The Witches of Eastwick (19 page)

Read The Witches of Eastwick Online

Authors: John Updike

Tags: #Fantasy, #Fiction, #Large Type Books, #Women, #Literary, #Fiction - General, #Science Fiction And Fantasy, #Contemporary, #Fantasy - Contemporary, #Witches, #Devil, #Women - Rhode Island, #Rhode Island

It had been his habit for years to step out into the relative quiet of the back yard before going up to bed and to gaze for a minute at the implausible spatter of stars; it was a knife edge of possibility, he knew, that allowed these fiery bodies to be in the sky, for had the primeval fireball been a shade more homogeneous no galaxies could have formed and had it been a shade less the galaxies would have billions of years ago consumed themselves in a heterogeneity too rash. He would stand by the corroding portable barbecue grill, never used now that the kids were gone, and remind himself to wheel it into the garage now that winter was in the air, and never manage to do it, night after night, lifting his face thirstily to that enigmatic miracle arching overhead. Light sank into his eyes that had started on its way when cave men prowled the vast world in little bands like ants on a pool table. Cygnus, its unfinished cross, and Andromeda, its flying V with, clinging near the second star, the bit of fuzz that—his neglected telescope had often made clear—is a spiral galaxy beyond the Milky Way. Night after night the heavens were the same; Clyde was like a photographic plate exposed again and again; the stars had bored themselves into him like bullet holes in a tin roof.

Tonight his old college
De Rerum Natura
folded its youthfully annotated pages and slipped between his knees. He was thinking of going out for his ritual stargaze when Felicia barged into his study. Though of course it was not his study but theirs, as every room in the house was theirs, and every flaking clapboard and bit of crumbling insulation on the old single-strand copper
wiring was theirs, and the rusti
ng barbecue and above the front doorway the wooden eagle plaque with its red, white, and blue weathered in the rain of atoms to rose, yellow, and black.

Felicia unwound striped wool scarves from around her head and throat and stamped her booted feet in indignation. "There are
such
stupid people running this town; they actually voted to change the name of Landing Square to Kazmierczak Square, in honor of that idiotic boy who went off and got himself killed in Vietnam." She pulled off her boots.

"Well," Clyde said, determined to be tactful. Since Sukie's flesh and fur and musk had flooded those cells of his brain set aside for a mate, Felicia seemed diaphanous, an image of a woman painted on tissue paper that might blow away. "That area hasn't really been a boat landing for eighty years. It got all silted in the blizzard of '88." He was innocently proud to be specific; along with astronomy, Clyde, in the days
when his head was clear, used to be interested in terrestrial disasters: Krakatoa blowing its top and shrouding the Earth in dust, the Chinese flood of 1931 that killed nearly four million, the Lisbon earthquake of 1755 that struck when all the faithful were in church.

"But it was so peasant," Felicia said, giving that irrelevant quick smile which showed she thought her words inarguable, "up there at the end of Dock Street, with the benches for the old people, and that old granite obelisk that didn't look like a war memorial at all."

"It might still be pleasant," he offered, wondering if one more inch of Scotch would mercifully knock him out.

"No it won't," Felicia said definitely. She stripped oil her coat. She was wearing a broad copper bracelet that Clyde had never seen before. It reminded him of Sukie, who sometimes left her jewelry on but nothing else and walked in nakedness glinting, in the shadowy rooms where they made love. "Next thing they'll want to be naming Dock Street and then Oak Street and then Eastwick itself after some lower-class dropout who couldn't think of anything better to do than go over there and napalm villages."

"Kazmierczak was a pretty good kid, actually. Remember, a few years back, he was their quarterback, and on the honor roll at the same time? That's why people took it so hard when he got killed last summer."

"Well I
didn't take it hard," Felicia said, smiling as if her point had been clinched. She came near the fire he had built in the grating, to warm her hands now that her mittens were off. She half-turned her back and fiddled with her mouth, as if disentangling a hair from her lips. Clyde didn't know why this by now familiar gesture angered him, since of all the unattractive traits that had come upon her with age this one affliction could not be construed as her fault. In the morning he would see feathers, straw, pennies still slick with saliva stuck to her pillow and want to shake her awake, his own head thundering. "It's not ath if," she insisted, "he was even born and bred in Eastwick. His family moved here about five years ago, and his father refuthes to get a job, just works on the highway crew long enough to get another six months of unemployment. He was at the meeting tonight, wearing a black tie with egg stains all over it. Poor Mrs. K., she tried to dress up so as not to look like a tart but I'm afraid she failed."

