“So much for my personal explanation. You sent me, Haberden, a phial, stoppered and sealed, containing a small quantity of a flaky white powder, obtained from a chemist who has been dispensing it to one of your patients. I am not surprised to hear that this powder refused to yield any results to your analysis. It is a substance which was known to a few many hundred years ago, but which I never expected to have submitted to me from the shop of a modern apothecary. There seems no reason to doubt the truth of the man's tale; he no doubt got, as he says, the rather uncommon salt you prescribed from the wholesale chemist's; and it has probably remained on his shelf for twenty years, or perhaps longer. Here what we call chance and coincidence begin to work; during all these years the salt in the bottle was exposed to certain recurring variations of temperature, variations probably ranging from 40° to 80°. And, as it happens, such changes, recurring year after year at irregular intervals, and with varying degrees of intensity and duration, have constituted a process, and a process so complicated and so delicate, that I question whether modern scientific apparatus directed with the utmost precision could produce the same result. The white powder you sent me is something very different from the drug you prescribed; it is the powder from which the wine of the Sabbath, the
Vinum Sabbati
, was prepared. No doubt you have read of the Witches' Sabbath, and have laughed at the tales which terrified our ancestors; the black cats, and the broomsticks, and dooms pronounced against some old woman's cow. Since I have known the truth I have often reflected that it is on the whole a happy thing that such burlesque as this is believed, for it serves to conceal much that it is better should not be known generally. However, if you care to read the appendix to Payne Knight's monograph,
3
you will find that the true Sabbath was something very different, though the writer has very nicely refrained from printing all he knew. The secrets of the true Sabbath were the secrets of remote times surviving into the Middle Ages, secrets of an evil science which existed long before Aryan man entered Europe. Men and women, seduced from their homes on specious pretences, were met by beings well qualified to assume, as they did assume, the part of devils, and taken by their guides to some desolate and lonely place, known to the initiate by long tradition, and unknown to all else. Perhaps it was a cave in some bare and wind-swept hill, perhaps some inmost recess of a great forest, and there the Sabbath was held. There, in the blackest hour of night, the
Vinum Sabbati
was prepared, and this evil graal was poured forth and offered to the neophytes, and they partook of an infernal sacrament;
sumentes calicem principis in ferorum
,
4
as an old author well expresses it. And suddenly, each one that had drunk found himself attended by a companion, a shape of glamour and unearthly allurement, beckoning him apart, to share in joys more exquisite, more piercing than the thrill of any dream, to the consummation of the marriage of the Sabbath. It is hard to write of such things as these, and chiefly because that shape that allured with loveliness was no hallucination, but, awful as it is to express, the man himself. By the power of that Sabbath wine, a few grains of white powder thrown into a glass of water, the house of life was riven asunder and the human trinity dissolved, and the worm which never dies, that which lies sleeping within us all, was made tangible and an external thing, and clothed with a garment of flesh. And then, in the hour of midnight, the primal fall was repeated and re-presented, and the awful thing veiled in the mythos of the Tree in the Garden was done anew. Such was the
nuptiæ Sabbati
.
“I prefer to say no more; you, Haberden, know as well as I do that the most trivial laws of life are not to be broken with impunity; and for so terrible an act as this, in which the very inmost place of the temple was broken open and defiled, a terrible vengeance followed. What began with corruption ended also with corruption.”
Â
Underneath is the following in Dr. Haberden's writing:â
“The whole of the above is unfortunately strictly and entirely true. Your brother confessed all to me on that morning when I saw him in his room. My attention was first attracted to the bandaged hand, and I forced him to show it me. What I saw made me, a medical man of many years' standing, grow sick with loathing, and the story I was forced to listen to was infinitely more frightful than I could have believed possible. It has tempted me to doubt the Eternal Goodness which can permit nature to offer such hideous possibilities; and if you had not with your own eyes seen the end, I should have said to youâdisbelieve it all. I have not, I think, many more weeks to live, but you are young, and may forget all this.
