Authors: John Twelve Hawks
The Traveler
The Fourth Realm
Book I
John Twelve Hawks
Published By Doubleday
ISBN 0-385-51428-X
Copyright © 2005 by John Twelve Hawks
July 2005 First Edition
For My Pathfinders
Maya reached out and took her father's hand as they walked from the Underground to the light. Thorn didn't push her away or tell Maya to concentrate on the position of her body. Smiling, he guided her up a narrow staircase to a long, sloping tunnel with white tile walls. The Underground authority had installed steel bars on one side of the tunnel and this barrier made the ordinary passageway look like part of an enormous prison. If she had been traveling alone, Maya might have felt trapped and uncomfortable, but there was nothing to worry about because Father was with her.
It's the perfect day, she thought. Well, maybe it was the second most perfect day. She still remembered two years ago when Father had missed her birthday and Christmas only to show up on Boxing Day with a taxi full of presents for Maya and her mother. That morning was bright and full of surprises, but this Saturday seemed to promise a more durable happiness. Instead of the usual trip to the empty warehouse near CanaryWharf, where her father taught her how to kick and punch and use weapons, they had spent the day at the London Zoo, where he had told her different stories about each of the animals. Father had traveled all over the world and could describe Paraguay or Egypt as if he were a tour guide.
People had glanced at them as they strolled past the cages. Most Harlequins tried to blend into the crowd, but her father stood out in a group of ordinary citizens. He was German, with a strong nose, shoulder-length hair, and dark blue eyes. Thom dressed in somber colors and wore a steel
kara
bracelet that looked like a broken shackle.
Maya had found a battered art history book in the closet of their rented flat in East London. Near the front of the book was a picture by Albrecht Darer called
Knight, Death, and the
Devil.
She liked to stare at the picture even though it made her feel strange. The armored knight was like her father, calm and brave, riding through the mountains as Death held up an hourglass and the Devil followed, pretending to be a squire. Thom also carried a sword, but his was concealed inside a metal tube with a leather shoulder strap.
Although she was proud of Thorn, he also made her feel embarrassed and self-conscious. Sometimes she just wanted to be an ordinary girl with a pudgy father who worked in an office—a happy man who bought ice-cream cones and told jokes about kangaroos. The world around her, with its bright fashions and pop music and television shows, was a constant temptation. She wanted to fall into that warm water and let the current pull her away. It was exhausting to be Thorn's daughter, always avoiding the surveillance of the Vast Machine, always watching for enemies, always aware of the angle of attack.
Maya was twelve years old, but still wasn't strong enough to use a Harlequin sword. As a substitute, Father had taken a walking stick from the closet and given it to her before they left the flat that morning. Maya had Thorn's white skin and strong features and her Sikh mother's thick black hair. Her eyes were such a pale blue that from a certain angle they looked translucent. She hated it when well-meaning women approached her mother and complimented Maya's appearance. In a few years, she'd be old enough to disguise herself and look as ordinary as possible.
They left the zoo and strolled through Regent's Park. It was late April and young men were kicking footballs across the muddy lawn while parents pushed bundled-up babies, in perambulators. The whole city seemed to be out enjoying the sunshine after three days of rain. Maya and her father took the Piccadilly line to the Arsenal station; it was getting dark when they reached the street-level exit. There was an Indian restaurant in FinsburyPark and Thorn had made reservations for an early supper.
Maya
heard noises—blaring air horns and shouting in the distance—and wondered if there was some kind of political demonstration. Then Father led her through the turnstile and out into a war.
Standing on the sidewalk, she saw a mob of people marching up
. There weren't any protest signs and banners, and Maya realized that she was watching the end of a football match. The Arsenal Stadium was straight down the road and a team with blue and white colors—that was Chelsea—had just played there. The Chelsea supporters were coming out of the visitors' gate on the west end of the stadium and heading down a narrow street lined with row houses. Normally it was a quick walk to the station entrance, but now the North London
street
had turned into a gauntlet. The police were protecting Chelsea from Arsenal football thugs who were trying to attack them and start fights.
