Ayesha’s gravity, while low, met the threshold that eliminated eighty percent of the physiological degradation caused by zero-gee. The rest of the effects could be offset by adding two compensatory technologies: a centrifugal exercise complex—a so-called “spin gym”—to the ground station; and habitation modules that would rotate around the tethered fuel head, which the crew would inhabit in two-week shifts.
The tethered fuel head was the new feature that Nkomu had added to his design. Responding to Nadine’s initial criticism regarding the need for fuel shuttles to transport the deuterium from ground tanks to the waiting ships, Nkomu had put the tanks in low orbit, linked to the ground by a tether. The refinery output conduits now simply followed that cosmic leash up to a free-floating tank farm. The calling ships could now take on hydrogen directly, simultaneously reducing refueling costs and time.
So maybe, Nadine admitted as she reached out to put the hardcopy proposal directly before her in what felt like a gesture of commitment, a sane, sustainable energy plan might actually be able to transcend the tangled morass of Haven’s otherwise corrupt and dysfunctional commercial politics. In this benighted junkheap of a system, it was often easier to believe that salvation required a fortuitous miracle, rather than basic common sense. But today it looked very much like common sense—which was anything but common—was finally in a position to triumph. Nkomu’s ingenuity, insight, and skill would prevail after all.
But not without the timely intercession of the two co-dominators that truly ruled Haven: chance and blind-luck. Fortune had indeed smiled upon Paul Nkomu’s brainchild—but only because it had turned its face away from Avram Meissen, Klaus Vebler, and the H2GAS consortium which had perched on their brave shoulders like a pitiless vulture.
Nadine sighed and pulled up the admin screen for initiating new project funding. Fingers poised above the keyboard, she reflected that while such perverse and ironic twists of fate could happen anywhere, they seemed oddly commonplace on Haven.
And as she did so, she typed; “re: commencement of funding for Mr. P. Nkomu’s design for a deuterium harvesting station on satellite six, colloquially known as Ayesha….”
2078 A.D., Earth
The lights in the viewing room dimmed, and the officers from the Bureau of Relocation shared final satisfied looks with the executives of the advertising agency.
This screening was being held for their very special guest; seated in the center of the auditorium was Edgar Paulsen, the representative from the CoDominium Information Council. Paulsen was a pensive, ferret-faced bureaucrat who frowned a lot without ever telling anyone what was bothering him. Most people who dealt with him considered Paulsen an easily distracted, even absent-minded man, which was a very grave mistake. In fact, he was certifiably brilliant, and if his moods and expressions changed rapidly, it was because he routinely summoned up complex problems he needed to deal with, brooded a moment, solved the problem in his head and moved on to the next one.
Paulsen was here today to review the latest effort from the public relations department of BuReloc. Flanking him were Brian Callan, the junior BuReloc executive who had commissioned the ad spot, and Scott Saintz, senior partner of the Saintz-Raddison agency, which had produced it.
Neither man took the ad too seriously; BuReloc was not a public enterprise. As a CoDominium entity, its powers exceeded the constitutional authority of any nation where it operated, and it operated everywhere. Still, public resistance to BuReloc “excesses” was on the rise, and something needed to be done.
The result was the thirty second holo-spot being premiered today in its final form. The project had been arduous, since Paulsen’s office had insisted on location shooting and complete physical accuracy. Over the past year, Saintz-Raddison’s people had worked closely with BuReloc execs, traveling throughout the CoDominium for locations, and the two offices had developed good working relations. Today’s screening was as much a wrap party for them as it was a presentation for Paulsen, and they were all looking forward to the celebration that would follow.
Paulsen blinked slowly and nodded to Callan, a signal that he was ready for the film to begin.
Before them, the screen shifted spectra from neutral blue to a star-field dappled black, onto which came the bulk of a sleek CoDominium cruiser. The narration began, just as the main thrusters of the CoDo ship came into view, and the camera angle swiveled around the gleaming ship.
“The new frontier.”
Callan leaned over and whispered to Paulsen: “The narrating voice is performed by a computer-generated combination of three actors of the late nineteen-nineties; each voice was chosen for its qualities of recognition, sincerity and strength.”
