Authors: Bill Pronzini
The wind lashed at his face, fanning his wet hair like a windsock, billowing the saturated material of his topcoat. The rain on his skin was like particles of ice. He turned to peer inland, and he could see Preston’s cabin—a spectral gray blur—something more than one hundred yards distant. The path leading there was almost completely obliterated by the choking marsh growth. A natural drainage gulley, with three-foot densely grown banks, cut a jagged diagonal line to the cove from between Preston’s shack and his own; its narrow expanse was swollen with muddy rainwater, which emptied into the slough ten feet beyond the dock. The cattails and tule grass grew down to the water’s edge, and there was perhaps a foot of oozing black mud visible between the vegetation and the rain-lashed slough. Footing would be treacherous; you could easily become mired in that volatile muck if you weren’t cautious. You had to use the thicker clumps of grass as stepping stones, and even then you took the chance that they weren’t growing on mud islands or directly out of undetectable bog holes.
Kilduff drew a labored, tremulous breath, and stepped down off the dock, jumping over the narrow mouth of the drainage gulley. He began to make his way along the edge of the slough, leaning his body forward into the harsh north wind, his hands spread out from his sides, palms down, for balance in the stooped position. His street shoes, with their smooth rubber soles, slipped and skidded precariously on the wet grasses; it was as if he were attempting to make his way across ice. Almost inevitably, he lost his footing and went to his knees, his right leg splaying outward into the frigid slough, his hands clutching desperately at the vegetation to keep his body from sliding into the heaving water. He managed finally to regain his feet, to move forward again, slower now, eyes cast downward, measuring each step.
He came around a hump in the shoreline, and he could see his cabin then, squatting desolately with its odd, tired list, on the point. He paused, raising his body up slightly, searching the area immediately surrounding the shack. There was no sign of life, no movement save for the windswept marsh grasses. He turned his gaze inland, toward the clearing, but the rushes grew to heights of five and six feet—clumps of anise, of cats, almost as high—and he could detect nothing.
The shoreline bellied inland just ahead, and then drew outward sharply to form the point; at the center of the concavity, he would be less than a hundred yards from the clearing. If he had been correct as to the killer’s approximate place of concealment, he would run the greatest risk of being seen when he passed along there. Well, all right, he told himself, just keep low, head down, let the growth hide you. Nice and slow, don’t panic, don’t blow your cool. All right, now, all right.
He started forward again.
The Marin County Civic Center—a sprawling, modernistic, turquoise-domed, gold-spired construction, distinctive in that it was the last creation of architect Frank Lloyd Wright—is located just north of San Rafael, directly off Highway 101 on San Pedro Road. Among other county and city offices, it houses the Marin County Sheriff’s Depart ment in a new annex on one of the upper levels.
Inspectors Commac and Flagg, having received a go-ahead from Chief of Detectives Boccalou, arrived at the Center a few minutes before ten. They passed beneath one of the tunnel archways to the rear parking facility, and then rode an escalator up to the annex. They were met there by a plainclothes investigator named Hank Arnstadt—ashort, balding man with sad hound eyes—who would accompany them in a jurisdictional capacity.
After the amenities, Commac asked him, “What did the property check turn up, Hank?”
“Your subject owns a small fishing cabin in Duckblind Slough,” Arnstadt said. “Tributary of the Petaluma River.”
“How far is it from here?”
“Just north of Novato.”
“Fifteen miles, maybe?”
“About that, right ”
“How many roads in?”
“Just one,” Amstadt said. “Or if you’d rather, one set. One county and two private.”
Commac nodded. “That’s something, at least ”
“Well, you can get there by water.”
“In this weather?” Flagg said.
“Sure.”
“I don’t think we have to worry about that angle,” Commac said.
“Do you want company on this?” Arnstadt asked.
Commac looked at Flagg. “What do you think, Pat?”
“We should be able to handle it.”
“Yeah, I think so.”
Arnstadt said, “I’ll put a couple of units on stand-by, how’s that?”