Policemen on the edges.
Blue and white in the center.
Red throwing bottles and trying to break through the line.
Citizens caught in front of the crowd scrambled between parked cars and knocked over rubbish bins. Flowering hawthorns grew at the edge of the curb and their pink blossoms trembled whenever someone was shoved against a tree. Petals fluttered through the air and fell upon the surging mass.
The main crowd was approaching the Tube station, about one hundred meters away. Thorn could have gone to the left and headed up
, but he remained on the sidewalk and studied the people surrounding them. He smiled slightly, confident of his own power and amused by the pointless violence of the drones. Along with the sword, he was carrying at least one knife and a handgun obtained from contacts in America. If he wished, he could kill a great many of these people, but this was a public confrontation and the police were in the area. Maya glanced up at her father. We should run away, she thought. These people are completely mad. But Thorn glared at his daughter as if he had just sensed her fear and Maya stayed silent.
Everyone was shouting. The voices merged into one angry roar. Maya heard a high-pitched whistle.
The wail of a police siren.
A beer bottle sailed through the air and exploded into fragments a few feet away from where they were standing. Suddenly, a flying wedge of red shirts and scarves plowed through the police lines, and she saw men kicking and throwing punches. Blood streamed down a policeman's face, but he raised his truncheon and fought back.
She squeezed Father's hand. "They're coming toward us," she said. "We need to get out of the way."
Thorn turned around and pulled his daughter back into the entrance of the Tube station as if to find refuge there. But now the police were driving the Chelsea supporters forward like a herd of cattle and she was surrounded by men wearing blue. Caught in the crowd, Maya and her father were pushed past the ticket booth where the elderly clerk cowered behind the thick glass.
Father vaulted over the turnstile and Maya followed. Now they were back in the long tunnel, heading down to the trains. It's all right, she thought. We're safe now. Then she realized that men wearing red had forced their way into the tunnel and were running beside them. One of the men was carrying a wool sock filled with something heavy—rocks, ball bearings—and he swung it like a club at the old man just in front of her, knocking off the man's glasses and breaking his nose. A gang of Arsenal thugs slammed a Chelsea supporter against the steel bars on the left side of the tunnel. The man tried to get away as they kicked and beat him.
More blood.
And no police anywhere.
Thorn grabbed the back of Maya's jacket and dragged her through the fighting. A man tried to attack them and Father stopped him instantly with a quick, snapping punch to the throat. Maya hurried down the tunnel, trying to reach the stairway. Before she could react, something like a rope came over her right shoulder and across her chest. Maya looked down and saw that Thorn had just tied a blue and white Chelsea scarf around her body.
In an instant she realized that the day at the zoo, the amusing stories, and the trip to the restaurant were all part of a plan. Father had known about the football game, had probably been here before and timed their arrival. She glanced over her shoulder and saw Thorn smile and nod as if he had just told her an amusing story. Then he turned and walked away.
Maya spun around as three Arsenal supporters ran forward, yelling at her. Don't think. React. She jabbed the walking stick like a javelin and the steel tip hit the tallest man's forehead with a crack. Blood spurted from his head and he began to fall, but she was already spinning around to trip the second man with the stick. As he stumbled backward, she jumped high and kicked his face. He spun around and hit the floor. Down. He's down. She ran forward and kicked him again.
As she regained her balance, the third man caught her from behind and lifted her off the ground. He squeezed
tightly,
trying to break her ribs, but Maya dropped the stick, reached back with both hands, and grabbed his ears. The man screamed as she flipped him over her shoulder and onto the floor.
Maya reached the stairway, took the stairs two at a time, and saw Father standing on the platform next to the open doors of a train. He grabbed her with his right hand and used his left to force their way into the car. The doors moved back and forth and finally closed. Arsenal supporters ran up to the train, pounding on the glass with their fists, but the train lurched forward and headed down the tunnel.
People were packed together. She heard a woman weeping as the boy in front of her pressed a handkerchief against his mouth and nose. The car went around a curve and she fell against her father, burying her face in his wool overcoat. She hated him and loved him, wanted to attack him and embrace him all at the same time. Don't cry, she thought. He's watching you. Harlequins don't cry. And she bit her lower lip so hard that she broke the skin and tasted her own blood.