Felicia had a considerable love for the underprivileged in the abstract but when actual cases got close to her she tended to hold her nose. There was a fascinating spin to Felicia and Clyde couldn't always resist giving a poke to kee
p her going. "I don't think Kaz
mierczak Square has such a bad ring to it," he said.

Felicia's beady furious eyes flashed. "No you wouldn
't. You wouldn't think Shithouse
Square had such a bad ring to it either. You don't give a damn about the world we pass on to our children or the wars we inflict on the innocent or whether or not we poison ourselves to death, you're poisoning yourself to death right now tho what do you care, drag the whole globe down with you ith the way you look at it." The diction of her tirade had become thick and she carefully lifted from her tongue a small straight pin and what looked like part of an art-gum eraser.

"Our children," he sneered. "I don't see them around to receive the world in whatever shape we pass it on." He drained the glass of Scotch—a taste of smoke and heather amid the cubes of fluoridated water. Ice rattled against his upper lip; he thought of
Sukie's lips, their cushiony expression of pleasure even when she was trying to be solemn and sad. He made her sad, was one of his sorrows. Her lipstick tasted ever so faintly of cherry and sometimes left a line across her two front teeth. He stood to replenish his glass, and staggered. Bits of Sukie—her plump parallel toes tipped with scarlet, her copper necklace of crescents, the pale orange tufts in her armpits—fluttere
d about him unsteadily. The bottl
e lived on a lower shelf, beneath a long uniform set of Balzac like so many miniature brown coffins.

"Yes, that's another thing you can't stand, the way Jenny and Chris have gone off, as if you can keep children home forever, as if the world doesn't have to
change
and
grow.
Wake up, Clyde. You thought life was going to be
just like th
ose children's books Mommy and Daddy kept piling on your bed every time you were sick, all those Wee Astronomers and Children's Classics and coloring books with safe little outlines and nice pointy crayons in their snug little boxes, when the fact is it's an organism, Clyde—the world is an organism, it's vital, it's sensitive, it's moving
on,
Clyde, while you sit over there playing with that silly little paper of yours as if you were still Mommy's pet sick in bed. Your so-called reporter Sukie Rougemont was there tonight at the meeting, her piggy little nose in the air, giving me that I-know-something-you-don't-know-look."

Language, he was thinking, perhaps
is
the curse, that took us out of Eden. And here we are trying to teach it to these poor good-natured chimpanzees and grinning dolphins.
The Johnnie Walker bottle chortled obligingly in its tilted th
roat.

"Don't you think,
ooh,"
Felicia was going on, exclaiming as the vortex of fury gripped her, "don't you think I don't know about you and that minx, I can read you like a book and don't you forget it, how you'd like to fuck her if you had the guts but you don't, you don't."

The picture of Sukie as she was, blurred and gentle and with a sort of distended amazement in her expression beneath him, when she was being fucked, came into his mind and the strong honey of it paralyzed his tongue, which had wanted to protest,
But
I
do.

"You sit here," Felicia was going on, with a chemical viciousness that had become independent of her body, a possession controlling her mouth, her eyes, "you sit here mooning about Jenny and Chris who've at least had the guts and the sense to kiss this Godforsaken town good-bye forever and try to make careers for themselves where things are
happening,
you sit here mooning but you know what they used to say to me about you? You really want to know, Clyde? They would say, 'Hey, Mom, wouldn't it be great if Dad would leave us? But, you know,' they would have to add, 'he just doesn't have the guts.'" Scornfully, as if still in the voice of others: '"He just doesn't—have— the guts.'"

