The Twelve Chairs (18 page)

Read The Twelve Chairs Online

Authors: Ilya Ilf

Tags: #Literature & Fiction, #Dramas & Plays, #Regional & Cultural, #Russian, #Drama & Plays

nice things with him there.
They were saved for a while by the cabaret. A well-fed man in a morning
coat and patent-leather shoes came on to the stage.
"Well, here we are again," he said breezily, addressing the public.
"Next on our programme we have the well-known Russian folk-singer Barbara
Godlevsky."
Ippolit Matveyevich drank his vodka and said nothing. Since Liza did
not drink and kept wanting to go home, he had to hurry to finish the whole
decanter.
By the time the singer had been replaced by an entertainer in a ribbed
velvet shirt, who came on to the stage and began to sing:
Roaming,
You're always roaming
As though with all the life outside
Your appendix will be satisfied,
Roaming,
Ta-ra-ra-ra . . .
Ippolit Matveyevich was already well in his cups and, together with all
the other customers in the restaurant, whom half an hour earlier he had
considered rude and niggardly Soviet thugs, was clapping in time to the
music and joining in the chorus:
Roaming,
Ta-ra-ra-ra . . .
He kept jumping up and going to the gentlemen's without excusing
himself. The nearby tables had already begun calling him "daddy", and
invited him over for a glass of beer. But he did not go. He suddenly became
proud and suspicious. Liza stood up determinedly.
"I'm going. You stay. I can go home by myself." "Certainly not I As a
member of the upper class I cannot allow that.
"Carport! The bill! Bums!"
Ippolit Matveyevich stared at the bill for some time, swaying in his
chair.
"Nine roubles, twenty kopeks," he muttered. "Perhaps you'd also like
the key of the apartment where the money is."
He ended up by being marched downstairs by the arm. Liza could not
escape, since the social lion had the cloakroom ticket.
In the first side street Ippolit Matveyevich leaned against Liza and
began to paw her. Liza fought him off.
"Stop it!" she cried. "Stop it! Stop it!"
"Let's go to a hotel," Vorobyaninov urged.
Liza freed herself with difficulty and, without taking aim, punched the
lady-killer on the nose. The pince-nez with the gold nose-piece fell to the
ground and, getting in the way of one of the square-toed baronial boots
broke with a crunch.
The evening breeze
Sighs through the trees
Choking back her tears, Liza ran home down Silver Lane.
Loud and fast
Flows the
Gualdalquivir.
The blinded Ippolit Matveyevich trotted off in the opposite direction,
shouting "Stop! Thief!"
Then he cried for a long time and, still weeping, bought a full basket
of bagels from an old woman. Reaching the Smolensk market, now empty and
dark, he walked up and down for some time, throwing the bagels all over the
place like a sower sowing seed. As he went, he shouted in a tuneless voice:
Roaming,
You're always roaming,
Ta-ra-ra-ra . . .
Later on he befriended a taxi-driver, poured out his heart to him, and
told him in a muddled way about the jewels.
"A gay old gentleman," exclaimed the taxi-driver.
Ippolit Matveyevich was really in a gay mood, but the gaiety was
clearly of a rather reprehensible nature, because he woke up at about eleven
the next day in the local police-station. Of the two hundred roubles with
which he had shamefully begun his night of enjoyment and debauchery, only
twelve remained.
He felt like death. His spine ached, his liver hurt, and his head felt
as if he had a lead pot on top of it. But the most awful thing was that he
could not remember how and where he could have spent so much money. On the
way home he had to stop at the optician's to have new lenses fitted in his
pince-nez.
Ostap looked in surprise at the bedraggled figure of Ippolit
Matveyevich for some time but said nothing. He was cold and ready for
battle.
CHAPTER TWENTY-ONE
PUNISHMENT
The auction was due to  begin at five o'clock. Citizens were allowed in
to inspect the lots at four. The friends arrived at three o'clock and spent
a whole hour looking at a machine-building exhibition next door.
"It looks as though by tomorrow," said Ostap, "given good will on both
sides, we ought to be able to buy that little locomotive. A pity there's no
price tag on it. It's nice to own your own locomotive."
Ippolit Matveyevich was in a highly nervous state. The chairs alone
could console him.
He did not leave them until the moment the auctioneer, in check
trousers and a beard reaching to his Russian covert-coat tunic, mounted the
stand.
The concessionaires took their places in the fourth row on the right.
