The Very Best of Ruskin Bond, the Writer on the Hill: Selected Fiction and Non-Fiction (20 page)

Read The Very Best of Ruskin Bond, the Writer on the Hill: Selected Fiction and Non-Fiction Online

Authors: Ruskin Bond

Tags: #Fiction, #Non-Fiction, #India, #Indian

I wasn’t sure that she didn’t want something more than a cook, and I only hoped that Prem would give every satisfaction.

He looked cheerful enough when he came to see me on his off day.

‘How are you getting on?’ I asked.

‘Lovely,’ he said, using his mistress’s favourite expression.

‘What do you mean—lovely? Do they like your work?’

‘The memsahib likes it. She strokes me on the cheek whenever she enters the kitchen. The sahib says nothing. He takes medicine after every meal.’

‘Did he always take medicine—or only now that you’re doing the cooking?’

‘I am not sure. I think he has always been sick.’

He was sleeping in the headmaster’s veranda and getting sixty rupees a month. A cook in Delhi got a hundred and sixty. And a cook in Paris or New York got ten times as much. I did not say as much to Prem. He might ask me to get him a job in New York. And that would be the last I saw of him! He, as a cook, might well get a job making curries off-Broadway; I, as a writer, wouldn’t get to first base. And only my Uncle Ken knew the secret of how to make a living without actually doing any work. But then, of course, he had four sisters. And each of them was married to a fairly prosperous husband. So Uncle Ken divided his year among them. Three months with Aunt Ruby in Nainital. Three months with Aunt Susie in Kashmir. Three months with my mother (not quite so affluent) in Jamnagar. And three months in the Vet Hospital in Bareilly, where Aunt Mabel ran the hospital for her veterinary husband. In this way he never overstayed his welcome. A sister can look after a brother for just three months at a time and no more. Uncle K had it worked out to perfection.

But I had no sisters and I couldn’t live forever on the royalties of a single novel. So I had to write others. So I came to the hills.

The hillmen go to the plains to make a living. I had to come to the hills to try and make mine.

‘Prem,’ I said, ‘why don’t you work for me?’

‘And what about my uncle?’

‘He seems ready to desert me any day. His grandfather is ill, he says, and he wants to go home.’

‘His grandfather died last year.’

‘That’s what I mean—he’s getting restless. And I don’t mind if he goes. These days he seems to be suffering from a form of sleeping sickness. I have to get up first and make his tea...’

Sitting here under the cherry tree, whose leaves are just beginning to turn yellow, I rest my chin on my knees and gaze across the valley to where Prem moves about in the garden. Looking back over the seven years he has been with me, I recall some of the nicest things about him. They come to me in no particular order—just pieces of cinema—coloured slides slipping across the screen of memory...

Prem rocking his infant son to sleep—crooning to him, passing his large hand gently over the child’s curly head—Prem following me down to the police station when I was arrested (on a warrant from Bombay, charging me with writing an allegedly obscene short story!), and waiting outside until I reappeared, his smile, when I found him in Delhi, his large, irrepressible laughter, most in evidence when he was seeing an old Laurel and Hardy movie.

Of course, there were times when he could be infuriating, stubborn, deliberately pig-headed, sending me little notes of resignation—but I never found it difficult to overlook these little acts of self-indulgence. He had brought much love and laughter into my life, and what more could a lonely man ask for?

It was his stubborn streak that limited the length of his stay in the headmaster’s household. Mr Good was tolerant enough. But Mrs Good was one of those women who, when they are pleased with you, go out of their way to help, pamper and flatter, but when displeased, become vindictive, going out of their way to harm or destroy. Mrs Good sought power—over her husband, her dog, her favourite pupils, her servant... She had absolute power over the husband and the dog, partial power over her slightly bewildered pupils, and none at all over Prem, who missed the subtleties of her designs upon his soul. He did not respond to her mothering, or to the way in which she tweaked him on the cheeks, brushed against him in the kitchen and made admiring remarks about his looks and physique. Memsahibs, he knew, were not for him. So he kept a stony face and went diligently about his duties. And she felt slighted, put in her place. Her liking turned to dislike. Instead of admiring remarks, she began making disparaging remarks about his looks, his clothes, his manners. She found fault with his cooking. No longer was it ‘lovely’. She even accused him of taking away the dog’s meat and giving it to a poor family living on the hillside—no more heinous crime could be imagined! Mr Good threatened him with dismissal. So Prem became stubborn. The following day he withheld the dog’s food altogether, threw it down the khud where it was seized upon by innumerable strays, and went off to the pictures.

