, I can't talk right now. Gotta run. Heavy lunch date."

"Wait, wait," Dora said hastily. "I just want to know if it's okay if I come over and talk to Charles and Clara for a few minutes."

"Of course," Felicia said. "I'll tell them to let you in and answer your questions. 'Bye!"

Dora walked over to Madison Avenue and boarded an uptown bus. It had turned cold, almost freezing, and everyone was bundled up; the bus smelled of mothballs. Traffic was clogged, and it took almost forty-five minutes before she arrived at the Starrett apartment. Charles opened the door and led the way into the kitchen where a short, stout woman was standing at the sink, scraping carrots.

Clara Hawkins looked as dour as her husband. Her iron-gray hair was pulled up in a bun, and her lips seemed eternally pursed in a grimace of disapproval. She was wearing a soiled apron over a dress of rusty bombazine, and her fat feet were shoved into heelless slippers. What was most remarkable, Dora decided, was that Clara had a discernible mustache.

No one offered her a chair so she remained standing, leaning against the enormous refrigerator. She looked around at the well-appointed kitchen: copper-bottomed pots and pans hanging from an overhead frame; a Cuisinart on the counter; a hardwood rack holding knives and a butchers' round; a double-sink of stainless steel; gleaming white appliances; and glass-doored cupboards holding enough tableware to feed a regiment.

"I just have a few questions," Dora said, addressing Charles. "I understand that on the evening Mr. Starrett was killed, there was a cocktail party for family and friends."

He nodded.

"Where was it held-in the living room?"

"Mostly," he said. "That's where I served drinks and canapes. But people wandered around."

"You mean they all weren't in the living room constantly during the party?"

"They wandered," he repeated. "Only Mrs. Olivia remained seated. The others stood and mingled, went to their bedrooms to fetch something or make a phone call."

Clara turned from the sink. "Sometimes they came in here," she said. "For more ice, or maybe for another drink while Charles was busy passing the tray of hors d'oeuvres."

"Were there any arguments during the party? Did anyone make a scene?"

Wife and husband looked at each other, then shook their heads.

"How long have you been with the Starretts?" Dora asked, bedeviled by the fear that she wasn't asking the right questions.

"Seven years, come March," Charles replied. "I started with them first. Then, about a year later, the cook they had left and Clara took over."

"Both of you get along well with the family?"

Charles shrugged. "No complaints," he said.

"I understand the late Mr. Starrett had a short temper."

Again the shrug. "He liked everything just so."

"And when it wasn't, he let you know?"

"He let everyone know," Clara said, turning again from her task at the sink. "He was a mean, mean man."

"Clara!" her husband warned.

"Well, he was," she insisted. "The way he treated people-it just wasn't right."

"Speak only good of the dead," her husband admonished.

"Bullshit," Clara said unexpectedly.

Hopeless, Dora decided, realizing she was getting nowhere. These people weren't going to reveal any skeletons in the Starretts' closet, and she couldn't blame them; they had cushy jobs and wanted to hang on to them.

She took a final look around the kitchen. Her gaze fell on that hardwood knife rack attached to the wall. It had eight slots. Two were empty. She stepped to the rack, withdrew a long bread knife with a serrated edge, and examined it.

"Nice," she said.

"Imported," Charles said. "Carbon steel. The best."

Dora replaced the bread knife. "Two are missing," she said casually. "What are they?"

Clara, at the sink, held up a paring knife she was using to scrape carrots. "This is one," she said.

"And the other?" Dora persisted.

Charles and Clara exchanged a quick glance. "It was an eight-inch chefs knife," he said. "I'm sure it's around here somewhere, but we can't find it."

"It'll probably turn up," Dora said, knowing it wouldn't.

Mike Trevalyan had frequently urged Dora to use a tape recorder during interviews. Most of the investigators on his staff used them, but she refused.

"It makes witnesses freeze up," she argued. "They see that little black box and they're afraid I'm going to use their words in court, or they might say something they'll want to deny later."

So she worked without a recorder, and didn't even take notes during interviews. But as soon as possible she wrote an account of her conversations in a thick spiral notebook: questions asked, answers received. She also made notes on the physical appearance of the witnesses, their clothing, speech patterns, any unusual gestures or mannerisms.