Trust Me

Read Trust Me Online

Authors: John Updike

Trust Me
is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

2012
Random House Trade Paperback Edition

Copyright © 1962, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987 by John Updike

All rights reserved.

Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

R
ANDOM
H
OUSE
T
RADE
P
APERBACKS
and colophon are trademarks of Random House, Inc.

Originally published in hardcover in the United States
by Alfred A. Knopf, a division of Random House, Inc., in 1987.

The following stories were originally published in
The New Yorker:
“Trust Me,” “Still of Some Use,” “The City,” “The Lovely Troubled Daughters of Our Old Crowd,” “Unstuck,” “A Constellation of Events,” “Deaths of Distant Friends,” “Learn a Trade,” “One More Interview,” “The Other,” “Slippage,” “Leaf Season,” and “The Other Woman.” “More Stately Mansions” and “Poker Night” first appeared in
Esquire;
“Pygmalion” and “Made in Heaven” in
The Atlantic;
“Killing” and “Beautiful Husbands” in
Playboy;
“Getting into the Set” in
Vanity Fair;
“The Wallet” in
Yankee;
and “The Ideal Village” in
The Ontario Review
.

Library of Congress Cataloging-in-Publication Data
Updike, John.
Trust Me.
I. Title.
PS3571.P4T7 1987 813′.54 86-46018
eISBN: 978-0-679-64597-9

www.atrandom.com

Cover design: Gabrielle Bordwin
Cover photo: © Martin Mistretta/Getty Images

v3.1_r1

Contents
Trust Me

W
HEN
H
AROLD
was three or four, his father and mother took him to a swimming pool. This was strange, for his family rarely went places, except to the movie house two blocks from their house. Harold had no memory of ever seeing his parents in bathing suits again, after this unhappy day. What he did remember was this:

His father, nearly naked, was in the pool, treading water. Harold was standing shivering on the wet tile edge, suspended above the abysmal odor of chlorine, hypnotized by the bright, lapping agitation of this great volume of unnaturally blue-green water. His mother, in a black bathing suit that made her flesh appear very white, was off in a corner of his mind. His father was asking him to jump. “C’mon, Hassy, jump,” he was saying, in his mild, encouraging voice. “It’ll be all right. Jump right into my hands.” The words echoed in the flat acoustics of the water and tile and sunlight, heightening Harold’s sense of exposure, his awareness of his own white skin. His father seemed eerily stable and calm in the water, and the child idly wondered, as he jumped, what the man was standing on.

Then the blue-green water was all around him, dense and churning, and when he tried to take a breath a fist was shoved into his throat. He saw his own bubbles rising in front of his face, a multitude of them, rising as he sank; he sank it seemed for a very long time, until something located him in the darkening element and seized him by the arm.

He was in air again, on his father’s shoulder, still fighting for breath. They were out of the pool. His mother swiftly came up to the two of them and, with a deftness remarkable in one so angry, slapped his father on the face, loudly, next to Harold’s ear. The slap seemed to resonate all over the pool area, and to be heard by all the other bathers; but perhaps this was the acoustics of memory. His sense of public embarrassment amid sparkling nakedness—of every strange face turned toward him as he passed from his father’s wet arms into his mother’s dry ones—survived his recovery of breath. His mother’s anger seemed directed at him as much as at his father. His feet now were on grass. Standing wrapped in a towel near his mother’s knees while the last burning fragments of water were coughed from his lungs, Harold felt eternally disgraced.

He never knew what had happened; by the time he asked, so many years had passed that his father had forgotten. “Wasn’t that a crying shame,” the old man said, with his mild mixture of mournfulness and comedy. “Sink or swim, and you sank.” Perhaps Harold had leaped a moment before it was expected, or had proved unexpectedly heavy, and had thus slipped through his father’s grasp. Unaccountably, all through his growing up he continued to trust his father; it was his mother he distrusted, her swift sure-handed anger.

He didn’t learn to swim until college, and even then he passed the test by frog-kicking the length of the pool on his
back, with the instructor brandishing a thick stick to grasp if he panicked and began to sink. The chemical scent of a pool always frightened him: blue-green dragon breath.

His children, raised in an amphibious world of summer camps and country clubs, easily became swimmers. They tried to teach him how to dive. “You must keep your head
down
, Dad. That’s why you keep getting belly-whoppers.”