Paulsen nodded slightly and answered, as if speaking to himself. “It’s like listening to the cloned child of Mister Rogers, James Bond and Darth Vader.” Without knowing it, he was two-thirds correct.
“This is the challenge that awaits humanity here, today, at the dawn of this new age,”
the inhuman voice assured its audience. The sincerity aspect was important for the public, but it was wasted on the BuReloc and Saintz-Raddison people; they knew what was being sold here.
“Centuries of strife have ended, to bring this golden era of peace on Earth.”
“Hasn’t seen the tapes of the food riots in Tokyo this morning, has he?” another dark figure in the darker room asked. His companion chuckled.
On the screen, the camera’s point of view had pierced the hull of the cruiser, and now moved down spacious corridors where people in coveralls moved purposely about undefined tasks, passing one another on opposite sides with crisp waves and cheerfully determined smiles.
A BuReloc woman in the audience snorted. “If this was shot on a CoDo ship, they used dwarves for actors.”
“It was.” The Saintz-Raddison beside her finished lighting two ganjarettes and handed her one. “And they did.” Their laughter sparkled, their smiles in the darkness reflecting tiny red pinpoints of light from the smoldering tips held carelessly before them.
“And these are the people who will shape this golden era, the people who will make this age-old dream a reality.”
“If they can ever learn to wake up without screaming,” a Saintz-Raddison man said, and the room erupted into laughter.
Drowned out by the mirth, the narration continued:
“These are the men and women of the new frontier, whose bold spirit of adventure and dedication to the future will literally win worlds for them and their children.”
The camera’s point of view had moved onto the cruiser’s bridge now, and looked out a viewscreen that would make the one on which it was projected look like a postage stamp, had it ever existed. But it was pure fiction; the bridges of CoDominium cruisers were not built for the view. In the mythical viewscreen, a blue-green sphere loomed, graphic enhancements (and probably subliminal encoding) making it a hundred times more appealing than any tiresomely familiar snapshots of the blue-white old maid that was Earth.
“For this frontier is a place where all the old freedoms are alive and well.”
The voice paused, which was a mistake.
“Freedom to bleed, freedom to starve, freedom to die in childbirth, freedom to sell your daughters for scotch.” The BuReloc woman was giggling as she counted off the points on perfectly manicured nails. Eventually she lost her composure, and her friend hugged her to stifle gales of laughter.
The camera pulled back to show a farmwork-hardened colonist straighten up over his hoe to stretch luxuriantly, and regard with pride the open fields, evidently his, that stretched on for miles.
“And where a man can have all the land he will ever need.”
The entire audience, pushed to the brink by the past few minutes’ comments, erupted into guffaws and howls of amusement.
“Yeah, a six-foot plot!” Callan couldn’t help himself, the film was a huge success, and the party had apparently started early.
The camera panned up, into a starlit, indigo sky, and the Great Seal of the CoDominium faded into view, with the narrator’s tag line:
“The CoDominium’s Bureau of Colonization. Renewing the dreams of our forefathers, every day.”
The lights came up as the laughter died down, the audience composing itself as its constituent members tapped out notes on datapads, chuckling to the person next to them.
“Oh, boy, that’s great stuff.” Callan pushed his glasses up on his nose as he entered figures for minimum police strengths required for the next days’ round-up in London’s Trafalgar Square. A rally to protest Britain’s acceptance of Bureau of Relocation aid in various social programs would allow a vast number of English speaking colonists to be gathered and send a clear signal to the rest of the United Kingdom. The police would be CoDo, of course; had to keep it non-partisan. And best to draw them from the Russian half. It would do everybody good to remind the world that the old bear still had teeth.
He looked across Paulsen to see Scott Saintz wearing a pained smile as he listened to Paulsen.
“But, Mr. Paulsen,” Saintz was explaining, “you must understand; our people spent a long time on those CoDo ships and colonies. They’re just blowing off steam.”
Paulsen was shaking his head. “I still don’t see what’s so funny.”
Saintz’s gaze flickered to Callan in a clear plea for help.
“Is there a problem, Mr. Paulsen?” Callan asked neutrally; he liked Saintz, but surviving unexpected disapproval by superiors was the hallmark of the successful bureaucrat.
