Trailerpark (6 page)

There was in the park one trailer, an old Skyline, that was situated more favorably than any other in the park, number 8, and it was out at the end of the shoreside line, where the road became a cul-de-sac and the shore curved back around toward the swamp and state forest. It was a plain, dark gray trailer, with the grass untended, uncut, growing naturally all around as if no one lived there. A rowboat lay tilted on one side where someone had drawn it up from the lake behind the trailer, and there was an ice-fishing shanty on a sledge waiting by the shore for winter, but there were no other signs of life around the yard, no automobile, none of the usual junk and tools lying around, no piles of gravel, crushed stone or loam to indicate projects underway and forsaken for lack of funds, no old and broken toys or tricycles or wagons, nothing out back but a single clothesline stretching from one corner of the trailer back to a pole that looked like a small chokecherry tree cut from the swamp. This was where the man Merle Ring lived.

Merle Ring was a retired carpenter, retired by virtue of his arthritis, though he could still do a bit of finish work in warm weather, cabinetmaking and such, to supplement his monthly social security check. He lived alone and modestly and in that way managed to get by all right. He had outlived and divorced numerous wives, the number varied from three to seven, depending on who Merle happened to be talking to, and he had fathered on these three to seven women at least a dozen children, most of whom lived within twenty miles of him, but none of them wanted him to live with him or her because Merle would only live with him or her if, as he put it, he could be the boss of the house. No grown child would accept a condition like that, naturally, and so Merle lived alone, where he was in fact and indisputably the boss of the house.

Merle, in certain respects, was controversial in the park, though he did have the respect of Marcelle Chagnon, which helped keep the controversy from coming to a head. He was mouthy, much given to offering his opinions on subjects that involved him not at all, which would not have been so bad, however irritating it might have been, had he not been so perverse and contradictory with his opinions. He never seemed to mean what he said, but he said it so cleverly that you felt compelled to take him seriously anyhow. Then, later, when you brought his opinion back to him and tried to make him own up to it and take responsibility for its consequences, he would laugh at you for ever having taken him seriously in the first place. He caused no little friction in the lives of many of the people in the park. When one night Doreen Tiede's ex-husband arrived at the park drunk and threatening violence, Merle, who happened to be nearby, just coming in from a long night of hornpouting on the lake, stopped and watched with obvious amusement, as if he were watching a movie and not a real man cockeyed drunk and shouting through a locked door at a terrorized woman and child that he was going to kill them both. Buck Tiede caught sight of old Merle standing there at the edge of the road, where the light just reached him, his string of hornpout dangling nearly to the ground (he was on his way to offer his catch to Marcelle, who had a deep-freeze and would hand the ugly fish out next winter when, rolled in batter and fried in deep fat, they would be a treat that reminded people of summer and got them to talking about it again). “You old fart!” Buck, a large and disheveled man, had roared at Merle. “What the hell you lookin' at! G'wan, get the hell outa here an' mind your own business!” He made a swiping gesture at Merle, as if he were chasing off a dog.

Then, according to Marcelle, who had come up behind him in the darkness with her shotgun, Merle said to the man, “Once you kill her, it's done. Dead is dead. If I was you, Buck, and wanted that woman dead as you seem to, I'd just get me some dynamite and blow the place all to hell. Or better yet, just catch her some day coming out of work down to the tannery, snipe her with a high-powered rifle from a window on the third floor of the Hawthorne House. Then she'd be dead, and you could stop all this hollering and banging on doors and stuff.”

Buck stared at him in amazement. “What the hell are you saying?”

“I'm saying you ought to get yourself a window up in the Hawthorne House that looks down the hill to the tannery, and when she comes out the door after work, plug her. Get her in the head, to be sure. Just bang, and that'd be that. You could do your daughter the same way. Dead is dead, and you wouldn't have to go around like this all the time. If you was cute about it, you'd get away with it all right. I could help you arrange it. Give you an alibi, even.” He held up the string of whiskery fish. “I'd tell 'em you was out hornpouting with me.”

“What are you telling me to do?” Buck took a step away from the door toward Merle. “You're crazy.”

“Step aside, Merle, I'll take care of this,” Marcelle ordered, shouldering the tiny man out of the way and bringing her shotgun to bear on Buck Tiede. “Doreen!” she called out. “You hear me?”

Buck made a move toward Marcelle.

“Stay right where you are, mister, or I'll splash you all over the wall. You know what a mess a twelve-gauge can make?”

Buck stood still.

A thin, frightened voice came from inside. “Marcelle, I'm all right! Oh God, I'm sorry for all this! I'm so sorry!” Then there was weeping, both a woman's and a child's.

“Forget sorry. Just call the cops. I'll hold Mister Bigshot here until they come.”

And she did hold him, frozen and silent at the top of the steps, while Doreen called the police, who came in less than five minutes and hauled Buck off to spend the night in jail. Merle, once Marcelle and her shotgun had taken charge of the situation, had strolled on with his fish, gutting them and skinning them quickly in Marcelle's kitchen, then neatly wrapping and depositing them in her deep-freeze. The cops came and went, blue lights flashing, and later Marcelle returned home, her shotgun slung over her thick arm, and when she entered her kitchen, she found Merle sitting over a can of Budweiser reading her copy of
People
magazine.

“You're crazy, dealing with Buck Tiede that way,” she said angrily.

“What way?”

“Telling him to shoot Doreen from a room in the Hawthorne House! He's just liable to do that, he's a madman when he's drinking!” She cracked open a can of beer and sat down across from the old man.

