Unmasqued: An Erotic Novel of The Phantom of The Opera (3 page)

Philippe stood. “Then I would imagine you must hasten to congratulate Miss Daaé on her lovely performance. She will be delighted to renew your acquaintance, whilst I make my way to the dancers’ lounge, where La Sorelli is waiting to renew mine.” A smile played about his lips. This could be quite interesting, Philippe thought.

When at last she came offstage, Christine was surrounded by the girls of the ballet corps, of which she had been a member until just this afternoon. Even if her new role was only temporary, the entire day had been like a dream. The girls squealed and clapped and bore her like a hero in their midst back to her dressing room, for what she had accomplished was in the heart of every one of them as well.

Still light-headed from her experience, her fingers trembling
and her knees weak, Christine nevertheless felt as though she could be no happier. She’d sung perfectly, clear and true, dressed in the heavy, gorgeous gown that looked as though it belonged to a queen. The applause had been for her, and her alone. The enraptured faces, rows after rows of them, had been in her honor.

It was as if she’d traveled back in time to the moment when as a very young child, she’d seen the beautiful lady…dressed in a glittering golden gown, seeded with pearls and rubies, her honey-colored hair coiffed in whorls and braids and little puffs around her ears, with more jewels and slender golden chains woven throughout…and she, little Christine, gazed up at her in adoration.

She would never forget that beautiful woman opening her lovely pink lips, so soft and plump and shiny, and the incredible sound that came from them. She remembered how her voice made Christine’s little heart expand in her chest, and how she wanted to touch the lady’s skirt where its scalloped hem brushed the stage directly in front of her eyes. How, looking up in awe, she had wanted to be up there herself, like a splendid bird, capable of making such sweet, pure sounds, and looking like a faery princess.

And she was certain that standing on the stage, in the midst of all the adoration, garbed as richly as a queen, the woman was happy. Joyous. Loved. She had to be. One could not be that beautiful and that adored and not be happy and secure.

Eventually, young Christine somehow convinced herself that the beautiful woman was really her mother, who had died when she was five. She used the memory as a talisman, as an aspiration and an escape from a life that was as colorless and bland as the woman’s gown was brilliant and warm.

Her lonely life, spent with her father, who still swam in his own grief for the loss of his wife, had few pleasures. Master Daaé was a famous violinist who traveled and took Christine with him everywhere;
thus, she had no home, nor friends, and merely saw city after city from coaches and small hotel rooms. It was not until that long-ago summer by the sea at Perros-Guirec that her father decided to stay in one place. But that was years after Christine had seen, and fallen in love with, the beautiful lady.

And tonight, with shaking knees and churning belly, she’d
become
that beautiful lady of her dreams.

And now all would be well. She would be happy and loved and safe.

Now, as Christine reached her dressing room, a deep, masculine voice penetrated the high-pitched tones of her girlish companions. “Miss Daaé?”

The voice, not the disembodied one of her
ange
, but an earthly one, was close behind her and drew Christine from the task of unlocking the door of her room.

As she turned, his name came to her ears, hissed in the under-tow of voices from the excited girls.…“The Vicomte de Chagny! It is he! The new patron’s brother!”

She turned and saw him, recognition following immediately. “Raoul!” she exclaimed without thinking, for he was a friend from her childhood, one whom she’d come to know for a short, happy time during that summer by the sea.

How handsome he had grown, how tall and chiseled and elegant he was, from his slender fingers to his small, clipped mustache. His long blond hair, clubbed at the back of his neck, gleamed golden and tawny in the light. Clear blue eyes smiled at her, taking her back to those days when they’d played together and listened to her father’s stories about the Angel of Music. She recognized that he was wearing a naval uniform and was not surprised, for he’d loved the sea, even all those years ago.

She wondered what Raoul would say if she told him she’d been
visited by a true
ange
, and that he’d been tutoring her for months. And that it was because of his tutoring that she had become the beautiful lady.

He stepped forward and the sea of girls parted before him like he was Moses. He removed the tasseled key from her hand. “Allow me, Miss Daaé.”

