Urban Fantasy Collection - Vampires (89 page)

Finally David gets tired of staring at the Jack and downs it. He wipes his mouth, then takes off his leather jacket. A trio of nearby women join me in admiring the contoured biceps revealed by his sleeveless black T-shirt, but he's oblivious to the attention.

“My father died suddenly when I was a college senior.” He drapes his jacket over the back of the bar chair. “I was away at school and didn't get home to see him in time.”

“I'm sorry,” I say, because I'm supposed to.

He nods. “He was Control. Growing up, I hated all the secrecy and the moving around. I just wanted a normal life.”

“I know the feeling,” I mutter.

“I majored in broadcasting and was managing the college radio station when I was only twenty years old. But after Dad died, there was no question what I would do. I signed up for the Control as soon as I graduated. On my first day I met Elizabeth.” He falls silent after saying her name, confirming my suspicion.

I pour him another shot for strength. “So she was human at the time.”

“Human, all right. We were in love.” He slams back the whiskey. “She'll never admit it now.” He takes a long sip of beer, then swishes the glass in the condensation puddle left behind. “When she was turned, she—”

Applause and hollering erupt as Monroe leaves the stage. Rather than stay for drinks and adulation, he grabs his guitar case and heads out the front door without a word for anyone.

Noah takes the stage and slides his smile over the audience, clearly relishing the whispers of female admiration. “I am Noah. N-O is ‘no,' and A-H mean ‘pain,' so Noah mean no pain. When I bite, you don't feel a thing but happiness.”

“It's true,” David says. “I don't know how he does it.”

The crowd rises and falls to Scratch Perry's “Dreadlocks in Moonlight.” I guess Noah's not telling his story, at least not yet.

Despite the change in music and my compulsive foot-tapping, the mood at the bar stays dark. “So Elizabeth was turned ...” I remind David.

He frowns. “It happened on a raid in the Ozarks. A cadre of older vampires had gone rogue and started preying on a little town in the tail of southern Missouri. We went in, captured a few of them. But we were underdeployed.” He leans his head on his fist and forces out the next sentence. “The lead vampire's name was Antoine. Some say he was a century old, but he looked maybe fifteen or sixteen. I think Elizabeth was fooled by his apparent youth, couldn't bring herself to neutralize what appeared to be a kid. He dragged her off.” He clutches the empty shot glass. “She showed up at my place the next night.” He closes his eyes for a long time.

“She bit you.”

“She was so strong. I thought I was going to die, and after a while I didn't care, because it felt—” He glances at me. “Well, you know how it feels.”

“Only the stabbing pain part.” I lean closer, knowing the liquor is loosening his tongue. “What's the rest like?”

His eyes unfocus. “Like the far side of an orgasm. You feel complete, like you found something you never knew you needed.”

I wonder what kind of power it would give someone who could make you feel that way. “So then what happened?”

“When I was almost unconscious, she tossed me aside and told me that was the only way she'd ever touch me again.” David's lip curls into an expression I've never seen on him before. “Revenge was the only thought that kept me alive. I went against orders and hunted Antoine, alone. One night in a Memphis alleyway, I staked the fucker.” He puts his head in his hands. “I never meant to hurt her.”

“What do you mean?”

“When you kill a vampire's maker, you kill a part of
them. She came to me that night in agony. She said it was like someone had ripped out her heart and stuck it back in upside down.”

“Did you confess?” I ask him.

“Eventually. She looked at me like she was the one I'd staked.”

“But she'd bitten you. She hurt you.”

“It wasn't her fault. Brand-new vampires can't control themselves. She should've been better supervised.”

“No, David,” says a low, female voice that makes my neck hairs stand on end. “I should've ripped out your throat.”

We turn slowly to see a woman in a long black silk dress. She looks maybe a few years older than me, but much taller. Blonder. Everything-er.

“Elizabeth,” David says in a hoarse voice. “I didn't—I didn't know—”

“I was here?” Her blue eyes flare with a controlled rage. “Didn't know I was listening to you tell my story to a stranger?” She doesn't even look at me—not that I want her to.

