Trilogy (55 page)

Read Trilogy Online

Authors: George Lucas

Luke, with Threepio and Artoo tagging along, moved to stand next to her. He understood what she was feeling for he knew how terrible such a loss could be.

Standing together, the group faced the inviting heavens and saw the
Millennium Falcon
moving into view, then veering off in another direction to soar with great dignity through the Rebel fleet. Soon the
Millennium Falcon
had left the fleet in its wake.

They needed no words in this moment. Luke knew that Leia's mind and heart were with Han, no matter where he was or what his fate might be. As to his own destiny, he was now more uncertain about himself than he had ever been—even before this simple farm boy on a distant world first learned of the intangible something called the Force. He only knew he had to return to Yoda and finish his training before he set off to rescue Han.

Slowly he put his arm around Leia and together with Threepio and Artoo, they faced the heavens bravely, each of them gazing at the same crimson star.

 

 

EPISODE VI

STAR WARS:
Return of the Jedi

James Kahn

Screenplay by
Lawrence Kasdan and George Lucas

Based on a story by George Lucas

INTRODUCTION

W
ITHIN THE FIRST
S
TAR
W
ARS
trilogy,
Return of the Jedi
is the third act of a three-act play. It was by its nature the episode in which many complicated, loose threads had to be tied together in a satisfying and triumphant resolution.

Indeed, the story structure that I chose at the outset of the trilogy left so many plot points to be resolved in
Return of the Jedi
that writing the screenplay proved to be one of the greatest challenges. Han Solo had to be rescued. Leia had to choose between Luke and Han. Luke had to decide whether to join his father or fight him. Yoda and Ben had to reveal who was the Jedis' “other” hope.

More than either of the prior two films,
Jedi
gave me the opportunity to explore philosophical issues of great interest to me. One theme central to the trilogy is that the potential for goodness and evil exists within each person, and is realized only by the
choices that we each make. In
Jedi
, I was able to develop this theme in the dramatic confrontation between Luke Skywalker and Darth Vader before the Emperor.

Star Wars
is also very much concerned with the tension between humanity and technology, an issue which, for me, dates back even to my first films. In
Jedi
, the theme remained the same, as the simplest of natural forces brought down the seemingly invincible weapons of the evil Empire.

PROLOGUE

T
HE VERY DEPTH OF SPACE
. T
HERE
was the length, and width, and height; and then these dimensions curved over on themselves into a bending blackness measurable only by the glinting stars that tumbled through the chasm, receding to infinity. To the very depth.

These stars marked the moments of the universe. There were aging orange embers, blue dwarfs, twin yellow giants. There were collapsing neutron stars, and angry supernovae that hissed into the icy emptiness. There were borning stars, breathing stars, pulsing stars, and dying stars. There was the Death Star.

At the feathered edge of the galaxy, the Death Star floated in stationary orbit above the green moon Endor—a moon whose mother planet had long since died of an unknown cataclysm and disappeared into unknown realms. The Death Star was the Empire's
armored battle station, nearly twice as big as its predecessor, which Rebel forces had destroyed so many years before—nearly twice as big, but more than twice as powerful. Yet it was only half complete.

Half a steely dark orb, it hung above the green world of Endor, tentacles of unfinished superstructure curling away toward its living companion like the groping legs of a deadly spider.

An Imperial Star Destroyer approached the giant space station at cruising speed. It was massive—a city itself—yet it moved with deliberate grace, like some great sea dragon. It was accompanied by dozens of Twin Ion Engine fighters—black insectlike combat flyers that zipped back and forth around the battleship's perimeter: scouting, sounding, docking, regrouping.

Soundlessly the main bay of the ship opened. There was a brief ignition-flash, as an Imperial shuttle emerged from the darkness of the hold, into the darkness of space. It sped toward the half-completed Death Star with quiet purpose.

In the cockpit the shuttle captain and his copilot made final readings, monitored descent functions. It was a sequence they'd each performed a thousand times, yet there was an unusual tension in the air now. The captain flipped the transmitter switch, and spoke into his mouthpiece.

“Command Station, this is ST321. Code Clearance Blue. We're starting our approach. Deactivate the security shield.”

Static filtered over the receiver; then the voice of the port controller: “The security deflector shield
will be deactivated when we have confirmation of your code transmission. Stand by …”

Once more silence filled the cockpit. The shuttle captain bit the inside of his cheek, smiled nervously at his copilot, and muttered, “Quick as you can, please—this better not take long. He's in no mood to wait …”

They refrained from glancing back into the passenger section of the shuttle, now under lights-out for landing. The unmistakable sound of the mechanical breathing coming from the chamber's shadow filled the cabin with a terrible impatience.

