Vanishing Girl (19 page)

Read Vanishing Girl Online

Authors: Shane Peacock

“Because it is so … because its effects on the human being can be so extreme.”

Bell looks suspicious. “Yes, well, that is true. After all, opium, morphine, laudanum, and heroin are its by-products. None of them trifles.”

“And opium can render one unconscious, can it not? I believe you told me that once.”

“I did.”

“And yet one may purchase it from any chemist … or apothecary.”

“Yes, I keep it here, a great deal of it. I have often had occasion to prescribe it, in small, carefully measured amounts, mind you.”

“You once told me that if one were to powder it and mix it liberally with a meal, it would have serious side effects on anyone who consumed it.”

“I did?”

“What, exactly, would occur … in biological terms, that is?”

“Anyone who ingested it would slip into a stupor from which he would not awake for perhaps four or five hours, depending on the amount. But that isn’t something you need to know.”

“Quite right.”

“May we return to the garlic onion and its properties? It is a plant not well understood upon our shores.”

“Yes, sir, I am sorry to have diverted you.”

“Not at all.”

But Sigerson Bell seems to find it difficult to concentrate after that. He speaks for a while and then eyes the boy as if trying to read his mind. Finally, he calls things to a halt.

“Master Holmes, you aren’t planning to do anything, shall we say, sinister, with powdered opium, are you?”

“Why would I do that, sir?”

“It escapes me. But the powers of chemical elements are to be used by professionals for the maintenance of the human body, to heal others, not to injure. Fighting, likewise, is either a test of human skill in a freely-agreed-upon match between apparent equals, or simply a matter of self defense against a fiend. You cannot do evil to someone in order to do good. Your methods must always be of the highest standard. Do you understand me?”

“Yes, sir.”

But Sigerson Bell has his doubts. He knows that justice is an enormous concern in the boy’s life and that he believes it is acceptable to use any means to achieve it. That is a fact that both disturbs and thrills the old man, though he wishes it were merely the former.

Sherlock acts the instant Bell leaves to attend to a Southwark lion tamer in the early afternoon. He is up on a stool in a flash, examining the contents of the apothecary’s glass cabinets. Everything has been meticulously labeled. He reads: Cocaine, Deadly Nightshade (the very name frightens him), Laudanum, Morphine … and Opium.

He takes the big jar down, sets it on the lab table and retrieves a mortar and pestle.
Just a bit, enough to do the job, but little enough so the old man won’t notice a pinch is gone
. He cuts a small piece off with a scalpel and drops the bit of hard brown material into the cup-sized stone dish and begins to grind it. Dust rises and some wafts up his nose.
It tickles and makes him smile. Life can be so boring, but sometimes …

There’s a noise near the entrance to the shop.

Sherlock hesitates. Should he put everything back? Or just cover it up? He throws a cloth over it and goes out into the front room of the shop. It’s someone rapping at the latticed bow window, knocking clouds of dust down onto the wide sill inside. The shadowy figure, seen through the dirty translucent glass, seems tall and dark. Then it moves toward the door.

What should he do? Should he answer? Rush back to the poppy plant extract and put it away? What if it’s Bell?
No, he wouldn’t be knocking
. Or what if it’s … then the boy notices that the figure is only a head, or rather just wings and a very small feathered skull. It’s a black bird, a crow or a raven, smacking its wings against the glass and then flying off.

Stay calm, don’t be thrown by such trifles, or you won’t be able to do this
.

His heart still beating fast, but under control now, he returns to his job, finishes, and pours the powder into a tiny vial. It will carry well in his pocket. When the opium is put back in the jar and set up on the shelf and the cabinet is closed, it looks just as before. At least that’s what he tells himself.

Next is the daily paper. Some days he goes out to get the shop’s copies in the morning. Other times, like today, they wait for the news agent to deliver in the afternoon. Theirs come from Dupin at Trafalgar Square. Sherlock hides the vial and slips out to find him.

The cripple is always glad to see Sherlock, though he notices something different today.

“Your face is lit up like a tallow candle, Master ‘olmes.”

“I am onto a scent, Mr. Dupin.”

“Looks like more ‘an that. Looks like you is ready to kill someone.”

“Nonsense.”

He finds the society pages and reads while he walks, unable to wait until he gets back to the shop. He needs to check something.

“THE BALL WILL GO ON

Word is that Lord and Lady Rathbone’s private Celebration Ball to toast the return of their daughter, Victoria, shall go on as intended. The best of society shall be gathering this evening, no doubt to attempt a cheering-up of our tenacious, leather-skinned Lord, he whose pocketbook and home have suddenly become distinctly lighter. Art works and silverware have been brought in to make those in attendance feel at home. Guests shall be arriving at seven.”

Bell isn’t supposed to return for another hour, so when Sherlock returns to the shop he takes his time getting ready. He drops the paper onto the lab table where the old man will see it and retrieves his small vial of opium from under the blanket on his bed in the wardrobe. But just as he is about to open the outside door to the street, it opens on its own.

Sigerson Bell. He has come home early and he’s eyeing Sherlock suspiciously.

“My boy.”

“Yes, sir.”

“I observe a reddening of your face.”

“Calisthenics.”

“Ah! Shall I join you?”

“I have just finished. I was going out.”

Sherlock isn’t sure, but it seems to him that the old man’s eyes wander to his coat pocket, where the boy’s hand has slipped inside to guard the vial.