Maya flew into RuzyneAirport late in the afternoon and took the shuttle bus into Prague. Her choice of transportation was a minor act of rebellion. A Harlequin would have rented a car or found a taxicab. In a taxi, you could always cut the driver's throat and take control. Airplanes and buses were dangerous choices, little traps with only a few ways to get out. No one is going to kill me, she thought. No one cares. Travelers inherited their powers and so the Tabula tried to exterminate everyone in the same family. The Harlequins defended the Travelers and their Pathfinder teachers, but this was a voluntary decision. A Harlequin child could renounce the way of the sword, accept a citizen name, and find a place in the Vast Machine. If he stayed out of trouble, the Tabula would leave him alone.
A few years ago, Maya had visited John Mitchell Kramer, the only son of Greenman, a British Harlequin who was killed by a Tabula car bomb in Athens. Kramer had become a pig farmer in Yorkshire, and Maya watched him trudge through the muck with buckets of feed for his squealing animals. "As far as they know, you haven't stepped over the line," he told her. "It's your choice, Maya. You can still walk away and have a normal life."
Maya decided to become Judith Strand, a young woman who had taken a few courses in product design at the University of Salford in Manchester. She moved to London, started working as an assistant at a design firm, and was eventually offered a full-time job. Her three years in the city had been a series of private challenges and small victories. Maya still remembered the first time she left her flat without carrying weapons. There was no protection from the Tabula and she felt weak and exposed. Every person on the street was watching her; everyone who approached was a possible assassin. She waited for the bullet or the knife, but nothing happened.
Gradually, she stayed out for longer periods of time and tested her new attitude toward the world. Maya didn't glance at windows to see if she was being followed. When she ate in a restaurant with her new friends, she didn't hide a gun in the alleyway and sit with her back to the wall.
In April, she violated a major Harlequin rule and started to see a psychiatrist. For five expensive sessions she sat in a book-lined room in Bloomsbury. She wanted to talk about her childhood and that first betrayal at the Arsenal Tube station, but it just wasn't possible. Dr. Bennett was a tidy little man who knew a great deal about wine and antique porcelain. Maya still remembered his confusion when she called him a citizen.
"Well, of course I'm a citizen," he said. "I was born and raised in Britain."
"It's just a label that my father uses. Ninety-nine percent of the
population,
are either citizens or drones."
Dr. Bennett took off his gold-rimmed spectacles and polished the lenses with a green flannel cloth. "Would you mind explaining this?"
"Citizens are people who think they understand what's going on in the world."
"I don't understand
everything,
Judith. I never said that. But I'mwell informed about current events. I watch the news every morning while I'm on my treadmill."
Maya hesitated, and then decided to tell him the truth. "The facts you know are mostly an illusion. The real struggle of history is going on beneath the surface."
Dr. Bennett gave her a condescending smile. "Tell me about the drones."
"Drones are people who are so overwhelmed by the challenge of surviving that they're unaware of anything outside of their day-to-day lives."
"You mean poor people?"
"They can be poor or trapped in the Third World, but they're still capable of transforming themselves. Father used to say, 'Citizens ignore the truth. Drones are just too tired.' "
Dr. Bennett slipped his glasses back on and picked up his notepad. "Perhaps we should talk about your parents."
Therapy ended with that question. What could she say about Thom? Her father was a Harlequin who had survived five Tabula assassination attempts. He was proud and cruel and very brave. Maya's mother was from a Sikh family that had been allies with the Harlequins for several generations. In honor of her mother, she wore a steel
kara
bracelet on her right wrist.
Late that summer she celebrated her twenty-sixth birthday and one of the women at the design firm took her on a tour of the boutiques in West London. Maya bought some stylish, brightly colored clothes. She began to watch television and tried to believe the news. At times she felt happy—almost happy—and welcomed the endless distractions of the Vast Machine. There was always some new fear to worry about or a new product that everyone wanted to buy.