“Good enough.”
“Are we ready, then?”
“Any time.”
They used the unmarked sedan, Flagg driving. Arnstadt sat in the back. When they had pulled onto 101 northbound, he stared out through the rain-fogged side window and said in a morose way, “Lousy rain.”
“Yeah,” Commac agreed.
“I hope there’s not going to be any trouble.”
“So do we.”
“How did he seem to you?”
“Kilduff, you mean?”
“Uh-huh.”
“An average sort,” Commac said. “Just a guy who made a bigger mistake than most when he was a kid.”
“And got away with it for eleven years,” Flagg put in. “Now that it’s caught up with him, he doesn’t know how to cope with it.”
“Not a hardcase, then.”
“No,” Commac said.
“What about if he’s backed into a corner?”
“Do you mean, would he fight?”
“Yeah.”
Commac thought about it for a time. “No,” he said finally. “No, I don’t think he would.”
There was someone inside the cabin.
Every nerve in Andrea Kilduff’s small body seemed to contract, to become as thin and taut as piano wire, and she lay rigid in the darkness of the storage closet, her ears straining for a recurrence of the surreptitious, but nonetheless discernible, sounds she had heard only moments earlier: the muffled grate of the hinged window being slowly pulled outward; the scrape of hands, of feet, on the shack’s outer wall and on the sill; the creak of the old, damp boarding as a certain weight settled gingerly on the floor inside.
But now she heard only silence.
Her heart seemed to be skipping every other beat within her chest; it seemed as loud to her as a child’s arhythmic thumping of a drum. Whoever had come in was standing in the room, outside the closet door, only a few feet from where she lay, standing and—what? Waiting? Listening, as she was listening? Who was it? The limping man? But if so, why had he come in through the window? Why hadn’t he used the front door? And if it was him, what would he do now? Would he kill her? Would he shoot her, would he—?
Creak ...
Oh God, he was moving now. She sucked in her breath silently, holding it, her eyes wide and staring upward.
Creak
. . .
Footfalls, light and slow, coming closer, coming toward the closet door.
Creak ...
He was right outside the door now, right outside, and almost immediately she heard the rattle of the lock in the hasp, and another rattling sound, different—keys?—and there was a soft clicking noise and the rattling of the lock against the hasp again, and then the door was being opened, slowly, slowly, and a shaft of bright gray light appeared, growing wider and wider, and a man’s hand and arm, the arm encased in a muddied topcoat, a topcoat that looked—and in that moment she saw the man’s face, unshaven, rain-streaked, saw his face, and her heart gave a surging leap, and warm stinging liquid came from nowhere and filled her eyes, so that she was looking at his face through a glistening film, like looking at someone under water—but it was his face.
Steve’s face.
It was Steve.
He saw her at that same instant, and his eyes went wide and his lips parted, and there was a mixture of clear relief and a half-dozen other emotions mirrored plainly on his visage. He reached down and lifted her in his arms, strong arms, gentle, and she could smell the rain on him and the pungency of sodden wool and the warm, familiar maleness of him. He stood her on her feet, holding her tightly against him with his arms circling her body, his hands fumbling at the knot in the rough cloth gag, and then it was free and his name was on her lips as she kissed him, kissed his mouth and his eyes and his cheeks and the hollow of his throat, whimpering a little.
He nuzzled her hair, holding her, saying “Shh, baby, shh, it’s all right, baby” very softly. After a time, tenderly, he moved her away from him and his eyes went to the shelves inside the closet, probing them left and right, pausing finally on a large green tackle box with chrome catches and a chrome handle. He stepped inside the closet, opening the box, taking from inside a long, bone-handled, wide-bladed fish knife with a double-edged, one-half-serrated point. He bent to cut the twine binding her ankles, and rose again to free her hands. He stepped back to put the knife into the pocket of his topcoat, and Andrea raised her partially numbed arms to encircle his neck. She pressed close to him again, clinging to him.