In the control room of the Death Star below, operators moved along the bank of panels, monitoring all the space traffic in the area, authorizing flight patterns, accessing certain areas to certain vehicles. The shield operator suddenly checked his monitor with alarm; the view-screen depicted the battle station itself, the moon Endor, and a web of energy—the deflector shield—emanating from the green moon, encompassing the Death Star. Only now, the security web was beginning to separate, to retract and form a clear channel—a channel through which the dot that was the Imperial shuttle sailed, unimpeded, toward the massive space station.

The shield operator quickly called his control officer over to the view-screen, uncertain how to proceed.

“What is it?” the officer demanded.

“That shuttle has a class-one priority ranking.” He tried to replace the fear in his voice with disbelief.

The officer glanced at the view-screen for only a
moment before realizing who was on the shuttle and spoke to himself: “Vader!”

He strode past the view port, where the shuttle could be seen already making its final approach, and headed toward the docking bay. He turned to the controller.

“Inform the commander that Lord Vader's shuttle has arrived.”

The shuttle sat quietly, dwarfed by the cavernous reaches of the huge docking bay. Hundreds of troops stood assembled in formation, flanking the base of the shuttle ramp—white-armored Imperial stormtroopers, gray-suited officers, and the elite, red-robed Imperial Guard. They snapped to attention as Moff Jerjerrod entered.

Jerjerrod—tall, thin, arrogant—was the Death Star commander. He walked without hurry up the ranks of soldiers, to the ramp of the shuttle. Hurry was not in Jerjerrod, for hurry implied a wanting to be elsewhere, and he was a man who distinctively
was
exactly where he wanted to be. Great men never hurried (he was fond of saying); great men caused
others
to hurry.

Yet Jerjerrod was not blind to ambition; and a visit by such a one as this great Dark Lord could not be taken too lightly. He stood at the shuttle mouth, therefore, waiting—with respect, but not hurry.

Suddenly the exit hatch of the shuttle opened, pulling the troops in formation to even tauter attention. Only darkness glowed from the exit at first; then footsteps; then the characteristic electrical respirations, like the breathing of a machine; and
finally Darth Vader, Lord of the Sith, emerged from the void.

Vader strode down the ramp, looking over the assemblage. He stopped when he came to Jerjerrod. The commander bowed from the neck, and smiled.

“Lord Vader, this is an unexpected pleasure. We are honored by your presence.”

“We can dispense with the pleasantries, Commander.” Vader's words echoed as from the bottom of a well. “The Emperor is concerned with your progress. I am here to put you back on schedule.”

Jerjerrod turned pale. This was news he'd not expected. “I assure you, Lord Vader, my men are working as fast as they can.”

“Perhaps I can encourage their progress in ways you have not considered,” Vader growled. He had ways, of course; this was known. Ways, and ways again.

Jerjerrod kept his tone even, though deep inside, the ghost of hurry began to scrabble at his throat. “That won't be necessary, my Lord. I tell you, without question this station will be operational as planned.”

“I'm afraid the Emperor does not share your optimistic appraisal of the situation.”

“I fear he asks the impossible,” the commander suggested.

“Perhaps you could explain that to him when he arrives.” Vader's face remained invisible behind the deathly black mask that protected him; but the malice was clear in the electronically modified voice.

Jerjerrod's pallor intensified. “The Emperor is coming here?”

“Yes, Commander. And he will be quite displeased if you are still behind schedule when he arrives.” He spoke loudly, to spread the threat over all who could hear.

“We shall double our efforts, Lord Vader.” And he meant it. For sometimes didn't even great men hurry, in time of great need?

Vader lowered his voice again. “I hope so, Commander, for your sake. The Emperor will tolerate no further delay in the final destruction of the outlaw Rebellion. And we have secret news now”—he included Jerjerrod, only, in this intimate detail—“The Rebel fleet has gathered all its forces into a single giant armada. The time is at hand when we can crush them, without mercy, in a single blow.”

Other books

FaceOff by Lee Child, Michael Connelly, John Sandford, Lisa Gardner, Dennis Lehane, Steve Berry, Jeffery Deaver, Douglas Preston, Lincoln Child, James Rollins, Joseph Finder, Steve Martini, Heather Graham, Ian Rankin, Linda Fairstein, M. J. Rose, R. L. Stine, Raymond Khoury, Linwood Barclay, John Lescroart, T. Jefferson Parker, F. Paul Wilson, Peter James
Cold Paradise by Stuart Woods
Third Date by Kylie Keene
The Third Antichrist by Reading, Mario
My Life in Reverse by Casey Harvell
Stories Of Young Love by Abhilash Gaur
The Body Hunters by Sonia Shah