He unlocked her dressing room door, sending it open with a flourish. She brushed past him, noticing how the heavy gown dragged against his shiny boots and cuffed jacket.

He closed the door and they were alone.

Lamps glowed, and the shadows that seemed so often to be dramatic were now low and brown, and did not lurk in the corners as they were often wont to do. Flowers had already been brought into her room, and vases rested on every surface—the floor, the dressing table, the tea table, even the sitting stool. Roses, daisies, gillyflowers, lilies…filling the air with their perfume.

“Christine, you were magnificent.” Raoul came to her side, clasping her hand with his and drawing it to his perfect lips.

“Raoul, how lovely to see you again,” she replied, slipping her hand from his and brushing her fingers over his fine cheek. It was warm and smooth.

“You have grown up so. I could not believe it was you, my little Christine, singing like an angel.”

An angel.

Christine stepped back, suddenly nervous. “Raoul, I am no angel.”

But he did not seem to notice her apprehension. “You are, you are, beautiful angel. I shall have to make a point of returning to the opera every night, now that Philippe and I are the patrons and now that you are to be the new star.”

“I hope that I shall see you often,” she replied, and felt a change
in the air. It was
him.
For some reason, she didn’t want
him
to know about Raoul, that she had an admirer. “Raoul, shall we leave here? I must speak to Messieurs Richard and Moncharmin, and I am hungry, and we have so much to talk about. It has been so many years.”

“Yes, indeed, I would be happy to escort you to dinner.”

She opened the door, and was greeted by a throng of admirers clutching flowers and waiting eagerly. “Oh, my,” she said, pleased and warm, but very, very aware of a barely tangible shift in the room’s mood behind her.

Raoul pushed past her. Blocking the door, as if to keep the others from seeing into the room, or, perhaps, seeing much of Christine, he turned toward her. “I shall bring my carriage around and come back for you shortly. Shall I call someone to help you change?”

“No…no, thank you, Raoul. I shall be able to take care of it myself.”

He closed the door and she was alone.

And then she realized that she wasn’t. “Madame Giry?”

“You did well tonight, Christine. But
he
will not be pleased if you neglect your rest in favor of social activities.” Madame Giry had moved behind her and was working quickly at the buttons that lined her spine.

The heavy costume fell away, and Madame’s warm hands moved over her shoulders and down her arms to push the silk to the floor. “Take care not to anger him, Christine. His wrath is not to be borne. Are you certain it is wise to go with the
vicomte
?”

So Christine’s worry that her angel would not be happy to know she already had an admirer was correct. “But…I must eat, madame. And he is nothing but an old friend, and the brother of the new patron. It can only be good for the success of the theater if he wishes to dine with me.”

Madame’s face, aged but still beautiful, turned hard with concern. She bent close to Christine’s ear, her breath warm and moist, sending prickling shivers along the edge of her neck. “Have a care, Christine, for as his pupil, you have the chance to be great, with or without the favor of the patron’s brother. If you please him, you will be cared for beyond your imagination. If you displease him, his wrath will be immense. He is brilliant and kind, but he is selfish and would not be willing to share you. Note well what I say, Christine. With
him
as your tutor, you need not worry about finding a protector, as the other girls do.”

Did she mean that her angel would be her protector? Or that he merely wished to be certain that she did not forget about her lessons?

Instead of asking, for Christine felt a strange squiggling feeling in her middle at the thought that
he
might hear, she twisted the subject. “A protector? Raoul? I do not think he has such an idea in his head. He is only an old friend, pleased to see me again. Nevertheless, I will heed your warning, madame,” Christine replied earnestly. She did not forget that it was her
ange
who had tutored her to this wondrous night. “It is only a dinner, to celebrate my debut.”

“I hope that you shall remember that, my dear. And it is fitting that you should celebrate. Now, quickly, let us change your clothing and get you prepared for dinner. It must be a short meal, so that you sleep well tonight. Look, I have brought you a gown to wear.”

Surprised, and embarrassed that she hadn’t thought for herself of what she would wear to dinner with a
vicomte
and the theater managers, Christine turned. “It’s beautiful. Where did it come from?”