Ippolit Matveyevich began to get very excited. He thought the chairs would
be sold at once, but they were actually the third item on the list, and
first came the usual auction junk: odd pieces of dinner services embellished
with coats of arms; a sauce dish; a silver glass-holder; a Petunin
landscape; a bead handbag; a brand-new primus burner; a small bust of
Napoleon; linen brassieres; a tapestry "Hunter shooting wild duck", and
other trash.
They had to be patient and wait. It was hard to wait when the chairs
were all there; their goal was within reach.
"What a rumpus there'd be," thought Ostap, "if they knew what little
goodies were being sold here today in the form of those chairs."
"A figure depicting Justice!" announced the auctioneer. "Made of
bronze. In perfect condition. Five roubles. Who'll bid more? Six and a half
on the right. Seven at the end. Eight roubles in front in the first row.
Going for eight roubles. Going. Gone to the first row in front."
A girl with a receipt book immediately hurried over to the citizen in
the first row.
The auctioneer's hammer rose and fell. He sold an ash-tray, some
crystal glass and a porcelain powder bowl.
Time dragged painfully.
"A bronze bust of Alexander the Third. Would make a good paperweight.
No use for anything else. Going at the marked price, one bust of Alexander
the Third."
There was laughter among the audience.
"Buy it, Marshal," said Ostap sarcastically. "You like that sort of
thing."
Ippolit Matveyevich made no reply; he could not take his eyes off the
chairs.
"No offers? The bust of Alexander the Third is removed from sale. A
figure depicting Justice. Apparently the twin of the one just sold. Basil,
hold up the Justice. Five roubles. Who'll give me more?"
There was a snuffling sound from the first row. The citizen evidently
wanted a complete set of Justices.
"Five roubles for the bronze Justice."
"Six!" sang out the citizen.
"Six roubles in front. Seven. Nine roubles on the right at the end."
"Nine and a half," said the lover of Justice quietly, raising his hand.
"Nine and a half in front. Going for nine and a half. Going. Gone!"
The hammer came down and the girl hastened over to the citizen in the
first row. He paid up and wandered off into the next room to receive his
bronze.
"Ten chairs from a palace," said the auctioneer suddenly.
"Why from a palace? " gasped Ippolit Matveyevich quietly.
Ostap became angry. "To hell with you! Listen and stop fooling!"
"Ten chairs from a palace, Walnut. Period of Alexander the Second. In
perfect condition. Made by the cabinet-maker Hambs. Basil, hold one of the
chairs under the light."
Basil seized the chair so roughly that Ippolit Matveyevich half stood
up.
"Sit down, you damned idiot," hissed Ostap. "Sit down, I tell you. You
make me sick!"
Ippolit Matveyevich's jaw had dropped. Ostap was pointing like a
setter. His eyes shone.
"Ten walnut chairs. Eighty roubles."
There was a stir in the room. Something of use in the house was being
sold. One after another the hands flew up. Ostap remained calm.
146
"Why don't you bid?" snapped Vorobyaninov.
"Get out!" retorted Ostap, clenching his teeth.
"A hundred and twenty roubles at the back. A hundred and twenty-five in
the next seat. A hundred and forty."
Ostap calmly turned his back on the stand and surveyed his competitors.
The auction was at its height. Every seat was taken. The lady sitting
directly behind Ostap was tempted by the chairs and, after a few words with
her husband ("Beautiful chairs! heavenly workmanship, Sanya. And from a
palace!"), put up her hand.
"A hundred and forty-five, fifth row on the right. Going!"
The stir died down. Too expensive.
"A hundred and forty-five, going for the second time."
Ostap was nonchalantly examining the stucco cornice. Ippolit
Matveyevich was sitting with his head down, trembling.
"One hundred and forty-five. Gone!"
But before the shiny black hammer could strike the plyboard stand,
Ostap had turned around, thrown up his hand, and called out, quite quietly:
"Two hundred."
All the heads turned towards the concessionaires. Peaked caps, cloth
caps, yachting caps and hats were set in action. The auctioneer raised his
bored face and looked at Ostap.
"Two hundred," he said. "Two hundred in the fourth row on the right.
Any more bids? Two hundred roubles for a palace suite of walnut furniture
consisting of ten pieces. Going at two hundred roubles to the fourth row on
the right. Going!"
The hand with the hammer was poised above the stand.
"Mama!" said Ippolit Matveyevich loudly.
Ostap, pink and calm, smiled. The hammer came down making a heavenly
sound.
