Authors: Émile Zola
One morning, he was seized with real terror. For some moments, he had
been looking at a corpse, taken from the water, that was small in build
and atrociously disfigured. The flesh of this drowned person was so soft
and broken-up that the running water washing it, carried it away bit by
bit. The jet falling on the face, bored a hole to the left of the nose.
And, abruptly, the nose became flat, the lips were detached, showing the
white teeth. The head of the drowned man burst out laughing.
Each time Laurent fancied he recognised Camille, he felt a burning
sensation in the heart. He ardently desired to find the body of his
victim, and he was seized with cowardice when he imagined it before him.
His visits to the Morgue filled him with nightmare, with shudders that
set him panting for breath. But he shook off his fear, taxing himself
with being childish, when he wished to be strong. Still, in spite of
himself, his frame revolted, disgust and terror gained possession of his
being, as soon as ever he found himself in the dampness, and unsavoury
odour of the hall.
When there were no drowned persons on the back row of slabs, he breathed
at ease; his repugnance was not so great. He then became a simple
spectator, who took strange pleasure in looking death by violence in the
face, in its lugubriously fantastic and grotesque attitudes. This sight
amused him, particularly when there were women there displaying their
bare bosoms. These nudities, brutally exposed, bloodstained, and in
places bored with holes, attracted and detained him.
Once he saw a young woman of twenty there, a child of the people, broad
and strong, who seemed asleep on the stone. Her fresh, plump, white form
displayed the most delicate softness of tint. She was half smiling, with
her head slightly inclined on one side. Around her neck she had a black
band, which gave her a sort of necklet of shadow. She was a girl who had
hanged herself in a fit of love madness.
Each morning, while Laurent was there, he heard behind him the coming
and going of the public who entered and left.
The morgue is a sight within reach of everybody, and one to which
passers-by, rich and poor alike, treat themselves. The door stands open,
and all are free to enter. There are admirers of the scene who go out of
their way so as not to miss one of these performances of death. If the
slabs have nothing on them, visitors leave the building disappointed,
feeling as if they had been cheated, and murmuring between their teeth;
but when they are fairly well occupied, people crowd in front of them
and treat themselves to cheap emotions; they express horror, they joke,
they applaud or whistle, as at the theatre, and withdraw satisfied,
declaring the Morgue a success on that particular day.
Laurent soon got to know the public frequenting the place, that mixed
and dissimilar public who pity and sneer in common. Workmen looked in
on their way to their work, with a loaf of bread and tools under their
arms. They considered death droll. Among them were comical companions
of the workshops who elicited a smile from the onlookers by making witty
remarks about the faces of each corpse. They styled those who had been
burnt to death, coalmen; the hanged, the murdered, the drowned, the
bodies that had been stabbed or crushed, excited their jeering vivacity,
and their voices, which slightly trembled, stammered out comical
sentences amid the shuddering silence of the hall.
There came persons of small independent means, old men who were thin and
shrivelled-up, idlers who entered because they had nothing to do, and
who looked at the bodies in a silly manner with the pouts of peaceful,
delicate-minded men. Women were there in great numbers: young
work-girls, all rosy, with white linen, and clean petticoats, who
tripped along briskly from one end of the glazed partition to the other,
opening great attentive eyes, as if they were before the dressed shop
window of a linendraper. There were also women of the lower orders
looking stupefied, and giving themselves lamentable airs; and
well-dressed ladies, carelessly dragging their silk gowns along the
floor.
On a certain occasion Laurent noticed one of the latter standing at a
few paces from the glass, and pressing her cambric handkerchief to her
nostrils. She wore a delicious grey silk skirt with a large black lace
mantle; her face was covered by a veil, and her gloved hands seemed
quite small and delicate. Around her hung a gentle perfume of violet.