That was the end of his job. ‘I’ll have to go home now,’ he told me. ‘I won’t get another job in this area. The mem will see to that.’

‘Stay a few days,’ I said.

‘I have only enough money with which to get home.’

‘Keep it for going home. You can stay with me for a few days, while you look around. Your uncle won’t mind sharing his food with you.’

His uncle did mind. He did not like the idea of working for his nephew as well; it seemed to him no part of his duties. And he was apprehensive that Prem might get his job.

So Prem stayed no longer than a week.

Here on the knoll the grass is just beginning to turn October yellow. The first clouds approaching winter cover the sky. The trees are very still. The birds are silent. Only a cricket keeps singing on the oak tree. Perhaps there will be a storm before evening. A storm like the one in which Prem arrived at the cottage with his wife and child—but that’s jumping too far ahead...

After he had returned to his village, it was several months before I saw him again. His uncle told me he had taken up a job in Delhi. There was an address. It did not seem complete, but I resolved that when I was next in Delhi I would try to see him.

The opportunity came in May, as the hot winds of summer blew across the plains. It was the time of year when people who can afford it, try to get away to the hills. I dislike New Delhi at the best of times, and I hate it in summer. People compete with each other in being bad-tempered and mean. But I had to go down—I don’t remember why, but it must have seemed very necessary at the time—and I took the opportunity to try and see Prem.

Nothing went right for me. Of course the address was all wrong, and I wandered about in a remote, dusty, treeless colony called Vasant Vihar (Spring Garden) for over two hours, asking all the domestic servants I came across if they could put me in touch with Prem Singh of Village Koli, Pauri Garhwal. There were innumerable Prem Singhs, but apparently none who belonged to Village Koli. I returned to my hotel and took two days to recover from heatstroke before returning to Mussoorie, thanking God for mountains!

And then the uncle gave notice. He’d found a better-paid job in Dehradun and was anxious to be off. I didn’t try to stop him.

For the next six months I lived in the cottage without any help. I did not find this difficult. I was used to living alone. It wasn’t service that I needed but companionship. In the cottage it was very quiet. The ghosts of long-dead residents were sympathetic but unobtrusive. The song of the whistling thrush was beautiful, but I knew he was not singing for me. Up the valley came the sound of a flute, but I never saw the flute player. My affinity was with the little red fox who roamed the hillside below the cottage. I met him one night and wrote these lines:

As I walked home last night

I saw a lone fox dancing

In the cold moonlight.

I stood and watched—then

Took the low road, knowing

the night was his by right.

Sometimes, when words ring true,

I’m like a lone fox dancing

In the morning dew.

During the rains, watching the dripping trees and the mist climbing the valley, I wrote a great deal of poetry. Loneliness is of value to poets. But poetry didn’t bring me much money, and funds were low. And then, just as I was wondering if I would have to give up my freedom and take a job again, a publisher bought the paperback rights of one of my children’s stories, and I was free to live and write as I pleased—for another three months!

That was in November. To celebrate, I took a long walk through the Landour bazaar and up the Tehri road. It was a good day for walking; and it was dark by the time I returned to the outskirts of the town. Someone stood waiting for me on the road above the cottage. I hurried past him.

If I am not for myself,

Who will be for me?

And if I am not for others,

What am I?

And if not now, when?

I startled myself with the memory of these words of Hillel, the ancient Hebrew sage. I walked back to the shadows where the youth stood, and saw that it was Prem.

‘Prem!’ I said. ‘Why are you sitting out here, in the cold? Why did you not go to the house?’

‘I went, sir, but there was a lock on the door. I thought you had gone away.’

‘And you were going to remain here, on the road?’

‘Only for tonight. I would have gone down to Dehra in the morning.’

‘Come, let’s go home. I have been waiting for you. I looked for you in Delhi, but could not find the place where you were working.’

‘I have left them now.’

‘And your uncle has left me. So will you work for me now?’

‘For as long as you wish.’

‘For as long as the gods wish.’