Paulsen shook his head again. “There’s nothing wrong with the film; it’s an excellent piece of work. I’m just puzzled by the reaction of Mr. Saintz’s people. And yours too, for that matter, Mr. Callan.”
Callan had to choke back a laugh of his own.
“Ah, yes. Well, Mr. Paulsen, in any public relations venture, a certain amount of embellishment is always necessary, to—”
Paulsen cut him off “Embellishment?”
Callan’s mouth was open; he shut it with an audible pop. What was Paulsen saying? That he believed conditions on all CoDo ships were like that? That all CoDo colonies were like that? Had Paulsen somehow missed the open secret—that those ships were, in fact, claustrophobic steel coffins bulk-freighting human refuse to backwater wastelands, pausing only long enough to jettison their miserable cargo, leaving them to scrabble for survival or die, and heading back to pick up another load of forced deportees?
Paulsen began closing up his own datapads and—an incredible anachronism—paper notebook. “It’s a very good advertisement, gentlemen,” Paulsen said. “Very good indeed. I see no reason to withhold Bureau of Information approval for its distribution.”
Paulsen stood, looking down at them as he re-buttoned his jacket. “We’ve a lot of work ahead of us in the years to come. These riots and roundup measures are effective, from a bulk point of view. But the best colony worlds are getting the best citizens. BuReloc’s getting the dregs of humanity, and that simply won’t do if we’re to build real worlds out there.” Paulsen looked back at the blank screen, his smile almost wistful. “Something like this will encourage the brighter ones who can’t afford citizenship on the better colonies to take a chance on the more marginal ones.”
Callan was frowning, puzzled. “Excuse me, Mr. Paulsen; but what kind of person even remotely worthy of the term ‘bright’ would willingly go to a place like Tanith, or Folsom’s World, or Haven?”
Paulsen shrugged. “Oh, someone who saw your ad and thought it a transparent lie. Someone who thought they could go to those worlds and organize a union, or form a political party.” Paulsen smiled down at him, and the dithering bureaucrat’s tone was so innocently matter-of-fact that Callan was chilled to the bone.
“You know the sort, Mr. Callan,” Paulsen concluded. “Troublemakers.
Smart
troublemakers have always been the most difficult to deal with productively. But Professor Alderson’s contribution to society has changed all that. My sincere congratulations, gentlemen,” Paulsen shook their hands as he prepared to leave. “This film is going to be a big help.”
Callan watched Paulsen walk up the aisle. Saintz was next to him, babbling in relief at his ad having been approved. “Boy, that was a close one,” Saintz said. “I thought we’d lost the account for sure. Times are tough in the ad business these days; seems people change their agencies like they change their socks.”
Callan nodded distractedly. “Everyone is expendable, after all. That’s what BuReloc’s all about.”
Saintz didn’t respond to that one, just excused himself to join the other celebrants. Callan looked at the blank screen for a long time.
It is desirable to be free if you can. It is natural that the stronger power will subject the weaker. These are not matters of right or wrong but of logic, cost and benefit.
The Limits of Empire
, Benjamin Isaac (Oxford University Press, 1990).
2078 A.D., Earth
M
aenads’ shrieks from Lilith, dedicating a song to “brothers, sisters, and citizens!” tore through Wyn Baker’s lecture yet again.
“You must think of the Fifth Book as more a dialogue than a history,” she said. “Think of two speakers, a voice of Melos and a voice of Athens.”
“Equality now. EQUALITY NOW” brayed from a bullhorn in the square below.
Eight thousand students disentangled themselves from bottles,
borloi
, and each other to bellow agreement. Then electronic guitars and keyboards clamored, and Lilith shrieked once more.
A few note takers, clustered near the front of the hall, recorded her statement. No doubt they were intent on grades, on winning scholarships they hoped would lift them from Citizens status to a post like hers: visiting scholar and Personage. Wyn was too well controlled to wrinkle her nose. She had, she knew, her tenured chair because her family had endowed it generations ago, long before people were divided into Taxpayers and Citizens. She had been born near the top of her world and had dutifully thanked God for that, for good health, and a powerful mind.