She stood scrutinising a corpse. On a slab a few paces away, was
stretched the body of a great, big fellow, a mason who had recently
killed himself on the spot by falling from a scaffolding. He had a broad
chest, large short muscles, and a white, well-nourished body; death had
made a marble statue of him. The lady examined him, turned him round
and weighed him, so to say, with her eyes. For a time, she seemed quite
absorbed in the contemplation of this man. She raised a corner of her
veil for one last look. Then she withdrew.
At moments, bands of lads arrived—young people between twelve and
fifteen, who leant with their hands against the glass, nudging one
another with their elbows, and making brutal observations.
At the end of a week, Laurent became disheartened. At night he dreamt
of the corpses he had seen in the morning. This suffering, this daily
disgust which he imposed on himself, ended by troubling him to such a
point, that he resolved to pay only two more visits to the place. The
next day, on entering the Morgue, he received a violent shock in the
chest. Opposite him, on a slab, Camille lay looking at him, extended on
his back, his head raised, his eyes half open.
The murderer slowly approached the glass, as if attracted there,
unable to detach his eyes from his victim. He did not suffer; he merely
experienced a great inner chill, accompanied by slight pricks on his
skin. He would have thought that he would have trembled more violently.
For fully five minutes, he stood motionless, lost in unconscious
contemplation, engraving, in spite of himself, in his memory, all the
horrible lines, all the dirty colours of the picture he had before his
eyes.
Camille was hideous. He had been a fortnight in the water. His face
still appeared firm and rigid; the features were preserved, but the skin
had taken a yellowish, muddy tint. The thin, bony, and slightly tumefied
head, wore a grimace. It was a trifle inclined on one side, with the
hair sticking to the temples, and the lids raised, displaying the dull
globes of the eyes. The twisted lips were drawn to a corner of the mouth
in an atrocious grin; and a piece of blackish tongue appeared
between the white teeth. This head, which looked tanned and drawn out
lengthwise, while preserving a human appearance, had remained all the
more frightful with pain and terror.
The body seemed a mass of ruptured flesh; it had suffered horribly.
You could feel that the arms no longer held to their sockets; and the
clavicles were piercing the skin of the shoulders. The ribs formed black
bands on the greenish chest; the left side, ripped open, was gaping
amidst dark red shreds. All the torso was in a state of putrefaction.
The extended legs, although firmer, were daubed with dirty patches. The
feet dangled down.
Laurent gazed at Camille. He had never yet seen the body of a drowned
person presenting such a dreadful aspect. The corpse, moreover, looked
pinched. It had a thin, poor appearance. It had shrunk up in its decay,
and the heap it formed was quite small. Anyone might have guessed
that it belonged to a clerk at 1,200 francs a year, who was stupid and
sickly, and who had been brought up by his mother on infusions. This
miserable frame, which had grown to maturity between warm blankets, was
now shivering on a cold slab.
When Laurent could at last tear himself from the poignant curiosity that
kept him motionless and gaping before his victim, he went out and begun
walking rapidly along the quay. And as he stepped out, he repeated:
"That is what I have done. He is hideous."
A smell seemed to be following him, the smell that the putrefying body
must be giving off.
He went to find old Michaud, and told him he had just recognized Camille
lying on one of the slabs in the Morgue. The formalities were performed,
the drowned man was buried, and a certificate of death delivered.
Laurent, henceforth at ease, felt delighted to be able to bury his
crime in oblivion, along with the vexatious and painful scenes that had
followed it.
The shop in the Arcade of the Pont Neuf remained closed for three days.
When it opened again, it appeared darker and damper. The shop-front
display, which the dust had turned yellow, seemed to be wearing the
mourning of the house; the various articles were scattered at sixes
and sevens in the dirty windows. Behind the linen caps hanging from
the rusty iron rods, the face of Therese presented a more olive, a more
sallow pallidness, and the immobility of sinister calm.
All the gossips in the arcade were moved to pity. The dealer in
imitation jewelry pointed out the emaciated profile of the young widow
to each of her customers, as an interesting and lamentable curiosity.