He closed the magazine. “I never told him to kill her. I just said how he might do it, if he wanted to kill her. The way he was going about it seemed all wrong to me.” He smiled and showed his brown teeth through his beard.

“What if he actually went and did it, shot her from the Hawthorne House some afternoon as she came out of work? How would you feel then?”

“Good.”

“Good! Why, in the name of Jesus, Mary and Joseph, would you feel good?”

“Because we'd know who did it.”

“But you said you'd give him an alibi!”

“That was just a trick. I wouldn't, and that way he'd be trapped. He'd say he was with me all afternoon fishing, and then I'd come out and say no, he wasn't. I'd fix it so there'd be no way he could prove he was with me, because I'd make sure someone else saw me fishing alone, and that way he'd be trapped and they'd take him over to Concord and hang him by the neck until dead.”

“Why do you fool around like that with people?” she asked, genuinely curious. “I don't understand you, old man.”

He got up, smiled and flipped the copy of
People
magazine across the table. “It's more interesting than reading this kind of stuff,” he said and started for the door. “I put an even dozen hornpouts in your freezer.”

“Thanks. Thanks a lot,” she said absently, and he went out.

 

Merle heard about Flora's guinea pigs from Nancy Hubner, the widow in number 7, who heard about them from her daughter, Noni, who was having a love affair with the college boy, Bruce Severance. He told her one night in his trailer after they had made love and were lying in darkness on the huge waterbed he'd built, smoking a joint while the stereo played the songs of the humpback whale quietly around them. Noni had been a college girl in northern California before her nervous breakdown, so she understood and appreciated Bruce more than anyone else in the park could. Most everyone tolerated Bruce good-humoredly—he believed in knowledge and seemed to be earnest in his quest for it, and what little knowledge he had already acquired, or believed he had acquired, he dispensed liberally to anyone who would listen. He was somberly trying to explain to Noni how yogic birth control worked, how “basically feminist” it was, because the responsibility was the man's, not the woman's.

“I wondered how come you never asked me if I was protected,” she said.

“Yeah, well, no need to, man. It's all in the breathing and certain motions with the belly, so the sperm gets separated from the ejaculatory fluid prior to emission. It's really quite simple.”

“Amazing.”

“Yeah.”

“Overpopulation is an incredible problem.”

“Yeah. It is.”

“I believe that if we could just solve the overpopulation problem, all the rest of the world's problems would be solved, too. Like wars.”

“Ecological balance, man. The destruction of the earth.”

“The energy crisis. Everything.”

“Yeah, man. It's like those guinea pigs of Flora Pease's. Flora, she's got these guinea pigs, hundreds of them by now. And they just keep on making new guinea pigs, doubling their numbers every couple of months. It's incredible, man.”

Noni rolled over on her belly and stretched out her legs and wiggled her toes. “Do you have that record of Dylan's, the one where he sings all those country and western songs, way before anyone even
heard
of country and western? What's it called?”

“
Nashville Skyline?
”

“Yeah, that's it. Isn't it incredible, how he was singing country and western way before anyone even heard of it?”

“Yeah, he's really incredible, Dylan. Anyhow…”

“Do you have it, the record?” she interrupted.

“No, man. Listen, I was telling you something.”

“Sorry.”

“That's okay, man. Anyhow, Flora's guinea pigs, it's like they're a
metaphor
. You know? I mean, it's like Flora is some kind of god and the first two guinea pigs, the ones she bought from the five-and-dime in town, were Adam and Eve, and that trailer of hers is the world. Be fruitful and multiply, Flora told them, and fine, they go out and do what they're programmed to do, and pretty soon they're taking over the world, the trailer, so that Flora can't take care of them anymore. No matter how hard she works, they eat too much, they shit too much, they take up too much room. So what happens?”

Silence.

“What happens?” Bruce repeated.

“Oh. I don't know. A flood, maybe?”

“No, man, it's not that literal, it's a metaphor. What happens is Flora moves out, leaves the trailer to the guinea pigs. Twilight of the gods, man. God is dead. You know.”

“Yeah. That's really incredible.”

“Yeah,” Bruce said, drifting into still deeper pools of thought.

After a few moments, Noni got up from the bed and drew on her clothes. “I better get home, my mother'll kill me. She thinks I'm at the movies with you.”

“Naw, man, she knows where you are. All she's got to do is walk three doors down and see my van's still here. C'mon, she
knows
. She knows we're making it together. She's not that out of it.”

Noni shrugged. “I don't know. She believes what she wants to believe. Sometimes I think she still doesn't believe Daddy's dead, and it's been over four years now. There's no point in forcing things on people. You know what I mean?”

Bruce understood, but he didn't agree. People needed to face reality, it was good for them and good for humanity as a whole, he felt. He was about to tell her why it was good for them, but Noni was already dressed and heading for the door, so he said good night instead and waved from the bed as she slipped out the door.

 

When later that same evening she told her mother that Flora Pease was raising hundreds of guinea pigs in her trailer, it was not so much because Noni herself was interested in Flora or the guinea pigs as it was because her mother Nancy was quizzing her about the movie she was supposed to have seen with Bruce.

“That's not true,” the woman said.

“What's not?” Noni switched on the TV set and sat down cross-legged on the floor.

“About the guinea pigs. Where'd you hear such a thing?”

“Bruce. Do you think I could study yoga somewhere around here?”

“Of course not. Don't be silly.” Nancy lit a cigarette and sat down on the sofa, where she'd been reading this month's Book-of-the-Month Club selection, a novel that gently satirized the morals and mores of Westchester County's smart set. “Bruce. I don't know about that boy. How can he be a college student when the nearest college is the state university in Durham, which is over forty miles from here?”