View from Saturday (9781439132012) (8 page)

“When Grandpa says that we must harvest the turtles, he means that we must gather them up and save them in
buckets. Then we take them to Marineland. When the seas calm down, they will be taken fifty miles offshore and placed in the Sargasso Sea.”

Dad smiled. “They need a lift.”

Ginger rubbed herself against my legs. I stroked her back. “Yes,” I said, “they do.”

Without another word, we returned to our rooms, Dad and I. We got dressed. When we ran out to the car, the rain was coming down in sheets, and the wind was blowing so hard that umbrellas were useless. I held the back door open for Ginger, and she hopped in. Dad and I got pretty wet just from that short run to the car, and Ginger sat on the back seat, panting and smelling like the great wet dog she was.

The rain battered the car, and the wipers danced back and forth, never really clearing the windshield. There were only a few cars on the road. We didn't pass any of them not only because it was dangerous to do so but also because we welcomed their red tail lights as a guide. Cars coming the other way made spray that splashed over the hood. Dad's hands were clenched on the steering wheel.

These northeasters dump rain in squalls that last for miles, and then they let up briefly. During one of the few lulls in the storm, Dad leaned back slightly and asked, “What do the turtles do after they've finished their five to ten years in the Sargasso Sea?”

“They go to the Azores and become bottom feeders for a few years.”

“And then?”

“And then they grow up. When they are about twenty-five, they mate. The females come ashore and lay their
eggs—on the same shore where they were born—and immediately return to the sea, not coming ashore again for two or maybe three years when they are again ready to lay eggs. The males never return to shore.”

Dad said, “You've left something out, Nadia. They are ten when they leave the Sargasso Sea, and they are twenty-five when they mate and lay eggs. What happens during the fifteen years between leaving the Azores and mating?”

Realization hit me. I laughed out loud. We were riding into a squall again, and Dad was concentrating so hard on driving that I was not sure he was even waiting for my answer. “What is it?” he asked.

“Another switch,” I said.

He took his eyes off the road long enough to demand, “Tell me, what do they do?”

“In the years between leaving their second home and their return to their native beaches, they commute. Year after year, all up and down the Atlantic, turtles swim north in the summer and south in the winter. Did you already know that?”

“I didn't know for sure, but I had my suspicions.”

I had to smile. “And did you have your suspicions about me?”

“For a while,” he said. Then he took his eyes off the road long enough to return my smile. “But not now.”

“Of course,” I said, “I will be doing the same but opposite. I will commute north in the winter and south in the summer.”

“Yep,” he said. “And there will be times when you or I will need a lift between switches.”

“Yes,” I replied, “there will be times.”

3

M
rs. Olinski's very first teaching job had been in an elementary school whose principal required sixth graders to memorize at least fourteen lines of poetry each month, insisted that fifth graders know their multiplication tables up through twelve times twelve, and permitted no one to exchange valentines unless the names on the envelopes were written neatly and spelled correctly. There was no graffiti on the walls; no gum chewing, running, or shoving in the halls. There was locker inspection once a month, and everyone who used the bathroom, flushed.

That principal's name was Margaret Draper.

Two years before Margaret Draper retired, the district reorganized its school system and sent sixth graders to middle school instead of elementary. Sixth had once been the top grade in elementary school, and was now the bottom grade in middle school. But it was still the place where kids had mastered enough skills to be able to do something with them. It was still the place where kids could add, subtract, multiply and divide, and read. Mostly, they could read—really read. Sixth grade still meant that kids could begin to get inside the print and to the meaning.

Mrs. Margaret Draper, who had never called herself an
ed-you-kay-toar, had always been a superb teacher and principal, but between the time she had started as an elementary school teacher and the time she had retired as a middle school principal, sixth grade had changed, but sixth graders had changed more. Sixth graders had stopped asking “Now what?” and had started asking “So what?” She had not been sorry to retire when she did.

That very first summer after Margaret Draper retired was when Eva Marie Olinski left teaching. That was the summer of her automobile accident. For all the many months following the accident, Mrs. Draper stayed in touch with the young Mrs. Olinski. They were both widows now, and they saw each other on a regular basis.

After Margaret moved to Florida they continued to stay in touch in a Christmas card/life-milestone way. So Mrs. Olinski knew the major facts of Margy's life. Her move to Century Village, her marriage to Izzy Diamondstein, her trips, her turtles.

Mrs. Olinski also knew that Ethan Potter was Margaret Draper's grandson even though Margy never had much to say about him. When Eva Marie saw that Ethan Potter was assigned to her homeroom, she refrained from asking Margy about him or Ethan about her. She wanted to discover Ethan all by herself, so she watched him closely. Probably more closely than she watched the others.

Ethan was smart, yes; he had a certain independence of mind, yes, and he still asked “Now what?” instead of “So what?”

When Mrs. Olinski decided that Ethan should be a member of her team, she did not tell Margy or, for that matter, anyone else either.