Although Maya was no longer carrying weapons, she occasionally dropped by a kickboxing school in South London and sparred with the instructor. On Tuesdays and Thursdays, she attended an advanced class at a kendo academy and fought with a bamboo
shinai
sword. Maya tried to pretend that she was just staying in shape, like the other people in her office who jogged or played tennis, but she knew that it was more than that. When you were fighting you were completely in the moment, focused on defending yourself and destroying your opponent. Nothing she did in civilian life could match that intensity.
Now she was in Prague to see her father, and all the familiar Harlequin paranoia came back with its full power. After buying the ticket at the airport kiosk, she got on the shuttle bus and sat near the back. This was a bad defensive position, but it wasn't going to bother her. Maya watched an elderly couple and a group of German tourists climb onto the bus and arrange their luggage. She tried to distract herself by thinking about Thorn, but her body took control and forced her to choose another seat near the emergency exit. Defeated by her training and filled with rage, she clenched her hands and stared out the window.
It had started drizzling when they left the terminal and was raining heavily by the time they reached the downtown area. Prague was built on both sides of a river, but the narrow streets and gray stone buildings made her feel as if she were trapped in a hedge maze. Cathedrals and castles dotted the city, and their pointed towers jabbed at the sky.
At the bus stop, Maya was presented with more choices. She could walk to her hotel or wave down a cruising taxi. The legendary Japanese Harlequin, Sparrow, once wrote that true warriors should "cultivate randomness." In a few words, he had suggested an entire philosophy. A Harlequin rejected mindless routines and comfortable habits. You lived a life of discipline, but you weren't afraid of disorder.
It was raining. She was getting wet. The most predictable choice was to take the taxi waiting by the curb. Maya hesitated for a few seconds and then decided to act like a normal citizen. Clutching her bags with one hand, she yanked open the door and got into the backseat. The driver was a squat little man with a beard who looked like a troll. She gave him the name of her hotel, but he didn't react.
"It's the Hotel Kampa," she said in English. "Is there a problem?" "No problem," the driver answered and pulled out into the street.
The Hotel Kampa was a large four-story building, solid and respectable, with green window awnings. It was placed on a cobblestone side street near the CharlesBridge. Maya paid the driver, but when she tried to open the car door it was locked.
"Open the bloody door."
"I'm sorry, madam." The troll pushed a button and the lock clicked open. Smiling, he watched Maya get out of his cab.
She let the doorman carry her luggage into the hotel. Going to see her father, she had felt the need to carry the usual weapons; they were concealed in a camera tripod. Her appearance didn't suggest a particular nationality and the doorman spoke to her in French and English. For the trip to Prague she had discarded her colorful London clothes and wore half boots, a black pullover, and loose gray pants. There was a Harlequin style of clothing that emphasized dark, expensive fabrics and custom tailoring.
Nothing tight or flashy.
Nothing that would slow you down in combat.
Club chairs and little tables were in the lobby. A faded tapestry hung on the wall. In a side dining area, a group of elderly women were drinking tea and cooing over a tray of pastries. At the front desk, the hotel clerk glanced at the tripod and the video camera case and appeared satisfied. It was a Harlequin rule that you must always have an explanation for who you are and why you're at a particular location. The video equipment was a typical prop. The doorman and the clerk probably thought she was some kind of filmmaker.
Her hotel room was a suite on the third floor, dark and filled with fake Victorian lamps and overstuffed furniture. One window faced the street and another overlooked the hotel's outdoor garden restaurant. It was still raining; the restaurant was closed. The striped table umbrellas were sodden with water and the restaurant chairs leaned like tired soldiers against the round tables. Maya glanced under the bed and found a little welcoming present from her father—a grappling hook and fifty meters of climbing rope. If the wrong sort of person knocked on the door, she could be out the window and away from the hotel in about ten seconds.