He clears his throat and meets her gaze. “It's my story, not yours.”

“Antoine is mine.” Her fingers slip around his forearm. “Not yours. Not ever.”

“I wanted to make Ciara understand.” His voice has steadied. “She deserves the truth. She's one of us now.”

At the moment, I'm not sure I want to be one of them. In fact, I'd like to be one of the people walking out the door. Not that anyone is leaving.

“Pleased to meet you.” I hold out my hand so she'll have to take hers off David's arm or be incredibly rude. “Ciara Griffin, marketing intern.”

She looks at my hand like she thinks I just wiped my nose with it. “This is your party?”

“It's the station's party. What do you think of it?”

Without turning her head, she glances around at the humans dancing, drinking, and falling over each other. “I worry about the vampires losing control around so much fresh blood.”

I pull my hand back. “What about you?”

She twitches a thin, arched eyebrow. “I always keep my thirst in check with blood bank leftovers.”

David gives a harsh laugh and pries her hand off his arm. “Then why are you so cold right now?”

“The ratings are bound to go up,” I say, trying to turn the conversation in a more professional direction. “David did interviews with all the major local media tonight.”

He gives me a grateful glance, then turns back to her. “And on July first,” he says, “we'll start replaying the DJs' shows during the day in place of some of those annoying paid programming bits whose contracts are up.”

I nod vigorously. “Because who wants to wake up at three a.m. to listen to music?” Besides me, of course.

Elizabeth stays silent for a few more moments, then extends her hand to me. “Good luck,” she says without smiling.

I try not to grimace at her icy grip. “Join us for a drink?”

“Not right now.” She tilts down her chin and widens her eyes at David in what looks like a questioning, almost pleading gaze. He juts out his jaw and turns his head away from her, glaring at the floor behind the bar with narrowed eyes. She doesn't move, and I suddenly feel like I'm eavesdropping on an intimate negotiation.

Finally David rubs his chin and gives a jerky nod without looking at her. She lets out a deep breath and appears relieved.

“Now if you'll excuse me,” she says, “I have to confer.”

She glides away and approaches a broad-chested man standing against the wall observing the crowd. He's dressed casual like everyone else, but straightens into an official bearing when he sees Elizabeth. They converse, nodding and watching the partiers with wary eyes.

I turn to ask David who that guy is, but he's not even watching Elizabeth, he's just staring into his whiskey again, lips tight and brows pinched. The overhead bar light casts shadows on his cheeks in the shape of his long, thick lashes.

I touch his arm, and he looks up quickly. Disappointment crosses his face when he sees it's only me.

“Who's Elizabeth talking to?” I ask him.

He glances over. “Control goon.”

“But—wait a minute. She still works for them?”

“As one of their contractors. She gives the Control information in exchange for money and protection.”

A vampire rat. Glad she has a sense of honor.

The Control ogre bends to speak in Elizabeth's ear, and I notice a bulge in his black leather vest.

“Is he armed?” I ask David.

“Not with anything that hurts humans.”

I watch them monitor Noah, who's lounging against the wall by the stage, chatting up a group of hotties. “So I take it you quit the Control after the Antoine incident,” I ask David.

“They kicked me out with a general discharge. But I didn't care, because I finally had a chance to follow my dream.”

“Running a radio station?”

He nods. “And in the process, helping a few vampires avoid the Control. Elizabeth and I gathered half a dozen DJs and musicians and gave them a chance to stay in the present and in their Life Times simultaneously.” He gestures to our surroundings, by which I think he means Sherwood. “We gave them a safe, quiet place to achieve self-actualization.” His whiskey-numbed lips struggle with the seven-syllable word. “A place where they wouldn't end up like Antoine.”

I fill our shot glasses and lift mine in a toast. “To redemption quests.”

We clink and drink. From the speaker, Bob Marley assures us that every little thing's gonna be all right, but somehow, deep down, I wonder.

