The stalwart centurion of the copy editing line, Paula Greenberg, makes certain that all my capitalizations and spellings match and imparts as much consistency as anyone can to someone as chaotic as I am.
The patient Joe Schaumburger ensures that none of us forget anything, keeping track of it all, occasionally proofreading, reminding us that we haven't sent our proof corrections, and a million other things, all at once. I can only conclude he has a monumental memory, as well as a charming personality, and it is always a pleasure to hear from him.
Out in the “field” are all the booksellersâthe independents, who start so many careers, and the chains, who nourish careers. We have the American Bookseller's Association to thank for the fact that there is scarcely a town in the United States that does not have a bookstore, which was
not
the case when I was a youngster. We have the ABA to thank for crusading tirelessly against those who would have books taken off the shelves, censored, and banned.
And we have the American Librarians' Association, who make certain that those who can't afford to buy
all
the books they want can still read them!
On the home front, I have my personal set of High Flight folks to thank, and very first and foremost is Larry Dixon. A talented artist and writer, he also is my “first editor”; everything he has touched has always been immeasurably better for it. He is the best partner anyone could want; he has also become my husband which makes it even better! Interestingly, we began with a working relationship, he as artist, I as writer. It was a collaboration begun the first weekend we met, called “Ties Never Binding.” It evolved into the “Winds” trilogy.
Another co-writer, Mark Shepherd, is our secretary in addition to being my protégé. He is the one who keeps track of fan mail, release-forms for fan-fiction, insurance papers, correspondence, schedules, and all the rest. Without his help, we would be in a far greater mess than we are!
And riding tail-guard at the Aerie is Victor Wren, Larry's assistant and computer guru extraordinaire. It is Victor's expertise that makes it possible for us to bring you the images you have seen in this book; Larry's pencil drawings are scanned into their computer imaging system, Larry and Victor retouch them there, add special effects, then print them out as camera-ready halftones.
We have had the help of fellow wildlife rehabbers, fellow members of NAFA (North American Falconry Association), and others who devote themselves to preserving the wild for future generations.
There are our friends in the fieldâAndre Norton, Marion Zimmer Bradley, Anne McCaffrey, Ellen Guon, Holly Lisle, Josepha Sherman, Martin Greenberg, Mike Resnick, Judith Tarr, Esther Friesner, Lisa Waters, Ru Emerson, Tanya Huff, Elizabeth Moon, C.J. Cherryh, Terri Lee, Nancy Asire, and many others.
Last, and surely the best, are the fans. “Herald House-Mother,” Judith Louvis, who runs the fan club “Queen's Own,” all of the editors and contributors of the fanzines, the folk in “Queen's Own OnlineâModems of the Queen” on GEnie, and all of you who have enjoyed these stories and keep asking for more. This is a heartfelt acknowledgment and sincere thanks to all of you. We will be writing of Heralds and Companions, Shin'a'in, Tayledras, and Kaled'a'in, the past and future of Valdemarâoh yes, and the Eastern Empireâfor as long as you care to read the stories.
Zhai'helleva!
Mercedes Lackey
MERCEDES LACKEY
The Novels of Valdemar
Anthologies :
Mercedes Lackey & Larry Dixon
The Novels of Valdemar
“Lackey and Dixon always offer a well-told tale”
âBooklist
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DAW26
MERCEDES LACKEY
THE BLACK SWAN
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After his wife's untimely death, a powerful sorcerer dedicates his life to seeking revenge against all womankind. Scouring his lands for women who inspire his rage for vengeance, he turns them to swans that only regain their human forms by the transitory light of the moon. Only Odette, noblest of the enchanted flock has the courage to confront her captor.
Can she gain the allies she needs to free herself and the other swan-maidens from their magical slavery?
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DAW 49
MERCEDES LACKEY
Reserved for the Cat
The Elemental Masters Series
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In 1910, in an alternate Paris, Ninette Dupond, a penniless young dancer, recently dismissed from the Paris Opera, thinks she has gone mad when she finds herself in a conversation with a skinny tomcat. However, Ninette is desperateâand hungryâenough to try anything. She follows the cat's advice and travels to Blackpool, England, where she is to impersonate a famous Russian ballerina and dance, not in the opera, but in the finest of Blackpool's music halls. With her natural talent for dancing, and her magic for enthralling an audience, it looks as if Ninette will gain the fame and fortune the cat has promised. But the real Nina Tchereslavsky is not as far away as St. Petersburg. . .and she's not as human as she appears. . .
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The Elemental Masters:
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