Walking Wounded (3 page)

3

On the sidelines

B
ritish Summer Time had officially begun but, if you didn't have a diary, you might not have noticed. The few people standing around in the Dean Park under a smirring rain didn't seem to be convinced. They knew the clocks had been put forward an hour – that was what enabled these early evening football matches to take place. But the arbitrary human decision to make the nights lighter hadn't outwitted the weather. The Scottish climate still had its stock of rain and frost and cold snaps to be used up before the summer came, assuming it did.

Two football pitches were in use. On one of them a works' game was in progress. On the adjoining pitch two Boys' Brigade teams were playing. Standing between touchlines, John Hannah, his coat collar up, paid most attention to the Boys' Brigade game – he was here to see Gary – but the works' match, so noisy and vigorous and expletive, was impossible to ignore. It impinged on the comparative decorum of the boys' game like the future that was coming to them, no matter what precepts of behaviour the Company Leaders tried to impose on them. John had heard some of the other parents complaining ostentatiously at half-time about the inadvisability of booking a pitch beside a works' game. ‘After all, it's an organisation to combat evil influences, not arrange to give them a hearing,' a woman in a blue antartex coat and jodhpurs and
riding-boots had said. Presumably the horse was a white charger.

John found the contrast between the games instructive. It was like being sandwiched between two parts of his past. The works' game was an echo of his own origins. He had himself played in games like that often enough. Standing so close to the crunch of bone on bone, the thud of bodies, the force of foot striking ball, he remembered what a physically hard game football is. Watching it from a grandstand, as he had so often lately, you saw it bowdlerised a little, refined into an aesthetic of itself. The harshness of it made him wonder if that was why he hadn't pursued the game as determinedly as his talent might have justified. He hoped that wasn't the reason but lately the sense of other failures had made him quest back for some root, one wrong direction taken that had led on to all the others. He had wondered if he had somehow always been a quitter, and his refusal to take football seriously as a career had come back to haunt him.

Three separate people whose opinions he respected had told him he could be a first-class professional footballer. The thought of that had sustained him secretly at different times of depression for years, like an option still open, and it was only fairly recently that he had forced himself to throw away the idea out of embarrassment. He was forty now. For years the vague dream of playing football had been like a man still taking his teddy-bear to bed with him. He might still occasionally mention what had been said to him but, whereas before he had named the three men and sometimes described the games after which they had said it, now the remark had eroded to a self-deprecating joke: ‘A man once told me . . . At least I think that's what he said – I couldn't be sure because his guide-dog was barking a lot at the time'. The joke, like a lot of jokes, was a way of controlling loss.

‘Oh, well done, Freddie!' the woman in the jodhpurs whinnied.

John supposed that Freddie was her son. The kind of parents who attended these games were inclined to see one player in sharp focus and twenty-one meaningless blurs, as if parenthood had fitted their eyes with special lenses. What Freddie had done was to mis-head the ball straight up into the air so that it fell at the feet of an opponent. It had to be assumed that the expression of admiration that was torn involuntarily from the mouth of Freddie's mother was due to the surprising height, about thirty feet, the ball had achieved by bouncing off Freddie's head. Freddie's mother was apparently not scouting for one of the senior clubs.

Gary, John decided after applying rigorous rules of non-favouritism to his judgment, was playing quite well. At ten, he had already acquired basic ball control and he wasn't quite as guilty as most of them were of simply following the ball wherever it went, as if they were attached to it by ropes of different lengths. John had been following Gary's games religiously all season, as a way of showing him that he was still very much involved in his life though he might not live in the same house, and the matches had acquired the poignancy of a weekly recital for John, a strange orchestration of his past and his present and his uncertain future.

The movingness was an interweave of many things. Part of it was memory. A municipal football park in Scotland is a casually haunted place, a grid of highly sensitised earth that is ghosted by urgent treble voices and lost energy and small, fierce dreams. John's dreams had flickered for years most intensely in such places. He could never stand for long watching Gary and these other boys without a lost, wandering pang from those times finding a brief home in him. On countless winter mornings he had stood beside parks like this and remembered his own childhood commitment and wondered what had made so many Scottish boys so desperate to play this game. He could understand the
physical joy of children playing football in a country like Brazil. But on a Saturday morning after a Friday night with too much to drink (and since the separation, every Friday night seemed to end that way), he had turned up to watch Gary and stood, peeled with cold, feeling as if the wind was playing his bones like a xylophone, and seen children struggle across a pitch churned to a treacle of mud. In five minutes they wore claylike leggings, the ball had become as heavy as a cannonball and the wind purpled their thighs. He remembered one touching moment when a goalkeeper had kicked the ball out and then, as the wind blew it back without anyone else touching it, had to dive dramatically to save his own goal-kick.

‘Four-two-four! Four-two-four!' Gary's Company Leader shouted, as if he was communicating.

It was part of the current professional jargon relating to the formation in which a football team should play. Even applied to the professional game, it was, in John's opinion, the imposition of sterile theory upon the most creatively fluid ball-game in the world. Hurled peremptorily at a group of dazed and innocent ten-year-olds, it was as rational as hitting an infant who is dreaming over the head with a copy of
The Interpretation of Dreams.
The words depressed John.

They struck another plangent and familiar chord in his experience of these games. Everything was changing. Week by week, he had been learning the extent of his own failed dreams. Gary had run about so many wintry fields like the vanishing will o' the wisp of John's former expectations, moving remorselessly further and further away from him. He had already virtually lost Carole. She was her mother's daughter, had chosen which side she was on. She would tolerate the times he took them out but, even so young, she had evolved her own discreet code for making their relationship quite formal, like invariably turning her head fractionally when he bent to kiss her, so that her hair on his lips was for him the taste of rejection. Lying in his bed at
night, he used to wonder what her mother was telling her about him.