She took off her coat, splashed some water on her face,
then
placed the tripod on the bed. When she passed through the airport security checks, people always wasted a great deal of time inspecting the video camera and its various lenses. The real weapons were hidden in the tripod. There were two knives in one leg—a weighted throwing knife and a stiletto for stabbing. She placed them in their sheaths and slipped them beneath elastic bandages on her fore-arms. Carefully, she rolled down the sleeves of the sweater and checked herself in the mirror. The sweater was loose enough that both weapons were completely concealed. Maya crossed her wrists, moved her arms quickly, and a knife appeared in her right hand.
The sword blade was in the second leg of the tripod. The third leg concealed the sword's hilt and guard piece. Maya attached them to the blade. The guard piece was on a pivot that could be pushed sideways. When she carried the sword on the street, the guard piece was parallel to the blade so that the entire weapon became one straight line. When it was necessary to fight, the guard snapped into its proper position.
Along with the tripod and the camera, she had brought a four-foot-long metal tube with a shoulder strap. The tube looked vaguely technical, like something that an artist would bring to her studio. It was used as a sword carrier when walking around the city. Maya could get the sword out of the tube in two seconds, and it took one more second to attack. Her father had taught her how to use the weapon when she was a teenager and she had developed her technique in a kendo class with a Japanese instructor.
Harlequins were also trained to use handguns and assault rifles. Maya's favorite weapon was a combat shotgun, preferably a twelve gauge with a pistol grip and folding stock. The use of an old-fashioned sword along with modern weapons was accepted—and valued—as part of the Harlequin style. Guns were a necessary evil, but swords existed outside of the modern age, free of the control and compromise of the Vast Machine. Training with a sword taught balance, strategy, and ruthlessness. Like a Sikh's kirpan, a Harlequin's sword connected each fighter with both a spiritual obligation and a warrior tradition.
Thorn also believed there were practical reasons for swords. Concealed within equipment like the tripod, they could pass through airport security systems. A sword was silent and so unexpected that there was a shock value when using it on an unsuspecting enemy. Maya visualized an attack.
Fake to the head of your opponent, then down low to the side of the knee.
A little resistance.
The crack of bone and cartilage.
And you've cut off someone's leg.
A brown envelope lay within the coils of the escape rope. Maya ripped it open and read the address and time for her meeting. Seven o'clock.
The Betlémské námésti quarter in the OldTown.
She placed the sword on her lap, turned off all the lights, and tried to meditate.
Images floated through her brain, memories of the only time she had fought alone as a Harlequin. She was seventeen then and her father had brought her over to Brussels to protect a Zen monk who was visiting Europe. The monk was a Pathfinder, one of the spiritual teachers who could show a potential Traveler how to cross over to another realm. Although the Harlequins weren't sworn to protect Pathfinders, they helped them whenever possible. The monk was a great teacher—and he was on the Tabula death list.
That night in Brussels, Maya's father and his French friend Linden were upstairs near the monk's hotel suite. Maya was told to guard the entrance to the service elevator in the basement. When two Tabula mercenaries arrived, there was no one there to help her. She shot one man in the throat with an automatic and hacked the other merc to death with her sword. Blood splattered over her gray maid's uniform, covering her arms and hands. Maya was crying hysterically when Linden found her.
Two years later, the monk died in a car accident. All that blood and pain were useless.
Calm down, she told herself.
Find some private mantra.
Our Travelers who art in Heaven.
Damn them all.
***
IT STOPPED RAINING around six and she decided to walk to Thorn's apartment. Leaving the hotel, she found
and followed it to the CharlesBridge. The stone Gothic bridge was wide and lit with colored lights that illuminated a long line of statues. A backpacker played his guitar in front of a hat while a street artist used charcoal to draw a sketch of an elderly female tourist. A statue of a Czech martyr saint was placed halfway across the bridge, and she remembered hearing that it was a good luck charm. There was no such thing as luck, but she touched the bronze plaque below the statue and whispered to herself: "May someone
love
me and may I love him in return."
Ashamed of this display of weakness, she walked a little faster and continued across the bridge to OldTown. Stores and churches and cellar nightclubs were squeezed together like passengers on a crowded train. The young Czechs and foreign backpackers stood outside the pubs, looking bored and smoking marijuana.