It was striking, and very stylish, and nothing like any gown Christine had ever owned, or even seen up close. Certainly the opera costumes were all beautiful and bejeweled and ornate—the
better to be seen from the boxes and the stalls—but they were too heavy and fancy to wear in the real world.

“I bullied Tiline into letting you borrow it,” Madame explained. “Her Monsieur Boulan has gifted her with many lovely gowns as of late.”

It was a dinner gown of deep garnet satin trimmed with gold lace that gathered in soft folds at the tops of her arms. The lace made a narrow vee from shoulder to shoulder in front and back, and where the dark red bodice gathered over her breasts, more gold lace hung along its lower edges.

The skirt was nearly as heavy as the costume Christine had been wearing, and fell in generous folds that were gathered up into a bustle at the base of her spine. A wide swath of gold satin draped from each side of the front of the skirt and was fastened over the bustle with a huge bow made from more gold lace festooned with white and red satin roses.

When she saw herself in the mirror, she hardly recognized herself as shy, lonely little Christine Daaé.

“Thank you, madame,” she said as she left the room at last.

Outside of her dressing room, the passageway was empty. Still, shadowed, silent…so unlike what Christine was used to, with the comings and goings of actors and costumiers and musicians, prop hands and stagehands…it was quiet and lonely. As she had been, it seemed, forever.

But now, tonight, she was a star. Everyone wanted to see her, speak to her, be with her. No longer the shy mouse of a girl, she was sought after by a
vicomte
! Even if he was an old friend, he would not have sought her out if he did not wish to see
her.

She was no innocent girl. Madame Giry had seen to it that none of her little dancers—called
rats de l’opéra
for the fact that they often came to the theater young and straggly, and were seen
as always being underfoot—were innocent ingenues, though they might appear to be. She instructed them in more than simply ballet. Madame felt each of the young rats was her responsibility, for many of them had chosen the profession over being a schoolmistress or working in manual labor, upon being orphaned or because their family became destitute.

The theater was a profession, Madame told them, that allowed a woman quite a bit of control over her life, including her choice of lover or protector—if she was young and pretty, or at least if she was talented both onstage and in the boudoir. Thus Madame had ensured that none of her charges were waiting to be deflowered and left with nothing to show for it. Her rats were taught how to take advantage, rather than be taken advantage of. She instructed them how to attract and select a good protector who would not be physically cruel in the boudoir and who would otherwise treat them well.

But Christine could not fathom that Raoul—good, handsome, polite Raoul, who had dashed into the surf to retrieve her scarf when it blew away—would dare have the thought of being a protector. It made her warm to even think of it.

Raoul did not fit the image of one. Christine had met the older gentlemen that took care of the two former dancers Tiline and Regina when those two began to have solos of their own and thus attracted attention to themselves. Their protectors had bloated cheeks, were pompous, and had squinting, beady eyes that seemed always to be looking right through the girls’ costumes—yet they patted the girls on the heads and brought them gifts and trinkets whenever they visited. If one did not look in their eyes, one might think they were no more than a father or favored uncle. But of course, that was not so, and Christine, who had not been a virgin since her sixteenth birthday, recognized all too well that the looks in their eyes were anything but paternal.

Now the two girls, who hardly had time any longer for the other dancers in the corps de ballet from which they had so recently graduated, complained of having to juggle the attentions of the older men, who paid for their costumes and jewelry and for their own small flats, with their interest in younger, more attractive and virile men who did not have the pocketbook…but had other amenities.

Christine herself had never been in a position to attract the attention of a possible protector. Even if she had, she would have taken care before doing so, for she was known as one of Madame Giry’s most virtuous girls. She was one who did not flirt, who did not make promises with her eyes, who took care that her bosom didn’t show and her ankles didn’t flash.

But perhaps tonight had changed everything. Now she had attracted great attention! Perhaps that was why Raoul had made his way so quickly backstage, and barricaded them in her dressing room. Perhaps he was merely trying to protect her from any other men who’d found her sudden, triumphant debut of interest.