The polish, Clyde thought, the polish of her rhetoric was what made it truly insufferable: the artful pauses and repetitions, the way she had picked up the word "guts" and turned it into a musical theme, the way she was making her orotund points before a huge mental audience rapt to the uttermost tier of the bleachers. A crowd of thumbtacks had come up from her gullet during the climax of her peroration, but not even this had stopped her. Felicia spat them swiftly into her han
d and tossed them into the log f
ire he had built. They faintly sizzled; their colored heads blackened. "No gutth at all," she said, extracting one last tack and flicking it through the gap between the bricks and the fire screen, "but he wants to turn the entire town into a memorial for this horrible war. It
must all fit, it must be, what do they call it, a syndrome. A drunken weakling wants the entire world to go
down with him. Hitl
er, that's who you remind me of, Clyde. Another weak man the world didn't stand up to. Well, it's not going to happen this time." Now the imaginary crowd had gotten behind her—troops she was leading.
"We're standing up to evil,"
she called, her eyes focused above and beyond his head.

And she stood with legs braced as if he might try to knock her down. But he had taken a step her way because the fire, under its mouthful of wet tacks, seemed to be dying. He pulled back the screen and gave the spread logs a poke with the brass-handled poker. The logs snuggled closer, with sparks. He was reminded of himself and Sukie: a curious benison attendant upon sex with Sukie was how sleepy her proximity made him; at the slithering touch of her skin a blissful languor would steal upon him, after a life of insomnia. Before and after sex her naked body rode so lightly at his side he seemed to have found his spot in space at last. Just thinking of this peace the red-haired divorcee bestowed drew a merciful blankness across his brain.

Perhaps minutes passed. Felicia was vehemently talking. His children's vigorous contempt for him had become involved with his criminal willingness to sit in a chair while unjust wars, fascist governments, and profit-greedy exploiters ravaged the world. The poker's smooth heft was still in his hand. In its chemical indignation her face had gone white as a skull; her eyes bu
rned like the tiny flames of voti
ve candles deep in the waxy pockets they have hollowed. Her hair seemed to be standing up in a ragged, skimpy halo. Most horribly, things kept coming out of her mouth—parrot feathers, dead wasps, bits of eggshell all mixed in an unstoppable thin gruel she kept wiping from her chin in a rhythmic gesture like cocking a gun. He saw these extrusions as a sign; this woman was possessed, she bore no relation to the woman he in good faith had married. "Hey come on, Lishy," Clyde begged, "let's cool it. Let's call it a day." The chemical and mechanical action that had replaced her soul surged on; in her trance of indignation she had ceased to see and hear. Her voice would wake the neighbors. Her voice was growing louder, fed inexhaustibly from within. His drink was in his left hand; he lifted the poker in his right and slashed it down across her head, just to interrupt the flow of energy for a moment, to plug the hole through which too much was pouring. The bone of her skull gave off a surprising high-pitched noise, as if two blocks of wood had been playfully knocked together. Her eyeballs rolled upward, displaying their whites, and her lips parted involuntarily, showing on her tongue an impossibly blue small feather. He knew he was making a mistake but the silence felt heaven-sent. His own chemicals took over; he hit her head with the poker again and again, pursuing it in its slow fall to the floor, until the sound the blows made was more liquid than that of wood knocking wood. He had plugged this hole in cosmic peace forever.

An immense sheath of relief slid upward from Clyde Gabriel, a film slipping from his sweat-coated body like a polyethylene protecting bag being pulled from a clean suit. He sipped on the Scotch and avoided looking at the floor. He thought of the stars outside and of the impervious pattern they would be making on this night of his life as on every other in the aeons since the galaxy condensed. Though he still had a lot to do, and some of it very difficult, a
miraculously refreshed perspective gave each of his acti
ons a squared-off clarity, as if indeed he had been returned to those illustrated children's books Felicia had scornfully conjured up. How curious of her to do so: she had been right, he had loved those days of staying home from school sick. She knew him too well. Marriage is like two people locked up with one lesson to read, over and over, until the words become madness. He thought she whimpered from the floor but decided it was only the fire digesting a tiny vein of sap.

Other books

Deus Irae by Philip K. Dick
Pray for a Brave Heart by Helen Macinnes
Dark Waters by Cathy MacPhail
The March Hare Murders by Elizabeth Ferrars
Crossing Over by Elizabeth Cody Kimmel
Shot on Location by Nielsen, Helen
Death Qualified by Kate Wilhelm
Seeing Stars by Christina Jones