Gary was more supportive. He didn't take sides but when he was with his father he came to him openly, interested in what was happening in his life and concerned to share as much of his own as he could. Yet, in spite of himself, even Gary made John feel excluded – not just because there was so much time when he couldn't be with him but also because, during the times that they were together, it was as if they were speaking in subtly different dialects. Like a parent who has sent his child to elocution lessons, John felt slightly alienated by the gifts he had tried to give Gary.

The football games had come to encapsulate the feeling for John. They were where he had been as a boy and they were a significantly different place. He had acquired his close-dribbling skills and the sudden, killing acceleration in street kickabouts and scratch games under Peeweep Hill where as many as thirty might be playing in one game. He had practised for hours in the house with a ball made of rolled up newspapers tied with string. He had owned his first pair of football boots when he was fifteen.

‘Put a pea in yer bloody whistle, ref,' one of the works' team players bellowed.

‘Pull your stocking up, Freddie,' the jodhpurs sang.

And John's past and his son's future met in his head and failed to mate. The game wasn't for Gary what it had been for John, a fierce and secret romanticism that fed itself on found scraps – an amazing goal scored and kept pressed in the mind like a perfect rose – a passionate refusal to believe in the boring pragmatism of the conventional authority his teachers represented, a tunnel that ran beneath the crowds of the commonplace and would one day open into a bowl of sunlight and bright grass and the roar of adulation. For Gary it was something you did for the time being, an orderly business of accepted rules and laundered strips and football boots renewed yearly. He could take it or leave it. In a year
or two, he would probably leave it. He was starting to play tennis.

John felt in some ways younger than his son. Gary was learning sensible rules of living. Somehow, John never had. The romanticism he had failed to fulfil through football had dogged him all his life. He had tried to smother it in the practicalities of living, had allowed his marriage to close round it like a mausoleum. Katherine, acquisitively middle-class, had overlaid the vagueness of his dreams with the structure of her ambitions. Because of her, they had moved from the flat to the old semi-detached house to the new detached house they couldn't afford, with a mortgage so destructive of every other possibility but the meeting of its terms that sometimes, coming home to his name on the door, he had felt like Dracula pulling the coffin-lid down on himself before a new dawn had a chance to break. Because of Katherine, he had moved out of the factory to be an agent. Though he had come to hate the job, he was still doing it. He hated agreeing with opinions he found unacceptable. He hated the smiles he clamped on his face going into places. He lived most days between two dreads, the dread of having to fake himself and the dread that it would stop being fakery, that he would get out of bed some morning and there would be no act to put on with his pin-stripe suit. The act would be him.

Finding that Katherine was involved with somebody else had been a kind of bitter relief, since he had been doing the same. The result had been less recrimination than admission of an already accomplished fact. They were finished. They were like two actors who had, unknown to each other, secretly contracted out of a long-running play in which neither believed any more. For both, the new involvements hadn't lasted long.

The affairs had happened not so much for their own sakes as to provide ways of denying their marriage. Once that was denied, John had had to confront the continuing reality
of his romanticism. He didn't want a career, he didn't want a big house, he didn't want stability. He wanted a grand passion, he wanted a relationship so real, so intense that it would sustain him till he died.

It was perhaps that rediscovery of himself, the resurgence of vague longings in him that had made him part from Katherine with a grand, flamboyant gesture: He had simply walked out of the house with nothing more than two suitcases and his collection of jazz records. At thirty-seven he went romantically back out into the world with aspirations as foggy as an adolescent's, some changes of clothes, and records for which he had no record-player. He left the house (in joint names), the car (he had the firm's car), every stick of furniture, the dog, the cat. Only the children he saw as remaining from his unsuccessful pretence of being someone else. And even there the grandeur of his mood had refused to descend to petty specifications. He had made no stipulations about access. Katherine had never tried to stop him seeing them. They were blood of his blood, he always thought. What could a piece of paper and some legal jargon do to alter that?

That day, struggling along the street to where the car was parked away from the house, with his two suitcases and his jazz records in two plastic bags he was praying wouldn't give at the handles, he had felt a great elation. The house lay behind him like a discarded uniform. He wasn't who they had all thought he was. He was a mystery, even to himself. He would be defined by her. Her, wherever she was. Since his teens, lying in bed at night, he had seen her dimly from time to time, as behind a veil, an ectoplasm of limbs, a floating, half-glimpsed smile like a butterfly in moonlight. It was time to take off the veil, to touch the solidity of her presence. He felt as dedicated as a medieval knight. Where would his journey take him?

It took him first of all to 53 Gillisland Road. He rented a single room with a gas-fire that worked on a coin-meter, a
papered ceiling which looked as if somebody had started to strip it and then grown bored, a single bed and a moquette suite so larded with the past that John wondered if the settee had doubled as a dinner table. There was a shared kitchen, a shared lavatory. There were in another room two boys from the Western Isles who sang in Gaelic when they were drunk, which appeared to be every night. Their names emerged, from midnight meetings in the kitchen to make coffee, as Calum and Fraser. They were full of oblique jokes only understood by each other, like a touring vaudeville team who hadn't yet adjusted to the local sense of humour. There was Andrew Finlay, a fifty-five-year-old recent divorcee with a cough that preceded him everywhere like a town-crier. He still couldn't believe what had happened to him. He was given to knocking at doors throughout the evening until he found someone who could confirm for him that he was really there. John became a frequent victim and had learned to dread that cough, like the lead mourner bringing in his wake the funeral for himself that was Andrew Finlay. There were others who remained no more to John than the same song played again and again or a flushing cistern. The house had once been the sort of place Katherine had always wanted and then it had fallen on hard times and been divided into bedsits, so that John felt he had become a lodger in his own past.