"Gone," said the auctioneer. "Young lady, fourth row on the right."
"Well, chairman, was that effective?" asked Ostap. "What would you do
without a technical adviser, I'd like to know? "
Ippolit Matveyevich grunted happily. The young lady trotted over to
them.
"Was it you who bought the chairs?"
"Yes, us!" Ippolit Matveyevich burst out. "Us! Us! When can we have
them?"
"Whenever you please. Now if you like."
The tune "Roaming, you're always roaming" went madly round and round in
Ippolit Matveyevich's head. "The chairs are ours! Ours! Ours!" His whole
body was shouting it. "Ours!" cried his liver. "Ours!" endorsed his
appendix.
He was so overjoyed that he suddenly felt twitches in the most
unexpected places. Everything vibrated, rocked, and crackled under the
pressure of unheard-of bliss. He saw the train approaching the St. Gotthard.
On the open platform of the last car stood Ippolit Matveyevich in white
trousers, smoking a cigar. Edelweiss fell gently on to his head, which was
again covered with shining, aluminium-grey hair. He was on his way to the
Garden of Eden. "Why two hundred and thirty and not two hundred?" said a
voice next to him.
It was Ostap speaking; he was fiddling with the receipt.
"Fifteen per cent commission is included," answered the girl.
"Well, I suppose that's all right. Here you are."
Ostap took out his wallet, counted out two hundred roubles, and turned
to the director-in-chief of the enterprise.
"Let me have thirty roubles, pal, and make it snappy. Can't you see the
young lady's waiting?"
Ippolit Matveyevich made no attempt at all to get the money.
"Well? Why are you staring at me like a soldier at a louse? Are you
crazy with joy or something?"
"I don't have the money," stammered Ippolit Matveyevich at length.
"Who doesn't?" asked Ostap very quietly.
"I don't."
"And the two hundred roubles? "
"I. . . I. . . lost it."
Ostap looked at Vorobyaninov and quickly grasped the meaning of the
flabbiness of his face, the green pallor of the cheeks, and the bags under
the swollen eyes.
"Give me the money," he whispered with loathing, "you old bastard!"
"Well, are you going to pay?" asked the girl. "One moment," said Ostap
with a charming smile, "there's been a slight hitch."
There was still a faint hope that they might persuade her to wait for
the money. Here Ippolit Matveyevich, who had now recovered his senses, broke
into the conversation.
"Just a moment," he spluttered. "Why is there commission? We don't know
anything about that. You should have warned us. I refuse to pay the thirty
roubles."
"Very well," said the girl curtly. "I'll see to that."
Taking the receipt, she hurried back to the auctioneer and had a few
words with him.
The auctioneer immediately stood up. His beard glistened in the strong
light of the electric lamps.
"In accordance with auctioneering regulations," he stated, "persons
refusing to pay the full sum of money for items purchased must leave the
hall. The sale of the chairs is revoked."
The dazed friends sat motionless.
The effect was terrific. There was rude guffawing from the onlookers.
Ostap remained seated, however. He had not suffered such a blow for a long
time.
"You're asked to leave."
The auctioneer's singsong voice was firm.
The laughter in the room grew louder.
So they left. Few people have ever left an auction room with more
bitterness.
Vorobyaninov went first. With his bony shoulders hunched up, and in his
shrunken jacket and silly baronial boots, he walked like a crane; he felt
the warm and friendly glance of the smooth operator behind.
The concessionaires stopped in the room next to the auction hall. They
could now only watch the proceedings through a glass door. The path back was
barred. Ostap maintained a friendly silence.
"An outrageous system," murmured Ippolit Matveyevich timidly.
"Downright disgraceful! We should complain to the militia."
Ostap said nothing.
"No, but really, it's the hell of a thing." Ippolit Matveyevich
continued ranting. "Making the working people pay through the nose.
Honestly! Two hundred and thirty roubles for ten old chairs. It's mad!"
"Yes," said Ostap woodenly.
"Isn't it? " said Vorobyaninov again. "It's mad!"
"Yes."
Ostap went up close to Vorobyaninov and, having looked around, hit the
marshal a quick, hard, and unobserved blow in the side. "That's for the
militia. That's for the high price of chairs for working people of all
countries. That's for going after girls at night. That's for being a dirty
old man."
Ippolit Matveyevich took his punishment without a sound.
From the side it looked as though a respectful son was conversing with
his father, except that the father was shaking his head a little too
vigorously.
"Now get out of here!"