We did not go straight home, but returned to the bazaar and took our meal in the Sindhi Sweet Shop—hot puris and strong sweet tea.

We walked home together in the bright moonlight. I felt sorry for the little fox dancing alone.

That was twenty years ago, and Prem and his wife and three children are still with me. But we live in a different house now, on another hill.

The Funeral

‘I
DON’T THINK
he should go,’ said Aunt M.

‘He’s too small,’ concurred Aunt B. ‘He’ll get upset and probably throw a tantrum. And you know Padre Lal doesn’t like having children at funerals.’

The boy said nothing. He sat in the darkest corner of the darkened room, his face revealing nothing of what he thought and felt. His father’s coffin lay in the next room, the lid fastened forever over the tired, wistful countenance of the man who had meant so much to the boy. Nobody else had mattered—neither uncles nor aunts nor fond grandparents. Least of all the mother who was hundreds of miles away with another husband. He hadn’t seen her since he was four—that was just over five years ago—and he did not remember her very well.

The house was full of people—friends, relatives, neighbours. Some had tried to fuss over him but had been discouraged by his silence, the absence of tears. The more understanding of them had kept their distance.

Scattered words of condolence passed back and forth like dragonflies on the wind. ‘Such a tragedy!’ ... ‘Only forty’ ... ‘No one realized how serious it was’ ... ‘Devoted to the child’...

It seemed to the boy that everyone who mattered in the hill station was present. And for the first time they had the run of the house for his father had not been a sociable man. Books, music, flowers and his stamp collection had been his main preoccupations, apart from the boy.

A small hearse, drawn by a hill pony, was led in at the gate and several able-bodied men lifted the coffin and manoeuvred it into the carriage. The crowd drifted away. The cemetery was about a mile down the road and those who did not have cars would have to walk the distance.

The boy stared through a window at the small procession passing through the gate. He’d been forgotten for the moment—left in care of the servants, who were the only ones to say behind. Outside it was misty. The mist had crept up the valley and settled like a damp towel on the face of the mountain. Everyone was wet although it hadn’t rained.

The boy waited until everyone had gone and then he left the room and went out on the veranda. The gardener, who had been sitting in a bed of nasturtiums, looked up and asked the boy if he needed anything. But the boy shook his head and retreated indoors. The gardener, looking aggrieved because of the damage done to the flower beds by the mourners, shambled off to his quarters. The sahib’s death meant that he would be out of a job very soon. The house would pass into other hands. The boy would go to an orphanage. There weren’t many people who kept gardeners these days. In the kitchen, the cook was busy preparing the only big meal ever served in the house. All those relatives, and the padre too, would come back famished, ready for a sombre but nevertheless substantial meal. He, too, would be out of a job soon; but cooks were always in demand.

The boy slipped out of the house by a back door and made his way into the lane through a gap in a thicket of dog roses. When he reached the main road, he could see the mourners wending their way round the hill to the cemetery. He followed at a distance.

It was the same road he had often taken with his father during their evening walks. The boy knew the name of almost every plant and wildflower that grew on the hillside. These, and various birds and insects, had been described and pointed out to him by his father.

Looking northwards, he could see the higher ranges of the Himalayas and the eternal snows. The graves in the cemetery were so laid out that if their incumbents did happen to rise one day, the first thing they would see would be the glint of the sun on those snow-covered peaks. Possibly the site had been chosen for the view. But to the boy it did not seem as if anyone would be able to thrust aside those massive tombstones and rise from their graves to enjoy the view. Their rest seemed as eternal as the snows. It would take an earthquake to burst those stones asunder and thrust the coffins up from the earth. The boy wondered why people hadn’t made it easier for the dead to rise. They were so securely entombed that it appeared as though no one really wanted them to get out.

‘God has need of your father...’ With those words a well-meaning missionary had tried to console him.

Other books

Demon Driven by John Conroe
The Rasner Effect by Mark Rosendorf
Pick 'n' Mix by Jean Ure
Villere House (Blood of My Blood) by Hussey, CD, Fear, Leslie
Or the Bull Kills You by Jason Webster
The Devil's Tide by Tomerlin, Matt
The Perfect Machine by Ronald Florence
Feral by Berkeley, Anne
We'll Always Have Paris by Emma Beddington