“JOSEPH HABERDEN, M.D.”
In the course of two or three months I heard that Dr. Haberden had died at sea shortly after the ship left England.
THE RED HAND
THE PROBLEM OF THE FISH-HOOKS
“There can be no doubt whatever,” said Mr. Phillipps, “that my theory is the true one; these flints are prehistoric fish-hooks.”
“I dare say; but you know that in all probability the things were forged the other day with a door-key.”
“Stuff!” said Phillipps; “I have some respect, Dyson, for your literary abilities, but your knowledge of ethnology is insignificant, or rather non-existent. These fish-hooks satisfy every test; they are perfectly genuine.”
“Possibly, but as I said just now, you go to work at the wrong end. You neglect the opportunities that confront you and await you, obvious, at every corner; you positively shrink from the chance of encountering primitive man in this whirling and mysterious city, and you pass the weary hours in your agreeable retirement of Red Lion Square fumbling with bits of flint, which are, as I said, in all probability, rank forgeries.”
Phillipps took one of the little objects, and held it up in exasperation.
“Look at that ridge,” he said. “Did you ever see such a ridge as that on a forgery?”
Dyson merely grunted and lit his pipe, and the two sat smoking in rich silence, watching through the open window the children in the square as they flitted to and fro in the twilight of the lamps, as elusive as bats flying on the verge of a dark wood.
“Well,” said Phillipps at last, “it is really a long time since you have been round. I suppose you have been working at your old task.”
“Yes,” said Dyson, “always the chase of the phrase. I shall grow old in the hunt. But it is a great consolation to meditate on the fact that there are not a dozen people in England who know what style means.”
“I suppose not; for the matter of that, the study of ethnology is far from popular. And the difficulties! Primitive man stands dim and very far off across the great bridge of years.”
“By the way,” he went on after a pause, “what was that stuff you were talking just now about shrinking from the chance of encountering primitive man at the corner, or something of the kind? There are certainly people about here whose ideas are very primitive.”
“I wish, Phillipps, you would not rationalise my remarks. If I recollect the phrase correctly, I hinted that you shrank from the chance of encountering primitive man in this whirling and mysterious city, and I meant exactly what I said. Who can limit the age of survival? The troglodyte and the lake-dweller, perhaps representatives of yet darker races, may very probably be lurking in our midst, rubbing shoulders with frock-coated and finely-draped humanity, ravening like wolves at heart and boiling with the foul passions of the swamp and the black cave. Now and then as I walk in Holborn or Fleet Street I see a face which I pronounce abhorred, and yet I could not give a reason for the thrill of loathing that stirs within me.”
“My dear Dyson, I refuse to enter myself in your literary âtrying-on' department. I know that survivals do exist, but all things have a limit, and your speculations are absurd. You must catch me your troglodyte before I will believe in him.”
“I agree to that with all my heart,” said Dyson, chuckling at the ease with which he had succeeded in “drawing” Phillipps. “Nothing could be better. It's a fine night for a walk,” he added, taking up his hat.
“What nonsense you are talking, Dyson!” said Phillipps. “However, I have no objection to taking a walk with you: as you say, it is a pleasant night.”
“Come along then,” said Dyson, grinning, “but remember our bargain.”
The two men went out into the square, and threading one of the narrow passages that serve as exits, struck towards the northeast. As they passed along a flaring causeway they could hear at intervals between the clamour of the children and the triumphant
Gloria
played on a piano-organ the long deep hum and roll of the traffic in Holborn, a sound so persistent that it echoed like the turning of everlasting wheels. Dyson looked to right and left and conned the way, and presently they were passing through a more peaceful quarter, touching on deserted squares and silent streets black as midnight. Phillipps had lost all count of direction, and as by degrees the region of faded respectability gave place to the squalid, and dirty stucco offended the eye of the artistic observer, he merely ventured the remark that he had never seen a neighbourhood more unpleasant or more commonplace.