“Well, if you must, I shan’t stand in your way. I trust your work is done.”

He steps aside and the boy begins to pass through the doorway.

“Sherlock!”

The old man seldom refers to him by his first name.

“Yes, sir?”

Sigerson looks stern at first, then smiles.

“Whatever you do, in the end … be a good lad.”

“I promise I shall, sir.”

But his first stop on the way to Belgrave Square is for distinctly evil purposes. His pockets are empty again, and he is planning a robbery. In the late spring, while living on the streets during his pursuit of the Whitechapel murderer, he had successfully stolen from a shopper at busy Smithfield
Market. He’ll try it again. If he is caught, he will be instantly arrested, and there are many Bobbies in the markets. His whole future hangs on his light-fingered skills.

The last time, he had a full day to pick his victim and had chosen a female servant who was new to her market job, who set down her baskets while paying for her goods, giving him an opportunity to swoop and then disappear into a thick crowd. He doesn’t have the luxury of time now. No easy targets appear. It is very late afternoon and the last day of a bleak November so the market has a sparser look: fewer stalls, limited vegetables.
Should he really try this? It’s too risky
. But he must. He walks down a makeshift aisle in the middle of things, with barrows and carts lining it and vendors crying their goods in a crowded din. He sees a fishmonger, a poor old man with sores on his ruddy face, with long hair and a beard, wearing dirty, over-sized clothes … who turns his back for an instant. Almost unconsciously, Sherlock snatches two fistfuls of fish, already gutted and wrapped in newspapers, and is lost in the crowd before the man even notices.

He is halfway to Belgravia in minutes, his hands red and freezing as he clutches the ice-cold goods. He doesn’t feel proud of what he’s done. What had possessed him to steal from that poor old man? He at least could have chosen a different monger, but he had been thinking about no one but himself.
It is done
, he tells himself;
it is useless to worry about it now. This could be the means to help Paul Dimly
. That thought reassures him.
It is time to move on
.

Belgravia nears.

His father’s admonishments about observing are deeply ingrained in him and have been re-emphasized by Sigerson Bell. But listening skills are almost of equal importance. Both his mentors agree. “Listen to what everyone in the world tells you,” Wilberforce Holmes once said, “whether it is a royal declaration or a shout in the street.” He had tuned his ear to the constables when they discussed the Rathbone ball and listened to every syllable as Miss Doyle spoke of the contents of the great house and the servants who worked within.

Footmen are the most costumed of all the domestic help in a nobleman’s home. They dress in distinctive uniforms and wigs, with white stockings, and breeches. They are supposed to be tall and are often young. Irene described one who was very young, a sort of apprentice, only used on busy occasions. Thin and with strands of black hair just like Sherlock’s evident under his wig, he also had, as Irene recalled, a rather prominent nose. Holmes’s own proboscis, he has to admit, is not without prominence.

Sherlock is certain that this boy will be working tonight. He assumes that many on staff hardly know the lad and that the Rathbones, who barely recognize their own daughter, are certainly not apt to be well acquainted with one of their infrequently employed servants.

The little private ball and masquerade will be preceded by a meal. That will be helpful too. He walks quickly into Belgrave Square carrying his fish. The sun has already set. Supper time is fast approaching. He waits in the park and watches the guests arrive – they must all be indoors
before he makes his move. When he nears the great house a short while later, he sees a sort of parade through the tall windows at the front: bejeweled ladies with low-cut dresses, and perfectly groomed gentlemen in dark suits and white silk cravats, all carrying masks and paired off with carefully chosen partners, descending the pink marble staircase from the drawing room. In moments they will be in the dining room, ready to eat. Then they will remove to the upstairs again, to the ballroom. He needs to act smartly.

He gets past the liveried coachman standing guard outside by pointing to his newspaper-wrapped fish. He grins at him, holds his nose, and motions to the house with his head.

Wealthy homes have big kitchens in the basement and Irene has told him exactly where to find this one. He shoots down the stone stairs and opens the door without knocking, as if he were meant to. There is a mass of servants scurrying about in a sort of ordered chaos, frantic as the supper hour descends on them. It is very loud. He can disappear in here, whether fish is on the menu or not.

“Confidence is the key to anything you do,” Sherlock once heard Malefactor tell his charges. Holmes had been hiding in the bushes at Lincoln’s Inn Fields, fascinated, in those days, with the underworld.

The boy knows that his rival was right. He has to be bold now and act as though he is exactly who he pretends to be.

He spots the cook, a big-bosomed, middle-aged woman wearing a white apron and dress, who is sending her assistants
and other servants off in all directions. Sherlock holds the fish in full view in front of his chest, but turned away from the cook (since she is in charge of the menu), and heads toward an unattended wooden table that looks to be filled with food for a later course. Just as he hoped, no one questions a delivery boy’s presence and he sets his smelly load down and has both hands free.

Then he spies his prey; the young footman who looks a little like him. Dressed in the scarlet Rathbone uniform, he is waiting to take the hors d’oeuvres of imported oysters up to the dining room, and is staring longingly down at them in the manner a groom might regard his bride.

Seventeen years old, missed a small streak of his father’s working-class grime on his left cheek. Hungry, as befits his class. First few weeks on the job … and shall eat at least one oyster on the way up the stairs
.

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