“I’m scared of not coming up,” he confessed. What he especially did not like, under water, was the sight of bubbles rising around his face.

His first wife dreaded flying. Yet they flew a great deal. “Either that,” he told her, “or resign from the twentieth century.” They flew to California, and while they were there two planes collided over the Grand Canyon. They flew out of Boston the day after starlings had blocked the engines of an Electra and caused it to crash into the harbor with such force that people were cut in two by their safety belts. They flew over Africa, crossing the equator at night, the land beneath them an inky chasm lit by a few sparks of tribal fire. They landed on dusty runways, with the cabin doors banging. He promised her, her fear was so acute, that she would never have to fly with him again. At last, their final African flight took them up from the Ethiopian Plateau, across the pale width of the Libyan Desert, to the edge of the Mediterranean, and on to Rome.

The Pan Am plane out of Rome was the most comforting possible—a jumbo jet wide as a house, stocked with American magazines and snacks, its walls dribbling music, with only a few passengers. The great plane lifted off, and he relaxed into a
Newsweek
, into the prospect of a meal, a nap, and a homecoming.
Harold’s wife asked, after ten minutes, “Why aren’t we climbing?”

He looked out of the window, and it was true—the watery world below them was not diminishing; he could distinctly see small boats and the white tips of breaking waves. The stewardesses were moving up and down the aisle with unusual speed, with unusual expressions on their glamorous faces. Harold looked at the palms of his hands; they had become damp and mottled, as during nausea. However hard he stared, the sea beneath the wings did not fall away. Sun sparkled on its surface; a tiny sailboat tacked.

The pilot’s voice crackled into being above them. “Folks, there’s a little warning light come on for one of our starboard engines, and in conformance with our policy of absolute security we’re going to circle around and return to the Rome airport.”

During the bank and return, which seemed to take an extremely long time, the stewardesses buckled themselves into rear seats, the man across the aisle kept reading
L’Osservatore
, and Harold’s wife, a faithful student of safety instructions, removed her high-heeled shoes and took the pins out of her hair. So again he marvelled at the deft dynamism of women in crises.

He held her damp hand in his and steadily gazed out of the window, pressing the sea down with his vision, stiff-arming it with his will to live. If he blinked, they would fall. One little boat at a time, the plane edged back to Rome. The blue sea visually interlocked with the calm silver edge of the wing: Olympian surfaces serenely oblivious of the immense tension between them. He had often felt, through one of these scratched oval windows, something falsely reassuring in the elaborate order of the rivets pinning the aluminum sheets together.
Trust me
, the metallic code spelled out; in his heart Harold, like his wife, had refused, and this refusal in him formed a hollow space terror could always flood.

The 747 landed smoothly back in Rome and, after an hour’s delay, while mechanics persuaded the warning light to go off, resumed the flight to America. At home, their scare became a story, a joke. He kept his promise, though, that she would never have to fly with him again; within a year, they separated.

During the time of separation Harold seemed to be slinging his children from one rooftop to another, silently begging them to trust him. It was as when, years before, he had adjusted his daughter’s braces in her mouth with a needle-nose pliers. She had come to him in pain, a wire gouging the inside of her cheek. But then, with his clumsy fingers in her mouth, her eyes widened with fear of worse pain. He gaily accused her, “You don’t trust me.” The gaiety of his voice revealed a crucial space, a gap between their situations: it would be his blunder, but her pain. Another’s pain is not our own. Religion, he supposed, seeks to close this gap, but each generation’s torturers keep it open. Without it, compassion would crush us; the space of indifference is where we breathe. Harold had heard this necessary indifference in the pilot’s voice drawling “Folks,” and in his father’s voice urging “Jump.” He heard it in his own reassurances as he bestowed them. “Sweetie, I know you’re feeling pressure now, but if you’ll just hold
still …
there’s this little sharp end—oops. Well, you wriggled.”

He took his girl friend to the top of a mountain. Harold hadn’t had a girl friend for many years and had to relearn the
delicate blend of protectiveness and challengingness that is courtship. She was, Priscilla, old enough to have her own children, and old enough to feel fragile on skis. She had spent the day on the baby slope, practicing turns and gradually gaining confidence, while Harold ranged far and wide on the mountain, in the company of her children. As the afternoon drew to an end, he swooped down upon her in a smart spray of snow. She begged him, “Ride the baby chair, so I can show you my snowplow.”

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