For three days, Madame Raquin and Therese had remained in bed without
speaking, and without even seeing one another. The old mercer, propped
up by pillows in a sitting posture, gazed vaguely before her with the
eyes of an idiot. The death of her son had been like a blow on the head
that had felled her senseless to the ground. For hours she remained
tranquil and inert, absorbed in her despair; then she was at times
seized with attacks of weeping, shrieking and delirium.
Therese in the adjoining room, seemed to sleep. She had turned her face
to the wall, and drawn the sheet over her eyes. There she lay
stretched out at full length, rigid and mute, without a sob raising the
bed-clothes. It looked as if she was concealing the thoughts that made
her rigid in the darkness of the alcove.
Suzanne, who attended to the two women, went feebly from one to the
other, gently dragging her feet along the floor, bending her wax-like
countenance over the two couches, without succeeding in persuading
Therese, who had sudden fits of impatience, to turn round, or in
consoling Madame Raquin, whose tears began to flow as soon as a voice
drew her from her prostration.
On the third day, Therese, rapidly and with a sort of feverish decision,
threw the sheet from her, and seated herself up in bed. She thrust back
her hair from her temples, and for a moment remained with her hands to
her forehead and her eyes fixed, seeming still to reflect. Then, she
sprang to the carpet. Her limbs were shivering, and red with fever;
large livid patches marbled her skin, which had become wrinkled in
places as if she had lost flesh. She had grown older.
Suzanne, on entering the room, was struck with surprise to find her
up. In a placid, drawling tone, she advised her to go to bed again, and
continue resting. Therese paid no heed to her, but sought her clothes
and put them on with hurried, trembling gestures. When she was dressed,
she went and looked at herself in a glass, rubbing her eyes, and passing
her hands over her countenance, as if to efface something. Then, without
pronouncing a syllable, she quickly crossed the dining-room and entered
the apartment occupied by Madame Raquin.
She caught the old mercer in a moment of doltish calm. When Therese
appeared, she turned her head following the movements of the young widow
with her eyes, while the latter came and stood before her, mute and
oppressed. The two women contemplated one another for some seconds, the
niece with increasing anxiety, the aunt with painful efforts of memory.
Madame Raquin, at last remembering, stretched out her trembling arms,
and, taking Therese by the neck, exclaimed:
"My poor child, my poor Camille!"
She wept, and her tears dried on the burning skin of the young widow,
who concealed her own dry eyes in the folds of the sheet. Therese
remained bending down, allowing the old mother to exhaust her outburst
of grief. She had dreaded this first interview ever since the murder;
and had kept in bed to delay it, to reflect at ease on the terrible part
she had to play.
When she perceived Madame Raquin more calm, she busied herself about
her, advising her to rise, and go down to the shop. The old mercer
had almost fallen into dotage. The abrupt apparition of her niece had
brought about a favourable crisis that had just restored her memory, and
the consciousness of things and beings around her. She thanked Suzanne
for her attention. Although weakened, she talked, and had ceased
wandering, but she spoke in a voice so full of sadness that at moments
she was half choked. She watched the movements of Therese with sudden
fits of tears; and would then call her to the bedside, and embrace her
amid more sobs, telling her in a suffocating tone that she, now, had
nobody but her in the world.
In the evening, she consented to get up, and make an effort to eat.
Therese then saw what a terrible shock her aunt had received. The legs
of the old lady had become so ponderous that she required a stick to
assist her to drag herself into the dining-room, and there she thought
the walls were vacillating around her.
Nevertheless, the following day she wished the shop to be opened. She
feared she would go mad if she continued to remain alone in her room.
She went down the wooden staircase with heavy tread, placing her two
feet on each step, and seated herself behind the counter. From that day
forth, she remained riveted there in placid affliction.
Therese, beside her, mused and waited. The shop resumed its gloomy calm.
Laurent resumed calling of an evening, every two or three days,
remaining in the shop talking to Madame Raquin for half an hour. Then
he went off without looking Therese in the face. The old mercer regarded
him as the rescuer of her niece, as a noble-hearted young man who had
done his utmost to restore her son to her, and she welcomed him with
tender kindness.