Ostap turned his back on the director of the enterprise and began
watching the auction hall. A moment later he looked around.
Ippolit Matveyevich was still standing there, with his hands by his
sides.
"Oh! You're still here, life and soul of the party! Go on, get out!"
"Comrade Bender," Vorobyaninov implored, "Comrade Bender!"
"Go on, go! And don't come back to Ivanopulo's because I'll throw you
out."
Ostap did not turn around again. Something was going on in the hall
which interested him so much that he opened the glass door slightly and
began listening.
"That's done it," he muttered.
"What has?" asked Vorobyaninov obsequiously.
"They're selling the chairs separately, that's what. Maybe you'd like
to buy one? Go ahead, I'm not stopping you. I doubt, though whether they'll
let you in. And you haven't much money, I gather."
In the meantime, in the auction hall, the auctioneer, feeling that he
would be unable to make any member of the public cough up two hundred
roubles all at once (too large a sum for the small fry left), decided to
obtain his price in bits and pieces. The chairs came up for auction again,
but this time in lots.
"Four chairs from a palace. Made of walnut. Upholstered. Made by Hambs.
Thirty roubles. Who'll give me more?"
Ostap had soon regained his former power of decision and sang-froid.
"You stay here, you ladies' favourite, and don't go away. I'll be back
in five minutes. You stay here and see who buys the chairs. Don't miss a
single one."
Ostap had thought of a plan-the only one possible under the difficult
circumstances facing them.
He hurried out into the Petrovka, made for the nearest asphalt vat, and
had a businesslike conversation with some waifs.
Five minutes later he was back as promised with the waifs waiting ready
at the entrance to the auction rooms.
"They're being sold," whispered Ippolit Matveyevich. "Four and then two
have already gone."
"See what you've done!" said Ostap. "Admire your handiwork! We had them
in our hands . . . in our hands, don't you realize!"
From the hall came a squeaky voice of the kind endowed only to
auctioneers, croupiers and glaziers.
". . . and a half on my left. Three. One more chair from the palace.
Walnut. In perfect condition. And a half on the right. Going for three and a
half in front."
Three chairs were sold separately. The auctioneer announced the sale of
the last chair. Ostap choked with fury. He let fly at Vorobyaninov again.
His abusive remarks were full of bitterness. Who knows how far Ostap might
not have gone in this satirical exercise had he not been interrupted by the
approach of a man in a brown Lodz suit. The man waved his plump hands,
bowed, and jumped up and down and backwards and forwards, as though playing
tennis.
"Tell me, is there really an auction here?" he asked Ostap hurriedly.
"Yes? An auction. And are they really selling things here? Wonderful."
The stranger jumped backwards, his face wreathed with smiles. "So
they're really selling things here? And one can buy cheaply? First-rate.
Very, very much so. Ah!"
Swinging his hips, the stranger rushed past the bewildered
concessionaires into the hall and bought the last chair so quickly that
Vorobyaninov could only croak. With the receipt in his hand the stranger ran
up to the collection counter.
"Tell me, do I get the chair now? Wonderful! Ah! Ah!"
Bleating endlessly and skipping about the whole time, the stranger
loaded the chair on to a cab and drove off. A waif ran behind, hot on his
trail.
The new chair owners gradually dispersed by cab and on foot. Ostap's
junior agents hared after them. Ostap himself left and Vorobyaninov timidly
followed him. The day had been like a nightmare. Everything had happened so
quickly and not at all as anticipated.
On Sivtsev Vrazhek, pianos, mandolins and accordions were celebrating
the spring. Windows were wide open. Flower pots lined the windowsills.
Displaying his hairy chest, a fat man stood by a window in his braces and
sang. A cat slowly made its way along a wall. Kerosene lamps blazed above
the food stalls.
Nicky was strolling about outside the little pink house. Seeing Ostap,
who was walking in front, he greeted him politely and then went up to
Vorobyaninov. Ippolit Matveyevich greeted him cordially. Nicky, however, was
not going to waste time.
"Good evening," he said and, unable to control himself, boxed Ippolit
Matveyevich's ears. As he did so he uttered a phrase, which in the opinion
of Ostap, who was witnessing the scene, was a rather vulgar one.
"That's what everyone will get," said Nicky in a childish voice, "who
tries . . ."
Who tries exactly what, Nicky did not specify. He stood on tiptoe and,
closing his eyes, slapped Vorobyaninov's face.
Ippolit Matveyevich raised his elbow slightly but did not dare utter a
sound.

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