When I arrive at the office Monday morning, Franklin punches the hold button on his phone. The other line is ringing.

“Get that, would you?” he says. “It's probably an advertiser.”

“Advertisers are calling
us
? Did I come to the right office?”

“Put your smart-ass in a sling and answer the phone.”

The caller is a local Italian restaurant I've been able to afford exactly zero times. They want to buy ad spots, and I find sadistic pleasure in telling them we'll try to squeeze them into our crowded lineup.

When we're both off the phone, Franklin holds up the
Washington Post
and the
Baltimore Sun'
s Sunday style sections, one in each hand. “Page four and page two, respectively.”

“Nice work, Mister Hyde.”

“You know what I realized in the shower yesterday
morning?” His phone rings, and he points at me as he reaches for it. “You conned me out of nine bucks.”

“Consider it overtime pay.” I turn back to my computer and pull up a spreadsheet of WVMP merchandise. We need to order more before the next gig this Friday.

Regina clomps up the stairs and snatches the papers from Franklin's desk. He manages to scowl at her even as his voice lilts over the phone.

She comes to my desk and sits on the edge while she examines the article and the accompanying photo. “I looked good, didn't I?”

“Mmm-hmm.” Maybe more of the red-on-black T-shirts this time.

Regina flips through the newspaper's pages. From the corner of my eye I see her perusing the comics.

She grunts. “I swear I read the same fucking
Mary Worth
strip twenty years ago.”

I look up at her. “Did you want me for something? Ridicule? Harassment?”

“Oh.” She chews the inside of her cheek as she runs a black-lacquered fingernail over the edge of my desk. “I wanted to tell you, I thought the other night was pretty cool.”

“And what's the punch line?”

“I've spent too many years cooped up in that little studio. Having us all play live in one place—it felt like I was doing the clubs again.” She sniffs. “Complete with some preppie wanker bugging me to play ‘Bela Lugosi's Dead.'”

“It's the only Bauhaus song the average person knows.” Which made me an average person before I started listening to Regina's show.

“The weird thing was, people liked me. Even though I glared at them.” Her dark eyes—cosmetic free for the first time since I've known her—glance away almost shyly. “I'm not used to that.”

“Really? I'd think you'd be popular in any circle.” I open a box of paper clips and a file folder of merchandise receipts.

She ignores my sarcasm. “We have something else in common besides shagging Shane.”

“I told you, I'm not—”

“People mispronounce my name, too.”

I squint at her, confused not only at how anyone could mispronounce “Regina,” but also by the vampire's awkward attempt at nice-making.

“I grew up in Saskatchewan,” she explains, pronouncing the province with three syllables.

“You're Canadian?”

Regina scowls. “What, I'm not nice enough to be Canadian? What is with that stereotype?” She tempers her voice again. “Anyway, do you know what the capital of Saskatchewan is?”

I sort and clip receipts as I think, the
Jeopardy
! theme song playing in my head. “Saskatoon?”

“Ignorant Yanks.” She heaves a sigh. “No, the capital of Saskatchewan is Regina.” She pronounces it to rhyme with “vagina.” “So living there, everyone thought my name was pronounced like the city, but it's not.”

“And that's why you moved?”

“I moved because it blew chunks. Imagine North Dakota, but colder.”

“Yikes. Where did you go?”

“London, of course. Then New York, then L.A.”

“I've never been to any of those places. Except North Dakota.”

As I close the folder, its corner knocks over the box of paper clips, spilling them across the floor. I bend over to pick them up, but Regina knocks me out of the way.

“I'll get it!” She scrambles for the paper clips, counting them under her breath as she collects them in her palm. I look at Franklin, who spares the vampire an impassive glance.

When she's finished, Regina stands and cups the paper clips back into their box, which she sets on my desk with shaky hands. “Fifty-three.”

I look at the box, then at her.

Her eyes pinch into a glare. “One crack about
Sesame Street
and I'll snap your neck like a twig.”

My phone rings, saving me. “WVMP, the Lifeblood of Rock ‘n' Roll. Can I help you?”