“More mysterious, you mean,” said Dyson. “I warn you, Phillipps, we are now hot upon the scent.”
They dived yet deeper into the maze of brickwork; some time before they had crossed a noisy thoroughfare running east and west, and now the quarter seemed all amorphous, without character; here a decent house with sufficient garden, here a faded square, and here factories surrounded by high, blank walls, with blind passages and dark corners; but all ill-lighted and unfrequented and heavy with silence.
Presently, as they paced down a forlorn street of two-story houses, Dyson caught sight of a dark and obscure turning.
“I like the look of that,” he said; “it seems to me promising.” There was a street lamp at the entrance, and another, a mere glimmer, at the further end. Beneath the lamp, on the pavement, an artist had evidently established his academy in the daytime, for the stones were all a blur of crude colours rubbed into each other, and a few broken fragments of chalk lay in a little heap beneath the wall.
“You see people do occasionally pass this way,” said Dyson, pointing to the ruins of the screever's work. “I confess I should not have thought it possible. Come, let us explore.”
On one side of this by-way of communication was a great timberyard, with vague piles of wood looming shapeless above the enclosing wall; and on the other side of the road a wall still higher seemed to enclose a garden, for there were shadows like trees, and a faint murmur of rustling leaves broke the silence. It was a moonless night, and clouds that had gathered after sunset had blackened, and midway between the feeble lamps the passage lay all dark and formless, and when one stopped and listened, and the sharp echo of reverberant footsteps ceased, there came from far away, as from beyond the hills, a faint roll of the noise of London. Phillipps was bolstering up his courage to declare that he had had enough of the excursion, when a loud cry from Dyson broke in upon his thoughts.
“Stop, stop, for Heaven's sake, or you will tread on it! There! almost under your feet!” Phillipps looked down, and saw a vague shape, dark, and framed in surrounding darkness, dropped strangely on the pavement, and then a white cuff glimmered for a moment as Dyson lit a match, which went out directly.
“It's a drunken man,” said Phillipps very coolly.
“It's a murdered man,” said Dyson, and he began to call for police with all his might, and soon from the distance running footsteps echoed and grew louder, and cries sounded.
A policeman was the first to come up.
“What's the matter?” he said, as he drew to a stand, panting. “Anything amiss here?” for he had not seen what was on the pavement.
“Look!” said Dyson, speaking out of the gloom. “Look there! My friend and I came down this place three minutes ago, and that is what we found.”
The man flashed his light on the dark shape and cried out.
“Why, it's murder,” he said; “there's blood all about him, and a puddle of it in the gutter there. He's not dead long, either. Ah! there's the wound! It's in the neck.”
Dyson bent over what was lying there. He saw a prosperous gentleman, dressed in smooth, well-cut clothes. The neat whiskers were beginning to grizzle a little; he might have been fortyfive an hour before; and a handsome gold watch had half slipped out of his waistcoat pocket. And there in the flesh of the neck, between chin and ear, gaped a great wound, clean cut, but all clotted with drying blood, and the white of the cheeks shone like a lighted lamp above the red.
Dyson turned, and looked curiously about him; the dead man lay across the path with his head inclined towards the wall, and the blood from the wound streamed away across the pavement, and lay a dark puddle, as the policeman had said, in the gutter. Two more policemen had come up, the crowd gathered, humming from all quarters, and the officers had as much as they could do to keep the curious at a distance. The three lanterns were flashing here and there, searching for more evidence, and in the gleam of one of them Dyson caught sight of an object in the road, to which he called the attention of the policeman nearest to him.
“Look, Phillipps,” he said, when the man had secured it and held it up. “Look, that should be something in your way!”
It was a dark flinty stone, gleaming like obsidian, and shaped to a broad edge something after the manner of an adze. One end was rough, and easily grasped in the hand, and the whole thing was hardly five inches long. The edge was thick with blood.