T
he commissioner of education of the state of New York smiled as he read the next question. “The following places in New York State are associated with women famous in American history. I shall name the place; you are required to tell me why it is important and name the woman associated with that place. You may choose three of the four places. If you answer all four, you will receive an extra two-point credit. If you choose to answer only three, the other team will have an opportunity to answer the fourth, and if correct, will receive one point.

“The place names are: Seneca Falls, Homer, Rochester, and Auburn.”

Ethan rang in as the last syllable sounded.

Yes.

Ethan Potter would know all four parts.

Yes, yes, yes, and yes.

ETHAN
E
XPLAINS THE
B
AND
B I
NN

I am always the longest rider. I live farther from school than anyone else on my route. I board the bus first and get off last. I always have. The bus ride is the worst part of the school day. It always has been. Going is bad; coming home is worse.

On the first day of the new school year, I boarded the bus as usual, nodded to Mrs. Korshak, the driver, and walked to the back of the bus. All the way to the back. It was an unwritten rule that the seat you chose the first day became your assignment—unless you were so unruly that Mrs. Korshak made you change. I chose the last double seat on the side opposite the driver. I placed my backpack on the seat next to me, and as nonchalantly as I could, placed my leg over that. If luck held—as it had for the past two years—when the other kids boarded, they would choose seats that appeared to be less occupied, and I would not have to share my seat for the rest of the school year.

I knew every stop along the route. I knew every house, every tree and shrub, every pothole in the road. My father is proud of the fact that there have been Potters in Clarion County since before Epiphany was a town.

There is a fuzzy, faded picture of my great-great-great-grandmother in the Clarion County Museum. The museum is located in the main room of an old schoolhouse that the local historical society saved from the wrecker's ball by having it declared an historical landmark. My ancestor is marching behind Susan B. Anthony who is leading a group to the polls in Rochester. In the picture, my ancestor is wearing bloomers, which was what they called the trousers that were invented by Amelia Jenks Bloomer of Homer, New York, and suffragette is what they called the women who were fighting for a woman's right to vote. Instead of getting to vote, my triple-great-grandmother got arrested.

There is no picture of her at the first convention for women's rights, but she was there. In the family archive, which my Grandmother Draper passed on to my mother when she moved to Florida, there is a letter from her, postmarked Seneca Falls and dated 1848.

There have been farmers and educators on both sides of my family ever since there have been tractors and blackboards, and there have been strong women on my mother's side for just as long.

Last August when I was visiting my grandmother Draper in Florida, notice came that my homeroom teacher for grade six would be Mrs. Olinski. Unless she proved to be someone who had changed her name because of marriage or some other legal procedure, she would be new to Epiphany Middle School. I hoped she was. Having a teacher who didn't know I had an older brother would be a welcome change.

There is nothing wrong with Lucas, and that is what is wrong with him. He is a genius, a star athlete, and is always doing something wonderful and/or record setting. Half the population of Epiphany is convinced that Luke Potter will
become so famous that his name will become a noun like Kleenex or Coke. The other half is convinced that Luke Potter will become a verb like Xerox or fax. And if someday, someone says,
“Luke
me that information, please,” that information will be organized, memorized, and set to music.

Luke is six years older than I. He is in college now, but that has not put an end to his reputation. He has become a myth like Paul Bunyan or Davy Crockett. Because my name is Potter but not Lucas, I have been a disappointment to every one of my teachers during my previous six years—kindergarten counts.

The bus swung through the winding streets of The Farm, the subdivision that was made out of the Sillington place. The last of the Sillington sisters died and left their land to Clarion College. The college didn't want a farm, so it sold all the surrounding land to a developer who put in roads, sidewalks, and sewers, divided it up into lots, and sold it to builders. Every subdivision has a name. They named this one The Farm. It is no more a farm than the Aquarium at Epcot is the Atlantic.

None of the historical residents of Epiphany liked the idea of having the Sillington place parceled off for a subdivision. My parents, for example, hated it. My mother says that if people want to live in a place where every tree and shrub is put in place by a landscape architect, why don't they go live in a theme park? Mother avoids the subdivision as if it were a toxic waste dump. She refers to the people who live in The Farm as
them.
In her mind, there is a big difference between
them
and
us,
between living
on
a farm and living
in
The Farm. To
them
farming is a lifestyle not a livelihood. The fact that milk comes from cows has probably occurred to
them,
but
they
prefer to think of it as recycled grass.

The way I see it, the difference between farmers and suburbanites is the difference in the way we feel about dirt. To
them,
the earth is something to be respected and preserved, but dirt gets no respect. A farmer likes dirt. Suburbanites like to get rid of it. Dirt is the working layer of earth, and dealing with dirt is as much a part of farm life as dealing with manure: Neither is user-friendly but both are necessary.

When the bus picked up the last passengers from the last stop in The Farm, I lifted my leg off my backpack. My foot had fallen asleep, and it felt heavy as I lowered it. I rested it on the floor and allowed the pinpricks of blood to tease their way back up my leg. I shook my leg a little—not wanting to draw attention to myself—and turned my back to the aisle and gazed out the window. I am very good at gazing. I am also very good at listening. Gazing and listening are all right for church, but they sure kill a lot of conversations.

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