“Did he hurt you?” he said against her hair. “Did he touch you, honey?”
“No, no . . .”
“Where is he now?”
“He . . . left an hour or two ago, I don’t know where he went.”
“How long was he here?”
“Just since . . . this morning, after five . . . oh, Steve, who is he, who is that awful man?”
“I don’t know, baby, I don’t know.”
“He wanted to know where you were,” she said. “His eyes . . . his eyes were mad and he had a gun, Steve . . .”
His hands tensed on her back, but he said, “Shh, now, it’s all right”
“Steve, how did you know I was here?” she asked suddenly. “How did you know . . . that man had been here? Steve, what is it, what’s
happening?”
He took her face in his hands gently and thumbed away the tears from beneath her eyes. He said, “There’s no time to explain now. We have to get out of here. We have to hurry.”
Andrea nodded, shivering, sensing the urgency in his voice, needing desperately to get away from Duckblind Slough, far away, to someplace warm and safe. She wasn’t thinking clearly, not clearly at all; her mind was jumbled with questions and confused thoughts, with intensive fear. She allowed him to lead her across the room, beyond the Army cot to the unpainted wooden dresser. He took her wool jacket from its top and helped her on with it, and handed her the tweed slacks, which she had carefully folded there the night before. Obediently, she pulled the slacks up over her pajama bottoms and slid her feet into the suede flats at the foot of the cot. He took her hand, and his was at once very cold and very warm, solid and strong; he led her to the window and released her hand and took her waist and lifted her easily upward. She could feel the rain—frigid and somehow clammy on her skin—blowing in through the opened window, and she could see the turbid, windswirled slough, and the black-brown marshland beyond it. He lifted her over the sill, quickly, lowering her onto the slippery surface of the tar-papered floating dock. She stood leaning against the dripping planks of the cabin wall, feeling the dock sway beneath her, feeling a little dizzy, feeling the wind tug and lash at her skin, at her clothing, numbing her. And then Steve was beside her, taking her hand again, moving down off the dock to the mud and grass, telling her, “Walk where I do, honey, keep your head down and your body low, watch me.”
She nodded reflexively, thinking: Steve, oh Steve, I’m so frightened, what’s going to happen . . .
He squeezed her hand. “Here we go,” he said.
Where was Orange?
Damn it, damn it, where the hell was Orange?
The limping man looked at his watch, and then leaned sideways to peer around the tall rushes, looking along the muddied expanse of the private road. Nothing, no sign of him. He should have been here by now, fifteen minutes ago. Had something gone wrong? Had he become suspicious at the last minute? Or maybe it was the rain, yes, traffic became snarled badly by the rain at times, that was probably it, Orange had just been delayed by the weather and he would be along any time now.
Hurry, Orange, hurry.
You can’t keep death waiting.
The limping man leaned back against his upturned heels, letting his eyes drift eastward, toward the cabin. Across the bleak marshland, to the right of the structure, he could see the wind-frothed water of the slough; and he could see a marsh hawk, caught somehow in the deluge, fluttering erratically, very low over the width of the slough, seeking shelter; and he could see—
A
splash of color.
Yellow, lemon-yellow.
Movement independent of the morass, of the elements.
Someone moving along the shoreline, away from the shack.
The muscles in the limping man’s neck corded. Orange? Orange? No it was impossible damn damn damn how could it he couldn’t have gotten past unless he had a boat a boat waiting and he had the woman he had come in sneaking and reached the shack and released the woman damn you Orange goddamn you to hell Orange . . .
He stumbled to his feet, taking the Magnum out from beneath his overcoat, and a tic had gotten up along his lower left jaw, pulling that side of his mouth down grotesquely, so that he seemed to be half smiling, half-frowning, like a caricature of a comedy-tragedy theatrical mask. He stood there with his feet spread wide apart, staring through the rain at the shoreline, and he saw it again, the splash of color, the movement, and now the clear silhouettes of two figures humped over, holding hands, moving swiftly, recognizable.